Clark Gable and Claudette Colbert team up for laughs as mismatched lovers in this 1934 screwball comedy classic. Spoiled Ellie Andrews (Colbert) escapes from her millionaire father (Walter Connolly) who wants to stop her from marrying a worthless playboy. En route to New York Ellie gets involved with an out-of-work newsman Peter Warne (Gable). When their bus breaks down the bickering couple set off on a madcap hitchhiking expedition. Peter hopes to parlay the inside story of their
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
A love story set in 1930s England that follows 17-year-old Cassandra Mortmain, and the fortunes of her eccentric family, struggling to survive in a decaying English castle.
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Missile to the Moon: An expedition to the moon arrives to find a sinister female presiding over a race of moon-women. A remake of 'Cat Women of the Moon'. Earth Vs The Flying Saucers: Aliens travel to Earth to seek help for their dying planet. However when they arrive at a U.S Army base the Army mistakenly greet them with gunfire... Planet Outlaws (aka Destination Saturn): The re-edited version of the 1939 Universal serial 'Buck Rogers'. Buck and his comrade Buddy are released from suspended animation after 500 years on ice. The world which they once knew is now under the control of Killer Kane a terrifying mobster. Needless to say the duo quickly get onboard a plan to take down the criminal mastermind and his band of futuristic assasins.
It's a Wonderful LifeVoted the # 1 Most Inspiring Film Of All Time by AFI's 100 Years... 100 Cheers, It's A Wonderful Life has had just that. With the endearing message that no one is a failure who has friends, Frank Capra's heartwarming masterpiece continues to endure, and after 70 years this beloved classic still remains as powerful and moving as the day it was made. White ChristmasTwo talented song-and-dance men (Bing Crosby and Danny Kaye) team up after the war to become one of the hottest acts in show business. One winter, they join forces with a sister act (Rosemary Clooney and Vera-Ellen) and trek to Vermont for a white Christmas. Of course, there's the requisite fun with the ladies, but the real adventure starts when Crosby & Kaye discover that the inn is run by their old army general who's now in financial trouble. And the result is the stuff dreams are made of. Holiday InnWith music by Irving Berlin, songs by Bing Crosby and dancing by Fred Astaire, Holiday Inn is one of the most delightful and memorable musicals of all time, nominated* for 3 Academy Awards®. Crosby plays Jim Hardy, a song and dance man who leaves showbiz to open a Connecticut Inn. Astaire plays Ted Hanover, Hardy's former partner and rival in love. And, of course there are girls (Marjorie Reynolds and Virginia Dale), an agent (Walter Abel) and plenty of lavish song and dance routines with spectacular production numbers. Scrooge. The spirit of Christmas becomes a musical celebration of life in this rousing adaptation of Charles Dickens' beloved family classic, A Christmas Carol. Mean-spirited and stingy, Ebenezer Scrooge (Albert Finney) has a sour face and humbug for anyone who crosses his path. But on this Christmas Eve, he will learn the terrible fate that awaits him if he continues his miserly ways. One by one, the Ghosts of Christmas Past, Present and Future take the startled Ebenezer on an incredible journey through time - showing him in one magical night what takes most people a lifetime to learn. Filled with joyous songs, this delightful tale is sure to enrich the lives of young and old alike for many more generations.
Moby Dick
This 20th Anniversary edition of E.T. introduces the warmth and sense of magic of Steven Spielberg's much-loved movie to a whole new generation. And it is the youngsters at whom this new version has been aimed, with the film being given a Star Wars-style make-over in the hope that it will appeal to a generation weaned on digital effects. Thus, ET now has a souped-up space ship and the pursuing FBI agents are more politically correct, carrying walkie-talkies in place of guns. They've even given ET himself a CGI face-lift, digitally replacing the beloved puppet in certain scenes. But this is no Apocalypse Now Redux. The re-edited scenes are small and insignificant to the plot: the only additional footage of any note is ET taking a bath and demonstrating that he can breathe underwater, which is amusing but irrelevant. The surprise is that the deleted scene with Harrison Ford playing Elliot's school Principal has still not made it to the new version. Despite such grumbles, E.T. is still the joyful experience it was 20 years ago, only this time grown-ups can follow the story through an added glow of nostalgia, as they fondly remember just how great BMXs were! --Nikki Disney On the DVD: E.T.--20th Anniversary Edition has the revised version of the movie (but not the original cut) on Disc One, presented in 1.85:1 anamorphic widescreen and with a choice of gloriously remastered Dolby 5.1 or DTS sound options. The major beneficiary of this new presentation is John Williams' outstanding music score, which uniquely can also be played along with the film in the live version from the LA Shrine Auditorium 2002 premiere. A documentary about Williams conducting this extraordinary performance and a feature on his original scoring sessions are the best extra features on Disc Two. Other documentaries cover the "Evolution and Creation of ET"; a "Reunion" of the principal cast and crew with some fun behind-the-scenes footage; a piece on the planets of the Solar System narrated by ET himself (!); a photo gallery; trailers, and DVD-ROM extras. There's no director's commentary, but Spielberg does briefly introduce the movie on Disc One. --Mark Walker
The hit of the 1969-1970 season, Department S was an attempt on the part of television company ITC to create a "with-it" follow-up to the The Saint and Man in a Suitcase series which were starting to look staid by then. The department of the title is notionally part of Interpol, a group managed by the first of many black TV top cops (here Denis Albana Peters), and assigned all the bizarre cases The Avengers hadn't handled. Often they would come up against modern variations on the classic "locked-room" or "paradox" mysteries so favoured in crime fiction, mysteries which verge on the sort of phenomena The X Files would later specialise in (except no aliens appear in Department S). The supposed leads are Action-Man-type Stewart Sullivan (Joel Fabiani) and English-rose computer whiz Annabelle Hurst (Rosemary Nichols), but the break-out character is the flamboyant Jason King (Peter Wyngarde), a mystery writer and puzzle-solver notable for his Fu Manchu facial hair and an enormous wardrobe of safari suits, ruffled shirts, flared trousers and velvet jackets. King was the only male character on TV to be as fashion-conscious as the Avengers girls, and his preening peacock attitudes--along with the scripts' above-average mysteries--made this essential viewing for the Age of Aquarius. Volume One includes the following episodes: "Six Days", in which a missing airliner turns up but the passengers have no idea that they've lost six days, with Peter Bowles; and "The Trojan Tanker", in which a mystery woman is found in a luxury suite concealed inside an oil tanker, with Simon (Doomwatch) Oates. --Kim Newman
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Anchor Bay presents seven films from Showtime's much-anticipated Masters Of Horror series! Cigarette Burns (Dir. John Carpenter): Kirby Sweetman knows how to find rare film prints. However nothing could prepare him for the daunting search for 'Le Fin Absolue du Monde' a film allegedly shown only once and rumoured to have driven its audience into a muderous frenzy before the cinema mysteriously erupted in flames. Working for a shadowy patron Jimmy's increasingly obsessive investigation becomes nightmarish and deadly... Dreams In The Witch House (Dir. Stuart Gordon): Walter Gilman a college student studying interdimensional string theory rents a garret in a run-down building in the old New England town of Arkham. He is haunted by terrifying nightmares in which he is visited by a 17th-century witch and her familiar a rat with a human face. He begins to realize that these are not dreams at all and that diabolical forces are gathering to sacrifice his neighbour's infant. As Walter struggles to prevent this it becomes less clear if he will save the child or become its unwitting murderer himself. Incident On And Off A Mountain Road (Dir. Don Coscarelli): Ellen a seemingly defenceless young woman is pitted against Moonface a deformed and demented serial killer. As the story cuts back and forth in time we slowly discover that our heroine is not as helpless nor as innocent as she initially seems. Trained by her abusive husband Bruce to be a survivalist she has been instructed to use any and every available object as a weapon in a time of need. Chained to the