The second sequel to the mould-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall Fine
Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire
The very first episode of Midsomer Murders is based on the award winning Inspector Barnaby novels by Caroline Graham. An old lady witnesses a shocking event but before she can tell anyone what she has seen she dies from what seems to be natural causes. Her dearest friend drags the unwilling Inspector Barnaby into the case. He soon begins to see that certain things just don't add up then a second gruesome killing confirms his suspicions.
Bryan Singer's follow-up to his post-modern caper-thriller The Usual Suspects trades in the flamboyant narrative flourish of that film for a moody meditation on the allure of evil. Based on the Stephen King novella (featured in the collection Different Seasons), Apt Pupil follows the disturbing downward spiral of a bright young schoolboy, Todd (Brad Renfro), who discovers a wanted Nazi war criminal is living in his town and then blackmails him into telling stories ("everything they're afraid to show us in school") of the horrors of the Holocaust. The old man, Dussander (a terrifying performance by Ian McKellen), comes alive while telling his tales and is soon reliving his past glories in a SS Halloween ordered byTodd. It's not long before Dussander's homicidal streak is unleashed and he is pulling Todd along with him. Although set against a backdrop of Holocaust history, the issues raised in the stories are ignored in favour of shocks and suspense and the film ultimately sacrifices the opportunity to be a fascinating psychological thriller about the seductive power of evil for a trip into Stephen King territory. Despite such limitations, Singer delivers a stylish and sometimes unsettling horror picture, which is largely due to McKellen's chilling portrait of a slumbering sadist awakened. --Sean Axmaker
In this suspense-filled remake of Henry Hathaway''s 1947 noir thriller a parolee is lured into one last heist to help a friend. When things go awry a sadistic detective coerces him into reentering the underworld to get the goods on a psychotic mobster. Caruso and a pumped-up supremely menacing Cage highlight a spectacular cast that also features Samuel L. Jackson as a cop and Stanley Tucci as a Machiavellian district attorney. Novelist Richard Price supplies the screenplay and di
This film, which again pairs Richard Gere and Kim Basinger (who starred in 1986's No Mercy), offers up elements of classic noir: a hapless man becomes intimately involved with a beautiful blonde who may or may not be who or what she appears to be. Dedicated psychiatrist Isaac Barr (Gere) reluctantly, and then more obsessively, becomes involved with Heather Evans (Basinger), the sister of his patient, Diana Baylor (Uma Thurman). Evans is unhappily married to a gangster (appropriately played by a muscular and menacing Eric Roberts in a trademark role). Gere and Basinger make a credible, if dangerous couple, and Thurman delivers a subtle, understated performance and demonstrates her range and potential. The thriller is appropriately shot in gorgeous San Francisco, where the literal and figurative curving and hilly roads wind throughout. Credit legendary art director Dean Tavoularis for some amazing sets and scenes, notably the elegantly cavernous restaurant where Evans and her husband have a fateful dinner. This film is, in a way, glossy director Phil Joanou's Hitchcockian tribute--as a climactic lighthouse scene best demonstrates. Final Analysis doesn't offer an intimate look at its characters, but a beautifully stylized one, moody and gloomy. The intricate plot experiments with the device of "pathological intoxication," in which the subject completely loses control after drinking alcohol. And this doesn't mean a conventional ugly drunk; it means a frightening psychotic. Good and evil, hope and despair, beauty and repulsion are often juxtaposed in the film's complex world. --NF Mendoza
Samuel L. Jackson and Eugene Levy team up for this new fish out of water comedy.
From Kathryn Bigelow, the Academy Award® winning director of THE HURT LOCKER and ZERO DARK THIRTY, DETROIT tells the gripping story of one of the darkest moments during the civil unrest that rocked Detroit in the summer of 67.
Nils Ahlen (John McCallum), a Swedish scientist, discovers a sensational method to transform the impulse of sound into electrical power. The industrial and war potential of his discovery is enormous. His wife Helga (Mary Laura Wood) disappears with his young assistant, Sven Nystrom (Anthony Dawson) and secret parts of his invention are stolen. The Police Inspector (Jack Warner) and his force soon discover the escape route taken by the fugitives - towards the Northern frontiers. Leaving the roads and marks of man-made civilisation, both parties take to the desolate, bitter and trackless wastes where Lapp tribes and their reindeer herds eek out a precarious living. Eventually the forces of the sub-arctic tell in favours of the hunters who, in a breathtaking climax, gain their quarry. This long lost espionage film is finally available for the very first time on DVD Directed by Terence Young - director of the James Bond classics Dr No, From Russia With Love and Thunderball - and featuring a very early performance by Christopher (Scaramanga) Lee DVD CONTAINS POSTER GALLERY:LOBBY CARD GALLERY:STILLS GALLERY:ORIGINAL CAST AND CREW BIOGRAPHIES:ORIGINAL PRESS STORIES.
