Always the bridesmade, never the bride, Pippa McGee flies home for yet another wedding. Jet-lagged and late, she downs one martini too many and flirts with every guy in sight. It's disaster, made worse when Pippa discovers her publisher dad urgently needs a new editor for one of his magazines. She volunteers only to discover the job is her idea of hell- she is incharge of 'wedding bells'. Can the freewheeling Pippa cope with 9 to 5? Can she bring herseld to write about frocks and frills? And ...
This prime-time computer animated series from Dreamworks was unceremoniously cancelled following declining ratings coupled with the high budget per episode (estimated at $1.6 million). The series follows a family of white lions who work as performers for Seigfried & Roy in Las Vegas where they and their animal friends are located in a town of their own going about day to day life outside of the jungle they were plucked from. John Goodman Cheryl Hines Orlando Jones and Carl Reiner h
Sci-fi action thriller in which a scientist creates an android version of herself and equips it with both the passionate emotions she lacks and a nuclear bomb. The trouble begins when the android, named EVE VIII (Renee Soutendijk), is taken out for a test run and ends up in the midst of a bank robbery where its internal bomb is accidentally activated. The situation escalates when EVE becomes emotionally unglued and launches into a destructive rampage while enacting out its repressed creator's darkest desires. Col. Jim McQuade (Gregory Hines) and EVE's creator Dr. Eve Simmons (also Soutendijk) are tasked with stopping her but can they succeed in outsmarting the android?
For over 30 years the Children's Film Foundation dedicated itself to producing quality entertainment for young audiences, employing the cream of British filmmaking talent. Villains, gangsters and conmen are foiled by plucky London youngsters. Helmed by such celebrated directors as John Krish and Pat Jackson, the films in London Tales feature assured performances from an array of familiar faces, including a fresh faced John Moulder Brown (playing a schoolboy in trouble) and Bernard Cribbins (as a dastardly master of disguise). Newly transferred from the best available elements held in the BFI Archive, these much loved and fondly remembered family films finally make their welcome return to the screen after many years out of distribution. Includes: The Salvage Gang (1958), Seventy Deadly Pills (1966), Operation Third Form (1966) and Night Ferry (1976)
Bridget Mordaunt a young woman in 1880s Britain inherits a factory from her father and wins respect from the workforce as she turns it into a solid business yet all the while a dark cloud looms on the horizon...
For the first time on DVD one of the most successful drama series shown by the BBC in the 1960s/1970s with a huge worldwide audience. Stars Ray Barrett (The Chant of Jimmy Blacksmith, Something in the Air), Barry Foster (Van Der Valk, Frenzy), Geoffrey Keen (Doctor Zhivago, Born Free) This 50th Anniversary release is a digitally Remastered Edition Broadcast for over 7 years and 130 episodes.The Troubleshooters Mogul Is the 1960 s BBC drama series which portrayed the boardroom battles and frontline dangers of a fictional British oil company, Mogul Oil. The series, one of the BBC s most successful ever, ran for 7 years and attracted a huge audience worldwide. These digitally remastered episodes, including the very first one transmitted, are those that survive from the pioneering first series.Episodes included: KELLY S EYE: Company secrecy is compromised when news of a Mogul oil strike in the North Sea is leaked to the Press. Director of Operations Brian Stead (Geoffrey Keen) wants the culprit sacked and knows that only Head of the North Sea Operations Peter Thornton (Ray Barrett) is tough enough to investigate the breach among the hard men on the rig. YOUNG TURK: Robert Driscoll (Barry Foster) is a marketing man sent to take over negotiations for an important Middle East oil concession...after the local Mogul representative is killed in the desert. TOSH AND NORA: Tosh Brinkwater (John Tate) is a hard-living middle aged seaman. When he marries and becomes a father, he decides to change his ways and take a shore job. But when you re a cog in the Mogul machine, good intentions don t always pay off. OUT OF RANGE: The desert is like the sea. It takes possession of a man s soul. For a young geologist (Terence Edmond) seeking to prove himself it is exciting. But like the sea, the desert is dangerous. STONEFACE: Driscoll is working under highly charged circumstances in northern Canada. When Mogul hires an Iroquois Indian for an important job, deep seated prejudices boil to the surface. Includes English Subtitles for the Deaf and Hard of Hearing Review ..style and brilliance which sets this series miles ahead of its nearest rivals. -Peter Knight, Daily Telegraph --Peter Knight, Daily Telegraph
