At 'Consolidated' the office manager (Tomlin) the vice president's secretary (Parton) and the newest employee (Fonda) become great friends as they share their resentment about their egotistical sexist boss (Dabney Coleman). When they inadvertently get a chance to take revenge they institute a host of popular office procedures in his absence - even as their scheme spins wildly out of control! Full of witty social commentary this delightful comedy marks Dolly Parton's first film d
Dating from 1969, Butch Cassidy and the Sundance Kid has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more level-headed partner, the sharp-shooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the film maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom Keogh, Amazon.com On the DVD: This anamorphic widescreen print of the 2.35:1 Panavision original looks marvellously crisp, highlighting the sepia tinting and washed-out, over-exposed look of the film nicely and making the best of the deep focus cinematography. The mono soundtrack sounds clean and clear in Dolby 2.0. The commentary track is hosted by documentary-maker Robert Crawford with contributions from George Roy Hill, cinematographer Conrad Hall, and lyricist Hal David (who chips in during the "Raindrops" sequence). The 40-minute documentary dates from 1968 and is narrated by director Hill, who talks in detail about the making-of process, comments on his relationship with the three principals (Katharine Ross was the difficult one apparently), and adds little nuggets such as how they sprayed the bull's testicles to make him charge at the end of the bicycle scene. Also included are a series of absorbing 1994 interviews with all the main players: Newman, Redford, Ross, writer William Goldman, and composer Burt Bacharach. Trailers, Production Notes and an Alternate Credit Roll complete an attractive package. --Mark Walker
Dreamlike and nightmarishly surreal, Vertigo is Hitchcock's most personal film because it confronts many of the convoluted psychological issues that haunted and fascinated the director. The psychological complexity and the stark truthfulness of their rampant emotions keeps these strangely obsessive characters alive on screen, and Hitchcock understood better than most their barely repressed sexual compulsions, their fascination with death and their almost overwhelming desire for transcendent love. James Stewart finds profound and disturbing new depths in his psyche as Scotty, the tortured acrophobic detective on the trail of a suicidal woman apparently possessed by the ghost of someone long dead. Kim Novak is the classical Hitchcockian blonde whose icy exterior conceals a churning, volcanic emotional core. The agonised romance of Bernard Herrmann's score accompanies the two actors as a third and vitally important character, moving the film along to its culmination in an ecstasy of Wagnerian tragedy. Of course Hitch lavished especial care on every aspect of the production, from designer Edith Head's costumes (he, like Scotty, was most insistent on the grey dress), to the specific colour scheme of each location, to the famous reverse zoom "Vertigo" effect (much imitated, never bettered). The result is Hitch's greatest work and an undisputed landmark of cinema history. On the DVD: This disc presents the superb restored print of this film in a wonderful widescreen (1.85:1) anamorphic transfer, with remastered Dolby digital soundtrack. There's a half-hour documentary made in 1996 about the painstaking two-year restoration process, plus an informative commentary from the restorers Robert Harris and James Katz, who are joined by original producer Herbert Coleman. There are also text features on the production, cast and crew, plus a trailer for the theatrical release of the restoration. This is an undeniably essential requirement for every DVD collection. --Mark Walker
The classic `rock and roll' film of the 50's and the Jayne Mansfield movie featuring her legendary strut down the street to Little Richard's title song while holding a pair of strategically placed milk bottles melting ice and shattering glasses. Around a simple comic plot - gangster hires alcoholic press agent to make a singing star out of his incredibly voluptuous but tone-deaf girlfriend - director Frank Tashlin creates a feast for eyes and ears in `the grandeur of CinemaScope' a
3:10 to Yuma is a tight, taut Western in the High Noon tradition. Struggling rancher and family man Van Heflin sneaks captured outlaw Glenn Ford out from under the eyes of his gang and nervously awaits the prison train. Adapted from an Elmore Leonard story, this tense thriller is boiled down to its essential elements: a charming and cunning criminal, an initially reluctant hero whose courage and resolution hardens along the way and a waiting game that pits them in a battle of wills and wits. Glenn Ford practically steals the film in one of his best performances ever: calm, cool and confident, he's a ruthless killer with polite manners and an honourable streak. Director Delmer Daves (Broken Arrow) sets it all in a harsh, parched frontier of empty landscapes, deserted towns and dust, creating a brittle quiet that threatens to snap into violence at any moment. --Sean Axmaker, Amazon.com
The third instalment in the cinematic incarnation of Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Games is a more complex, rewarding and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Big Wednesday), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin American jungle. There are a couple of remarkable set pieces expertly handled by Patriot Games director Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. --Tom Keogh
""""Steve Austin astronaut a man barely alive. Gentlemen we can rebuild him we have the technology. We have the capability to make the worlds first Bionic man. Steve Austin will be that man. Better than he was before. Better. Stronger. Faster."" The Six Million Dollar Man is a sci-fi television series about Steve Austin a biomechanical government agent investigating all-manner of conspiracies and crimes. Infused with robotic enhancements Steve can call upon su
Gigolo con-man Latigo Smith needs to get something off his chest - the tattooed name of his most recent ex-fiance. But while he is waiting for the local doctor to sober up and perform the operatio Smith overhears that local mining baron Taylor Barton is looking to shut down his mining competition by hiring the notorious gunman Swifty Morgan. Seizing the opportunity for an easy con Smith passes off a reprobate cow-hand as the dreaded Swifty and pockets the cash. Bank roll in hand
On his way to Australia a frontier opportunist stumbles into a small gold-rush town and decides to earn a little extra pocket money by accepting a temporary assignment as their sheriff. Happily applying himself to his new position McCullough manages to turn the town derelict into his deputy outsmart the dreaded Danby clan and fend off the lusty advances of the mayor's daughter - all without breaking a sweat or dirtying his shiny black boots!
