Lancelot (Richard Gere) a nomadic rogue has no ties no enemies and no fear until that is he meets the beautiful Lady Guinevere of Leonesse (Julia Ormond). Guinevere has promised to marry King Arthur (Sean Connery) not only because his armies can protect her country but because she truly loves him. But her chance encounter with Lancelot as she prepares to enter Camelot stirs conflicting and powerful emotions within her. Arthur welcomes both into his city with open heart little foreseeing how his great capacity for love and trust opens the doors for his own betrayal...
Just what the world needs, another riff on that post-Psycho horror cliché: the slasher movie. In this version, which considerably dumbs down the Lois Duncan book, the bad guy chases naughty teenagers with a hook, all the while dressed as a dark version of the Gorton's fisherman. They seem to have killed someone in a car accident while out partying, and a price must be paid. Nothing new is added to the genre by I Know What You Did Last Summer, though it would be unfair not to note that this does have some scary moments. That is about all it has, because as much as this wanted to be another Scream, it hasn't the heart or the script. It does, however, have the requisite cast of small-screen stars (including Party of Five's Jennifer Love Hewitt and Buffy herself, Sarah Michelle Gellar) to have snagged box-office success, spawning a sequel. --Rochelle O'Gorman
Box-set featuring four classic John Wayne movies. 'The Big Trail' (1930) was Wayne's first starring role. He plays the young leader of a pioneer wagon train travelling across the Oregon Trail. Repulsing Indian attacks and battling against the hostile elements, The Duke still finds time for romance with a fellow traveller (Marguerite Churchill). In 'The Comancheros (1961), Wayne stars as Texas Ranger Jake Cutter whose path crosses with that of professional gambler Paul Regret (Stuart Whitman). The two become uneasy bedfellows in their quest to crush a powerful outlaw gang who are selling arms and alcohol to the local Indians. This was director Michael Curtiz's last film and also stars Lee Marvin and Ina Balin. 'North to Alaska' (1960) is a lighthearted Western starring Wayne and Stewart Granger as rough and tumble gold prospectors in Alaska. When Sam McCord (Wayne) and George Pratt (Granger) eventually strike it rich in the gold rush, George sends Sam to Seattle to fetch his fiancee; but Sam falls in love with her. George eventually accepts his loss and sets about finding a new gal, but only seems to find trouble. In 'The Undefeated' (1969), Confederate Colonel James Langdon (Rock Hudson) prepares to travel to Mexico with his family. When they are attacked by bandits, Union Colonel J.H. Thomas (Wayne) comes to their aid. The former enemies find themselves united in their efforts to resist Mexican Emperor Maximillian, and Juarez, the rebel leader. When the rebels kidnap the Southerners, Colonel Thomas must decide whether to surrender his valuable herd of 3,000 horses and secure their release, or leave them to their fate.
A thoughtful character study and fascinating look at a nearly obselete Indian lifestyle.
Leatherface had his chainsaws, Freddie has his glove... now there's a new slasher icon, and he's got a hook. In I Know What You Did Last Summer a group of kids pay the price for not reporting a hit and run a year later when their victim comes back for revenge, apparently from beyond the grave, and he doesn't finish with them then, chasing down the survivors for more slicing and dicing in I Still Know What You Did Last Summer. And if that wasn't enough, he finds all new targets for more hook-heavy payback in I'll Always Know What You Did Last Summer. From the creators of Scream and starring Jennifer Love Hewitt and Freddie Prinze Jr., 88 Films are proud to present these three modern slasher classics for the first time on UK blu-ray, completely uncut.
