Get ready for a right royal riot with THE WINDSORS, the outrageous and side-splitting satirical comedy series from Channel 4 which imagines the royal family as you've never seen them before, drawing on real life events and creating hilarious fictional fun. Featuring an all-star comedy line-up including the inimitable Harry Enfield (Harry Enfield and Chums) as Prince Charles, Haydn Gwynne (Drop the Dead Donkey) as Camilla, Hugh Skinner (Fleabag) as William, Louise Ford (Crashing) as Kate, Morgana Robinson (Morgana Robinson's The Agency) as Pippa, Richard Goulding and Tom Durant-Pritchard as Harry and Kathryn Drysdale (Two Pints of Lager and a Packet of Crisps) as Meghan, with Katy Wix (Agatha Raisin) as Fergie and Miriam Margolyes (Call the Midwife) as the ghost of Queen Victoria. Join THE WINDSORS in their everyday palace lives, for a family Christmas at Sandringham, to celebrate Harry and Meghan's wedding and go beyond the palace gates again to watch Megxit unfold.
Paddington Adapted from Michael Bond's beloved books, Paddington follows the comic misadventures of a polite young Peruvian bear with a passion for all things British, who travels to London in search of a home. Finding himself lost and alone at Paddington Station, he begins to realise that city life is not all he had imagined - until he meets the kind Brown family, who read the label around his neck ('Please look after this bear. Thank you.') and offer him a temporary haven. But little do the Browns realise just how much comic mayhem one young bear will bring to their family life, and when this rarest of bears catches the eye of a sinister, seductive taxidermist, it isn't long before his home - and very existence - is under threat Produced by David Heyman (The Harry Potter series) Paddington , is a timeless and universal story written and directed by Paul King. With Ben Whishaw as the voice of Paddington Bear, the film's all-star cast includes Hugh Bonneville, Nicole Kidman, Sally Hawkins, Jim Broadbent, Peter Capaldi and Julie Walters. Paddington 2 The much-anticipated sequel ï¬nds Paddington happily settled with the Brown family in Windsor Gardens. While searching for the perfect present for his beloved Aunt Lucy's 100th birthday, Paddington spots a unique pop-up book in Mr. Gruber's antique shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it's up to Paddington and the Browns to unmask the thief. Paddington's biggest adventure yet sees Hugh Grant and Brendan Gleeson joining the all-star returning cast of Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent, Peter Capaldi and Ben Whishaw as the voice of the beloved bear. Product Features Director's Commentary 'Rain on the Roof' with Phoenix Buchanan - Full Screen Paddington 2: The Challenge of Making the Film BAFTA Q&A with David Heyman, Paul King, Simon Farnaby, Hugh Grant and Pablo Grillo
Oscar® nominee Hugh Jackman stars as the charismatic politician Gary Hart for Academy Award®nominated director Jason Reitman in the new thrilling drama The Front Runner. The film follows the rise and fall of Senator Hart, who captured the imagination of young voters and was considered the overwhelming front runner for the 1988 Democratic presidential nomination, when his campaign was sidelined by the story of an extramarital relationship with Donna Rice. As tabloid journalism and political journalism merged for the first time, Senator Hart was forced to drop out of the race events that left a profound and lasting impact on American politics and the world stage.
Grace (Nicole Kidman) and Jonathan Fraser (Hugh Grant), are living the only lives they ever wanted for themselves. Overnight, a chasm opens in their lives: a violent death and a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and her family. Bonus Features The Undoing Revelations Creating The Undoing Nicole Kidman and Hugh Grant introduce The Undoing
Due to a series of coincidences Poirot meets his old friend Captain Hastings at the headquarters of an archaeological dig in Mesopotamia where an Arab worker has recently been found strangled. All those working on the dig in the Iraqi desert are either friends or colleagues of the project leader the renowned American archaeologist Dr Leidner. Tension at Expedition House worsens when the beautiful young wife of Dr Leidner wakes screaming in the night claiming she has seen a mysterious face at the window. It is now Poirot's turn to start digging and he soon finds that sexual jealousy professional rivalry and dark personal secrets abound in the hothouse atmosphere of Mesopotamia.
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s) have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form, and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine (who has retractable claws and amnesia), and Anna Paquin's Rogue (who sucks the life and superpowers out of anyone she touches). The plot has to do with a big gizmo that will wreak havoc at a gathering of world leaders, but the film is more interested in setting up a tangle of bizarre relationships between even more bizarre people, with solid pros such as Stewart and McKellen relishing their sly dialogue and the newcomers strutting their stuff in cool leather outfits. There are in-jokes enough to keep comics' fans engaged, but it feels more like a science fiction movie than a superhero picture. --Kim Newman
It's all about women.... and their men! From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill) her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only the cyni
Own both sensational Bridget Jones films with this newly packaged double pack. Endless hours of laughter await you! Bridget Jones's DiaryThe fictional diary of a 30-something professional woman as she copes with the travails of singledom dieting career shifts and the search for love. Special Features: Directors Commentary Behind the Scenes Featurette Music Videos: Shelby Lynne Killin' Kind Gabrielle Out Of Reach Original Bridget Jones Diary Columns Stills Deleted Scenes Bridget Jones: The Edge of ReasonAfter finding love Bridget Jones questions if she really has everything she's dreamed of having. Special Features: Feature Commentary The Mini Break to Austria Deleted Scenes A Smooth Guide to Exotic Thailand The Big Fight Mark and Bridget: Forever? Bridget Jones Interviews Colin Firth Lonely London Who's Your Man Quiz Trailers: Wimbledon Meet the Fockers Billy Elliot the Musical
Three bodies are found. Beside each lies a copy of the ABC Railway Guide. The police are baffled. But the killer has made one mistake; he has challenged Hercule Poirot to unmask him...