Hollywood Pictures and Amblin Entertainment deliver an electrifying rollercoaster ride of a movie! Everyone is afraid of something..for Dr Ross Jennings (Jeff Daniels) his phobia is downright embarrassing. But when he moves his family to a small town the one thing that bugs him most is now threatening the townspeople at an alarming rate. For this unlikely hero overcoming a childhood fear of spiders might just save them all but it may already be too late! Directed by Frank Marshal
The third instalment in the cinematic incarnation of Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Games is a more complex, rewarding and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Big Wednesday), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin American jungle. There are a couple of remarkable set pieces expertly handled by Patriot Games director Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. --Tom Keogh
Director Brian De Palma pits sexuality against physical violence in a roller coaster of a thriller starring Craig Wasson and Melanie Griffith. A beautiful young woman performs a seductive striptease at the window of her fabulous Hollywood home. A struggling young actor watches entranced from a house nearby drawn into her obsession. Suddenly he becomes a helpless witness to her savage murder. Compelled to track down the psychopath responsible his investigations lead him into the stark and perverted world of the body double.
With a remarkable cast headlined by Ian Carmichael, Richard Attenborough, Dennis Price and Terry Thomas, WWII army comedy Private's Progress was one of the major British hits of 1956. Carmichael is Stanley Windrush, a naïve young soldier who during training falls in with the streetwise Private Cox (Attenborough). Windrush's uncle is the even more ambitiously corrupt Colonel Tracepurcel (Price), who plans to divert the war effort to liberate art treasures already looted by the Germans. The first half of the film is quite pedestrian, though the pace picks up considerably once the heist gets underway, and the cheery tone masks a really rather dark and cynical heart. Carmichael's innocent abroad quickly wears thin, but Attenborough and Price steal the film, as well as the paintings, with typically excellent turns. With a nod in the direction of Ealing's The Ladykillers (1955) the film also anticipates the attitudes of both The League of Gentlemen (1959) and Joseph Heller's novel Catch 22 (1961), though lacks the latter's greater sophistication. The cast also contains such British stalwarts as William Hartnell, Peter Jones, Ian Bannen, John Le Mesurier, Christopher Lee and David Lodge, and was sufficiently popular to reunite all the major players for the superior sequel, I'm Alright Jack (1959). On the DVD: Private's Progress is presented in black and white at 4:3 Academy ratio, though the film appears to have been shot full frame and then unmasked for home viewing so there is more top and bottom to the images than at the cinema. The print used shows constant minor damage and is quite grainy, though no more than expected for a low-budget film of the time. The mono sound is average and unremarkable, and there are no special features. --Gary S Dalkin
3:10 to Yuma is a tight, taut Western in the High Noon tradition. Struggling rancher and family man Van Heflin sneaks captured outlaw Glenn Ford out from under the eyes of his gang and nervously awaits the prison train. Adapted from an Elmore Leonard story, this tense thriller is boiled down to its essential elements: a charming and cunning criminal, an initially reluctant hero whose courage and resolution hardens along the way and a waiting game that pits them in a battle of wills and wits. Glenn Ford practically steals the film in one of his best performances ever: calm, cool and confident, he's a ruthless killer with polite manners and an honourable streak. Director Delmer Daves (Broken Arrow) sets it all in a harsh, parched frontier of empty landscapes, deserted towns and dust, creating a brittle quiet that threatens to snap into violence at any moment. --Sean Axmaker, Amazon.com