Oscar Nominee Johnny Depp (Pirates of the Caribbean), Mary Stuart Masterson (Bed of Roses) and Aidan Quinn (Legends of the Fall) star in this wonderfully unique and delightfully offbeat romantic comedy. Joon (Masterson) is a little unbalanced. Sometimes, without warning, her sweet nature gives way to odd behaviour - including a penchant for setting fires! She lives with her older brother Benny (Quinn), who has spent his life taking care of her since her parents died. One night, while playing a poker game with unusual stakes, Joon loses her hand and wins Sam (Depp), a whimsical misfit who soon charms his way into Joon's heart. Now if they can only find the perfect mate for her protective brother... With charm, humour and an outstanding supporting cast that includes Oliver Platt (A Time to Kill) and Julianne Moore (Hannibal). Benny and Joon is the perfect movie for everyone. Product Features Audio Commentary by Jeremiah Chechick - Deleted Scenes - Costume & Make Up Tests & Stunt Reel - Music Video - Original Theatrical Trailer
Longing for a romantic Hollywood film that will make your heart leap but not have you reaching for the sick bucket? Try Benny & Joon. Few mainstream US films manage to walk the thin line between emotion and schmaltz, but here is one film that pulls it off admirably. In the wrong hands the concept of marrying love and mental illness could have been a disaster but, as with the low-budget British film Some Voices, Benny & Joon manages to extract genuine humour and warmth from the subject. As the brother and sister of the title, the relationship between Aidan Quinn and Mary Stuart Masterson is central to the story, Benny desperately trying to keep home and job together while looking after the sick Joon. Their lives take an unexpected turn with the arrival of Sam, a brilliantly comic turn by Johnny Depp, as gradually the characters learn that the happiness that all thought beyond them is within their grasp. Depp adds yet another character to his liturgy of slightly odd outsiders but plays it with such panache, this time drawing heavily on Buster Keaton, that you cannot help but fall for him. Indeed, there is not a single character here that you would not wish well. On the DVD: The usual scene selection and a very clear audio track, given the film's musical moments a huge boost. Few will probably be able to resist The Proclaimers' "(I'm Gonna Be) 500 Miles" which opens the film. Excellent picture quality too. --Phil Udell
This acclaimed drama feature casts Cathy Come Home star Carol White as a young woman whose determined efforts to escape a life of rural poverty lead to complications and worse; Oscar winner John Mills is the lonely ageing farmer with whom she finds work accommodation and the promise of easy money. An earthy sympathetic adaptation of H.E. Bates' novel Dulcima earned director Frank Nesbitt a Golden Bear at the Berlin Film Festival in 1971. This rare much sought-after film is now presented in a brand-new transfer from the original elements. Dulcima a pretty girl treated as a drudge by her family lifts herself from her environment by becoming housekeeper to Parker a curmudgeonly widower living in drunken disarray on a neighbouring farm. When she sees the amount of money he has stashed around the place Dulcima is happy enough to indulge his growing desire for her and a strange yet mutually beneficial relationship develops. But a handsome young gamekeeper newly arrived on a nearby estate also catches Dulcima's eye... SPECIAL FEATURES: [] Original Theatrical Trailers [] Image Gallery [] Original Pressbook PDF
For the NASA-funded research team stationed at the most desolate reaches of Antarctica it's another routine day - until the communications satellite picks up a mysterious signal coming from a strange object lodged several meters beneath the ice. Suspecting it may not be from Earth the lead scientist immediately places a call to Julian Rome (James Spader) an old friend formerly employed as a cryptologist for the U.S. government's SETI (Search for Extraterrestrial Intelligence) progr
There have been many film and TV adaptations of Oliver Twist but this 1948 production from director David Lean remains the definitive screen interpretation of the Charles Dickens classic. From the ominous symbolism of its opening storm sequence (in which Oliver's pregnant, ill-fated mother struggles to reach shelter before childbirth) to the mob-scene climax that provokes Bill Sikes's dreadful comeuppance, this breathtaking black-and-white film remains loyal to Dickens while distilling the story into its purest cinematic essence.Every detail is perfect--Lean even includes a coffin-shaped snuffbox for the cruel Mr. Sowerberry--and as young Oliver, eight-year-old John Howard Davies (who would later produce Monty Python's Flying Circus for the BBC) perfectly expresses the orphan's boyish wonderment, stern determination and waifish vulnerability. Best of all is Alec Guinness as Fagin, so devious and yet so delightfully appealing under his beak-nosed (and, at the time, highly controversial) make-up. (Many complained that Fagin's huge nose and greedy demeanour presented an anti-Semitic stereotype, even though Lean never identifies Fagin as Jewish; for this reason, the film wasn't shown in the US until three years after its British release.) Likewise, young Anthony Newley is artfully dodgy as Fagin's loyal accomplice, the Artful Dodger. Guinness's performance would later provide strong inspiration for Ron Moody's equally splendid portrayal of Fagin in the Oscar-winning Oliver! and while that 1968 musical remains wonderfully entertaining, it is Lean's film that hews closest to Dickens' vision. The authentic recreation of 19th-century London is marvellous to behold; Guy Green's cinematography is so shadowy and stylised that it almost qualifies as Dickensian film noir. Lean is surprisingly blunt in conveying Dickens's theme of cruelty but his film never loses sight of the warmth and humanity that Oliver embodies. --Jeff Shannon
Hollywood Pictures and Amblin Entertainment deliver an electrifying rollercoaster ride of a movie! Everyone is afraid of something..for Dr Ross Jennings (Jeff Daniels) his phobia is downright embarrassing. But when he moves his family to a small town the one thing that bugs him most is now threatening the townspeople at an alarming rate. For this unlikely hero overcoming a childhood fear of spiders might just save them all but it may already be too late! Directed by Frank Marshal
John Wayne is a Texas Ranger in this rollicking, good humored western, assigned to bring an arms-running gang to justice. After Wayne arrests one of the criminals, matters are complicated when they wander into an area controlled by the Comancheros- a group of Anglos aiding the warring Comanche Indians. Director Curtiz' last film is based on the novel by Paul I. Wellman.
Two ambitious women have their friendship destroyed by jealousy. Based on a novel by Barbara Taylor Bradford.
