The outrageous tale of a Morrissey fan gone wrong! An obsessed Morrissey fan bides her time by pouring herself into her work at a TV studio by day and hunting for her idol at night. Scouting out locations in L.A. that she knows Morrissey has been spotted in she soon happens upon her hero in the flesh irrevocably changing her life forever...
Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! (Dir. Delbert Mann 1961) Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense! (Dir. Michael Gordon 1959) Send Me No Flowers: Rock is ready to make love yesterday tomorrow and especially to Day (Doris that is!) When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! (Dir. Norman Jewison 1964)
Michael Gambon plays the extraordinary Belgian detective Inspector Maigret in this television adaptation of the novels by George Simenon. Intuitive intelligent and creative with a genius for human nature Maigret is like no other detective as he cunningly investigates crime and the human psyche. Episode titles: Maigret's Boyhood Friend Maigret and the Minister Maigret and the Maid.
Even by Roger Corman's thrifty standards, The Little Shop of Horrors was a masterpiece of micro-budget movie-making. Scripted in a week and shot, according to Corman, in two days and one night, it made use of a pre-existing store-front set that serves as the florist's shop where most of the action takes place. Our hero is shambling loser Seymour Krelboined, sad-sack assistant at Mushnick's skid-row flower shop and who is hopelessly in love with Audrey, his fellow worker. Threatened with the sack by Mushnick, Seymour brings in a strange plant he's been breeding at home, hoping it'll attract the customers. It does, and the store starts to prosper, but Seymour is horrified to discover that the only thing the plant will thrive on is blood, fresh, human blood at that. The sets are pasteboard, the acting is way over the top, and altogether Little Shop is an unabashed high-camp spoof, not to be taken seriously for a second. Even so, Corman notes that this was the movie "that established me as an underground legend". Charles Griffith, the film's screenwriter, plays the voice of the insatiable plant ("FEED ME!"), and billed way down the cast list is a very young Jack Nicholson in a bizarre, giggling cameo as Wilbur Force, a masochistic dental patient demanding ever more pain. The film's cult status got it turned into an off-Broadway hit musical in the 1980s, with a great pastiche doo-wop score by Alan Menken, which was subsequently filmed in 1986. The musical remake is a lot of fun, but it misses the ramshackle charm of the original. On the DVD: Little Shop of Horrors on disc does not even boast a trailer, just some minimal onscreen background info about the production. The clean transfer, 4:3 ratio, and digitally remastered mono sound faithfully recapture Corman's bargain-basement production values. --Philip Kemp
Lady From Louisiana (Dir. Bernard Vorhaus 1941): Northern lawyer John Reynolds travels to New Orleans to try and clean up the local crime syndicate based around a lottery. Although he meets Julie Mirbeau and they are attracted to each other the fact that her father heads the lottery means they end up on opposite sides. When her father is killed Julie becomes more and more involved in the shady activities and in blocking Reynolds' attempts at prosecution. Flame Of Barbary Coast (Dir. Joseph Kane 1945): A cowboy competes with a gambling tycoon on the Barbary Coast for the hand of a beautiful dance-hall queen. However the 1906 San Francisco earthquake provides a climactic twist though...
Little Shop Of Horrors: The original movie of this classic black comedy/horror about a rather dim-witted young man Seymour (Jonathan Haze) working for $10 a week in Mushnick's flower shop on skid row who develops an intelligent bloodthirsty plant. He names the plant ""Audrey Jr"" and as it grows it demands human meat for sustenance and Seymour is forced to kill in order to feed it. Jack Nicholson has a notable cameo part as an undertaker Wilbur Force who is a masochistic d
The Women Of Brewster Place is a gripping and loving group portrait of seven women whose backs are literally against the wall: a surrounding wall whose brick facade has turned the address of Brewster Place into both a real and symbolic dead end. It is a street overflowing with tales of courage and anguish. For the women who call this home (played by Oprah Winfrey Robin Givens and Cicely Tyson among others) Brewster Place is a source of conflicts amid the dark and overcrowded tenements. Despite their different backgrounds these women are ultimately united in a single act of courage against the walls of racism sexism and violence in a stirring climax.
