Academy Award winner Daniel Day-Lewis gives an impassioned performance in this riveting drama that mirrors one man's 15 year struggle and ultimate triumph over a terrible injustice. Oscar winner Emma Thompson co-stars in this gripping and highly emotive film. In The Name Of The Father tells the true-life saga of Gerry Conlon. A petty thief in strife torn '70s Belfast Gerry's main interests are getting drunk and partying much to the dismay of his quiet frail father Giuseppe (Pete Postlethwaite). When Gerry angers the IRA his father sends him to England where his antics put him in the wrong place at the wrong time. Innocent but forced to confess to an act of savage terrorism he is sentenced to life imprisonment as one of the 'Guildford Four'. An innocent Giuseppe is also arrested and while behind bars Gerry learns that his father's seeming frailty masks an unmatched inner strength and wisdom. Working with a fiercely dedicated lawyer Gerry determines to prove his innocence clear his father's name and expose the truth behind one of the most shameful legal events in recent history.
One of the most popular Disney films ever The Jungle Book is a song-filled celebration of friendship fun and adventure set in a lush and colourful world. Inspired by Rudyard Kipling's""Mowgli"" stories Disney's 19th animated masterpiece was the last animated feature that had Walt Disney's personal touch. The jubilant adventure begins when Mowgli a little boy raised by wolves is urged by his friend Bagheera a wise old panther to seek safety in the man-village. Feeling very much at home in the jungle Mowgli resists and runs off. Much to Bagherra's dismay Mowgli meets a new friend with a happy-go-lucky- philosophy of life- Baloo the bear a lovable "" jungle bum."" Together the three buddies find the journey back to civilization anything but civilized! They encounter a crazy orangutan the hypnotic and sly snake Kaa and the menacing Shere Khan!
Based on Lisa Genova's 2009 novel of the same name, 'Still Alice' is a frightening, heartbreaking, but ultimately inspiring drama featuring an astonishing Oscar and BAFTA-winning performance from Julianne Moore. At age fifty, Alice Howland (Julianne Moore) has it all: a Columbia University linguistics professorship, a devoted husband, and three loving children. Her life is a whirlwind of work and family, and she thrives on it. But, while lecturing at UCLA, something unexpected happens: mid-sentence, she struggles to find a word. Though a seemingly innocuous relapse, the incident leads to a diagnosis of early-onset Alzheimer's disease, a stunning realisation that sees the bonds between Alice and her family thoroughly tested.
A thoughtful character study and fascinating look at a nearly obselete Indian lifestyle.
One of the most critically acclaimed films of 1995, this wrenchingly sad but extraordinarily moving drama provides an authentic, superbly acted portrait of two people whose lives intersect just as they've reached their lowest depths of despair. Ben (Nicolas Cage, in an Oscar-winning performance) is a former movie executive who's lost his wife and family in a sea of alcoholic self-destruction. He's come to Las Vegas literally to drink himself to death, and that's when he meets Sera (Elisabeth Shue), a prostitute who falls in love with him--and he with her--despite their mutual dead-end existence. They accept each other as they are, with no attempts by one to change the other, and this unconditional love turns Leaving Las Vegas into a sombre yet quietly beautiful love story. Earning Oscar nominations for Best Director (Mike Figgis), Best Adapted Screenplay (Figgis, from John O'Brien's novel) and Best Actress (Shue), the film may strike some as relentlessly bleak and glacially paced, but attentive viewers will readily discover the richness of these tragic characters and the exceptional performances that bring them to life. (In a sad echo of his own fiction, novelist John O'Brien committed suicide while this film was in production.) --Jeff Shannon
The Gospel John best-loved of the four gospels vividly comes to life in a faithful and powerful dramatization of the Biblical text. It meticulously re-creates the era of Jesus during a tumultuous period that changed the course of history. Starring Henry Ian Cusick (Lost Dead Like Me) as Jesus. Narrated by Christopher Plummer and with a cast of over 2 500 The Gospel of John has been adapted for the screen word for word based on the American Bible Society's Good News Bible. Directed by acclaimed British Director Philip Saville.