Crime, intrigue... and a murder that was almost perfect!Appearing three years before his career-defining role in Black Narcissus, David Farrar plays a Fleet Street reporter who discovers an uncomfortable truth when he sets out to unravel a murder mystery. Anne Crawford, William Hartnell and silent-era idol John Stuart also feature among the top-line cast of this gripping and complex wartime thriller featured here in a brand-new transfer from the original film elements, in its original theatrical aspect ratio.Ellington, a keen editor and newspaperman, has been neglecting his wife for his work; she, bored with her own company and irked by her husband's selfish behaviour, has been carrying on a mild flirtation with man-about-town Paul Grayson. During one of her visits to Grayson's flat, a former girlfriend appears with disastrous consequences for all concerned...
Paying tribute to oil field legend 'Red' Adair Wayne plays Chance Buckman a colourful Texan who tames out-of-control infernos in exotic locations around the world. Between blazes Chance carries the torch for Madelyn the wife who left him 20 years earlier because of his dangerous lifestyle and assistant Greg has his hands full at the poker table and in the bedroom with Chance's spunky daughter Tish.
Meeting would-be Soviet defectors interviewing fi lm stars and even becoming a circus clown - it all comes in a day's work for international photojournalist Shirley Logan (Shirley Maclaine - Steel Magnolias Terms of Endearment). Taking on assignments set by her boss 'World Illustrated' magazine's London editor Dennis Croft (John Gregson - Gideon's Way) the indomitable and highly resourceful Shirley meets more than her share of high drama and intrigue - with some impressive location scenery and a few hilarious moments along the way! Shirley's World represents Shirley Maclaine's only venture into the television-series format. A truly international ITC show the special guests featured a number of favourites including Brian Blessed Ron Moody Dandy Nichols Stuart Damon Joss Ackland Cyril Cusack and Bert Kwouk. This release comprises every episode of Shirley's World and is released here for the very first time on DVD.
Ira Sachs writes and directs this gay-themed domestic drama starring John Lithgow and Alfred Molina. Forced to separate after George (Molina) loses his job teaching music at a nearby Catholic school, the recently married gay couple Ben (Lithgow) and George have trouble adapting to life without the other being nearby at all times. Ben, who moves in with his nephew Elliott (Darren Burrows), his wife Kate (Marisa Tomei) and their teenage son Joey (Charlie Tahan), soon begins to suspect he is overstaying his welcome. Meanwhile, George crashes on the couch of a much-younger gay couple who frequently have lots of visitors.
Three Chilling Tales of Terror...Pausing to admire a window display of his own books the distinguished horror writer Ronald Chetwynd-Hayes is attacked by a desperate vampire Eramus faint from lack of sustenance. Assuring the startled victim that his neck bite was not deep enough to bring him into the fold the grateful vampire takes him to the Monster Club where all his friends foregather. The rich selection of vampires werewolves snakemen wasp-women ghouls and other weird creatures enjoying themselves to the happy beat of pop music offers plenty of new material for the author. In addition Eramus explains to Ronald the hierarchy and basic rules of Monsterdom and illustrates his theme with three unusual tales...Released on DVD for the first time THE MONSTER CLUB is a blackly-comic horror movie starring all-time greats Vincent Price John Carradine and Donald Pleasance. This film won director Roy Ward Baker the Audience Award at the 1981 Fantafestival in Rome.
This is a John Wayne Western double-bill featuring The Comancheros (1961) and The Undefeated (1969). Nobody made a fuss about The Comancheros when it came out, yet it has proved to be among the most enduringly entertaining of John Wayne's later Westerns. The Duke, just beginning to crease and thicken toward Rooster Cogburn proportions, plays a veteran Texas Ranger named Jake Cutter who joins forces with a New Orleans dandy (Stuart Whitman) to subdue rampaging Indians and the evil white men behind their uprising. The Comancheros was the last credit for Michael Curtiz (Casablanca), who, ravaged by cancer, ceded much of the direction to Wayne (uncredited) and action specialist Cliff Lyons. With support from Wayne stalwarts James Edward Grant (co-screenplay) and William Clothier (camera), the first of many rousing Elmer Bernstein scores for a Wayne picture and a big, flavourful cast including Lee Marvin (the once and future Liberty Valance), Nehemiah Persoff, Bruce Cabot, and Guinn "Big Boy" Williams (in his last movie), they made a broad, cheerfully bloodthirsty adventure movie for red-meat-eating audiences of all ages. In The Undefeated Wayne and Rock Hudson each play a Civil War commander who, after the ceasefire, lead a community of folks into Mexico to make a fresh start. Hudson is a Southern gentleman; Wayne commanded the Yankee cavalry at Shiloh, where Hudson's brother died. Nevertheless, Rock, with his extended family, and Duke, with his troop of cowboys and 3,000 horses to sell to Emperor Maximilian, soon join forces to outgun banditos and beam paternally over the budding romance between their respective daughter and son. Lingering North-South animosities are celebrated in an obligatory communal fistfight, and the showdown with both Maximilian's lancers and the rebel Juaristas is disconcertingly perfunctory. --Richard T Jameson
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