Jurassic World Steven Spielberg returns to executive produce the long-awaited next installment of his groundbreaking Jurassic Park series, Jurassic World. Colin Trevorrow directs the epic action-adventure based on characters created by Michael Crichton. Jurassic World: Fallen Kingdom It's been three years since theme park and luxury resort Jurassic World was destroyed by dinosaurs out of containment. Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles. When the island's dormant volcano begins roaring to life, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) mount a campaign to rescue the remaining dinosaurs from this extinction-level event. Owen is driven to find Blue, his lead raptor who's still missing in the wild, and Claire has grown a respect for these creatures she now makes her mission. Arriving on the unstable island as lava begins raining down, their expedition uncovers a conspiracy that could return our entire planet to a perilous order not seen since prehistoric times. With all of the wonder, adventure and thrills synonymous with one of the most popular and successful series in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaursalong with new breeds more awe-inspiring and terrifying than ever before. Welcome to Jurassic World: Fallen Kingdom.
Guy Ritchie returns with another tale of criminals, con men and card sharks.
Here's how American critic Roger Ebert described the unique and lasting value of George Lucas' 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semi-autobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of DJ Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realised through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic. --Jeff Shannon, Amazon.com
This Academy Award-nominated classic voted one of the American Film Institute's top 100 Films Of All Time features the coming-of-age of four teenagers on their last summer night before college. Rediscover drag racing Inspiration Point and drive-ins all over again in this nostalgic look back at the early '60s. The incredible soundtrack brings you the most memorable rock 'n' roll hits of the era. Directed by George Lucas and produced by Francis Ford Coppola this classic stars Harrison Ford Richard Dreyfuss Ron Howard Suzanne Somers Cindy Williams Wolfman Jack and Mackenzie Phillips. Capture the heart of America's last age of innocence with American Graffiti.
The Cook, the Thief, His Wife and Her Lover is both adored and detested for its combination of sumptuous beauty and revolting decadence. Few directors polarise audiences in the same way as Peter Greenaway, a filmmaker as influenced by Jacobean revenge tragedy and 17th-century painting as by the French New Wave. A vile, gluttonous thief (Michael Gambon) spews hate and abuse at a restaurant run by a stoic French cook (Richard Bohringer), but under the thief's nose his wife (the ever-sensuous Helen Mirren) conducts an affair with a bookish lover (Alan Howard). Clothing (by avant-garde designer Jean-Paul Gaultier) changes colour as the characters move from room to room. Nudity, torture, rotting meat, and Tim Roth at his sleaziest all contribute the atmosphere of decay and excess. Not for everyone, but for some, essential. --Bret Fetzer
Titles Comprise: Saw: With a dead body 'resting' between them two men (Whannell and Elwes) wake up in the secure lair of a serial killer who's been nicknamed Jigsaw by the police because of his unusual calling card. Given six hours a hacksaw and a bullet the two men try to figure out a way to freedom. Hot on the 'Jigsaw's trail is Detective David Tapp (Glover) an equally insane cop who was once the victim of the Jigsaw's evil scheme Saw II: Jigsaw (Tobin Bell) the master of mind games returns to toy with a new set of victims once again chosen for their perceived lack of respect for life. His traps are crueller and even more mind bending than before. And this time the policeman (Donnie Wahlberg) on the case has more than his professional integrity at stake... Saw III: Jigsaw has disappeared. Now aided by his new apprentice Amanda (Shawnee Smith) the puppet-master behind the cruel intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detectives scramble to locate him Dr. Lynn Denlon (Bahar Soomekh) is unaware that she is about to become the latest pawn on his