An absolute must for fans of Georges Simenon's beloved sleuth, Inspector Jules Maigret, this four-volume Maigret Collection is the finest detective series from Granada Television since the late Jeremy Brett gave us his definitive portrayal of Sherlock Holmes in the 1980s. The masterful Michael Gambon is the latest in a long tradition of familiar leading men (from Jean Gabin to Richard Harris) who have played Simenon's blunt but humane, occasionally whimsical, and magnificently insightful investigator. Yet Gambon is perhaps uniquely suited to the part: a popular star with none of the baggage of a brand-name icon or the self-effacing obligations of a character actor. He captures perfectly Maigret's measured but hardly inscrutable presence in the eruptive underworld of Paris crime. Among the 12 episodes here is "Maigret and the Burglar's Wife", which does honour to Simenon's compassionate tale of a retiring thief whose accidental encounter with a corpse sets in motion one of Maigret's most intense psychological duels. The equally compelling "Maigret's Boyhood Friend" finds the detective on a case drawing suspicion to an old school chum, while "Maigret Sets a Trap" is a wonderful production of Simenon's puzzler about a serial killer whose patterns of motivation and action must be deciphered before he can be caught. --Tom Keogh
A triple bill of Doris Day movies including Lover Come Back Send Me No Flowers and Pillow Talk. Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! Send Me No Flowers: When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense!
Paulie (Piper Perabo) Tori (Jessica Par) and Mouse (Mischa Barton) share a relationship deeper than sexuality and a love that is intensified in the hothouse atmosphere of an all-girl boarding school. Mouse leaves a small-town upbringing to attend Perkins Girl's College. Her two senior roommates the striking sharp-witted Paulie and the charming beautiful Tori quickly adopt her. The girls become inseperable but although they are the closest friends Mouse has ever had she is confused by the depth of the emotional and sexual relationship between Paulie and Tori. Their world shatters when Tori and Paulie are caught in bed together. Terrified that her family will find out Tori distances herself from Paulie and her own feelings. Defiantly refusing to submit Paulie battles to keep Tori. And Mouse is left torn between her friends. Through this sensual and violent struggle Mouse glimpses how powerful love can be and how impossible it is to define.
A farm which became a gateway to hell is re-visited by a group of friends who try to close the door. When things get too tough their escape is blocked by a thick fog...
The irresistible pairing of Jack Nicholson and Adam Sandler is the best reason to see Anger Management, a comedy that might have been subtitled "The Funny and the Furious". Nicholson and especially Sandler have screen personas that partially rely on pent-up anxieties, so there's definite potential in teaming them as a mild-mannered designer of pet clothing for chubby cats (Sandler) who's been ordered to undergo anger management therapy with a zany counsellor (Nicholson) prone to occasional tantrums and devious manipulation. Surely this meandering comedy looked better on the page; director Peter Segal scores a few lucky scenes (particularly Sandler's encounter with a Buddhist monk, played by John C Reilly), but a flood of cameos (Heather Graham, Woody Harrelson, Rudolph Giuliani, and others) can't match the number of laughs that fall flat. As Sandler's understanding girlfriend, Marisa Tomei plays a pivotal role in a happy ending that leaves everyone smiling, with the possible exception of the audience. --Jeff Shannon
Beware the beast within... Returning to his parents' ancestral home Colum Kennedy (Allen Scotti) discovers an Irish village populated by animalistic shapeshifters. When a hauntingly beautiful woman (Julie Cialini) stirs ancient passions with him he must choose between his family and unleashing his own true nature.
Wolverine, fan favourite of the X-Men universe in both comic books and film, gets his own movie vehicle with X-Men Origins: Wolverine, a tale that reaches way, way back into the hairy mutant's story. Somewhere in the wilds of northwest Canada in the early 1800s, two boys grow up amid violence: half-brothers with very special powers. Eventually they will become the near-indestructible warriors (and victims of a super-secret government program) known as Wolverine and Sabretooth, played respectively by Hugh Jackman (returning to his role) and Liev Schreiber (new to the scene). It helps enormously to have Schreiber, an actor of brawny skills, as the showiest villain; the guy can put genuine menace into a vocal inflection or a shift of the eyes. Danny Huston is the sinister government operative whose experiments keep pulling Wolverine back in, Lynn Collins is the woman who shares a peaceful Canadian co-existence with our hero when he tries to drop out of the program, and Ryan Reynolds adds needed humour, at least for a while. The fast-paced early reels give an entertaining kick-off to the Wolverine saga, only to slow down when a proper plot must be put together--but isn't that perpetually the problem with origin stories? And despite a cool setting, the grand finale is a little hemmed in by certain plot essentials that must be in place for the sequels, which may be why characters do nonsensical things. So, this one is fun while it lasts, if you're not looking for a masterpiece, or an explanation for Wolverine's facial grooming. --Robert Horton, Amazon.com Stills from X-Men Origins: Wolverine (Click for larger image)
The Outlaw (Dir. Howard Hughes 1943): Jane Russell plays a busty siren who steals the heart of Billy the Kid in this Howard Hughes/Howard Hawks-directed story which centres on the rivalrous tentative friendships between Billy Doc Holiday and Pat Garrett. Vengeance Valley (Dir. Richard Thorpe 1941): An unusually adult Western for its time Vengeance Valley (1951) gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd
Michael Gambon plays the extraordinary French detective Inspector Maigret in this television adaptation of the novels by George Simenon. Intuitive intelligent and creative with a genius for human nature Maigret is like no other detective as he cunningly investigates crime and the human psyche. Episode titles: Maigret And The Nightclub Dancer Maigret And The Hotel Majestic Maigret On The Defensive.