A haunting and dreamlike gothic horror/giallo hybrid, Death Smiles on a Murderer is a compelling early work from the legendary sleaze and horror film director Joe D'Amato (Anthropophagus, Emanuelle in America), here billed under his real name Aristide Massaccesi. Set in Austria in the early 1900s, Death Smiles on a Murderer stars Ewa Aulin, (Candy, Death Laid an Egg) as Greta, a beautiful young woman abused by her brother Franz (Luciano Rossi, Death Walks in High Heels, The Conformist) and left to die in childbirth by her illicit lover, the aristocrat Dr. von Ravensbrück (Giacomo Rossi Stuart, Kill, Baby... Kill!). Bereft with grief, Franz reanimates his dead sister using a formula engraved on an ancient Incan medallion. Greta then returns as an undead avenging angel, reaping revenge on the Ravensbrück family and her manically possessive brother. Presented here in a stunning 2K restoration, D'Amato's film is a stately and surreal supernatural mystery which benefits from an achingly mournful score by Berto Pisano, several shocking scenes of gore, and a typically sinister performance from Klaus Kinski as a morbid doctor. Features: Brand new 2K restoration from the original camera negative High Definition Blu-ray (1080p) presentation Original Italian and English soundtracks Uncompressed Mono 1.0 PCM audio Newly translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack New audio commentary by writer and critic Tim Lucas D'Amato Smiles on Death, an archival interview in which the director discusses the film All About Ewa, a newly-filmed, career-spanning interview with the Swedish star Smiling on the Taboo: Sex, Death and Transgression in the horror films of Joe D'Amato, new video essay by critic Kat Ellinger Original trailers Stills and collections gallery Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by critic Stephen Thrower and film historian Roberto Curti
Walt Disney's "Snow White And The Seven Dwarfs" timeless animated classic sparkles like never before with an all-new, state-of-the-art digital restoration and exciting new bonus features.
Hollywood Pictures and Amblin Entertainment deliver an electrifying rollercoaster ride of a movie! Everyone is afraid of something..for Dr Ross Jennings (Jeff Daniels) his phobia is downright embarrassing. But when he moves his family to a small town the one thing that bugs him most is now threatening the townspeople at an alarming rate. For this unlikely hero overcoming a childhood fear of spiders might just save them all but it may already be too late! Directed by Frank Marshal
A lusty and rousing adventure, this calls to mind those glorious costume dramas produced so capably by the old Hollywood studio system--hardly surprising, in that its title character, a de facto Robin Hood in Old California, provided starring vehicles for Douglas Fairbanks and Tyrone Power, the 50s TV hit, and dozens of serials and features. Zorro, a pop-fiction creation invented by Johnston McCulley in 1918, is given new blood in this fast-moving and engaging version, which actually works as a sequel to the story line in the Fairbanks-Power saga, The Mark of Zorro. A self-assured Anthony Hopkins is Don Diego de la Vega, a Mexican freedom fighter captured and imprisoned just as Spain concedes California to Santa Ana. Twenty years later, he escapes from prison to face down his mortal enemy, a land grabbing governor played with slimy spitefulness by Stuart Wilson. Too old to save the local peasants on his own, he trains bandito Antonio Banderas to take his place. Much swashbuckling ensues as Banderas woos Catherine Zeta-Jones, becomes a better human being and saves the disenfranchised rabble. Director Martin Campbell wisely instils a measure of frivolity into the deftly choreographed action sequences, while letting a serious tone creep in when appropriate. This covers much ground under the banner of romantic-action-adventure and it does so most excellently. --Rochelle O'Gorman
If it had been written as a piece of fiction no one would have believed it, but In the Name of the Father is the true story of one of the most shocking episodes in British legal history. Dealing with the events surrounding the Guildford pub bombing in 1974 and the subsequent 15-year fight for justice, the film portrays a nation in the grip of an anti-system, desperate to find culprits at any cost, however immoral, illegal or brutal. By playing out the drama in personal as well as political terms--the relationship between Gerry Conlon (Day-Lewis) and his father (Pete Postlethwaite) becomes the story's centrepiece--the film works on numerous levels, but the events are no less shameful for it. The court case that ultimately freed the three men and one woman only takes centre stage for the last 20 minutes but despite that--and the fact that the outcome is no secret--it is high drama and completely gripping. This is an unmissable example of genuinely courageous cinema. On the DVD: Where the real-life events behind the film might have offered huge scope for additional material, the DVD provides little beyond production and cast notes. The film's re-creation of both 1970s Belfast and London is very realistic, intensified by the anamorphic screen ratio, and the excellent soundtrack (including Bono, Sinead O'Connor and Thin Lizzy), which helps drive the action, is intensified by the Dolby Digital 5.1 soundtrack. --Phil Udell
Bachelor Party may not be the first trashy sex comedy but it is perhaps the definitive trashy sex comedy. The movie makes its first breast joke before the opening credits have even finished. A cheerful school bus driver (Tom Hanks) has somehow got himself engaged to a lovely young heiress, much to the chagrin of her family and vengeful ex-boyfriend. The bus driver's roustabout friends decide to throw him a bachelor party--and you can pretty much guess the rest: scantily clad hookers, rampant drug use, bad 1980s new-wave music, really bad 1980s fashions, full frontal nudity (curiously, due to a scene in a Chippendales strip club, there's almost as much male flesh on display as female), bestiality, racial stereotypes, blackmail, attempted suicide, all played for unrepentant cheap laughs. Throughout, Tom Hanks floats along with a carefree (if slightly sheepish) grin, projecting such an air of impish innocence that it's hard to be offended by any of it. And it all ends in a wedding, just like a Shakespearean comedy. Also featuring the blinding white teeth and big hair of Tawny Kitaen (playing the good girl Hanks marries), buxom scream queen Monique Gabrielle and Adrian Zmed, whose career has not fared as well as Hanks's. --Bret Fetzer
Disney's 1967 animated feature The Jungle Book seems even more entertaining now than it did upon first release, with a hall-of-fame vocal performance by Phil Harris as Baloo, the genial bear friend of feral child Mowgli. Loosely based on Rudyard Kipling's original, the film goes its own way as Disney animation will, but the strong characters and smart casting (George Sanders as the villainous tiger, Shere Khan) make it one of the studio's stronger feature-length cartoons. Songs include "The Bare Necessities" and "Trust in Me". --Tom Keogh
The world's first full length animated feature has never looked or sounded better than it does on this special edition two disc Disney Blu-ray set!
Demoted John Rebus is at a psychological crossroads,Involved in a toxic affair with the wife of his disabled former police partner and all but replaced in his daughter's life by his ex-wife's new wealthy husband, Rebus wonders if he still has a role left either as a family man or as a police officer,In a world of divisive politics and national deprivation, does the law still have meaning or is everyone reverting to an older set of rules? And if so, why shouldn't Rebus? A brazen daylight attack draws Rebus and his new partner into a gang war which escalates when Rebus's ex-soldier brother steals from drug dealer,Rebus finds himself torn between protecting his brother and enforcing the law to bring him to justice,A fresh and thrilling offering in the high-end crime genre, with a globally recognisable character at the heart of the story.
Picking up where Queer as Folk left off, QAF2: Same Men, New Tricks exists primarily to wrap up the series. Consisting of two one-hour episodes, it occasionally moves fast--but it won't leave anyone who watched the first series behind. Stuart is still, we're constantly reminded, "a twat", and it's around him that this sequel revolves. Trying to come to term with his place in the world, he finds young Nathan a formidable protege, his family needing him less, and his friends... well, Stuart never was much of one for relationships. Vince, his one friend, has started to take charge of his own life, leaving Stuart to grow less and less connected to anyone else's definition of responsible behaviour. It's maddening, but it's also what makes the show so much fun to watch. Then comes the ending: keeping in mind that QAF2 was done solely to ensure that there would be no conceivable way to do any further series, the fantastical final 15 minutes is extremely effective, if a bit incongruous with the rest of the show. Camp and way, way, way over the top, it's an ending that the guys in the show would probably relish. --Randy Silver
Its ads portrayed The Love Letter as a wacky farce, while critics largely ignored it, presuming it to be a vanity project from Kate Capshaw (better known as Mrs. Steven Spielberg). But The Love Letter is neither; on the contrary, it's a low-key but surprisingly rich and touching film about love, illusions, and regret. Helen (Capshaw), a bookseller in a small seashore town, discovers an unsigned love letter that's fallen into the cushions of a couch in her store. The letter doesn't say who it's for, but Helen assumes it's for her and starts wondering who sent it. One would expect this to lead to a whirling comedy of mistaken identities, but after some amusing daydream moments, the movie follows its story with subtlety and nuance. The characters behave according to their own needs and desires, rather than the demands of standard Hollywood goofiness. The performances--from a cast including Tom Selleck, Tom Everett Scott, Ellen DeGeneres, newcomer Julianne Nicholson, and others--are uniformly unforced and natural. Viewers weary of the hyped-up, absurd emotional climaxes of most so-called romantic comedies will find a respite here. The Love Letter is a genuinely charming film. --Bret Fetzer, Amazon.com
Based on Lisa Genova's 2009 novel of the same name, 'Still Alice' is a frightening, heartbreaking, but ultimately inspiring drama featuring an astonishing Oscar and BAFTA-winning performance from Julianne Moore. At age fifty, Alice Howland (Julianne Moore) has it all: a Columbia University linguistics professorship, a devoted husband, and three loving children. Her life is a whirlwind of work and family, and she thrives on it. But, while lecturing at UCLA, something unexpected happens: mid-sentence, she struggles to find a word. Though a seemingly innocuous relapse, the incident leads to a diagnosis of early-onset Alzheimer's disease, a stunning realisation that sees the bonds between Alice and her family thoroughly tested.
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