Successful newspaper columnist George Turner (Erik Thomson) has his world turned upside down when his wife suddenly dies. Looking for a fresh start, George packs up and moves his two teenaged children, Shay (Melina Vidler) and Arlo (Benson Jack Anthony), from the bustle of Sydney to the picturesque seaside town of Weld, New Zealand. But the Turners new life doesn't go as planned when they face a series of setbacks and meet the eccentric townsfolk, including handyman Woody (Rick Donald) and the women of Weld - four single ladies who are intrigued by the handsome widower and his offspring. Hailed for its warmth and inclusiveness (The Australian), this award-winning series is surprisingly funny, surprisingly moving and surprisingly enlightening about life in just 800 Words.
Based on Caroline Graham's novels and featuring the stolid crime-solving skills of Detective Chief Inspector Barnaby, Midsomer Murders made their television debut in 1997 and continue to keep viewers happy with that potent whodunnit ingredient: spectacularly bloody murders in the most tranquil rural settings the Shires have to offer. Midsomer is a vaguely defined area of villages and hamlets with charming names like Badger's Drift and Goodman's Land. It also has the highest number of violent deaths per capita outside the average war zone. Serial killings abound to test the nerve of Barnaby (John Nettles) and his sidekick Sergeant Troy (Daniel Casey), a dullard easily perplexed by a world which refuses to stick to his black and white view of things. Nettles is excellent; there's a hint of Bergerac still, now heavier of jowl and broader of beam, though the chasing is necessarily limited and the DCI enjoys the home comforts of an understanding wife and a spirited daughter. "Every time I go into any Midsomer village, it's always the same thing", he huffs. "Blackmail, sexual deviancy, suicide and murder." Ain't it the truth? The murders are astonishing. Family feuds, jealousy, incest, industrial espionage, all erupt at regular intervals leaving a trail of bodies with throats slashed, limbs dismembered and blood absolutely everywhere. Rivers of sheer nastiness run deep beneath the superficially pastoral perfection of Midsomer. Thank goodness there are still men like dependable Barnaby to get to the bottom of things. Eventually. Sure of Barnabys eventual success, Midsomer Murders make for a cosy, even comforting, couple of hours curled up in front of the television. And they make a great showcase for star turns from the great stable of British character actors, too, from Celia Imrie and Elizabeth Spriggs to Imelda Staunton and Duncan Preston, who invariably turn this whimsical stuff into the tastiest possible ham.--Piers Ford
In 1962 Lawrence of Arabia scooped another seven Oscars for David Lean and crew after his previous epic, The Bridge on the River Kwai, had performed exactly the same feat a few years earlier. Supported in this Great War desert adventure by a superb cast including Alex Guinness, Jack Hawkins and Omar Sharif, Peter O'Toole gives a complex, star-making performance as the enigmatic TE Lawrence. The magnificent action and vast desert panoramas were captured in luminous 70mm by Cinematographer Freddie Young, here beginning a partnership with Lean that continued through Dr Zhivago (1965) and Ryan's Daughter (1970). Yet what made the film truly outstanding was Robert (A Man For All Seasons) Bolt's literate screenplay, marking the beginning of yet another ongoing collaboration with Lean. The final partnership established was between director and French composer Maurice Jarre, who won one of the Oscars and scored all Lean's remaining films, up to and including A Passage to India in 1984. Fully restored in 1989, this complete version of Lean's masterpiece remains one of cinema's all-time classic visions. --Gary S Dalkin On the DVD: This vast movie is spread leisurely across two discs, with Maurice Jarre's overture standing in as intermission music for the first track of disc two. But the clarity of the anamorphic widescreen picture and Dolby 5.1 soundtrack justify the decision not to cram the whole thing onto one side of a disc. The movie has never looked nor sounded better than here: the desert landscapes are incredibly detailed, with the tiny nomadic figures in the far distance clearly visible on the small screen; the remastered soundtrack, too, is a joy. Thanks are due to Martin Scorsese and Steven Spielberg who supervised (and financed) the restoration of the picture in 1989; on disc two Spielberg chats about why David Lean is his favourite director, and why Lawrence had such a profound influence on him both as a child and as a filmmaker (he regularly re-watches the movie before starting any new project). Other features include an excellent and exhaustive "making-of" documentary with contributions from surviving cast and crew (an avuncular Omar Sharif is particularly entertaining as he reminisces about meeting the hawk-like Lean for the first time), some contemporary featurettes designed to promote the movie and a DVD-ROM facility. The extra features are good--especially the documentary--but the breathtaking quality of both anamorphic picture and digital sound are what make this DVD package a triumph. --Mark Walker