The original movie of this classic black comedy/horror about a rather dim-witted young man Seymour (Jonathan Haze) working for $10 a week in Mushnick's flower shop on skid row who develops an intelligent bloodthirsty plant. He names the plant ""Audrey Jr"" and as it grows it demands human meat for sustenance and Seymour is forced to kill in order to feed it. Jack Nicholson has a notable cameo part as an undertaker Wilbur Force who is a masochistic dental patient and the film als
Matinee idol Richard Greene stars in this spectacular musical romance based on the true-life story of London's first theatrical impresario George Edwardes. The dashing entrepreneur buys a run-down music hall in the capital and fills it with musical comedies much to the delight of his audiences. But after George marries a beautiful young chorus girl played by Ann Todd a vindictive theatre critic attempts to destroy his career...
Combining the bio-horror elements of his earlier films whilst anticipating the technological themes of his later work, Videodrome exemplifies David Cronenberg's extraordinary talent for making both visceral and cerebral cinema. Max Renn (James Woods) is looking for fresh new content for his TV channel when he happens across some illegal S&M style broadcasts called Videodrome. Embroiling his girlfriend Nick (Deborah Harry) in his search for the source, his journey begins to blur the lines between reality and fantasy as he works his way through sadomasochistic games, shady organisations and body transformations stunningly realised by Oscar-winning makeup effects artist Rick Baker. Hailed by his contemporaries John Carpenter (he's better than all of us combined!) and Martin Scorsese (no one makes films like he does) as a genius, Videodrome was Cronenberg's most mature work to date and still stands as one of his greatest. Product Features Brand new 4K restorations from the original camera negative by Arrow Films of both the full-length director's cut and the US theatrical cut, approved by director David Cronenberg 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original lossless mono soundtrack Optional English subtitles for the deaf and hard of hearing Audio commentary by Tim Lucas, the on-set correspondent for Cinefantastique Magazine and author of Videodrome: Studies in the Horror Film David Cronenberg and the Cinema of the Extreme, a documentary featuring interviews with Cronenberg, George A. Romero and Alex Cox on Cronenberg's cinema, censorship and the horror genre Forging the New Flesh, a documentary by filmmaker Michael Lennick on Videodrome's video and prosthetic make up effects Fear on Film, a round table discussion from 1982 with Cronenberg, John Carpenter, John Landis and Mick Garris The complete, uncensored Samurai Dreams footage with commentary by Michael Lennick Helmet-Cam Test and Why Betamax?, two featurettes by Michael Lennick on the film's effects The Making of David Cronenberg's Videodrome, a 1982 featurette by Mick Garris, with behind-the-scenes footage and interviews with Cronenberg, James Woods, Deborah Harry and Rick Baker Videoblivion, an interview with cinematographer Mark Irwin Pierre David on Videodrome, an interview with executive producer Pierre David AKA Jack Martin, an interview with Dennis Etchison, author of novelisations of Videodrome and The Fog, discussing Videodrome and his observations of Cronenberg's script Camera, Cronenberg's short film starring Videodrome's Les Carlson Pirated Signals: The Lost Broadcast, deleted and alternate scenes from the TV version Original trailers Image gallery Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx Illustrated 60-page collector's booklet featuring writing on the film by Justin Humphreys, Brad Stevens and Tim Lucas, extracts from Cronenberg on Cronenberg, and a brand new roundtable retrospective with critics Alexandra Heller-Nicholas, Cerise Howard, Josh Nelson and Emma Westwood Foldout double-sided poster featuring original and newly commissioned artwork by Gilles Vranckx Six double-sided, postcard-sized lobby card reproduction artcards
Baby Take A Bow: Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later Eddie and his ex-convict buddy Larry have both gone straight and Eddie and Kay have a beautiful little girl named Shirley. However Welch has kept a close eye on them for years. He believes in ""once a criminal always a criminal."" Then when Eddie's employer's wife's pearls go missing it comes out that Eddie and Larry both spent tim
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