Filming a love story centred on two mentally challenged people is a touching idea, one that's been attempted in, for example, Benny and Joon. The Other Sister is another addition to the genre, a well-acted comedy-drama centring on the romance of Carla (Juliette Lewis) and Daniel (Giovani Ribisi) and throwing in some general family angst as a secondary story line. The acting is tremendous--Lewis and Ribisi both give convincing performances without condescending to their characters. Diane Keaton plays yet another charming scatterbrain, this time as Elizabeth Tate, the uptight, rich mother who wants a picture-perfect life. But good acting isn't enough here. These fine actors drown in a sea of mediocre writing, and we are left with a film with no real conflict or tension. Will Carla and Daniel make it work? Well, of course. Will mother Elizabeth loosen up about her "gay workaholic" daughter and let Carla live her own life? Do you really need to ask? There are a few cringe-worthy moments that have a sense of truthfulness, such as when Daniel stands up at Carla's sister's wedding to announce his feelings. But otherwise, these characters live in a pampered, fairy-tale world where the worst thing that happens to them is that the meanies at school put chewing gum in Daniel's bike helmet. Ultimately, this is a sweet, albeit occasionally saccharine, tale that will move those who are looking for cheerful fare. --Jenny Brown
Aura a suicidal anorexic preparing to jump off a bridge is rescued when David prevents her from plunging into the abyss. When Aura's mother a psychic dies just as she is about to divulge the identity of a vicious psychopath Aura begs David for help. The two try to protect one another while embarking on a dangerous search for a killer who's been decapitating innocent people...
Trauma was director Dario Argento's big crossover attempt at combining the Italian giallo genre with the American stalk 'n' slash. His fans may debate whether the result was a complete success, but the film certainly put his name in front of a wider international audience. Essentially the story is a psycho-murderer-mystery, with the audience made to piece together clues towards the identity-revealing denouement. The movie comes alive as a result of suitably intense performances, even while the characters die. Piper Laurie and Brad Dourif supply atypically explosive cameos. The leads are contrastingly subdued for the most part, no doubt because of their characters' involvement with drugs. Asia Argento (the director's daughter) is an anorexic who witnesses her parents' decapitations among a series of similar murders by the notorious "Headhunter". Christopher Rydell plays the ex-junkie who takes her in and helps track down the killer. Backing them up are some even greater performances from Tom Savini's eye-boggling special FX. With the aid of a motorised garrotte, the beheadings are gruesomely real, especially the one that leaves a head still able to talk. On the DVD: Trauma comes to disc in full 2.35:1 widescreen, though this isn't the clearest of transfers (plenty of artefacts present). The sound is in an unspecified Dolby mix. An interesting selection of extras almost makes up for the lack of a commentary. There are filmographies of Dario and Asia, a gallery of behind-the-scenes stills, and trailers for the movie Phantom of the Opera and several more in this series of releases. More interesting are the text features: interviews with Asia on her memories of the shoot and with renegade horror director Richard Stanley surreally recalling his long-term fandom of everything Argento. Most fascinating, there's a mini-essay on what was cut and why by the BBFC for the original UK video release. --Paul Tonks
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