Directors Albert and Allen Hughes(The Book of Eli) and screenwriter Ttger Williams (The Perfect Guy) were barely into their twenties when they sent shock waves through American cinema and hip-hop culture with this fatalistic, unflinching vision of life and death on the streets of Watts, Los Angeles, in the 1990s. There, in the shadow of the riots of 1965 and 1992, young Caine (Panther's Tyrin Turner) is growing up under the influence of his ruthless, drugdealing father (Pulp Fiction's SAMUEL L. JACKSON, in a chilling cameo) and his loose-cannon best friend, O-Dog (Love Jones' Larenz Tate), leading him into a spiral of violent crime from which he is not sure he wants to escape, despite the best efforts of his grandparents and the steadfast Ronnie (The Matrix Revolutions' Jada Pinkett). Fusing grim realism with a propulsively stylish aesthetic honed through the Hughes brothers' work on rap videos, Menace II Society is a searing cautionary tale about the devastating human toll of hopelessness. Special Edition Features: Original 2.0 surround soundtrack, presented in DTS-HD Master Audio Two audio commentaries from 1993 featuring directors Albert and Allen Hughes Gangsta Vision, a 2009 featurette on the making of the film New conversation among Albert Hughes, screenwriter Tyger Williams, and film critic Elvis Mitchell New conversation among Allen Hughes, actor and filmmaker Bill Duke, and Mitchell Interview from 1993 with the directors Deleted scenes Film-to-storyboard comparison Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Craig D. Lindsey
Not a John F Kennedy biopic, but a film of New Orleans' attorney Jim Garrison's investigation into the President's assassination, JFK is that rarest of things, a modern Hollywood drama which credits the audience with serious intelligence and ultimately proves itself a great film. Oliver Stone's film has the archetypal story, visual scale and substance to match; not just a gripping real-life conspiracy thriller, but a fable for the fall of the American dream (a theme further explored by the director in Nixon and Any Given Sunday). JFK doesn't reveal exactly what happened in Dallas on 22 November 1963--those who knew generally took their secrets to the grave--but marshals a vast wealth of facts and plausible theories, trusting the audience to draw its own conclusions. Following less than a year after Dances With Wolves (1990), these two epics mark the high point of Kevin Costner's career and the vast supporting cast here, including Gary Oldman, Kevin Bacon, Sissy Spacek and Donald Sutherland, is superb. Quite simply the best American political film ever made. --Gary S Dalkin
Successful newspaper columnist George Turner (Erik Thomson) whose speciality is a column that runs precisely 800 words, has his world turned upside down when his wife suddenly dies. Looking for a fresh start, he packs up and moves his two teenaged children, Shay (Melina Vidler) and Arlo (Benson Jack Anthony), from the bustle of Sydney to the picturesque seaside town of Weld, New Zealand. But the Turners new life doesn't go as planned when they face a series of setbacks and meet the eccentric townsfolk, including a family of eager realtors, an all-too necessary handyman, and the women of Weld four single ladies who are intrigued by the handsome widower and his offspring. And even when George finds his place in the small New Zealand town, it's not long before he loses his footing when a long-lost relative comes calling and there's some surprising news from his old boss back in Australia. This award-winning, heartfelt comedy/drama finds a father trying to raise his children while starting again in a whole new Weld... and just 800 Words.
From Kathryn Bigelow, the Academy Award® winning director of THE HURT LOCKER and ZERO DARK THIRTY, DETROIT tells the gripping story of one of the darkest moments during the civil unrest that rocked Detroit in the summer of 67.
This time New York cop John McClane (Willis) is the personal target of the mysterious Simon (Jeremy Irons) a terrorist determined to blow up the entire city if he doesn't get what he wants. Accompanied by an unwilling civilian partner (Samuel L. Jackson) McClane careens wildly from one end of New York City to the other as he struggles to keep up with Simon's deadly game. It's a battle of wits between a psychopathic genius and a heroic cop who once again finds himself having a real
A Hong Kong detective suffers a fatal accident involving a mysterious medallion and is transformed into an immortal warrior with superhuman powers.
""A Miracle of a Film"" - Steven Spielberg This remarkable film follows the struggles of T.E. Lawrence (played by Peter O'Toole - My Favourite Year The Last Emperor) in uniting the hostile Arab factions during the First World War and leading them to victory over the ruling Turkish Empire. The film was released originally in 1962 to huge critical acclaim winning 7 Academy Awards including Best Picture and Best Director for David Lean.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy