A bourgeois family slowly comes apart at the seams as a meddling journalist unravels the dark secrets lurking in the shadows.
The dominant themes of director Sidney Lumet's distinguished career are in full force in Night Falls on Manhattan, a moral melodrama involving a young district attorney (Andy Garcia) who takes on a career-making case only to uncover his father's possible involvement in pervasive police corruption. Balancing personal ethics and political compromise in a high-wire act of power and its abuse, Lumet relies on dialogue and superb performances (including those by Ron Leibman, Richard Dreyfuss and Lena Olin) to achieve a devastating impact. The script (based on the novel Tainted Evidence by Robert Daley) is too smart and Lumet's direction too sure-footed to fall back on the black-and-white exploits of conventional criminals and their crimes. The movie's moral framework (like that of Lumet's earlier film Q&A) is more realistic, dealing in the grey areas between right and wrong where misdeeds can arise from the best intentions. At the centre of Garcia's dilemma is his father, a seasoned New York cop played so convincingly by Ian Holm that you'd never guess the actor was British. Although it received mixed reviews when released in 1997, Night Falls on Manhattan ranks among Lumet's finest films. --Jeff Shannon, Amazon.com
In the year 2257 a planet-sized vessel of supreme evil is hurtling towards the earth with relentless speed threatening to exterminate every living organism in its path. It has been left to the ex-marine and unlikely taxi-driving hero Korben Dallas (Willis) to reunite the four stones that represent the elements - Earth Air Water and Fire with the mysterious Fifth Element to unleash the only power that will save the Earth. Joined on his mission by the intriguing Leeloo (Jovovich) and Priest Vito Cornelius (Holm) Dallas must retrieve the elements from the beautiful Diva aboard the luxury cruise ship the Fhlotsin Paradise.
A devastating story of war and a generation destroyed. In 1914 a group of German schoolboys idealistic and inflamed with youthful patriotism set off to fight in the glorious war. During their brutal basic training disenchantment begins. Then boarding a train for the front they see the wounded being rushed back to the hospitals and they begin to grasp the grim reality of war. Amongst them is Paul Baumer (Richard Thomas) whose preconceptions are shattered upon witnessing the horror of life at the front. This is the second film version (the first was made in 1930) of Erich Maria Remarque's classic novel.
Following a tragic schoolbus accident high-profile lawyer Mitchell Stephens (Ian Holm) descends upon a small town. With promises of retribution and a class-action lawsuit filed on behalf of the grieving community Stephens begins his investigation into the details of the crash. But beneath the town's calm he uncovers a tangled web of lies deceit and forbidden desires that mirrors his own troubled personal life. Gradually we learn that Stephens has his own agenda and that everyone
20th Century Fox brings you three action blockbusters on this fantastic boxed set. The Day After Tomorrow: Where will you be? From the Director of 'Independence Day' comes a spectacular roller-coaster ride that boasts pulse-pounding action and sensational mindblowing special effects. When global warming triggers the onset of a new Ice Age tornadoes flatten Los Angeles a tidal wave engulfs New York City and the entire Northern Hemisphere begins to freeze solid. No
Alexandre Dumas' classic tale of fraternal squabbling makes a more than satisfactory transition to celluloid with this 1976 made-for-television swashbuckler. Viewers familiar with the more recent Leonardo DiCaprio version may be stymied at first by the non-MTV pace and the rather unhip presence of Richard Chamberlain in the lead role(s). This well-lensed action film overcomes a somewhat poky first half to emerge as a terrific adventure, complete with plenty of derring-do, some sharply pointed dialogue, and a wonderful performance by the incomparably malevolent Patrick McGoohan. Rousing fun for burgeoning rapscallions of all ages. Director Mike Newell would later find success in a different genre with Four Weddings and a Funeral. Ian Holm, Louis Jordan, and Ralph Richardson round out the embarrassingly rich supporting cast. --Andrew Wright
Lance Bombardier Terry Evans (David Warner) is about to be sent home for officer selection and training. All he has to do is make it through one more night, in charge of a small guard detachment....Young and ineffectual, Evans is not respected by the national servicemen he commands. Flynn (Ian Holm) doubts his decisions while cockney Featherstone (John Thaw) is filled with contempt for him. Gunner O'Rourke (Nicol Williamson) is openly insubordinate - at first. Very quickly, it becomes obvious that O'Rourke is going mad - and that army discipline shatters when confronted by someone very dangerous and with nothing left to lose...
A most extraordinary experience awaits those with a taste for the strange and the bizarrre in the small town of Black River Falls. Rocked by an inexplicable confluence of events in the late 1890s this sleepy Wisconsin town generated some of the most unlikely news reports and stories ever told. Previously harmless residents - including children - commit a series of gruesome violent murders. Sightings of ghosts and reports of haunting and possession run rife. Shocking dreamlike and s
In a complex narrative mosaic Egoyan spins a breathtaking web of interconnected stories about the lives of the inhabitants of a small town in British Columbia following a tragic road accident. Atom Egoyan's most successful film to date The Sweet Hereafter garnered a staggering 42 international festival awards - including the 1997 Cannes Grand Jury Prize - and was graced with 2 OSCAR nominations (Best Director Best Adapted Screenplay).
Dick Clement followed the success of his first feature Otley with this wry adaptation of Iris Murdoch's celebrated 1961 satirical novel, a harbinger of the sexual liberation that was to blossom in the mid-60s. A Severed Head chronicles the sexual and amoral escapades of a group of middle-class, middle-aged London couples, portrayed by a wonderful cast which includes Ian Holm (Alien, The Lord of the Rings), Lee Remick (Days of Wine and Roses, The Omen), Claire Bloom (The Haunting, The King's Speech) and Richard Attenborough (10 Rillington Place, Young Winston). Absurdist and delightfully funny, A Severed Head is a dark satire staged with wit and intelligence. Special Features: High Definition remaster Original mono audio Audio commentary with director Dick Clement and film historian Sam Dunn (2018) Interview with artist Saskia de Boer (2019): new and exclusive interview with the acclaimed sculptor who created the film's arresting title sequence and produced many iconic likenesses of actors and musicians from Elizabeth Taylor to Jimi Hendrix Interview with Timothy Burrill (2019): new and exclusive interview with the production manager Rob Deering on A Severed Head' (2019): new appreciation by the comedian, musician and writer Theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Pamela Hutchinson, an overview of contemporary critical responses, archival articles, and film credits World premiere on Blu-ray Limited Edition of 3,000 copies All extras subject to change
Based on Victor Hugo's classic novel this is an epic tale of love honour and obsession against the dramatic background of the French Revolution. Jean Valjean (Liam Neeson) lives a life on the run for stealing a loaf of bread. Settling in a remote town he devotes himself to the care of the poor including the beautiful young and poverty stricken Fantine (Uma Thurman). When Fantine dies she leaves a daughter Cosette (Claire Danes) who Valjean raises. But they are haunted by Javert (Geoffrey Rush) a policeman whose lifelong search for Valjean has become an obsession. A hunt begins that will come to a final confrontation on the revolution torn streets of Paris.
In a complex narrative mosaic Egoyan spins a breathtaking web of interconnected stories about the lives of the inhabitants of a small town in British Columbia following a tragic road accident. Atom Egoyan's most successful film to date The Sweet Hereafter garnered a staggering 42 international festival awards - including the 1997 Cannes Grand Jury Prize - and was graced with 2 OSCAR nominations (Best Director Best Adapted Screenplay).
Bruce Willis plays Korben Dallas a New York cabbie who picks up the type of fare that only comes along once every 5 000 years. Leeloo (Milla Jovovich) isn't just the perfect beauty; she's also the perfect weapon. As planet Earth is about to be wiped out the pair set off on a deadly mission to find a set of stones that represent the four elements and unite them with the fifth. But what is the fifth? From Luc Besson the acclaimed director of 'Leon' and 'Nikita' comes a film that reinvents the sci-fi genre. The Fifth Element takes you on an adrenaline-filled journey to a new dimension of sumptuous visuals and spectacular explosions.