vicious chessboard. One night after finishing a shift at her hospital Lynn is kidnapped by the deranged Amanda and taken to an abandoned warehouse where she meets Jigsaw aka: John Kramer (Tobin Bell) who's now bedridden and on the verge of death. Saw IV: Now upon the news of Detective Kerry's murder two seasoned FBI profilers Agent Strahm and Agent Perez arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grizzly remains and piecing together the puzzle. However when SWAT Commander Rigg is abducted and thrust into a game the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences... Saw V: SAW V concerns itself with detailing who will carry on with his bloody work. The film opens with a man strapped to a table above a pendulum. As the sharp blade begins swinging over his stomach he has only a minute to stop it by inserting his hands into a device that will crush them. Saw VI: The deathly traps and cunning plotting return for this sixth entry in the hugely popular SAW film series. The editor for all of the previous films Kevin Greutert makes his directorial debut with this picture once again written by FEAST writers Marcus Dunstan and Patrick Melton. With Special Agent Stahm (Scott Patterson) dead the sinister Detective Hoffman (Costas Mandylor) has emerged to carry on Jigsaw's murderous work. Saw 7: The Final Chapter: The most twisted gruesome and successful horror franchise in the world comes to a close in Saw: The Final Chapter. A deadly battle rages over Jigsaw's brutal legacy as a group of Jigsaw (Tobin Bell) survivors gather to seek the support of self-help guru and fellow survivor Bobby Dagen (Sean Patrick Flanery). Soon though the survivors really must help themselves as Dagen's dark secrets unleash a new wave of terror...
George Romero's 1978 follow-up to his classic Night of the Living Dead is quite terrifying and gory (those zombies do like the taste of living flesh). But in its own way, it is just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping mall to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewellery shops, making gourmet meals, etc. It is Romero's take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film when all is said and done and even some of Romero's best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat. --Tom Keogh
The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and leads them to a radio contract.
A bumper box set of classic films featuring 'The First Lady of Cinema' Katharine Hepburn! State Of The Union (Dir. Frank Capra 1948): The Flamboyant businessman Grant Matthews (Spencer Tracy) is persuaded by his mistress the powerful publishing heiress Kay Thorndyke (Angela Lansbury) to seek the Republican nomination in the forthcoming elections. Mary Matthews (Katharine Hepburn) joins her estranged husband to present a public portrait of a happy family for the voters
The quite terrifying and gory Dawn of the Dead was George Romero's 1978 follow-up to his classic 1968 Night of the Living Dead. But it is also just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping centre to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewellery shops, making gourmet meals and so on. It is Romero's take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film after all and even some of Romero's best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat. --Tom Keogh
A classic film noir from the 1940's. The FBI files are filled with many lurid crime stories. One case in particular baffles FBI Inspector Briggs (Lloyd Nolan). It's the murders of a housewife and a bank guard with no connection between the victims - except the murder weapon. Determined to solve the case Briggs sends his best agent undercover to penetrate the inner circle of a notorious gang run by up-and-coming crime boss Stiles played by Richard Widmark in one of his most
A bumper box set of classic films featuring 'The First Lady of Cinema' Katharine Hepburn! State Of The Union (Dir. Frank Capra 1948): The Flamboyant businessman Grant Matthews (Spencer Tracy) is persuaded by his mistress the powerful publishing heiress Kay Thorndyke (Angela Lansbury) to seek the Republican nomination in the forthcoming elections. Mary Matthews (Katharine Hepburn) joins her estranged husband to present a public portrait of a happy family for the voters.