Sirens is an affectionate, semi-fictional comedy of manners set in 1930s Australia. In an audacious stroke of casting Hugh Grant plays a stereotypically awkward and diffident Englishman, in this case a Church of England priest. The priest is despatched into the Blue Mountains west of Sydney in an effort to press the Good Word upon Norman Lindsay, an artist whose lurid works are scandalising the upright citizenry. Lindsay--capably played here by Sam Neill--really existed and though he fancied himself as a dashing Bohemian artist, his paintings were dreadful. Sirens sees Grant's rigidly decent young priest and his equally prim wife (Tara Fitzgerald) gradually tempted further and further into the rustic bacchanalia that Lindsay has founded up in the bush. This sensual world is represented by Lindsay's young muses, played by supermodel Elle MacPherson, a pre-Ally McBeal Portia De Rossi and Kate Fischer. The three are more or less unclothed for most of the film, and spend what seems an unnecessary amount of time washing each other in rock-pools. This may or may not reflect awareness on the part of the producers that the film's predictable plot and overwrought dialogue weren't going to fill a lot of seats without some help. On the DVD: Sirens is presented in 1.85:1 widescreen, but there are no extra features.--Andrew Mueller
The popular children's books by Mary Norton have been filmed before, but never with as much imagination and ingenuity as you'll find on display in this delightful fantasy film released to critical praise in 1998. The eponymous Borrowers are a family of tiny people who live in the walls and under the floorboards in the homes of "normal-sized" humans; they earn their by "borrowing" the household items (string, food crumbs, buttons, and so on) needed to furnish their tiny hiding places and provide their meals. The little Clock family lives happily undisturbed in the home of an aged aunt, but when the aunt dies and her will is stolen by an unscrupulous lawyer (John Goodman), the Clocks face eviction and the frightening hazards of the outside world. Under the ingenious direction of Peter Hewitt, this simple, straightforward movie mixes comedy, adventure, and suspense with some of the cleverest special effects you've ever seen, taking full advantage of effects technologies to immerse you in the world of the tiny people. A climactic chase scene in a milk-bottling plant is a visual tour de force, and the movie's smart and dazzling enough to entertain parents and children alike. After its modest success in cinemas, The Borrowers stands a good chance of becoming a home-video favourite. --Jeff Shannon
One of the most honest and powerful war pictures (Life) of all time this thrilling dramatic thunderbolt (The Hollywood Reporter) soars right up into the bright blue yonder (Los Angeles Times). Blending thrilling action with personal drama brought to heroic heights (The New York Times) this Winner of two Academy Awards stars Gregory Peck in the best performance of his career (Look) a role which earned him a Best Actor Oscar Nomination. At the height of World War II the 918 Bomb Group suffers devastating losses and Brigadier General Frank Savage (Peck) is sent to take command. Because of his strong discipline his men resent him and although Savage remains impersonal under heavy attack and unrelenting fire fights he becomes personally involved in their well-being - a dangerous position for any leader - especially in the middle of a war!
Is there a secret you would kill to know? In this electrifying, suspense-packed thriller from director Christopher Nolan (Batman Begins, Memento), Hugh Jackman and Christian Bale play magicians whose cutthroat attempts to best each other plunge them into deadly deception. Scarlett Johansson also stars as the stage assistant who's both a pawn and player in their rivalry. A brilliant supporting cast (including Michael Caine and David Bowie). An ingenious story. An astonishing payoff. Once you see The Prestige, you'll want to see it again. Watch closely. Features: SPECIAL FEATURES Director's Notebook: The Prestige The Cinematic Sleight of Hand of Christopher Nolan 5 Making-of Featurettes F The Art of The Prestige Production Photos, Costumes/Sets, Behind-the-Scenes Photos and Poster Art Galleries F Theatrical Trailer
After a few appearances on various television shows ex-Cambridge University students Stephen Fry and Hugh Laurie finally got the chance to shine in their very own A Bit Of Fry And Laurie. Full of turns of phrase and elaborate wordplay A Bit Of Fry And Laurie was the kind of sophisticated comedy that had been little seen on British TV screens. With an old-fashioned revue-type atmosphere and oddly 'British' sketches the delicate innuendos coupled with Fry's ability
Five years before MAD MAX, producer/director/co-writer/star Sandy Harbutt in his first and only feature film ignited Australia's exploitation explosion, launched a global censorship battle and delivered what may still be the best biker movie in history: When an undercover cop (Ken Shorter of SUNDAY TOO FAR AWAY) infiltrates an outlaw motorcycle gang (led by Harbutt), he'll straddle 7000 RPM of screaming steel for a full-throttle hell ride through sex, violence, and Down Under vengeance. Hugh Keays-Byrne (Immortan Joe in MAD MAX: FURY ROAD), Helen Morse (PICNIC AT HANGING ROCK), Roger Ward, Vincent Gil and Reg Evans of MAD MAX fame, and members of the Sydney Hells Angels co-star in the ass-kicking bite of entertainment that delivers on every level (DVD Drive-In), now featuring an uncut 4K scan from original vault elements supervised by Harbutt himself shortly before his death. Product Features The Making Of STONE Deleted And Extended Scenes STONE Forever NOT QUITE HOLLYWOOD Extended Interviews Make Up Tests Slideshow With Commentary By Director Sandy Harbutt Trailer
Sister George" within The Killing of Sister George is Britain's best-loved soap opera character, played by actress June Buckeridge (Beryl Reid). Buckeridge has become so identified with her character--a sweet old Miss Marple-ish nurse who putters around her quaint little village on a motor scooter--even her friends call her George. But outside the studio she's a hard-drinking, hot-tempered, foul-mouthed lesbian living with an immature young thing she's nicknamed "Childie" (Susannah York, who makes her memorable entrance in a sheer baby-doll nightie). At her worst Sister George is an abusive monster (in a moment of rage she forces Childie to eat the butt of her cigar) but beneath the bluster is an insecure television actress. When the studio decides to kill her character off and an executive makes a play for Childie, the soap star desperately clings to her young lover. Director Robert Aldrich, best known for his tough action films and gothic thrillers, brings his fierce vision of human nature to Frank Marcus's play . In its best moments the film simmers in angry suspicion and helpless frustration, brought to life by Reid's vivacious performance but other scenes are overlong and stage-bound and would have benefited greatly from judicious trimming and tightening. The caricatured portrayals of lesbian life have aged rather poorly--an inevitable sign of the times--but this acidic show-biz drama still carries a hefty emotional punch. --Sean Axmaker, Amazon.com
Rowan Atkinson's irredeemably wicked Edmund Blackadder has moved forward in time from the court of Queen Elizabeth but a little down the social ladder. He's now butler to Hugh Laurie's congenitally stupid Prince Regent on the cusp of the 18th and 19th centuries, and if that wasn't bad enough he's still accompanied by Tony Robinson's dim-witted Baldrick, whose cunning plans never fail to make an impossible situation worse. Blackadder's desperate scheming and utter contempt for all he surveys hasn't changed, nor have the baroque complexities of the situations in which he becomes embroiled: from an anachronistic war of words with Dr Johnson (Robbie Coltrane relishing every syllable) to taking on the Scarlet Pimpernel at his own game, to fighting a duel with a psychopathic Duke of Wellington, Edmund's luck never seems to change. Richard Curtis and Ben Elton's sharp scripts have more fun with the period setting than ever before, as contemporary literary archetypes from Samuel Johnson to Jane Austen are ripe for lampooning. Howard Goodall's theme tune is updated to a glorious classical pastiche, while the extravagant costumes of the times hardly need altering to achieve the desired effect. The comedy is so good it seemed this could never be bettered, until Blackadder Goes Forth that is. --Mark Walker
IT'S 22 YEARS LATER, AND NORMAN BATES IS COMING HOME. Just when you thought it was safe to step back in the shower, Norman Bates returns in this expertly crafted sequel to Alfred Hitchcock s acclaimed horror classic. Deemed fit to return to society more than two decades years after his original crimes, Norman Bates has returned to his family mansion and adjacent motel. Joined by an unlikely house guest in the form of young Mary (Meg Tilly), things seem to be looking up for Norman until the grisly murders start up afresh. Has Norman really put his terrible past behind him, or is he losing his grip on sanity all over again? Aided by a fiendishly clever script from Fright Night director Tom Holland, Psycho II is regarded by many as one of the most successful horror sequels of all time, with a plot that will keep you guessing until the very end... SPECIAL EDITION CONTENTS: Digital Transfer from Original Film Elements High Definition Blu-ray (1080p) presentation Original Stereo Audio Optional English subtitles for the deaf and hard of hearing Audio commentary with writer Tom Holland Never-before-heard audio interview with director Richard Franklin Archive Interview with star Anthony Perkins Vintage EPK material featuring interviews with cast and crew Trailers & TV Spots Still Gallery Reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais PLUS MORE TO BE ANNOUNCED! FIRST PRESSING ONLY: Collector s Booklet with new writing on the film alongside a reprint of the Psycho II chapter from Richard Franklin s unpublished autobiography
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