David Lynch's first film since the award-winning "Mulholland Drive" is a complex Hollywood mystery which blurs the lines between fantasy and reality.
1750: The Gambia West Africa. A new Mandinka warrior is born to Binta and Omoro called Kunta Kinte. His father turns the young baby's face to the heavens and whispers ""Behold - the only thing greater than yourself"". So begins the most critically and popularly acclaimed television drama of our time telling the struggle against the suffering slavery and discrimination endured by generations of black people as seen through the eyes of Kunta Kinte and his descendants...
Disney's 1967 animated feature The Jungle Book seems even more entertaining now than it did upon first release, with a hall-of-fame vocal performance by Phil Harris as Baloo, the genial bear friend of feral child Mowgli. Loosely based on Rudyard Kipling's original, the film goes its own way as Disney animation will, but the strong characters and smart casting (George Sanders as the villainous tiger, Shere Khan) make it one of the studio's stronger feature-length cartoons. Songs include "The Bare Necessities" and "Trust in Me". --Tom Keogh
Stakeout (Dir. John Badham 1987): While on an FBI stakeout detective Chris Lecce (Richard Dreyfuss) falls hard for Maria (Madeleine Stowe) the woman he's supposed to be watching. Soon he's inside her home enjoying a torrid love affair while his young partner Bill Reimers (Emilio Estevez) waits across the street looking through his binoculars and fuming. But the woman's ex-boyfriend (Aidan Quinn) a crazed escaped convict who is the real object of the stakeout is on his
In Nazi-occupied Poland during World War II, poor Jewish cafe owner Jakob Heym (Oscar winner Robin Williams) accidentally overhears a forbidden radio news bulletin signaling Soviet military successes against German forces.
Experience a magical journey of discovery as three children race against time to stop a group of greedy Artic oil prospectors from accidently blowing up Santa Claus! The children's father Michael - also the prospector's head geologist - is under pressure from his boss to strike it big before Christmas. In a desperate bid to save his job he begins blasting with dynamite but unknowingly also starts to cause serious damage to North Pole City - the fantastical home of Santa Claus an
Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial best-seller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism, and Ellen Burstyn plays Blair's mother, who can only stand by in horror as her daughter's body is wracked by satanic disfiguration. One of the most frightening films ever made, The Exorcist was mysteriously plagued by troubles during production, and the years have not diminished its capacity to disturb even the most stoical viewers. --Jeff Shannon
A simple man. A difficult choice.25 years after commiting an unthinkable crime, quiet Karl is finally returning home. Once there, the mentally disabled man is befriended by a fatherless boy and his mother. But when his newfound peace is shattered by the mother's abusive boyfriend, Karl is suddenly placed on a collision course with his past...Winner of the 1997 Oscar for Best Adapted Screenplay for Billy Bob Thornton who was also nominated for the Best Actor award.
Imaginatively rendered but slightly chilly, this 1951 Disney adaptation of the Lewis Carroll classic is also appropriately surreal. Alice (voiced by Kathryn Beaumont) has all the anticipated experiences: shrinking and growing, meeting the White Rabbit, having tea with the Mad Hatter, and so on. The characterisation is very strong, illustrating how hard the Disney team worked to bring screen personality to Carroll's eccentric creations. For a Disney film, however, it seems more the self-satisfied sum of its inventiveness than a truly engaging experience. --Tom Keogh
Three features. We're going to tell you not once, but twice. You can't cheat what fate has in store for you, particularly if it involves death. FINAL DESTINATION 1 and FINAL DESTINATION 2 are considered by fans and critics alike as the thinking persons' horror films, showing the usual group of teens put in the peculiar position of - could it be - having to use their smarts to outwit the grim reaper. This package of films is a roller coaster ride of funs and thrills. See individual titles for complete descriptions of this fabulously fun duo. Also includes 'Final Destination 3'.