Saw was the ultimate success story: an independent film that transcended its low budget origins to become one of the highest-grossing horror films of 2004 and in doing so managed to revitalize a tired genre. The premise was simple: two strangers awaken in a derelict building and find themselves shackled and the centerpiece of a devious plan orchestrated by the dastardly Jigsaw. Each subsequent film in the franchise has explored the Jigsaw character and broadened his canvas of murder and mayhem. This collection features the first six films in the SAW series. Box Set Comprises: Saw: With a dead body 'resting' between them two men (Whannell and Elwes) wake up in the secure lair of a serial killer who's been nicknamed Jigsaw by the police because of his unusual calling card. Given six hours a hacksaw and a bullet the two men try to figure out a way to freedom. Hot on the 'Jigsaw's trail is Detective David Tapp (Glover) an equally insane cop who was once the victim of the Jigsaw's evil scheme Saw II: Jigsaw (Tobin Bell) the master of mind games returns to toy with a new set of victims once again chosen for their perceived lack of respect for life. His traps are crueller and even more mind bending than before. And this time the policeman (Donnie Wahlberg) on the case has more than his professional integrity at stake... Saw III: Jigsaw has disappeared. Now aided by his new apprentice Amanda (Shawnee Smith) the puppet-master behind the cruel intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detectives scramble to locate him Dr. Lynn Denlon (Bahar Soomekh) is unaware that she is about to become the latest pawn on his vicious chessboard. One night after finishing a shift at her hospital Lynn is kidnapped by the deranged Amanda and taken to an abandoned warehouse where she meets Jigsaw aka: John Kramer (Tobin Bell) who's now bedridden and on the verge of death. Lynn is told that she must keep the madman alive for as long as it takes Jeff (Angus Macfayden) another of his victims to complete a game of his own. Racing against the ticking clock of Jigsaw's own heartbeat Lynn and Jeff struggle to make it through each of their vicious tests unaware that Jigsaw and Amanda have a much bigger plan for both of them... Saw IV: Now upon the news of Detective Kerry's murder two seasoned FBI profilers Agent Strahm and Agent Perez arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grizzly remains and piecing together the puzzle. However when SWAT Commander Rigg is abducted and thrust into a game the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences... Saw V: Detective Hoffman and Agent Strahm clash as they each investigate the apparent continuation of the Jigsaw murders. Saw VI: The deathly traps and cunning plotting return for this sixth entry in the hugely popular SAW film series. The editor for all of the previous films Kevin Greutert makes his directorial debut with this picture once again written by FEAST writers Marcus Dunstan and Patrick Melton. With Special Agent Stahm (Scott Patterson) dead the sinister Detective Hoffman (Costas Mandylor) has emerged to carry on Jigsaw's murderous work. With the FBI drawing ever closer to maniacal Hoffman the detective is cornered into setting yet another gruesome game in motion: a blood-drenched pursuit that will finally shed light on the really reasons behind Jigsaw's grand scheme.
When a classified ad grabs the attention of Chicago Times editor Brian Kelly (Lee J. Cobb) he sends ace reporter P.J. McNeal (James Stewart) to dig up new evidence in the 11-year-old case of a cop killer: It appears that Frank Wiecek (Richard Conte) has taken a fall and been wrongly imprisoned for the murder. Although hard-nosed McNeal is initially skeptical he eventually believes that Wiecek was in fact a patsy. And although McNeal hits one dead end after another the avid newsma
How Much Are You Worth? Conrad a director at a high-powered advertising agency is in mourning for his lost relationship. To ease the pain he hires a male prostitute Tyler for $200 and finds himself in danger of falling in love again. Although Conrad is getting more involved he understands things have to remain on a financial level and offers Tyler a job at the agency on condition that he has sex with him twice a week. But the effects of Tyler's entry into the workforc
The True Story of the Greatest Boxer of His Time. He called himself 'The Greatest' - and it was a title he merited. Muhammad Ali was quite simply the greatest boxer of the twentieth century. This film traces his meteoric rise to fame climaxing in his crucial 1964 title fight against Sonny Liston. A compelling true-life drama.
The new manager of a cemetery (Richard Boone) begins to question reality when he places black pins instead of white in the cemetery map seemingly causing the owners of the plots to die. As the death count rises the mystery gets deeper and deeper pointing to a resolution almost too strange to face...
The newly appointed chairman of a cemetery discovers that by replacing the white pins on a cemetery map to black he can cause the death of the plot owner...
Here's how American critic Roger Ebert described the unique and lasting value of George Lucas' 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semi-autobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of DJ Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realised through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic. --Jeff Shannon, Amazon.com
Please wait. Loading...
This site uses cookies.
More details in our privacy policy