In Volume 2 of Roughnecks--Starship Troopers Chronicles, Johnny Rico, Lieutenant Razak and their computer-animated squad embark on the Tesca campaign, once again fighting the bugs in all their myriad forms, shooting anything that moves and generally causing chaos and mayhem. Inspired by Robert Heinlein's sci-fi classic and executive-produced by Paul Verhoeven, who made the big-screen version, Roughnecks is cutting-edge TV animation that's more for grown-ups than kids. The neat equipment, combat suits and weapons are as deadly as they are cool, and even though the extreme gore and violence of the movie has been toned down the endless threat from all manner of nasty bugs is still pretty terrifying (the Giant Spider Bug, for example, really is the stuff of nightmares). As with Volume 1, the five 20-minute episodes are here spliced together into a movie-length feature, which makes for a satisfyingly lengthy story arc instead of the more usual self-contained individual episodes. The show's structure also allows for plenty of character development: this time the squad are joined by an alien "skinny" called T'Phai who, as might be expected, has to work hard to bond with the rest of the team and earn their respect. Like all good war stories, at its heart Roughnecks celebrates that "Band of Brothers"-style bonding in extreme circumstances which we viewers can only experience vicariously. On the DVD: The 4:3 picture is good, although it's better to watch with the lights off to see all the detail in the moody (i.e., "dark") CG animation. The 5.1 sound shows off explosions and gunfire, but also the almost incessant techno soundtrack. There's a good commentary from cast and crew members, who talk about their various movie inspirations (from the D-Day landing sequence of Saving Private Ryan to, of course, Aliens) and their desire to parallel real war situations. There's also a photo gallery of the human actors and a trailer. This is a stylish show, and a good DVD.--Mark Walker
Peter loves his next door neighbour Erica and on the advice of his uncle decides to camp out on her front lawn for the entire summer...
Stop smoking! You get your sense of smell back. I live in New York. Why do I want it back? Bill Hicks the most scathing comedian of his generation died 11 years ago at age 32 but he hasn't gone away. On the contrary the mischievously shifting sands of history have granted an eerie afterlife to some of his material - you can play a recording of a Hicks routine from 1991 or '92 and hear him going after President Bush and the war in Iraq. But Hicks' growing stature as a come
The Story Of One Man's Search For Himself. Bill Murray makes an unforgettable dramatic debut as Larry Darrell the free-spirited seeker in this gripping adaptation of W. Somerset Maugham's classic novel. When Larry returns from World War I disillusioned with Jazz Age values he undertakes a quest which leads him to reject his rich fiance (Catherine Hicks) and his superficial lifestyle to go search for truth in the Himalayas. But Larry learns that the path to enlightenment is as difficult as treading ""the sharp edge of a razor"" and returns to civilization where he tastes life's dark side when he tries to save a hometown girl turned prostitute (Theresa Russell).
A superb 3DVD Collector's Set including Sane Man, Revelations, Relentless, It’s Just A Ride, One Night Stand. SANE MAN was Bill’s first comedy special which became the foundation of his signature material of attacking corporate America with venom. RELENTLESS: In this classic special from 1992, comedian Bill Hicks tells how he feels about non-smokers, blow-jobs, religion, war, peace, drugs and music. REVELATIONS: The last special Bill Hicks from 1992 that highlights his genius at the Dominion Theatre in London.
The amazing comedian Bill Hicks passed away in 1994 but his legend continues to grow. Sane Man was filmed before Bill recorded ""Dangerous "" his first comedy album and is a turning point in Hicks' career. It was the first complete Hicks show ever filmed and Bill pulled out all the stops for the cameras. Completely focused a newly-sober Hicks paces the stage like a wild animal riffing effortlessly on a variety of his favourite topics including sex drugs rock n roll religi
A Seriously Sexy Comedy Nola Darling has three different men in her life. All three men want her to commit solely to them forcing her to make a choice. But is the choice she makes what she really wants?
Evil Dead 2 is a sophisticated blood and gore satire with wall-to-wall special effects that concentrates on the classic conflict between good and evil. In an apparently forsaken cottage Ash and Linda discover a tape recorder. They turn it on to hear the voice of Professor Knowby who has successfully translated 'The book of the dead.' His words awaken the spirit of evil possessing Linda. Ash begins his relentless battle against an all-powerful evil that takes many forms including the trees Linda's decapitated head and even his own hand. When evil appears to get the upper hand it is left to Ash to don a chainsaw and shotgun and rid the world of the demon spirit by dawn.
Catherine Cookson was born Catherine McMullen in 1906. Her life began in poverty and she grew up believing her real mother was her sister. In a life that could have been taken from any of her own novels Catherine aspired to achieve more than many of her time. From poverty to wealth she left the sadness behind to start a new life in Hastings where she was to meet her husband Tom Cookson. As a form of therapy Catherine began to write and never stopped and became one of the world's be
The most popular movie in the "classic Trek" series of feature films, Star Trek IV was a box-office smash that satisfied mainstream audiences and hard-core fans alike. The Voyage Home returns to one of the favourite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura and Chekov from the 23rd century to present-day (i.e., mid-1980s) San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to communicate peacefully with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with a great deal of humour derived from the clash of future heroes and contemporary urban realities, and much lively interaction among the favourite Trek characters. Catherine Hicks plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. --Jeff Shannon
The chills come thick and fast as voodoo and terror meet within an innocent-looking doll inhabited by the soul of a serial killer who isn't ready to die. From the director of Fright Night comes a clever playful and stylish thriller with excellent special effects and heart pounding suspense guaranteed to scare! After 6-year-old Andy Barclay's (Alex Vincent) babysitter is violently pushed out of a window to her death nobody believes him when he says that 'Chucky ' his new birthday doll did it! Until things start going terribly wrong... dead wrong. And when an ensuing rampage of gruesome murders lead a detective (Chris Sarandon) back to the same toy he discovers that the real terror has just begun... the deranged doll has plans to transfer his evil spirit into a living human being - young Andy!