Franco Zeffirelli's stripped-down, two-hour version of Shakespeare's play stars Mel Gibson as a rather robust version of the ambivalent Danish prince. Gibson is much better in the part than many critics have admitted, his powers of clarity doing much to make this particular Hamlet more accessible than several other filmed versions. The supporting cast is outstanding, including Glenn Close as Gertrude, Alan Bates as Claudius, Ian Holm as Polonius, and Helena Bonham Carter as Ophelia. Zeffirelli's vigorous direction employs a lively camera style that nicely alters the viewer's preconceptions about the way Hamlet should look. --Tom Keogh
A dark satire of the moralistic after-school specials starring Amy Sedaris as Jerri Blank a 47-year old former ""user boozer and loser"" who returns to high school after three decades of hard living. The film also includes co-creators Paul Dinello as Mr. Jellineck a narcissistic yet fragile art teacher and Stephen Colbert as Mr. Noblet a strict history teacher with a predilection for Hummel figurines.
Of all the Sherlock Holmes tales written by Sir Arthur Conan Doyle, The Hound of the Baskervilles (one of the four novels) remains the best-known. Adding a dash of the supernatural to the Great Detective's adventures, it is certainly one of the most dramatic and an obvious target for screen interpretation. Prior to Jeremy Brett indelibly making the role his own to modern TV audiences, Ian Richardson made for a suitably incisive and enthusiastic Holmes in this enjoyable 1983 adaptation. The much-filmed tale finds Holmes and Watson drawn in to the mysterious curse afflicting the well-heeled Baskerville dynasty. Is a monster stalking the heir to the Baskerville fortune, or is the culprit a far from demonic force? As Holmes, Ian Richardson is blessed with the avian features that, like Basil Rathbone or Peter Cushing, effectively capture Sidney Paget's original likeness. Though Holmes' more anti-social facets are dispensed with, Richardson is engaging in such a well-explored role, recalling the razor-sharp wit and intelligence of Rathbone. Attracting a distinguished British cast (Brian Blessed, Denholm Elliot, Martin Shaw) and decent production values (though with a few Hammer Horror moments), this will not disappoint fans of Victorian literature's finest detective, nor those in search of a classic, chilling thriller. --Danny Graydon
Based on the true story of the last woman ever executed in Britain Ruth Ellis starts down the road of romantic self-destruction when she meets and starts a love affair with wealthy gentlemen David Blakely who felt it was impossible to uphold the relationship with the single mother due to the pressure of his upper-class peers.
The come-from-behind winner of the 1981 Oscar for Best Picture, Chariots of Fire either strikes you as either a cold exercise in mechanical manipulation or as a tale of true determination and inspiration. The heroes are an unlikely pair of young athletes who ran for Great Britain in the 1924 Paris Olympics: devout Protestant Eric Liddell (Ian Charleson), a divinity student whose running makes him feel closer to God, and Jewish Harold Abrahams (Ben Cross), a highly competitive Cambridge student who has to surmount the institutional hurdles of class prejudice and anti-Semitism. There's delicious support from Ian Holm (as Abrahams's coach) and John Gielgud and Lindsay Anderson as a couple of Cambridge fogies. Vangelis's soaring synthesised score, which seemed to be everywhere in the early 1980s, also won an Oscar. Chariots of Fire was the debut film of British television commercial director Hugh Hudson (Greystoke) and was produced by David Puttnam. --Jim Emerson
You are now entering Interzone, William S Burroughs' phantasmagorical land of junk, paranoia and crawly things. Best travel advice: "Exterminate all rational thought". In David Cronenberg's superbly shot, unnerving warp on the Burroughs novel, Naked Lunch, the novelist himself becomes a main character (played in an implacable monotone by Peter Weller), with elements from Burroughs' life--including the shooting of his wife during a "William Tell" game, and bohemian friends Kerouac and Ginsberg--added to frame the book's wild visions. This is, ironically, a somewhat rational approach to an unfilmable book (and it makes a hair-curling double bill with Barton Fink, another look at writerly madness, with both films sharing Judy Davis). Cronenberg is a natural for oozing mugwumps and typewriters that turn into giant bugs, of course. But in the end, this is really his own vision of the artistic process, rather than Burroughs' hallucinatory descent into hell. --Robert Horton, Amazon.com
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