Director Brian De Palma pits sexuality against physical violence in a roller coaster of a thriller starring Craig Wasson and Melanie Griffith. A beautiful young woman performs a seductive striptease at the window of her fabulous Hollywood home. A struggling young actor watches entranced from a house nearby drawn into her obsession. Suddenly he becomes a helpless witness to her savage murder. Compelled to track down the psychopath responsible his investigations lead him into the stark and perverted world of the body double.
Jesus Christ Superstar has been the definitive rock musical ever since its 1972 London stage premiere. Revived to great acclaim in the late 1990s, it has everything you'd expect from a blockbuster: great songs, strong characterisation and, crucially, a cracking story. This video is based on the 1998 London production. Director Gale Edwards pulls few punches in her efforts to draw a truly modern interpretation from a gifted cast. Pilate's cronies are sinister Darth Vader look-alikes. The whole thing has a hard, brutal edge, which both startles and thrills. And anyone who dismisses musicals as lightweight confections could do worse than look at the way Lloyd Webber and Rice treat Judas: this is a complex, well-written role. The performances are largely excellent: Jerome Pradon' Judas shines, and Renee Castle's Mary reinvents "I Don't Know How to Love Him" as a delicate exploration of her dilemma, far removed from its usual overblown treatment. Rik Mayall's relentlessly gurning Herod is less of a bonus than he would like us to believe, but will doubtless appeal to his fans. And the quality of Glenn Carter's singing in the title role makes up for a slight deficiency in the charisma department. --Piers FordOn the DVD: Die-hard groupies will appreciate the inclusion of a documentary about the making of the video, which includes interviews with the cast, the production team and Lloyd Webber and Rice. There are also previews for video productions of Cats and Joseph and his Amazing Technicolor Dreamcoat.
Continuing its mission to unearth the very best in weird and wonderful horror obscura from the golden age of US independent genre moviemaking, Arrow Video is proud to present the long-awaited second volume in its American Horror Project series co-curated by author Stephen Thrower (Nightmare USA: The Untold Story of the Exploitation Independents). Starting off with a little-seen 1970 offering from underrated cult auteur John Hayes (Grave of the Vampire, Garden of the Dead), Dream No Evil is a haunting, moving tale of a young woman's desperate quest to be reunited with her long-lost father only to find herself drawn into a fantasyland of homicidal madness. Meanwhile, 1976's Dark August stars Academy Award-winner Kim Hunter (A Streetcar Named Desire) in a story of a man pursued by a terrifying and deadly curse in the wake of a hit-and-run accident. Lastly, 1977's Harry Novak-produced The Child is a gloriously delirious slice of horror mayhem in which a young girl raises an army of the dead against the people she holds responsible for her mother's death. With all three films having been newly remastered from the best surviving film elements and appearing here for the first time ever on Blu-ray, alongside a wealth of supplementary material, American Horror Project Volume Two offers up yet another fascinating and blood-chilling foray into the deepest, darkest corners of stars-and-stripes terror. Limited Edition Contents: Brand new 2K restorations from original film elements High Definition Blu-ray presentation Original uncompressed PCM mono audio English subtitles for the deaf and hard of hearing Reversible sleeves for each film featuring original and newly-commissioned artwork by The Twins of Evil American Horror Project Journal Vol. II limited edition 60-page booklet featuring new writing on the films by Stephen R. Bissette, Travis Crawford and Amanda Reyes Dream No Evil: Filmed appreciation by Stephen Thrower Brand new audio commentary with Kat Ellinger and Samm Deighan Hollywood After Dark: The Early Films of John Hayes, 1959-1971 brand new video essay by Stephen Thrower looking at Hayes' filmography leading up to Dream No Evil Writer Chris Poggiali on the prodigious career of celebrated character actor Edmond O'Brien Excerpts from an audio interview with actress Rue McClanahan (The Golden Girls) discussing her many cinematic collaborations with director John Hayes Dark August: Filmed appreciation by Stephen Thrower Brand new audio commentary with writer-director Martin Goldman Brand new on-camera interview with Martin Goldman Brand new on-camera interview with producer Marianne Kanter The Hills Are Alive: Dark August and Vermont Folk Horror author and artist Stephen R. Bissette on Dark August and its context within the wider realm of genre filmmaking out of Vermont Original Press Book The Child: 1.37:1 and 1.85:1 presentations of the feature Filmed appreciation by Stephen Thrower Brand new audio commentary with director Robert Voskanian and producer Robert Dadashian, moderated by Stephen Thrower Brand new on-camera interviews with Robert Voskanian and Robert Dadashian Original Theatrical Trailer Original Press Book
The Halloween night when Michael Myers returned isn't over yet. Laurie Strode (Jamie Lee Curtis) left masked monster Michael Myers caged and burning in Laurie's basement but when Michael manages to free himself from the trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. Evil dies tonight.
