From legendary director/writer James L. Brooks comes a humorous and romantic look at the How Do You Know question. When everything she's ever known is suddenly taken from her Lisa (Reese Witherspoon) begins a fling with Matty (Owen Wilson) a major league baseball player and self-centred ladies man. Before their relationship takes off Lisa meets up with George (Paul Rudd) a straight-arrow businessman facing his own serious issues both with his father (Jack Nicholson) and the law. Just when everything seems to be falling apart they discover what it means to have something wonderful happen.
Jack Nicholson plays a retiring police officer who promises to track down a murderer.
Titles Comprise: 2001: A Space Odyssey: When a large black monolith is found beneath the surface of the moon the reaction immediately is that it was intentionally buried. When the point of origin is confirmed as Jupiter an expedition is sent in hopes of finding the source. When Dr. David Bowman discovers faults in the expeditionary space craft's communications system he discovers more than he ever wanted to know. A Clockwork Orange: Stomping whomping stealing singing tap-dancing violating Derby-topped teddy-boy hooligan Alex (Malcolm McDowell) has his own way of having a good time. He has it at the tragic expense of others. Alex's journey from amoral punk to brainwashed proper citizen forms the dynamic arc of Stanley Kubrick's future-shook vision of Anthony Burgess's novel. Unforgettable images startling musical counterpoints the fascinating language used by Alex and his pals - Kubrick shapes them into a shattering whole. The Shining: Jack Torrance (Jack Nicholson) becomes the caretaker of the Overlook Hotel up in the secluded mountains of Colorado. Jack being a family man takes his wife and son to the hotel to keep him company throughout the long and isolated nights. During their stay strange things occur when Jack's son Danny sees gruesome images powered by a force called ""The Shining"" and Jack is heavily affected by this. Along with writer's block and the demons of the hotel haunting him Jack has a complete mental breakdown and the situation takes a sinister turn for the worse. Full Metal Jacket: Full Metal Jacket begins by following the trials and tribulations of a platoon of fresh Marine Corps recruits focusing on the relationship between Gunnery Sergeant Hartman and Privates Pyle and Joker. We see Pyle grow into an instrument of death as Hartman has foreseen of all of his recruits. Through Pyle's torment and Joker's unwillingness to stand up against it the climax of part one is achieved with all three main characters deciding their fates by their action or inaction. The second chapter of Full Metal Jacket delves into Joker's psyche and the repeated referral to the fact that he joined the Corps to become a killer. When his mostly behind the scenes job as a combat correspondent is interfered with by the Tet offensive he is thrust into real combat and ultimately must choose if he really is a killer. Eyes Wide Shut: Sexual jolts disrupt Manhattan physician Bill Harford (Tom Cruise)'s equilibrium. At an elegant Christmas party two ""models"" hit on him he watches a Lothario try to pick up his tipsy wife he aids a woman sprawled naked in a bathroom after an overdose. The next night his wife (Nicole Kidman) reveals sexual fantasies with a stranger; a dead patient's daughter throws herself at him; as he walks brooding six teen boys hurl homophobic insults at him; a streetwalker takes him to her flat; he interrupts men having a sex party with a girl barely in her teens. His
Dave Buznik (Adam Sandler) is usually a mild-mannered, non-confrontational guy. But after an altercation aboard an airplane, he is remanded to the care of an unconventional anger management therapist, Dr. Buddy Rydell (Jack Nicholson).
A landmark movie in the film noir tradition Roman Polanski's 'Chinatown' stands as a true screen classic. Jack Nicholson is private eye Jake Gittes living off the murky moral climate of sunbaked pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair Gittes is swept into a maelstrom of double dealings and deadly deceits uncovering a web of personal and political scandals that come crashing together for one unforgettable night in ... Chinatown. Co-starring film legend John Huston and featuring an Academy Award-winning script by Robert Towne Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.
Jack Nicholson returns as private eye Jake Gittes in this atmospheric 'Chinatown' follow-up that's hit upon ""the elusive sequel formula for somehow enhancing a great original"". Much has changed since we last saw Jake. The war has come and gone 1948 Los Angeles teems with optimism and fast bucks. But there's one thing Jake knows hasn't changed: ""Nine times out of ten if you follow the money you will get to the truth"". And that's the trail he follows when a routine case of marital
'Reds' tells the story of the love affair between early 20th century activists Loise Bryant and John Reed. Beatty's award winning epic mixes drama and interviews with major social radicals of the period. Set against the backdrop of the tumultuous start of the twentieth century the two journalists' on-again-off-again romance is punctuated by the outbreak of WWi and the Bolshevik Revolution. Louise's assignment in France at the outbreak of the war puts an end to their affair. John Reed's subsequent trip to Russia and his involvement with the communist party rekindles their relationship. When Louise arrives in Petrograd she finds herself swept up in the euphoria of the Revolution. Reed however eventually becomes disillusioned with communism when he sees his words and intentions augmented and controlled by the growing Soviet propaganda machine.
