Filmed before (and quite nicely) in 1949, Frances Hodgson Burnett's classic children's story was remade for this admirable 1993 release, executive produced by Francis Ford Coppola and directed by acclaimed Polish filmmaker Agnieszka Holland. Splendidly adapted by Edward Scissorhands screenwriter Caroline Thompson, the film opens in India during the early 1900s, when young Mary Lennox (Kate Maberly) is orphaned and sent to England to live in Misselthwaite Manor, the gloomy estate of her brooding and melancholy uncle, Lord Craven (John Lynch). Because the uncle is almost always away on travels, struggling to forget the death of his beloved wife, Mary is left mostly alone to explore the estate. Eventually she befriends the young brother of a staff maid and Lord Craven's apparently crippled son, who has been needlessly bedridden for years. Together the three children restore a neglected garden on the estate grounds, and in doing so they set the stage for a moving reaffirmation of life and love. Filmed with graceful style and careful attention to the intelligence and cleverness of young children, The Secret Garden is that rarest breed of family film that transcends its own generic category, encouraging a sense of wonder and optimism to become a rewarding experience for viewers of any age. --Jeff Shannon
An ultimately futile attempt to make lightning strike twice, this so-called spin-off from 1993's blockbuster The Fugitive avoids the label of "sequel" by forging ahead without the first film's star, Harrison Ford. The idea is to showcase the return of Tommy Lee Jones in his Oscar-winning role as tenacious U.S. Marshal Sam Gerard, this time testing his mettle against a covert government operative (Wesley Snipes) accused of murdering two secret service attachés. Unfortunately, Jones and the entire cast have been trapped in a rambling plot, and the underdog status that made Ford such a compelling hero is sacrificed to an evenly matched and eventually tiresome game of cat and mouse, with a villain whose identity is far too predictable. With no dramatic build-up and several superfluous characters to distract its focus, the film's momentum plays out like a rote exercise compared to the high stakes of the earlier film. --Jeff Shannon
It's a special garden where friendships blossom illnesses fade away and sorrows flee. There troubled orphan Mary (Kate Maberly) her spoiled sickly cousin Colin (Heydon Prowse) and kindly country boy Dickon (Andrew Knott) discover that a world of caring can make a world of difference. Frances Hodgson Burnett's classic story blooms anew in this enchanting new version lovingly adapted by Caroline Thompson and directed by Agnieszka Holland also starring Maggie Smith and John Lynch.
Available for the first time in the UK in 4K Ultra HD, this crisp restoration of Krzysztof KieÅlowski's award-winning trilogy explores the French Revolutionary ideals of freedom, equality and brotherhood, and their relevance to the contemporary world. It is a snapshot of European life at a time of reconstruction after the Cold War, reflected through the filmmaker's moralist view of human nature and illuminated by each title's palette colour. Three Colours Trilogy | 7-disc 4K Ultra HD & Blu-Ray set One 4K Ultra HD disc of each film: New 4K restoration presented in Dolby Vision HDR, with 5.1 surround DTS-HD sound, English & optional English SDH subtitles One Blu-Ray disc of each film with 5.1 surround DTS-HD sound and Special Features. Bonus Blu-Ray disc including 12 short films and more 5 Art cards each illustrated by a different artist 32 pages booklet including new interview with Julie Delpy Digipack and hardcover slipcase in a canvas Curzon Collection slipcase Design by Andrew Bannister Product Features Three Colours Blu-Ray discs: Three cinema lessons with Krzysztof KieÅlowski Interviews with Juliette Binoche, Julie Delpy, Irène Jacob, editor Jacques Witta & producer Marin Karmitz Making of & Cannes Featurette Theatrical Trailers Bonus Blu-Ray Disc: 10 short films by KieÅlowski: The Office (1966), The Tram (1966), Concert of Requests (1967), I Was a Soldier (1971), Factory (1971), Hospital (1977), Seven Women of Different Ages (1979), From a Night Porter's Point of View (1979), Railway Station (1980), Talking Heads (1980) 2 Additional short films: The Musicians (1958), by KieÅlowski's teacher and mentor | The Face (1966), starring KieÅlowski Still Alive: A Film About Krzysztof KieÅlowski (Documentary, 2005) Slavoj Žižek on Krzysztof KieÅlowski (extract from The Pervert's Guide to Cinema, 2005) In Search of KieÅlowski: A Restoration Project (2021)
