Meet Ally McBeal she over-analyses her relationships (and sometimes lack of) to the point of becoming emotionally neurotic. Sounds annoying? It can be. Sounds so-American? It can be. Sounds addictive? It will be... They are young successful lawyers some of them could even be called beautiful a lot of them could be called eccentric and they all work and play together. In this first season we are introduced to the Unisex (the bathroom they all share). Ally is living with Renee st
The exciting story of the hijack of an oil rig supply vessel and the subsequent holding to ransom of a drilling rig a production platform and the 700 men aboard.
Rush Hour: Two cops from very different worlds must learn to trust each other before they can win a high-stakes battle against a ruthless enemy who threatens to demolish the fragile peace between their countries. The fastest hands in the east meets the loudest mouth in the west! Rush Hour 2: Chopsocky action star Jackie Chan reteams with motormouth Chris Tucker in this 'Rush Hour' sequel as the mismatched cop duo investigate several bombings in Hong Kong attributed
Life is Sweet, Mike Leigh's 1990 snapshot of the suburban family condition at the tail end of the Thatcher era, is often depressing and occasionally harrowing. It is also ultimately joyous, not just for the sharpness of Leigh's satire--the script was improvised with and by the cast--but also for the real affection that binds the family together. Through a series of minor crises, channels of communication silted up by the daily grind and terminal self-absorption are gradually eased open and the film ends on a note of genuine hope. As parents Wendy and Andy, Alison Steadman and Jim Broadbent give virtuoso performances: two adults who use fantasy, mundane work and a stream of banal chatter to keep reality at bay before a freak kitchen accident forces them to stop and take stock. They have two daughters to perplex them: one a plumber (Claire Skinner) and the other an angry anorexic (Jane Horrocks, unsparing in a gut-wrenching bulimic scene). Timothy Spall is hilarious as family friend Aubrey, a would-be restaurateur whose efforts to establish a gourmet eatery in Enfield collapse in hopeless, drunken farce. This is not an overtly political film, but the sense of a stake being driven through the heart of the 1980s enterprise culture is unmistakeable. Inspiring. --Piers Ford
Samuel L Jackson & Tommy Lee Jones star in this drama about a US marine battling to save his career in a military courtroom.
Director Martin Brest rocketed to the top of Hollywood's A list with the blockbuster success of Beverly Hills Cop, and this 1988 follow-up is even better. Midnight Run is a genuine rarity--an action comedy that's dramatically satisfying--thanks to a sharp script by George Gallo, the superb teaming of Robert De Niro and Charles Grodin, and Brest's consummate skill in combining suspense and humour with well-developed characters. De Niro plays a maverick bounty hunter whose latest assignment is Grodin, an accountant accused of embezzling from the Mob. De Niro thinks he's in for an easy job, transporting Grodin (who's afraid to fly) from New York to Los Angeles, but soon discovers that both the FBI and the Mafia are hot on Grodin's trail. Equal parts road trip, action thriller, and a quirky character study, Midnight Run moves at a breakneck pace but still gives De Niro and Grodin time to create rich, memorable performances as two men who seem to be opposites, but gradually develop mutual respect and admiration. Mainstream entertainment at its best. --Jeff Shannon
SPIDERMAN TRILOGY ORIGINS COLLECTION Swing into action with the groundbreaking original cinematic SpiderMan trilogy from direction Sam Raimi. Join Peter Parker (Tobey Maguire) as he becomes the iconic webslinging SpiderMan, battles supervillains Green Goblin, Doc Ock, Sandman and Venom, wins the heart of Mary Jane Watson (Kirsten Dunst), and learns that with great power, comes great responsibility. THE AMAZING SPIDERMAN EVOLUTION COLLECTION The untold story of the legendary webshooter unfolds in the blockbuster Amazing SpiderMan films, directed by Marc Webb. The saga begins in The Amazing Spider Man, as Peter Parker (Andrew Garfield) becomes SpiderMan and balances being asuperhero doing battle against the villainous Lizard alongside his developing relationship with Gwen Stacy (Emma Stone). Then when SpiderMan's new enemies including the powerful Electro unite in The Amazing SpiderMan 2, Peter Parker finds that his greatest battle is about to begin. EXTRAS INCLUDE: SPIDERMAN TRILOGY ORIGINS COLLECTION SpiderMan 3 Editor's Cut All New Alternate Version of the Movie SpiderMan 2.1 Includes both Theatrical & Extended Versions The Stan Lee Legacy: From Comic Book to Homecoming featurette Over 18 Hours of Special Features from all 3 films THE AMAZING SPIDERMAN EVOLUTION COLLECTION The Stan Lee Legacy: From Comic Book to Homecoming featurette 15 Rare Archival featurettes Over 7 Hours of Special Features from both films
Chris Tucker and Jackie Chan cause chaos in Paris in this, the third instalment of their comedy action franchise.
A complete collection of the best of British war movies! Films comprise: 1. The Colditz Story (Dir. Guy Hamilton 1955) 2. The Cruel Sea (Dir. Charles Frend 1953) 3. The Dam Busters (Dir. Michael Anderson 1954) 4. I Was Monty's Double (Dir. John Guillermin 1958) 5. Ice Cold In Alex (Dir. J. Lee Thompson 1958) 6. Went The Day Well? (Dir. Alberto Cavalcanti 1942) 7. The Wooden Horse (Dir. Jack Lee 1950) 8. They Who Dare (Dir. Lewis Milestone 1954) 9. Cross Of Iron (Dir. Sam Peckinpah 1977) 10. The Way Ahead (Dir. Carol Reed 1944) 11. In Which We Serve (Dir. Noel Coward/David Lean 1942) 12. The Battle Of The River Plate (Dir. Michael Powell/Emeric Pressburger 1956)
British supergroup Cream - captured live at the Royal Albert Hall in 1968. This DVD features the special extended edition and has been digitally remastered from the best available sources. Track Listing: Sunshine of Your Love White Room Politician Crossroads Steppin' Out Spoonful Toad Behind the Music I'm So Glad Special Features: Biographical Extra Features
Nicholas Monsarrat's novel is an unflinching, realistic and emotionally involving account of naval life during the Second World War in which the "heroes" are the men, the "heroines" the ships and the "villain" is not so much the German U-Boats lurking below as "the cruel sea" itself. This 1953 film has become a classic of British cinema largely because it is a straightforward, no-frills adaptation of the book and retain's much of the original's compelling yet almost understated dramatic focus. On convoy duty in the North Atlantic, the crew of HMS Compass Rose face as a matter of routine the threat of destruction from U-Boats as well as a constant struggle against the elements. The convoys themselves are Britain's only lifeline and their loss would lead to certain defeat, but in the early years of the war the ships sent to protect them can do almost nothing to prevent the U-Boat attacks. Jack Hawkins gives one of his finest performances as Captain Ericson, the commander who has to balance destroying the enemy against saving the lives of the men under his care. In one unforgettable scene--a crucial turning point for all the characters--he must decide whether to depth charge a suspected submarine despite the presence of British sailors in the water. As with the book, the individual officers and their lives are carefully delineated, helped by the strength of a cast of (then) young actors (notably Donald Sinden and Denholm Elliot). Ultimately what makes The Cruel Sea such an undeniable classic is that it has neither the flag-waving jingoism nor the war-is-hell melodrama so common to most war movies: instead it relates in an almost matter-of-fact way the bitterness of the conflict at sea fought by ordinary men placed in the most extraordinary of circumstances. --Mark Walker
The plot line may sound familiar: Two mismatched cops are assigned as reluctant partners to solve a crime. Culturally they are complete opposites, and they quickly realize they can't stand each other. One (Jackie Chan) believes in doing things by the book. He is a man with integrity and nerves of steel. The other (Chris Tucker) is an amiable rebel who can't stand authority figures. He's a man who has to do everything on his own, much to the displeasure of his superior officer, who in turn thinks this cop is a loose cannon but tolerates him because he gets the job done. Directed by Brett Ratner, Rush Hour doesn't break any new ground in terms of story, stunts, or direction. It rehashes just about every "buddy" movie ever made--in fact, it makes films such as Tango and Cash seem utterly original and clever by comparison. So, why did this uninspired movie make over $120 million at the box office? Was the whole world suffering from temporary insanity? Hardly. The explanation for the success of Rush Hour is quite simple: chemistry. The casting of veteran action maestro Jackie Chan with the charming and often hilarious Chris Tucker was a serendipitous stroke of genius. Fans of Jackie Chan may be slightly disappointed by the lack of action set pieces that emphasize his kung-fu craft. On the other hand, those who know the history of this seasoned Hong Kong actor will be able to appreciate that Rush Hour was the mainstream breakthrough that Chan had deserved for years. Coupled with the charismatic scene-stealer Tucker, Chan gets to flex his comic muscles to great effect. From their first scenes together to the trademark Chan outtakes during the end credits, their ability to play off of one another is a joy to behold, and this mischievous interaction is what saves the film from slipping into the depths of pitiful mediocrity. --Jeremy Storey
After his mother's death Collin Fenwick goes to live with his father's cousins the wealthy avaricious and controlling Verena Talbo and her compliant earthy sister Dolly...
A sex symbol becomes a thing", says Marilyn Monroe, her voice being approximated by Trudi Jo Marie Keck, who also doubles as the editor of We Remember Marilyn, an historical appreciation of the life of the much-vaunted sex goddess. "I always thought symbols were things you clashed together", she continues to muse, "but if I'm going to be a symbol of anything, I'd rather it be sex than some other things there are symbols for. I know how they'll remember me: 'Here lies Marilyn Monroe, 34-24-36'. But, anyway, they'll remember me." And remember her they do, in this concoction written and directed by Ted Newsom (Ed Wood--Look Back in Angora). Newsom doesn't bother to cite the source for the above words ascribed to Ms. Monroe so it's hard to say where they came from, but they pointedly set the tone for any discussion of sex-symbol iconography. And how better to sum up a career that moved between celebrity and the highest seats of power on a vehicle of sex, and ended early and abruptly. Film clips, photos (where Marilyn the icon truly shone), and a rich array of stock footage form the backdrop for the proceedings. At one point, the voice of director John Huston enriches the soundtrack. --Jim Gay, Amazon.com
Shawn (Steve Martines) has the ability to go all the way in the rock n' roll world. His girfriend Stacy (Ryan Starr) believes his talent could make him the biggest star in the world. When a chance audition lands him as the lead vocalist in the world's hottest boy band it seems he finally has got his big chance. But the members of the band have hidden secrets...
Zulu is one of the great movies, an epic adventure of courage in the face of incredible odds. Based on a true story, it tells the amazing tale of 100 British soldiers who stood fast against an overwhelming force of 4,000 of the Zulu nation's mightiest warriors in the defence of Rorkes Drift in 1879.Set amongst the stunning South African scenery, Zulu is a landmark action film and a fitting tribute to some of the most magnificent acts of heroism in the history of warfare. Michael Caine's role as the arrogant but courageous Lt. Bromhead brought him international fame, and there are powerful performances from other great British actors including Stanley Baker and Jack Hawkins.
The last of the original Andy Hardy films which had seen fifteen releases in nine years sees Andy (Mickey Rooney) return home from the Second World War and enrol into college. As he also wishes to rekindle his relationship with Kay Wilson (Bonita Granville) he selects the same college as she is attending for his higher education hoping it will also be the path to true love.
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