"Actor: Hugh Cross"

• Earth vs The Flying Saucers | DVD | (14/10/2002) from £14.49   |  Saving you £-1.50 (N/A%)   |  RRP £12.99

  Notable neither for its director nor its stars, Earth vs the Flying Saucers has been given the widescreen DVD treatment rather because of its special-effects man, the legendary Ray Harryhausen. A Twilight Zone styled voiceover introduces Dr Marvin Russell and his wife of two hours as they're buzzed by an overhead flying saucer--the first of many. When a translation device reveals the saucer-occupants' fiendish plan to take over the world, it's time for a good old army-alien punch-up. Cue screenfuls of avuncular patriarchs, loads of techno-flannel space-speak and plenty of gratuitous American-monument destruction. A by-numbers B-movie, this is only really notable for Harryhausen's stop-motion FX work--and though this, his fifth feature, isn't a patch on his later Technicolor masterpieces, his trick of demolishing facsimiles of recognisable landmarks is cited by many premier filmmakers as being hugely influential on their work. This is very much of its time, the saucer-people arousing few of the thrills engendered by his later creations (Sinbad's Cyclops, for example). And with Cold War fears now just a memory, the Ruskies, or rather aliens, can no longer prevail upon a zeitgeist of xenophobic paranoia for their power. On the DVD: Earth vs the Flying Saucers's black-and-white picture is clean and crisp in this anamorphic 1.85:1 widescreen transfer and the Dolby digital mono soundtrack is clear enough. The theatrical trailer will please fans of kitsch, as will the featurette "This Is Dynamation" produced at the same time as the first Sinbad movie. The real corker here though is the generously proportioned documentary "The Harryhausen Chronicles": narrated by Leonard Nimoy, it features a stellar cast of devotees (George Lucas among them) waxing lyrical about the influence of Harryhausen's films, and allows the man himself to ramble fascinatingly over clips of his filmic canon. If you're a fan, it's Harryhausen heaven. --Paul Eisinger

• Seven Days To Noon | DVD | (22/02/2010) from £8.99   |  Saving you £4.00 (44.49%)   |  RRP £12.99

  Professor Willingdon (Barry Jones) is a scientist engaged on highly secret Government research. When he sends a letter to 10 Downing St threatening to blow up the Houses of Parliament within 7 days unless the Prime Minister agrees to his demands it is first dismissed as a hoax. When Willingdon disappears however alarm bells ring and soon the whole of London has joined in the manhunt for this modern day Guy Fawkes. Also starring Joan Hickson the film won the Oscar for Best Screenplay that year.

• Someone To Watch Over Me | DVD | (08/11/2004) from £15.58   |  Saving you £-9.59 (N/A%)   |  RRP £5.99

  Someone to Watch Over Me is a stylish, smart film noir directed by Ridley Scott (Blade Runner). The movie stars Tom Berenger as a New York cop and family man who falls for the rich and beautiful witness (Mimi Rogers) he's assigned to protect. Scott, who always displays a distinctive eye for extraordinary art direction, does something here he should be doing a lot more often: directing contemporary noir. Berenger and Rogers rise to the occasion, seemingly aware that they're making something special. --Tom Keogh, Amazon.com

• Seven Days To Noon | DVD | (14/07/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  An English scientist steals atomic bomb from a research centre. In a letter sent to the British Prime Minister he threatens to blow up the center of London if the Government refuses to end research into atomic weapons.

• The John Cassavetes Collection | DVD | (12/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £49.99

  A collection of films from famed actor and independent director John Cassavetes comprising: Shadows (1959): A depiction of the struggle of three black siblings to survive the mean streets of Manhattan 'Shadows' was Cassavetes' jazz-scored improvisational film exploring interracial friendships and relationships in Beat-Era (1950s) New York City made from a script entirely improvised by the talented cast heralding a vital new era in independent filmmaking. Faces (1968):