"Actor: Ian Lyons"

• For Love Of The Game | DVD | (15/01/2001) from £10.89   |  Saving you £2.09 (26.46%)   |  RRP £9.99

  Billy Chapel (Kevin Costner) is forced to re-examine his priorities in life when he is confronted with unexpected circumstances

• Devil's Prey | DVD | (11/04/2005) from £19.99   |  Saving you £-6.00 (N/A%)   |  RRP £13.99

  What starts out as a night of excess at an out of town rave becomes a living hell for five young friends. Thrown out of the party after a fight breaks out David Samantha Joe Eric and Susan are driving home arguing about who's to blame when - SLAM! They hit Fawn a young woman who suddenly dashes across the road. Shaken the kids attempt to take the hysterical blood-soaked girl to a hospital but no sooner do they get her into the car than a van appears and forces them off the ro

• The Incident | DVD | (13/05/2013) from £12.81   |  Saving you £3.18 (24.82%)   |  RRP £15.99

  George, Max and Ricky work in the kitchen of a high security asylum. One night, just before dinner time, a big storm shuts down the security system, the doors open and the lunatics break loose. Help is on its way and should soon arrive. They just have to wait for it and survive until then...

• Super Speedway-Imax Film | DVD | (02/09/1998) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com

• Super Speedway | DVD | (29/05/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com