Tomb of the Cybermen brought the Doctor, Patrick Troughton, into conflict with his silver cyborg nemeses for a third time, following The Tenth Planet (1966) and The Moonbase (1967). The Doctor, Jamie (Frazer Hines) and Victoria (Deborah Watling) join an archaeological expedition on the planet Telos, where they encounter deathtraps, betrayal and a waiting army of frozen Cybermen. Scripted by Kit Pedlar and Gerry Davis, who would later write Doomwatch (1970-72), many of the essentials of the plot anticipate James Cameron's blockbusting Aliens (1986): the barren planet with abandoned city, the tense wait for a rescue ship, the human traitors, the implacable, more powerful enemy. Unfortunately for a story so centred on logic the characters display a worrying lack of sense; the supposedly highly logical villains assume the Cybermen will just do what they tell them, and the Doctor locks the chief human traitor in a room without first checking it for ray guns! There's also an astonishingly crass racial stereotype with the one black character, Toberman (Roy Stewart) being a muscle-bound, slave-like henchman. Flaws aside this is a superior Doctor Who adventure and a thoroughly entertaining piece of classic television. On the DVD: as ever the BBC have done a fabulous job bringing Doctor Who to DVD, with fully restored sound and picture making Tomb Of The Cybermen the best it has ever looked. A short feature on the disc notes there have been over 16,000 repairs to the image, and includes comparison footage with the unrestored prints. The black and white 4:3 picture is as good as low-budget 1960's television is ever going to look and the mono sound is excellent. The commentary by Frazer Hines and Deborah Watling is a little stilted and takes time to get going--often they just don't know what to say--but contains some interesting trivia for serious fans. Rather more information comes from the detailed production background subtitles, and from a 28-minute convention style panel filmed in 1992 with Hines, Watling and many of the production crew. Also included is 8 mm footage from the end of the previous story, the long lost Evil of the Daleks (1967), 3 minutes of alternative main title tests, a photo gallery, a short introduction by director Morris Barry and a two-minute clip from Late Night Line-up (1967) with Joan Bakewell profiling the BBC Visual Effects department, including unique footage of the Cybermats in colour.--Gary S Dalkin
The lightest of the first three films, Lethal Weapon 3 finds everyone occupying comfortable positions like students who always choose to sit in the same classroom seats. Mel Gibson and Danny Glover return as LAPD partners whose working method consists of the former diving into danger and the latter holding back. (The sequence set in the parking garage of a building, in which Gibson inadvertently trips a switch that makes a timed explosive device speed up, is priceless.) Joe Pesci once again plays a motor-mouth pest, and while the story is pretty much forgettable, it does introduce the best new dynamic in the series, a romance between Gibson and Rene Russo's equally tough but attractive cop. --Tom Keogh
This moody 1986 buddy picture and police drama represented a change of pace for both stars. Billy Crystal and Gregory Hines play two Chicago police detectives who, feeling gun-shy about the inherent danger of their jobs, contemplate retirement in Florida. They just can't shake the allure of their work, however, particularly when their pursuit of a notorious drug dealer (Jimmy Smits) turns personal and deadly. While there are more than enough light moments in Running Scared, generated by the easy and convincing rapport between Crystal and Hines, director Peter Hyams (The Star Chamber, 2010) succeeds in straddling the two disparate moods to create a taut and engaging action picture. --Robert Lane
The Cotton Club is routinely eclipsed by the controversies that surrounded its tumultuous production, but the film itself offers abundant pleasures that should not be overlooked. If Apocalypse Now represents the triumph of director Francis Coppola's perilous ambition, then The Cotton Club represents the ungainly glory of uncontrolled genius, as brilliant as it is out of its depth. As an upscale homage to classic gangster films it's frequently astonishing, cramming a thick novel's worth of plot and characters into 129 minutes, gloriously serviced by impeccable production design, elegant cinematography, and stylistic flourishes that show Coppola at the top of his game. What The Cotton Club lacks is cohesion. Written by Coppola and novelist William Kennedy (then enjoying the peak of his critical acclaim), the film struggles to exceed the narrative scope of The Godfather, but its multiple early-'30s plotlines fail to form any strong connective tissue. It's three (or four) movies in one, with cornet player Dixie Dwyer (Richard Gere, playing his own jazzy solos) drifting from one story to the next--loving a young, ambitious vamp (Diane Lane, with whom Gere shares precious little chemistry), enjoying the success of a hot-shot hoofer (Gregory Hines), and protecting his brazen brother (Coppola's then-newcomer nephew, Nicolas Cage) from the deadly temper of mob boss "Dutch" Schultz (James Remar). Bob Hoskins and Fred Gwynne also score big in grand supporting roles, but The Cotton Club is perhaps best appreciated for its meticulous recreation of Harlem's Cotton Club heyday, and the brilliant music (Ellington, Calloway, etc.) that brought rhythm to gangland's rat-a-tat-tat. --Jeff Shannon, Amazon.com
Sci-fi action thriller in which a scientist creates an android version of herself and equips it with both the passionate emotions she lacks and a nuclear bomb. The trouble begins when the android, named EVE VIII (Renee Soutendijk), is taken out for a test run and ends up in the midst of a bank robbery where its internal bomb is accidentally activated. The situation escalates when EVE becomes emotionally unglued and launches into a destructive rampage while enacting out its repressed creator's darkest desires. Col. Jim McQuade (Gregory Hines) and EVE's creator Dr. Eve Simmons (also Soutendijk) are tasked with stopping her but can they succeed in outsmarting the android?