A nice rest in a state mental hospital beats a stretch in the pen right? Randle P. McMurphy (Nicholson) a free-spirited con with lightning in his veins and glib on his tongue fakes insanity and moves in with what he calls the ""nuts"". Immediately his contagious sense of disorder runs up against numbing routine. No way should guys pickled on sedatives shuffled around in bathrobes when the World Series is on. This means war! On one side is McMurphy. On the other is soft-spoken Nurse Ratched (Louise Fletcher) among the most coldly monstrous villains in film history. At stake is the fate of every patient on the ward...
Pee-Wee's Big Adventure: When Pee-wee Herman's idyllic world is destroyed by the theft of his fire-engine red bicycle, the pre-pubescent adult sets out on a manic cross-country odyssey to recover his most valued possession. Director Tim Burton makes his feature-film debut with this comic masterpiece./p> Beetlejuice: A couple of home-loving ghosts need to be rid of a group of pretentious, trendsetting humans, who have taken over their house and made 'living' extremely difficult. They enlist the aid of a bio-exorcist in the hope that he can scare the unwanted guests away. Batman: After witnessing his parents brutal murder as a child, millionaire-philanthropist Bruce Wayne pledges his life to fighting crime disguised as Batman. His long-time nemesis, the Joker, has sinister plans for the citizens of Gotham City. His greed is matched by his obsession with photojournalist Vicki Vale. But Batman is there to counter the Joker's every move. With the fate of Gotham and Vicki in the balance, will good or evil prevail? Batman Returns: Batman the Caped Crusader is pitted against the demented, ravenous Penguin; a pitiful, orphaned psychopathic freak who once went on a baby-killing spree, and a 'power' hungry capitalist villain, Max Shreck. As the two criminals plot to gain domination over Gotham City, Batman must plot to stop them. In the highly stylized Batman Returns, Batman is thrown a third enemy, a terrible distraction: the slinky, sharp-clawed Cat Woman./p> Mars Attacks: When a shiny silver flying saucer lands in the Nevada desert, a group of skull-faced Martians exit the gleaming craft. Although they claim to be peaceful, they promptly vaporize a gathering of unfortunate Earthling s, kicking off a bizarre high-tech war with wild special effects. Sweeney Todd: Benjamin Barker (Johnny Depp) is living a simple life with his wife Lucy and his daughter when the lust of a judge (Alan Rickman) throws their lives into chaos. The judge has Barker deported to Australia, and many years later he returns to England with revenge in his heart. Corpse Bride: Set in a 19th century European village, this stop-motion, animated feature follows the story of Victor (voiced by JOHNNY DEPP), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride, while his real bride, Victoria, waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love. Charlie & The Chocolate Factory: Acclaimed director Tim Burton brings his vividly imaginative style to the beloved Roald Dahl classic Charlie and the Chocolate Factory, about eccentric candy-maker Willy Wonka and Charlie Bucket, a good-hearted boy from a poor family who lives in the shadow of Wonka's extraordinary factory.
Warren Schmidt (Jack Nicholson) is a man in his 60's. While trying to run his daughter's life, he realizes that he wasted his.
Two terminally ill men escape from a cancer ward and head off on a road trip with a wish list of to-dos before they die.
Ken Russell's flamboyant treatment of The Who's rock opera about a deaf dumb and blind boy who develops an extraordinary ability at pinball. Under his sinister stepfather's influence he achieves fame and a cult following but his almost messianic status also spells the beginning of his destruction... Featuring musical contributions from a host of rock stars including Elton John Eric Clapton and Tina Turner.
