A man wakes in an asylum with no memory. Dr Wakabayashi helps him to recall his past in which he killed his bride on their wedding day. Part of his memory becomes linked to another doctor, Dr Masaki, and a manuscript, Dogra Magra. As the two doctors treat him, reality and fantasy become blurred and the patient becomes unsure of his identity or his doctors' experiments. The final feature film by Toshio Matsumoto (Funeral Parade of Roses) is an adaptation of the celebrated novel by Kyusaku Yumeno, a period set gothic tale with a sense of dreamy dread that recalls Kiyoshi Kurosawa's Cure and the locked room mystery of Shutter Island. A stunningly shot phantasmagoria by Tatsuo Suzuki (Pastoral: To Die in the Country), Dogra Magra is presented on Blu-ray for the first time outside of Japan.LIMITED EDITION BLU-RAY SPECIAL FEATURES High-Definition digital transfer supervised by director of photography Tatsuo Suzuki and producer Shuji Shibata Audio commentary by director Toshio Matsumoto (2003) Interview with Toshio Matsumoto (2003, 21 mins) A visual essay by programmer and curator Julian Ross (2024) Instructions on Ahodara Sutra (a popular Japanese chant delivered by Dr. Masaki in the film) by legendary street performer Hiroshi Sakano (16 mins) Trailer Gallery of rare sketches by production designer Takeo Kimura, newly scanned from the originals for this release New and improved English subtitles Reversible sleeve featuring original and newly commissioned artwork by Time Tomorrow Limited edition booklet featuring new writing by Hirofumi Sakamoto, president of the Postwar Japan Moving Image Archive and author Jasper Sharp on screenwriter Atsushi Yamatoya plus an interview with producer Shuji Shibata and Matsumoto's director's statement
The 1970s were difficult years for the great Japanese director Akira Kurosawa. Having been unable to secure full Japanese backing for his epic project Kagemusha, the 70-year-old master found American support from George Lucas and Francis Ford Coppola, who served as co-executive producers (through 20th Century Fox) for this magnificent 1980 production--to that date the most expensive film in Japanese history. Set in the late-16th century, Kagemusha centres on the Takeda clan, one of three warlord clans battling for control of Japan at the end of the feudal period. When their leader Lord Shingen (Tatsuya Nakadai) is mortally wounded in battle, he orders that his death be kept secret and that his "kagemusha"--or "shadow warrior"--take his place for a period of three years to prevent clan disruption and enemy takeover. The identical double is a petty thief (also played by Nakadai) spared from execution due to his uncanny resemblance to Lord Shingen--but his true identity cannot prevent the tides of fate from rising over the Takeda clan in a climactic scene of battlefield devastation. Through stunning visuals and meticulous attention to every physical and stylistic detail, Kurosawa made a film that restored his status as Japan's greatest filmmaker, and the success of Kagemusha enabled the director to make his 1985 masterpiece, Ran. --Jeff Shannon
Considered by many to be director Kinji Fukasaku's greatest single-film achievement in the yakuza genre, Cops vs Thugs was made at the height of popularity of Toei Studios' jitsuroku boom: realistic, modern crime movies based on true stories taken from contemporary headlines. Returning to the screen after completing their Battles Without Honor and Humanity series together, Fukasaku joined forces once again with screenwriter Kazuo Kasahara, composer Toshiaki Tsushima and star Bunta Sugawara to create one of the crowning achievements of his career, and a hard-boiled classic which is still ranked as one of the best Japanese films of the 1970's. It's 1963 in the southern Japanese city of Kurashima, and tough-as-nails detective Kuno (Sugawara) oversees a detente between the warring Kawade and Ohara gangs. Best friends with Ohara lieutenant Hirotani (Hiroki Matsukata), he understands that there are no clear lines in the underworld, and that everything is colored a different shade of gray. But when random violence interrupts the peace and an ambitious, by-the-books lieutenant (Tatsuo Umemiya) comes to town, Kuno's fragile alliance begins to crumble. Greedy bosses and politicians alike seize the opportunity to wipe out their enemies, and Kuno faces the painful choice of pledging allegiance to his badge and keeping a promise to his brother. Echoing the great crime films of Sidney Lumet and Jean-Pierre Melville, in Fukasaku's world, there's no honor among thieves or lawmen alike, and the only thing that matters is personal honor and duty among friends. Kasahara's shattering screenplay and Fukasaku's dynamic direction support an all-star, ensemble cast to create one of the most exciting, and deeply moving films about cops and criminals ever made. SPECIAL EDITION CONTENTS: High Definition digital transfer High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original uncompressed mono audio Optional English subtitles Audio commentary by film scholar Tom Mes New video interview with film scholar & Fukasaku biographer Sadao Yamane Sympathy for the Underdog, a new visual essay on Fukasaku's career by Marc Walkow Reversible sleeve featuring original and newly commissioned artwork by Ian MacEwan FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film