floor of Moonface's horrific cabin with his unsavoury roommate (Angus Scrimm) Ellen must marshal all her survival skills as she races against the clock to escape a grisly fate... Chocolate (Dir. Mick Garris): Jamie is a newly divorced young man who creates artificial flavours for the food industry. Suddenly he inexplicably starts to experience brief and random sensory flashes from someone - and somewhere - unknown: sights sounds smells and touch. Learning that he's experiencing life through the senses of a mysterious woman he begins to fall in love with her - without ever having met her. Eventually he discovers a horrifying secret that binds him inexorably with the perfect woman in an erotic horrifying dance of death... Sick Girl (Dir. Lucky McKee): Angela Bettis stars as a shy entomologist whose drab life is changed by the simultaneous arrival of a large mysterious bug and a torrid affair with a sexy young woman. But when the bizarre insect chooses a shocking place to secretly feed Sapphic ecstasy turns to infection mutation and murder. Will these lesbian lovers let a venomous threesome tear them apart or is the most horrific metamorphosis of all yet to come? Deer Woman (Dir. John Landis): Detective Dwight Faraday is a burnt-out cop demoted to the 'weird calls' desk until a series of bizarre murders suddenly grabs his attention: Several men killed by massive blunt force trauma while in a state of sexual arousal all last seen in the company of a sexy Native American woman. But when it's discovered that these corpses were trampled into hamburger by what appear to be hooves Faraday must hunt a killer who may not be totally human. Will one cynical cop be caught like a deer in the headlights or has a horrifying seductress risen from legend to slaughter the horny? Homecoming (Dir. Joe Dante): It's a few weeks before the Presidential election and an unpopular war still rages overseas. But when the Republican Commander-In-Chief wishes that our dead troops could return to tell America how proud they were to serve their country veterans begin to rise from their flag-draped coffins....
OUIJA - A group of friends must confront their most terrifying fears when they awaken the dark powers of an ancient spirit board. OUIJA: ORIGIN OF EVIL - In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their seance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.
Winner of four Academy Awards'' including Best Visual Effects Best Sound Effects Best Music and Best Sound E.T. The Extra-Terrestrial is the heart-warming family classic from director Steven Spielberg. When an alien (E.T.) is inadvertently left behind on earth he finds refuge with youngster Elliot (Henry Thomas). As Elliot and E.T. bond as friends it soon becomes clear that E.T. must find his way home before government officials capture him for study. Together E.T. Elliot and Elliot's family and friends help reunite E.T. with his spaceship.
Psycho: The classic Hitchcock thriller involving a series of murders at a lonely motel where the deaths are attributed to the mother of the young owner. Psycho 2: Norman Bates is coming home after spending 22 years in a mental institution. He plans to renovate the old Bates Motel the place where his first murders occurred... Psycho 3: The Bates Motel is again the site of some nasty doings as the rehabilitated Norman who has installed a new ice machine att
There are worse things than dying... An abandoned house with a gruesome past starts out as a hiding place for a group of Civil War criminals stealing Confederate gold but quickly becomes a deadly trap where no one is safe from the walking dead. They must ultimately must decide if their fate inside its walls is worse than the one that awaits them on the outside...
Matt Damon and Henry Thomas star as John Grady Cole and Lacey Rawlins, two young cowboys in 1949 who ride from Texas into Mexico in search of what may be left of the Old West.
One of the much-loved classics of all-time and a masterpiece from award winning film maker Steven Spielberg, E.T. - The Extra Terrestrial is released for the first time ever in stunning high definition Blu-ray. To celebrate the 30th Anniversary of this much loved classic, the picture and sound have been fully restored to give a stunning Blu-ray special edition. Loaded with all-new special features E.T. - The Extra Terrestrial is a must-own for all fans of high definition to give an out of this world experience.A lost alien, three million light years away from home. A lonely ten-year old boy willing to take him home. Two lives changed by a timeless adventure and a friendship that knows no earthly bounds.Winner of four Oscars and two Golden Globes, including Best Motion Picture, ET is funny, moving and unforgettable.A captivating classic that will embrace everyone with its magic touch.
The events leading up to an 11:14 PM car crash, from five very different perspectives.
Expect the Impossible. Tom Cruise stars as Ethan Hunt a secret agent framed for the deaths of his espionage team. Fleeing from government assassins breaking into the CIA's most impenetrable vault clinging to the roof of a speeding bullet train Hunt races like a burning fuse to stay one step ahead of his pursuers and draw one step closer to discovering the shocking truth. ""This tape will self-destruct in five seconds.""
Please wait. Loading...
This site uses cookies.
More details in our privacy policy