Paul Schrader's visually stunning, collagelike portrait of the acclaimed Japanese author and playwright Yukio Mishima (played by Ken Ogata) investigates the inner turmoil and contradictions of a man who attempted the impossible task of finding harmony among self, art, and society. Taking place on the last day of Mishima's life, when he famously committed public seppuku, the film is punctuated by extended flashbacks to the writer's past as well as gloriously stylized evocations of his fictional works. With its rich cinematography by John Bailey, exquisite sets and costumes by Eiko Ishioka, and unforgettable, highly influential score by Philip Glass, Mishima: A Life in Four Chapters is a tribute to its subject and a bold, investigative work of art in its own right.United States, Japan1985121 minutesBlack and White/Colour1.85:1JapaneseSpine #432DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES4K digital restoration of the director's cut, supervised and approved by director Paul Schrader and cinematographer John Bailey, with 2.0 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film and one Blu-ray with the film and special featuresTwo alternate English narrations, including one by actor Roy ScheiderAudio commentary featuring Schrader and producer Alan PoulProgram on the making of the film featuring Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko IshiokaProgram on Yukio Mishima featuring his biographer John Nathan and friend Donald RichieAudio interview with co-screenwriter Chieko SchraderInterview excerpt from 1966 featuring Mishima talking about writingThe Strange Case of Yukio Mishima, a 1985 documentary about the authorTrailerPLUS: An essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's setsCover by Neil Kellerhouse
Hideki Satomi (Mikami) his wife Ayaka (Sakai) and their young daughter Nana (Inoue) are driving blissfully through the countryside when the workaholic Satomi stops at a roadside phone booth to send an e-mail from his laptop. In the booth he discovers a smudged scrap of newsprint with Nana's picture on it -- and an article describing her death in a traffic accident. Three years later Satomi has not recovered from his failure to prevent the accident while his marriage has also ended
Hideki Satomi (Mikami) his wife Ayaka (Sakai) and their young daughter Nana (Inoue) are driving blissfully through the countryside when the workaholic Satomi stops at a roadside phone booth to send an e-mail from his laptop. In the booth he discovers a smudged scrap of newsprint with Nana's picture on it -- and an article describing her death in a traffic accident. Three years later Satomi has not recovered from his failure to prevent the accident while his marriage has also ended. Meanwhile Ayaka has joined forces with a psychological researcher (Ono) to unravel the mysteries of prophecy. They interview a psychic who has the ability to take Polaroids of the future with her mind - but becomes suspicious of the researchers' motives. Then another new ""newspaper"" arrives at Satomi's flat - saying that one of his students (Maki Horikita) a girl with piercing eyes and an uncanny presence will die. Can he save her and himself?
Hell Virgin Ashura is the key to King of Hell's revival: he summonts Ashura to break open the Hell Hole located in modern Tokyo but Socerer Ku and high priest Chi Hung send their disciples Peacock King (Yuen Biao) and Lucky Fruit to stop the impending apocalypse... Peacock King is a little seen but impressive supernatural Kung Fu film with the dynamically athletic Yuen Biao holding sway as the martial arts master!
A lonely fragile college student turned S & M prostitute endlessly searches for a love that will always elude her. Alone a brutalised and uncomprehending spirit adrift in the dehumanising hell of modern Tokyo she endures a succession of perverse encounters with ever-more depraved clients in a doomed quest for salvation and belonging...
Ring (1998): Within a week of watching a mysterious videotape a group of teenagers are dead. The bodies are found gruesomely contorted their eyes frozen as if they had seen something more terrifying than any physical threat. The video then becomes an urban myth. Insidiously an unseen force is pointing its deadly finger at those poor souls unable to resist their curiosity. One of those people is cynical journalist Reiko who soon finds herself unwillingly drawn into a spiralling nightmare of fear from an unseen omnipresent threat. The most unsettling film since The Exorcist with an unnatural presence that touches every nerve in your body 'Ring' is a beast of an entirely different order. Critically acclaimed as one of the most frightening horror films in years 'Ring' delivers a tense spine-chilling atmosphere filled with an overwhelming sense of dread and a potent presence of unworldly evil. Dark sinister and genuinely horrifying this is a film you will never forget. Dark Water (2002): In the midst of a custody battle Yoshimi and her beloved 6 year old daughter move in a creepy apartment. Once there the discovery of a schoolbag left behind by a mysterious young girl along with the appearance of damp patches on the ceiling and walls begins to haunt them as rumours circulate of a little girl who disappeared from the apartment above... Premonition (2004): Hideki Satomi (Mikami) his wife Ayaka (Sakai) and their young daughter Nana (Inoue) are driving blissfully through the countryside when the workaholic Satomi stops at a roadside phone booth to send an e-mail from his laptop. In the booth he discovers a smudged scrap of newsprint with Nana's picture on it -- and an article describing her death in a traffic accident. Three years later Satomi has not recovered from his failure to prevent the accident while his marriage has also ended. Meanwhile Ayaka has joined forces with a psychological researcher (Ono) to unravel the mysteries of prophecy. They interview a psychic who has the ability to take Polaroids of the future with her mind - but becomes suspicious of the researchers' motives. Then another new newspaper arrives at Satomi's flat - saying that one of his students (Maki Horikita) a girl with piercing eyes and an uncanny presence will die. Can he save her and himself?
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