Funeral in Berlin (1967) is the sequel to 1965's The Ipcress File, again featuring Michael Caine as reluctant spy Harry Palmer. It was clearly the filmmakers' intention to make Palmer a harder-nosed James Bond, and director Guy Hamilton was brought to this project in between Goldfinger and Diamonds Are Forever for that purpose. There's espionage intrigue, easy women (Eva Renzi as Samantha Steel), and gunplay. But without the gadgetry, one-liners, or even the John Barry score of the first movie, the Bond comparison runs dry. Against the backdrop of a bombed-out industrial wasteland that was Berlin in the mid-Sixties, Palmer is sent to facilitate the defection of Col. Stock (Oscar Homolka). Numerous sub-plots weave together involving indifferent chief Ross (Guy Doleman from IPCRESS), mission aide Johnnie Volkon (Paul Hubschmid), and the untrustworthy Kreutzman (Günter Meisner, who was more memorable as Slugworth in Willy Wonka and The Chocolate Factory). It all comes down to revealing who's working for whom and who's really defecting in the set-piece funeral of the title. The main reason the series continued (Ken Russell's OTT Billion Dollar Brain came next) was the commanding presence of Caine. It's fun to hear him try German, and he manages a few subtle comic gems, such as when a waiter asks "Bitte mein heir?" and he replies, "No. Lager please", but the best moment of characterisation recalling the womanising Palmer of Len Deighton's novels is the put down guaranteed to win any woman: "You're useless in the kitchen. Why don't you go back to bed?" --Paul Tonks
Eugenie an innocent young woman taken to an island paradise where she is initiated into a world of pleasure and pain controlled by the sinister Dolmance (Christopher lee). But when she surrenders to her own forbidden fantasies Eugenie becomes trapped in a frenzy of drugs sadomasochism and murder. Can a frightened girl in the grip of carnal perversion find sanctuary in the orgies of the depraved? Based on De Sade's notorious novel 'Philosophy In The Boudoir'.
In this classic tale of horror and perversion the infamous Jack the Ripper terrorizes the East End of London of the late 19th century by killing and mutilating prostitutes. Scotland Yard assigns Inspector Selby (Andreas Mannkopff) a young and ambitious police commissioner to the case. As his investigation goes nowhere and public pressure rises his beautiful girlfriend Cynthia (Josephine Chaplin) decides to help him out by posing as a hooker and secretly visiting the bars where the
A young girl Maria is caught in flagrante delicto with her lover by Father Vicente who belongs to the nearby Serreda Iris cloister. The fiendish clergyman persuades her parents who are poor and easily intimidated to put Maria under his protection. She is brought to Serreda Iris where the nuns seem to have an unusual interest in her beautiful body. Maria abondoned by everyone loses hope but first she wants to make things clear with the only friend left to her: She writes a let
The Man The Myth The Legend: Jess Franco With over 190 movies to his name Jess Franco is without a doubt one of the most active and prolific directors in the history of European cinema. His unique style and creativity have garnered him a vast cult following over the years and a reputation as being the master of erotic exploitation. This is a collection of fifteen sexually-charged classics from the underrated genius of superlative art-house. Containing digitally mastered versions of his most revered work including Eugenie: Marquis De Sade's Philosophy in the Boudior (starring Christopher Lee) Barbed Wire Dolls Jack The Ripper (starring Klaus Kinski) and Mansion Of The Living Dead this is the definitive collection for any Jess Franco fan.
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