Follow the epic story of the X-MEN, a group of humans with genetic mutations that give them extraordinary abilities. Engaged in a constant battle for acceptance in society, the X-MEN must learn to use their powers to fight those intent on world domination. Join Professor X, Storm, Jean Grey, Cyclops and Wolverine as they try to save themselves and the world from Magneto, Sentinels, and Apocalypse, a powerful mutant whose vengeful wrath threatens the planet. Special Features Includes hours of special features
From Academy Award® nominee Taylor Sheridan, co-creator of Yellowstone, and Hugh Dillon, Mayor of Kingstown follows the McLusky family - power brokers in Kingstown, Michigan, where the business of incarceration is the only thriving industry. Tackling themes of systemic racism, corruption and inequality, the series provides a stark look at their attempt to bring order and justice to a town that has neither.With an impressive line-up of star power, including two-time Academy Award® nominee Jeremy Renner, Golden Globe®, Emmy® and Academy Award® winner Dianne Wiest, and five-time Emmy® nominee Kyle Chandler, and packed with special features, Mayor Of Kingstown is a must-add to your DVD collection. Product Features Behind the Stories Perdition: Making Mayor of Kingstown Zero Sum Game: The Finale Inside Mayor of Kingstown People of Kingstown Cast Favourite Scenes
X-Men: The Last Stand is the third installment in the popular superhero franchise, and it's an exciting one with a splash of fresh new characters.
From the Oscar-winning director of The King’s Speech comes this sumptuous, BAFTA award-winning BBC adaption of George Eliot’s masterpiece, charting an intense love story set in Victoria high society. The noble Daniel Deronda becomes entranced by frivolous beauty Gwendolen Harleth and though she shares his feelings fate conspires to keep them apart. Gwendolen, facing financial ruin, is forced into an oppressive marriage with the sinister but wealthy aristocrat Henleigh Grandcourt and Daniel finds a new life through his friendship with Jewish singer Mirah Lapidoth. As their lives are once more shaped by fate and self-discovery this classic, mesmerizing tale reaches its dramatic conclusion. Adapted by renowned writer Andrew Davies (Pride and Prejudice, Middlemarch, Tipping the Velvet) this highly-acclaimed costume drama boasts a glittering cast including Hugh Dancy, Romola Garai, Hugh Bonneville, Jodhi May, Greta Scacchi, Edward Fox, Celia Imrie and Barbara Hershey.
When it was released in 1994 Four Weddings and a Funeral quickly became a huge international success, pulling in the kind of audiences most British films only dream of. It's proof that sometimes the simplest ideas are the best: in terms of plot, the title pretty much says it all. Revolving around, well, four weddings and a funeral (though not in that order), the film follows Hugh Grant's confirmed bachelor Charles as he falls for visiting American Carrie (Andy McDowell), whom he keeps bumping into at the various functions. But with this most basic of premises, screenwriter Richard Curtis has crafted a moving and thoughtful comedy about the perils of singledom and that ever-elusive search for true love. In the wrong hands, it could have been a horribly schmaltzy affair, but Curtis' script--crammed with great one-liners and beautifully judged characterisations--keeps things sharp and snappy, harking back to the sparkling Hollywood romantic comedies of the 30s and 40s. The supporting cast, including Kristin Scott Thomas, Simon Callow and Rowan Atkinson (who starred in the Curtis-scripted television show Blackadder) is first rate, at times almost too good: John Hannah's rendition of WH Auden's poem "Funeral Blues" over the coffin of his lover is so moving you think the film will struggle to re-establish its ineffably buoyant mood. But it does, thanks in no small part to Hugh Grant as the bumbling Charles (whose star-making performance compensates for a less-than-dazzling Andie MacDowell). Though it's hardly the fault of Curtis and his team, the success of the Four Weddings did have its downside, triggering a rash of far inferior British romantic comedies. In fact, we had to wait until 1999's Notting Hill for another UK film to match its winning charm--scripted, yet again, by Curtis and starring Grant. --Edward Lawrenson
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
Featuring the entire series of Jeeves And Wooster based on the characters created by P.G. Wodehouse. Jeeves & Wooster is one of the most delightful period comedy series in TV history. Stephen Fry and Hugh Laurie have captured the wit and sophistication of P.G Wodehouse and manage to portray the marvellous light hearted atmosphere in which the stories were originally set to perfection. Now you can enjoy every episode at your leisure in this delightful box set of the complete tip-top shenanigans of Jeeves & Wooster.
With his animal-like senses, accelerated healing powers and razor-sharp, retractable claws, Wolverine (Hugh Jackman) is one of the most powerful and dangerous characters in the X-Men universe! In X-Men Origins: Wolverine, learn about Logan/Wolverine's mysterious past, including his relationship with Victor Creed/Sabretooth (Liev Schreiber) and the ominous Weapon X programme. Then in The Wolverine, Logan is out of his depth in modern-day Japan as he faces his ultimate nemesis in a life-or-death battle that will change him forever.