From the writer of Let the Right One In comes a mesmerising and genre-defying dark fairytale set in modern-day Sweden. Tina is a customs agent with a nose for trouble. She can literally smell human emotions, which is a handy talent for sniffing out suspicious border crossers. But when a mysterious male traveller's scent confounds her, she's faced with hugely disturbing insights about who she is and what she wants. Academy Award nominated and winner of Un Certain Regard at Cannes 2018, Border is like nothing you've ever seen before.
Clint Eastwood is Walt Coogan, a deputy sheriff from Arizona on the loose in the urban jungle of New York. Searching for a violent prisoner he has let slip ("It's got kinda personal now"), Coogan, in Stetson and cowboy boots, runs up against hippies, social workers and a bluntly hostile New York police chief played by Lee J. Cobb. It's a key film in the Eastwood oeuvre, the one in which his definitive persona first emerges, marrying the cool, laid-back westerner of the Rawhide TV series and the Italian westerns to the street-wise, kick-ass toughness which would be further developed in the Dirty Harryfilms. Directed by Eastwood's mentor, Don Siegel, Coogan's Bluff has pace, style and its share of typical Eastwood one-liners (to a hoodlum: "You better drop that blade or you won't believe what happens next"). Like all Eastwood's successful movies, it cunningly plays it both ways. Coogan represents the old-fashioned conservatism of the west in conflict with the decadence of city life. Yet he's the perennial outsider, hostile to authority, a radical loner who gets the job done where bureaucracy and legal niceties fail. The film was to be the inspiration behind the TV series McCloud, in which Dennis Weaver took the Eastwood role. --Edward Buscombe
A group of teens win a contest to spend a night in Michael Myers' childhood home to be broadcast live on the internet. But things go frightfully wrong and the game turns into a struggle to make it out of the house alive.
!Before there was Tohru and Kyo there was Katsuya and Kyoko. Discover the turbulent beginning of Tohru's mom's dark past, and the man who breathed new hope into her. Watch the evolution of their love story and the birth of the Honda family, as this chapter completes the full adaptation of the heartwarming Fruits Basket story.
Jean-Claude Van Damme may never have risen to the top ranks of action stars, but his movies have been consistently enjoyable--partly because they don't take themselves too seriously. In The Order, Van Damme plays a thief of religious artefacts whose archaeologist father has found the lost scripture of a mysterious religious order. When the old man is kidnapped, Van Damme soon finds himself cruising around the twisty streets of Jerusalem, getting into dynamic kickboxing battles while disguised as a Hasidic Jew. With the help of a beautiful Israeli cop (Sofia Milos), Van Damme uncovers a plot within the religious order that leads to secret catacombs beneath the holy city. Silly? Perhaps, but directed with vitality and surprising wit. Van Damme is trim and energetic, Milos is engaging, and a cameo by Charlton Heston (!) only adds to the general atmosphere of spunky fun.--Bret Fetzer
Ashton Kutcher and Brittany Murphy are Tom and Sarah, a happy couple who get married against the wishes of their friends and family. They set off on what should be the perfect honeymoon, but it soon turns out to be the worst one imaginable!
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