The Martians discover Earth's Christmas festival and the much loved Santa Claus. They are so envious that they kidnap him and take him to Mars. Earth has lost Father Christmas but for how long...?
Beatle is a quirky loner who refuses to live by society's rules. Her business cards read "Towing/Assassination," and she even has a hit man infomercial to go along with it. Her only human contact is with her psychiatrist and the stripper/hooker she employs once a week. Everything changes the night she meets Athena Klendon, a suicidal blonde with a secret. With a demented killer on their tail, courtesy of Athena's crooked former employer, the two quickly strike a bargain. Athena will change her life insurance policy to reflect Beatle as the beneficiary in exchange for her own execution. And while they wait for the paperwork to come through, Beatle will provide room and board and get some extra help on her infomercial. The two have no idea that Detective Holt has been on their case reviewing their every move. Just when he thinks he's got Beatle pinned beyond a shadow of a doubt, this comedic mystery takes a wild and unexpected turn.
Former outlaw Vince Shaw gives up a life of crime and goes to work for a telegraph company. However his brother Jack Slade leads a gang of criminals to prevent the company from connecting the line between Omaha and Salt Lake City bringing the two into deadly conflict...
Although Lewis Milestone had been American cinema's premier maker of war films for three decades, 1951's The Halls of Montezuma is one of his more marginal pictures. Milestone had already won an Academy Award for the single most honoured film about WWI, All Quiet on the Western Front (1930), and made one of the most distinctive contemporaneous films of WWII, A Walk in the Sun (1945)--a notable influence on Saving Private Ryan, by the way--but by the time of Montezuma the hallmarks of his directorial style--such as his syncopated tracking shots--were becoming mannerisms, and the screenplay's rhythms of personal crises set against the bigger picture of the military campaign are pretty mechanical. That still leaves room to accord the picture a marginal recommendation: it's well-cast, competently made, and free of "Hollywood heroics". Richard Widmark stars as a Marine platoon leader who, having brought only seven of his men through Guadalcanal, is determined to see them safely through the next island conquest. The lieutenant was a schoolteacher in civilian life--as we see in flashbacks--and one member of his command is a former student (Richard Hylton) he helped overcome fear. Other platoon members include ex-boxer Jack Palance, trigger-happy bad boy Skip Homeier, hardcase veterans Neville Brand and Bert Freed, and Karl Malden as a philosophical corpsman. However, the most arresting performance is given by Milestone discovery Richard Boone, making his screen debut as a sympathetic colonel stuck with fighting the Japanese and fighting off a miserable cold at the same time. --Richard T Jameson, Amazon.com
The name says it all--Star Trek III: The Search for Spock--so you didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness". So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease of life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise ... as if he were ever really gone. With Kirk's wilful destruction of the USS Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff Shannon, Amazon.com
At last, the true life story of the outlaw comic who tried to save the world...and still might!
With hindsight, Star Trek III: The Search for Spock is the satisfactory middle instalment of a well-rounded trilogy that began with The Wrath of Kahn and ended with The Voyage Home (after which this crew really should have retired gracefully). But on its first release, few fans knew what to expect and initial impressions were disappointing. The biggest talking points were that the film was Leonard Nimoy's directorial debut and that his name wasn't in the opening credits. Naturally, the biggest question was just how would the loss of Spock affect the franchise? That question was neatly dodged and what audiences got instead was a tale of team-spiritedness, sacrifice and rebellion that ended on a question mark. In other words it was a fun ride without many answers. The centrepiece of the movie has to be stealing The Enterprise, a beautifully conceived sequence that remains at the heart of classic Trek's filmic storyline: sacrificing all for the sake of friendship, Kirk and co. set out to rescue their lost companion; this single action defines everything the characters had ever meant to each other, and has an effect on everything that followed. And if the loss of Spock had left audiences eager for more, that was as nothing compared to the loss of The Enterprise. On the DVD: Star Trek III on disc does not come in a new transfer as the previous two special edition DVDs, and you won't find any deleted or new scenes either. The extras package is fascinating, nonetheless, especially with the contributions from Nimoy. His fond reminiscences in the commentary track are priceless, with good support from writer-producer Harve Bennett, director of photography Charles Correll, and Robin Curtis (Saavik). The text commentary from the Okudas isn't as involving as the others, sadly, but this is made up for by the trivia dished out in documentaries covering: model-making, costume design, the science of Terraforming, and how to speak Klingon. The best inclusion is "Captain's Log" featuring interviews with an enthusiastic Nimoy, a sarcastic Shatner, an appreciative Curtis and the rarely seen Christopher Lloyd. --Paul Tonks
Lady From Louisiana (Dir. Bernard Vorhaus 1941): Northern lawyer John Reynolds travels to New Orleans to try and clean up the local crime syndicate based around a lottery. Although he meets Julie Mirbeau and they are attracted to each other the fact that her father heads the lottery means they end up on opposite sides. When her father is killed Julie becomes more and more involved in the shady activities and in blocking Reynolds' attempts at prosecution. Flame Of Barbary Coast (Dir. Joseph Kane 1945): A cowboy competes with a gambling tycoon on the Barbary Coast for the hand of a beautiful dance-hall queen. However the 1906 San Francisco earthquake provides a climactic twist though...
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