Yakuza Graveyard was one of the stylish, morally ambivalent movies with which director Kinji Fukasaki revolutionised the Japanese gangster genre in the 1970s. These days more famous for his brilliant teen exploitation film Battle Royale, Fukasaki has a proven flair for unsettlingly violent scenes in which the camera dips and twirls as his characters throw each other down stairs and across rooms. An honest cop (Tetsuya Watari) is stationed in Osaka and finds himself caught up in a nightmare world where his superiors launder money and carry out hits for several rival gangs. His sense of honour--already supporting the drunken, promiscuous widow of a man he killed--ties him ever closer to the principal heavy of the gang his superiors are gradually destroying and to the man's half-sister, with whom he falls passionately in love. A torrid interlude as waves beat on the shore--waves that somehow manage to be something other than a cliché--is just a break in the gloomy spiral of degradation and death. This is in some ways as corny as anything, in other ways a minor classic. On the DVD: Yakuza Graveyard is presented in 16:9 widescreen and comes with a short text essay explaining the importance of the film in the development of Fukasaki's career and the yakuza genre. --Roz Kaveney
Takashi Ishi's visually stylish The Black Angel is a fascinating cross between Japanese gangster film and Jacobean revenge tragedy. Sent away to the US after the slaughter of her parents by rivals led by her half-sister Chaiko, Ikko (Riona Hazuki) returns determined to reclaim her yakuza kingdom. Ikko is obsessed with childish memories of Mayo the hitwoman, the original Black Angel, entrusted with getting her out of the country. The intervening 14 years have been hard on Mayo--being the Black Angel is tough on the nerves--and she is hired to kill Ikko, not realising they have met before. This is a tragic film in which three strong women are destined to destroy each other through the trickery of male betrayal; from the beginning, as a child is smuggled away and a mother told the infant is dead, it is clear that we are in a land of myth, with no happy endings. A night time Tokyo of bright lights and dark shadows, of dead-end corridors and escalators that lead you only to your death, is provided as a moody backdrop. Takashi's inventive set pieces of mood and action include a shootout in a strip club set to Verdi's Requiem. On the DVD: The Black Angel is presented on disc in widescreen, while the moody, atmospheric score is done full justice by the Dolby Digital soundtrack. The only special features are filmographies and biographies, production stills and the theatrical trailer. --Roz Kaveney
Hordes of demons wait behind the Gates of Hell where a school has been built. Hiruko is sent to Earth to behead students and reassemble their heads on the demon's spider-like bodies.... The Hiruko goblin has escaped and no one is safe as the monster claws it's way into the depths of hell! Humanity's only hope is the archeologist Heida and his nephew Masao as they struggle to find a way to slam the door shut on the hideous beast before it can set free the countless other Hirukos bay
Explosive Japanese cool hits the retail DVD market in the shape of Eureka Video's 'Street Mobster'. Internationally acclaimed guru director Kinji Fukasaku the highly distinguished exponent of ultra violence with a purpose. Street mobster Isamu Okita likes fighting and girls and is just out of prison for killing a rival in a bath-house. On release he finds things have changed: old gangs no longer have the power they once enjoyed. So he teams up with Kizaki an aspiring gangster who suggests he revive his old gang to take on existing mobs and claim their territory.
With Shogun Samurai, veteran Japanese director Fukasaku Kinji demonstrated that he could do more than the gritty social realist cop-and-gangster films for which he remains most famous. A deliberately stately historical drama, with a slightly ponderous narrator introducing some of its most powerful scenes, Shogun Samurai shows the succession crisis that followed the death of the second Tokugawa Shogun in the early 17th-century. The Imperial court fans the flames in an attempt to restore the Emperor's power; a young dancer tries to preserve the young prince she loves; a warrior clan take steps to return to their homeland; and the fencing master Yagyu will expend honour and lives, including those of his own children, to ensure that his school is patronised by the new Shogun. The film alternates powerful scenes of intrigue and stagy monomaniac rants by Yagyu with finely choreographed scenes of battle and duel; it has a powerful and tragic sense of the fragile sadness of things and the futility of all ambitions; Sonny Chiba is unusually impressive as Yagyu's most honourable son, the one-eyed Jubel. On the DVD: Shogun Samurai on disc has minimal additional features: a short prose profile of Fukasaku Kinji and some promotional clips. Picture is anamorphic 16:9. --Roz Kaveney
Inspired by a short tale from Ugetsu Monogatori an 18th century collection of supernatural stories Isola: Persona 13 is part of the Japanese horror boom of the late 1990s. Yukari is a telepath who takes a break from her psychological study to travel and help survivors of the 1995 Kobe earthquake. In the disaster's aftermath she meets Chihiro (Yu Kurosawa granddaughter of legendary director Akira Kurosawa) but the girl acts differently each time Yukari encounters her. Meanwhile a
Blackmail Is My Life
The Lat Bullet is a 1995 Australian film about a Japanese soldier and Australian soldier who fight in World War Two.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy