"Actor: Isaac Agami"

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  • I Spit On Your Grave [1978]I Spit On Your Grave | DVD | (04/12/2006) from £15.69   |  Saving you £-5.70 (N/A%)   |  RRP £9.99

    Jenny (Camille Keaton granddaughter of Buster Keaton) a New Yorker who goes to a secluded country retreat to finish work on her novel is one day assaulted raped and left for dead by four men. But she survives to take revenge. She seduces each of her rapists separately and personally performs their painful executions. This ultraviolent cult film was banned in the UK & Germany and is notorious for many reasons; see it for yourself to find out why!

  • I Spit On Your Grave [1978]I Spit On Your Grave | DVD | (25/07/2005) from £4.97   |  Saving you £2.02 (40.64%)   |  RRP £6.99

    Previously Banned! Jenny (Camille Keaton granddaughter of Buster Keaton) a New Yorker who goes to a secluded country retreat to finish work on her novel is one day assaulted raped and left for dead by four men. But she survives to take revenge. She seduces each of her rapists separately and personally performs their painful executions. This ultraviolent cult film was banned in the UK & Germany and is notorious for many reasons. See it for yourself to find out why.

  • I Spit On Your Grave [1978]I Spit On Your Grave | DVD | (10/03/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

    I Spit on Your Grave, writer-director Meir Zarchi's controversial story of rape and revenge, has lost none of its ability to shock viewers since it first gained notoriety in 1978. Camille Keaton (grand-niece of Buster Keaton and, later, Zarchi's wife) stars as a young woman who is terrorised and then brutally assaulted by four men while on vacation. After slowly pulling herself together, she methodically tracks down and butchers each of the perpetrators. Zarchi's film has been consistently accused of celebrating violence against women, and while the rape scenes are graphic, they also lack the voyeuristic qualities that earmark other similarly plotted exploitation films. If anything, Zarchi is guilty of awkward scripting; the dialogue is leaden, and Keaton's transformation from victim to avenger is too swift. But to label him a pornographer is wrong, and while the film is challenging--perhaps more than most audiences can bear--its depiction of the psychology of violence is undeniably powerful. --Paul Gaita

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