A trio of budding astronaut chimps with the Wrong Stuff find themselves on the far side of the galaxy and having to help a planet in need.
The final box set in the series draws the curtain on the career of Mrs Emma Peel (Diana Rigg) and introduces swinging new assistant Tara King! Featuring the following episodes: The ''50 000 Breakfast Dead Man's Treasure You Have Just Been Murdered The Positive-Negative Man Murdersville Mission... Highly Improbable The Forget-Me-Knot
An improvisational comedy using a handful of actors playing characters competing in an actual poker tournament.
RV: An overworked Bob Munro his wife Jaime their 15-year-old daughter Cassie and 12-year-old son Carl are in desperate need of some quality time together. After promising to take them on a family vacation in Hawaii Bob abruptly changes plans without telling them. Instead of a week in a tropical paradise they're going on a road trip to Colorado in a recreational vehicle. Dragging his wife and kids kicking and screaming into the RV Bob's togetherness plan (which is partly a ruse to keep him from losing his job) almost immediately hits a major speed bump. Everything that can go wrong does. Bob's lame attempts to navigate the unwieldy oversized vehicle are met with silence and scorn from his resentful family. The RV life is a far cry from their comfortable life in Los Angeles and every attempt Bob makes to get them into the spirit of the vacation threatens to tear them further apart. At an RV camp the Munro family is befriended by the Gornicke family - an irritatingly endearing happy-go-lucky clan of full-time RVers. The more they try to elude the Gornickes the more their paths seem destined to cross. But adversity has a way of uniting even the most dysfunctional family members and each setback the Munros experience inadvertently helps them become a true family again. Uncle Buck: An idle good natured bachelor is left in charge of his nephew and nieces during a family crisis. Unaccustomed to family life Buck soon charms his younger relatives but his style doesn't impress everyone including his girlfriend. The film charts his progress from slob to a reasonable human being by having to manage with girlfriend troubles unemployment a sex mad neighbour cooking breakfast and a beautiful but rebellious niece. Are We There Yet?: 350 miles. 24 hours. His girlfriend's kids. What could possibly go wrong? Smooth operator Nick (Ice Cube) is interested in young attractive divorcee Suzanne (Nia Long) mother of a 7-year-old-boy and an 11-year-old-girl. Trying to get together with Suzanne Nick volunteers to bring her children to meet her out of town. Missing the plane they must make the long journey by car. What Nick doesn't know is that Suzanne's children think that no man is good enough for their mom and will do everything they can to make the trip a nightmare for him... Fasten your seat belts it's going to be a bumpy ride!
Take a trip through time and space to meet creatures and enemies that always came back for more... Doctor Who - The Monster Collection: The Cybermen contains two exciting stories! The Cybermen were once human but chose to replace all living tissue with plastic and steel. Seeing emotions as a weakness they removed those too and now Cyber massive armies try to upgrade the universe... The Tomb of The Cybermen is a four-part story from 1967. Starring Patrick Troughton as the Second Doctor it is set in eerie Cybermen tombs on Telos. The Rise of The Cybermen and The Age of Steel were first shown in 2006. The Tenth Doctor played by David Tennant falls into a parallel universe and witnesses the creation of the Cybermen.
Dex (Donal Logue) is a man who believes can charm any woman, with the help of quotes from his favourite philosophers. However when he meets his old college friend Syd he finds someone who doesn't respond well to his seductive techniques!
Mel Gibson set aside his art-house credentials to star as a crazy cop paired with a stable one (Danny Glover) in this full-blown 1987 Richard Donner action picture. The most violent film in the series (which includes three sequels), Lethal Weapon is also the edgiest and most interesting. After Gibson's character jumps off a building handcuffed to a man, and Gary Busey (as a cold, efficient enforcer) lets his hand get burned without flinching, there is a sense that anything can happen, and it usually does. Donner's strangely messy visual and audio style doesn't make a lot of aesthetic sense, but it stuck with all four movies. --Tom Keogh
In the latest comedy from the Farrelly brothers, two conjoined twins find their brotherly bond tested when one of them decides to head to Hollywood to become a movie star.
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