From Academy Award® nominee Taylor Sheridan, co-creator of Yellowstone, and Hugh Dillon, Mayor of Kingstown follows the McLusky family - power brokers in Kingstown, Michigan, where the business of incarceration is the only thriving industry. Tackling themes of systemic racism, corruption and inequality, the series provides a stark look at their attempt to bring order and justice to a town that has neither.With an impressive line-up of star power, including two-time Academy Award® nominee Jeremy Renner, Golden Globe®, Emmy® and Academy Award® winner Dianne Wiest, and five-time Emmy® nominee Kyle Chandler, and packed with special features, Mayor Of Kingstown is a must-add to your DVD collection. Product Features Behind the Stories Perdition: Making Mayor of Kingstown Zero Sum Game: The Finale Inside Mayor of Kingstown People of Kingstown Cast Favourite Scenes
Brand new BBC Drama starring Hugh Laurie, written by David Hare. Roadkill is a four-part fictional thriller about a self-made, forceful and charismatic politician called Peter Laurence. Peter s public and private life seems to be falling apart - or rather is being picked apart by his enemies. As the personal revelations spiral, he is shamelessly untroubled by guilt or remorse, expertly walking a high wire between glory and catastrophe as he seeks to further his own agenda whilst others plot to bring him down. However events show just how hard it is, for both an individual and a country, to leave the past behind. With enemies so close to home, can Peter Laurence ever out-run his own secrets to win the ultimate prize?
Once upon a time screenwriter Keith Michaels (Hugh Grant) was on top of the world - a Golden Globe Award and a hit movie to his name a beautiful wife and son and a seemingly inexhaustible supply of sexy British wit and charm. But that was fifteen years ago: now he's divorced approaching fifty hasn't written a hit film in years and is going broke. Luckily his agent has a gig for him - albeit far away from Hollywood. A university in upstate New York is looking for a writer-in-residence to teach a course on screenwriting and with an empty wallet as his motivation Keith can't say no. In bucolic Binghamton he quickly discovers that his celebrity status hasn't faded and he finds himself in a compromising position with a star-struck pupil Karen (Bella Heathcote) who is enrolled in his class and his other students seem naïve and simple. Hoping to give minimal attention to his duties and focus on writing a new script Keith inadvertently gets off on the wrong foot with a ranking faculty member (Allison Janney) a humourless Jane Austen scholar; though he does quickly befriend two eccentric faculty colleagues who promise to show him the ropes (Chris Elliott J.K. Simmons). Keith's attitude begins to turn when he meets Holly (Marisa Tomei) a single mom working two jobs to earn her bachelor's degree. Though Holly has a new boyfriend - and Keith isn't very savvy about covering up his romance with Karen - the two find themselves connected by their mutual need for a second chance. When one of his pupils comes up with a screenplay that Keith knows will sell he sees an opportunity to get out of teaching and go back to living the good life. But he's also discovered that teaching has given him that second chance at becoming a better man - and finds himself equally tempted to stay and see where his new talents take him.
Jim Henson's fantasy epic The Dark Crystal doesn't take place a long time ago in a galaxy far, far away, but like Star Wars it takes the audience to a place that exists only in the imagination and, for an hour and a half, on the screen. Recalling the worlds of JRR. Tolkien, Henson tells the story of a race of grotesque birdlike lizards called the Skeksis, gnomish dragons who rule their fantastic planet with an iron claw. A prophecy tells of a Gelfling (a small elfin being) who will topple their empire, so in their reign of terror they have exterminated the race, or so they think. The orphan Jen, raised in solitude by a race of peace-loving wizards called the Mystics, embarks on a quest to find the missing shard of the Dark Crystal (which gives the Skeksis their power) and restore the balance of the universe. Henson and codirector Frank Oz have pushed puppetry into a new direction: traditional puppets, marionettes, giant bodysuits, and mechanical constructions are mixed seamlessly in a fantasy world of towering castles, simple huts, dank caves, a giant clockwork observatory, and a magnificent landscape that seem to have leaped off the pages of a storybook. Muppet fans will recognise many of the voice actors--a few characters sound awfully close to familiar comic creations--but otherwise The Dark Crystal is a completely alien world made familiar by a mythic quest that resonates through stories over the ages. --Sean Axmaker
A young English colonial and the Sarawak tribeswoman he takes as his tutor and his concubine fall in love. They are forced to separate but when the young man returns with his new bride the passions between the two reignite...
Spanning over one thousand years, and three parallel stories, "The Fountain" is a story of love, death, spirituality, and the fragility of our existence in this world.
A stunning new print of Peter Greenaway's acclaimed first feature a satisfying complex Jacobean murder mysery set in an English country garden during the height of a late 17th century summer. A draughtsman hired to execute 12 drawings of an estate negotiates terms to include the sexual favours of his employer (Janet Suzman). But when a corpse is dragged from the moat the draughtsman's designs may reveal more than he realised. ""Exotic Erotic and Utterly Enigmatic"" - Time Out
Ten years after leaving university Peter and his best friends reunite for a New Year's party to end all parties. Having weathered most of life's triumphs and disasters there doesn't seem to be much left to shock them - but Peter has a special surprise that will test their friendship to the utmost. A wonderfully wicked comedy about life love and other natural disasters.
In Cairo at the height of the Arab Spring, hotel night manager Jonathan Pine receives a plea for help from the beautiful Sophie Alekan. As the mistress of the powerful but dangerous hotel owner, Sophie has evidence of an arms deal that could help crush the popular uprising. Compelled to do what he thinks is right, Pine makes contact with his friend at the British Embassy. But his actions unwittingly draw him into the terrifying world of ruthless arms dealer, Richard Roper. When Sophie's information makes its way to Angela Burr, a government anti-corruption agent intent on bringing down Roper's empire, a leak in her network triggers a chain of events that end in tragedy. Click Images to Enlarge
Noel Coward's favourite play, Blithe Spirit, was certainly a departure for David Lean, best known at the time for adapting Dickens. While it's the director's only comedy, the result is a delightful gem. Rex Harrison is an acerbic author haunted by the ghost of first wife Elvira (Kay Hammond), who tries to seduce him all over again. This throws his second wife (Constance Cummings) into a panic, second-guessing her lack of passion. It's a celestial sex romp that hasn't lost its bite. Margaret Rutherford, as always, steals the show as the sardonic medium. --Bill Desowitz
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