This new 4K Ultra HD of Krzysztof KieÅlowski's celebrated Sixties-set drama follows two young women, both called Veronica, who seem to have a single existence, albeit in different countries. They are identical, sharing mannerisms, predilections and musical talent. They nurture ambition, hopes and loves, and suffer from the same rare heart disease. KieÅlowski's oblique, luminously photographed and hauntingly scored film is an enigmatic tale of double identity. The Double Life of Veronique | 4K Ultra HD + Blu-Ray 4K Ultra HD disc, new 4K restoration presented in Dolby Vision HDR, with 5.1 surround DTS-HD sound, English & optional English SDH subtitles Blu-Ray disc with DTS Master Audio and Special Features 5 Art cards each illustrated by a different artist O-ring with alternative design by Andrew Bannister Product Features Conversation with KieÅlowski Interview with Irène Jacob KieÅlowski Polish Filmmaker (Documentary, 2005) 3 short films by KieÅlowski: Factory (1971), Hospital (1977), Railway Station (1980) Additional short film: The Musicians (1958), by KieÅlowski's teacher and mentor
An expanded and more polished version of Lord of the Dance, Feet of Flames was recorded at an outdoor performance in London's Hyde Park. While much of the material is familiar to Flatley fans, the production is superior in every way. It's better photographed and the editing is less frenetic. The individual segments are sharper, more self-assured, as is Flatley, who also produced and directed this version. (He also demonstrates his talents as a flutist--maybe he should call himself Lord of the Renaissance.) The outdoor setting also makes the show feel less like a Vegas act, though the proceedings have about as much relation to their Celtic folk roots as the Broadway musical Cats has to the TS Eliot children's poems on which it was based. --Richard Natale
Stanley Donen's sophisticated comedy drama charts the lives of a stylish British couple (Albert Finney Audrey Hepburn) as they travel on various holidays over the course of their 12-year marriage with separate vignettes combining to form a collage of highs and lows as the young couple struggles to maintain their fading marital bliss...
'Fanfan La Tulipe' is a swash-buckling romantic comedy full of fun and frolics directed with finesse by Christian Jacque and starring the legendary Gerard Philipe as the hero. Set during the reign of Louis XV Fanfan La Tulipe a known womaniser and skilled swordsman is forced by his countrymen to marry his latest conquest a peasant girl. But on his way to the wedding he encounters a 'fortune teller' who tricks him with predictions of marrying a Princess so he enlists in the King
August 1715. After going for a walk, Louis XIV feels a pain in his leg. The next day, the king keeps fulfilling his duties and obligations, but his sleep is troubled and he has a serious fever. He barely eats and weakens increasingly. This is the start of the slow agony of the greatest King of France death from gangrene, surrounded by his doctors and closest advisors, speaking in frantic, whispered tones about their options, in an era in which little is known of such illnesses. Albert Serra's new film, The Death of Louis XIV, is an adaptation of the Duc de Saint-Simon's memoirs, starring Jean-Pierre Léaud as the Sun-King. The cult actor, who worked with all major directors from the Nouvelle Vague after being discovered in Truffaut's The 400 Blows, plays the dying king who can barely move from his bed in the Château de Versailles. His relatives and his closest counsellors come in turns at his bedside, but he attends only a few meetings and can barely rule his kingdom. His secret wife Madame de Maintenon, and his doctor Fagon dread his last breath and try to hide it from the public, to preserve the future of France. Shot in rich colour with extraordinary lighting, Jean-Pierre Léaud, in his costume, hair and poses, fully embodies the last few days of the longest serving king of France, who, with his seventy two years in power, changed the face of the monarchy and of France.
The final section of the late Krzysztof Kieslowski's acclaimed Three Colours trilogy (preceded by Blue and White) is the least likely of the three to stand alone, and indeed benefits from a little familiarity with the first two parts. Nevertheless, it's a strong, unique piece that reflects upon the ubiquity of images in the modern world and the parallel subjugation of meaningful communication. Irène Jacob plays a fashion model whose lovely face is hugely enlarged on a red banner no one in Geneva, Switzerland, can possibly miss seeing. Striking up a relationship with an embittered former judge (Jean-Louis Trintignant), who secretly scans his neighbours' conversations through electronic surveillance, Jacob's character becomes an aural witness to the secret lives of those we think we know. Kieslowski cleverly wraps up the trilogy with a device that brings together the principals of all three films. --Tom Keogh
Billed as an updating and retelling of an Irish folk legend, Lord of the Dance is less Erin Go Bragh than Hooray for Hollywood. Michael Flatley gives us the old razzle-dazzle, fashioning a Celtic-influenced spectacular that wanders far away from its Riverdance roots. The light-show presentation is closer kin to another contemporary Irish musical group, U2. Flatley himself has gone designer chic, too: with close-cropped haircut, earring, buffed abs and tight black pants he bears more than a passing resemblance to Bono. But you have to hand it to the guy--he works hard for the money, as does his attractive corps. The one maddening aspect of this glitzy, entertaining 90-minute festival is the overzealous editing. No image remains on screen for more than a few seconds. Neither Flatley nor his talented troupe deserves to have such craftsmanship sliced and diced like an MTV music video.--Richard Natale, Amazon.com
A beautiful and disquieting romantic mystery from Krzysztof Kieslowski The Double Life of Veronique stars Irene Jacob winner of the Cannes 1991 Best Actress award for her performance as Veronique and Veronika. Born at the same time 20 years ago in Poland and France; Veronique and Veronika are identical in every way yet share neither mother nor father. They grow up to lead eerily similar lives; both are left-handed like to walk barefoot have sublime singing voices share a
Claude Roc a young Parisian and Anne Brown a young Englishwoman meet in Paris and soon become friends. Anne invites Claude to her home in Wales where he will meet Muriel Anne's younger sister to whom she destines Claude to marry. Eventually Claude proposes to Muriel he is turned down but not wholeheartedly. Then Claude and Muriel's mothers impose a seperation on them suggesting that if they still both love each other in a year then they can wed. During this year apart Muriel falls in love with Claude but he takes a different path and upon his return to Paris pursues many women including Anne Muriel's sister....
Kalman: Die Csardasfurstin (Grund Moffo Kollo)
A newly restored edition of Orson Welles's adaptation of the Shakespeare classic. The production began in 1948 but would not be completed untill four years later due to financial difficulties. Without full financing in place Welles would shoot until the money ran out shut down production while he tried to raise more in acting roles then reassemble the cast and crew months later. But typically the challenges presented by budgetary constraints only heightened Welles technical flair
A story of an unfulfilled love affair set against the troubled backdrop of the French Occupation. Barny is a young widow she is also a militant communist and atheist who one day enters a church and randomly picks a priest to taunt. Leon Morin is a Catholic priest: he is also young handsome and unconventional in his religious approach. The two begin a platonic relationship but soon Barny's admiration for Morin turns to desire and he becomes the object of her romantic obsession
Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene a teacher expecting her second child. In the afternoons Frederic daydreams about other women but has no intention of taking any action. One day Chloe who had been a mistress of an old friend begins dropping by his office. They meet as friends irregularly in the afternoons till eventually Chloe decides to seduce Frederic causing him a moral dilemma.
Little PrincessSara Crewe (Liesel Matthews) shares a life of wonder in exotic India with her devoted father (Liam Cunningham). But war draws Sara's father into the military and Sara is sent to a new York boarding school run by the strict Miss Minchin (Eleanor Bron) to whom exuberant Sara is a troublemaker. But with courage imagination and kindness Sara overcomes her hardships - and changes her life and the fortunes of those around her. Experience this jewel of a movie (Leonard Maltin) for anyone who ever wishes are dreams. Secret GardenIt's a special garden where friendships blossom illnesses fade away and sorrows flee. There troubled orphan Mary (Kate Maberly) her spoiled sickly cousin Colin (Heydon Prowse) and kindly country boy Dickon (Andrew Knott) discover that a world of caring can make a world of difference. Black BeautyWritten and directed by Caroline Thompson this is the most faithful of the book's several filmings. You'll cherish rebellious filly Ginger mischievous pony Merrylegs and gallant Beauty Whose generous heart guides him under caretakers both kindly and harsh from Farmer Grey (Sean Bean) and young groom Joe Green (Andrew Knott) to sweet-natured cabbie Jerry Barker (David Thewlis).
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