The hit of the 1969-1970 season, Department S was an attempt on the part of television company ITC to create a "with-it" follow-up to the The Saint and Man in a Suitcase series which were starting to look staid by then. The department of the title is notionally part of Interpol, a group managed by the first of many black TV top cops (here Denis Albana Peters), and assigned all the bizarre cases The Avengers hadn't handled. Often they would come up against modern variations on the classic "locked-room" or "paradox" mysteries so favoured in crime fiction, mysteries which verge on the sort of phenomena The X Files would later specialise in (except no aliens appear in Department S). The supposed leads are Action-Man-type Stewart Sullivan (Joel Fabiani) and English-rose computer whiz Annabelle Hurst (Rosemary Nichols), but the break-out character is the flamboyant Jason King (Peter Wyngarde), a mystery writer and puzzle-solver notable for his Fu Manchu facial hair and an enormous wardrobe of safari suits, ruffled shirts, flared trousers and velvet jackets. King was the only male character on TV to be as fashion-conscious as the Avengers girls, and his preening peacock attitudes--along with the scripts' above-average mysteries--made this essential viewing for the Age of Aquarius. Volume One includes the following episodes: "Six Days", in which a missing airliner turns up but the passengers have no idea that they've lost six days, with Peter Bowles; and "The Trojan Tanker", in which a mystery woman is found in a luxury suite concealed inside an oil tanker, with Simon (Doomwatch) Oates. --Kim Newman
Universally recognised as the Master of Suspense, the legendary Alfred Hitchcock directed some of cinema's most thrilling and unforgettable classics. The House of Hitchcock features 18 iconic films from the acclaimed director's illustrious career including Psycho, The Birds, Rear Window, Vertigo and North by Northwest, plus a range of limited edition extras including blueprints of the infamous Psycho House, original storyboards from some of his finest movies, movie poster artcards for all the films, and a booklet about the man himself. Includes: SABOTEUR SHADOW OF A DOUBT ROPE STRANGERS ON A TRAIN DIAL M FOR MURDER REAR WINDOW TO CATCH A THIEF THE TROUBLE WITH HARRY THE MAN WHO KNEW TOO MUCH VERTIGO NORTH BY NORTHWEST PSYCHO (1960) THE BIRDS MARNIE TORN CURTAIN TOPAZ FRENZY FAMILY PLOT Bonus features: DOCUMENTARIES EXPERT COMMENTARIES INTERVIEWS SCREEN TESTS STORYBOARDS AND MUCH MORE! Plus: ORIGINAL LETTERS, STORYBOARDS, BLUEPRINTS AND MORE...
Here in all it's glory is Crossroads on DVD for the very first time. Meg and Sandy Richardson Benny Hawkins Adam Chance Shughie McFee - the names still strike a chord in the memories of a generation of people who sat entranced watching the latest escapades of the staff and customers of Crossroads motel. Entranced but usually for the wrong reason! Would the walls wobble? Would the actors dry up or start laughing mid sentence? Anything could happen. Unrepeated for many years th
Set in San Francisco James Stewart portrays an acrophobic detective hired to trail a friend's suicidal wife (Kim Novak). After he successfully rescues her from a leap into the bay he finds himself becoming obsessed with the beautifully troubled woman. One of cinema's most chilling romantic endeavours: its fascinating myriad of haunting camera angles shot among some of San Francisco's renowned landmarks. This film is a must for collectors: Leonard Maltin gives Vertigo four stars.
Producer George Pal and director Byron Haskins' landmark adaptation of the H.G. Wells classic novel that focuses on the invasion of the earth by Martian war machines. It's a work of frightening imagination with its manta-ray spaceships armed with cobra-like probes that shoot a white-hot disintegration ray. As formations of alien ships continue to wreak destruction around the globe the military is helpless to stop this enemy while scientists race to find an effective weapon. It fi
Butch Cassidy And The Sundance Kid The Sundance Kid is the fastest gun in the West his sidekick Butch is a dreamer always planning that bigger better bank raid. But things are getting tougher and soon the accident-prone anti-heroes decide it's time to head south and disappear into legend... Winner of 4 Oscars including Best Screenplay for William Goldman and Best Song ('Raindrops Keep Fallin' On My Head') and Best Score for Burt Bacharach. The Hustler Paul Newma
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