Paramount proudly presents Best Picture Oscar® winner Terms of Endearment for the first time on 4K Ultra HD.This quintessential dramedy-directed, produced, and written for the screen by James L. Brooks (based on a novel by Larry McMurtry)- features a powerhouse cast that includes Shirley MacLaine, Debra Winger, Jack Nicholson, Danny DeVito, Jeff Daniels and John Lithgow. Spanning three decades, it follows the ups and downs of a mother-daughter relationship with honesty, heart, and laughs. Both critically acclaimed and a box office blockbuster, it has endeared as a fan favourite 40 years after its release. Product Features Blu-ray Special Features: NEW FILMMAKER FOCUS With James L. Brooks Commentary by Director James L. Brooks, Co-Producer Penney Finkelman Cox & Production Designer Polly Platt
Jack Nicholson (The Last Detail, Wolf) gives one of his finest and most subtle performances as a hard-working but deeply disillusioned Mexican border-guard in this tough thriller from renowned British filmmaker Tony Richardson (Look Back in Anger, A Taste of Honey).
Dave Buznik (Adam Sandler) is usually a mild-mannered, non-confrontational guy. But after an altercation aboard an airplane, he is remanded to the care of an unconventional anger management therapist, Dr. Buddy Rydell (Jack Nicholson).
A big Oscar winner in 1975, One Flew Over the Cuckoo's Nest still holds up remarkably well. Ken Kesey's novel, an allegory of repression and rebellion set in a mental hospital in the early 1960s, is cannily adapted by Czech director Milos Forman into a comedy drama with a cool, unassuming, near-documentary look. Jack Nicholson has his most jacknicholsonian role as Randle P McMurphy, a livewire troublemaker who unwisely cons his way out of prison and into a mental institution without realising he has switched from serving a sentence with a release date to being committed until adjudged sane by the same people he is winding up on a daily basis. Louise Fletcher, in a career-defining turn, is Nurse Ratched, the soft-spoken sadist who represents the worst type of matronly authoritarianism and clashes with Randle all down the line. Taking another look at the picture after all these years, it's a surprise that all the unknown actors who seemed like real mental patients have graduated to becoming prolific character actor stars: Danny DeVito, Christopher Lloyd, Vincent Schiavelli, Brad Dourif, the late Will Sampson, Sidney Lassick, Michael Berryman. Unlike many Best Picture Oscar winners, this deals with profound subject matter without seeming self-important: Forman's approach and all-round great acting make it play as a small character story as well as a Big Statement about the human condition. Full marks also for Jack Nitzsche's musical saw-based score. On the DVD: One Flew Over the Cuckoo's Nest comes to DVD in a two-disc special edition with a great-looking anamorphic 1.85:1 print and 5.1 Dolby Digital soundtrack, plus tracks in French and Italian and optional subtitles in half a dozen languages. Disc 2 has the trailer, about 13 minutes of deleted scenes (mostly from the first third of the film, and all pretty good) and a making-of retrospective documentary with interesting material from producers Michael Douglas (who inherited the rights from Kirk) and Saul Zaentz, Forman, screenwriter Bo Goldman and many cast-members (though not Nicholson). There's also a commentary track by Forman, Douglas and others which repeats a few things from the documentary but also goes into more scene-specific detail about the development and shooting. --Kim Newman
This box-office hit from 1969 is an important pioneer of the American independent cinema movement, and a generational touchstone to boot. Peter Fonda and Dennis Hopper play hippie motorcyclists crossing the Southwest and encountering a crazy quilt of good and bad people. Jack Nicholson turns up in a significant role as an attorney who joins their quest for awhile and articulates society's problem with freedom as Fonda's and Hopper's characters embody it. Hopper directed, essentially bringing the no-frills filmmaking methods of legendary, drive-in movie producer Roger Corman (The Little Shop of Horrors) to a serious feature for the mainstream. The film can't help but look a bit dated now (a psychedelic sequence toward the end particularly doesn't hold up well) but it retains its original power, sense of daring and epochal impact. -- Tom Keogh, Amazon.com
The Last Detail nearly didn't get a release. Columbia, for whom it was made, was alarmed by the movie's barrage of profanity and resented the unorthodox working style of its director, Hal Ashby, who loathed producers and made no secret of it. Only when the film picked up a Best Actor Award for Jack Nicholson at Cannes did the studio reluctantly grant it a release--with minimal promotion--to widespread critical acclaim. Nicholson, in one of his best roles, plays "Bad-ass" Buddusky, a naval petty officer detailed, along with his black colleague "Mule" Mulhall (Otis Young), to escort an offender from Virginia to the harsh naval prison at Portsmouth, NH. The miscreant is a naïve youngster, Meadows (Randy Quaid), who's been given eight years for stealing $40 from his CO's wife's favourite charity. The escorts, at first cynically detached, soon start feeling sorry for Meadows and decide to show him a good time in his last few days of freedom. Ashby, a true son of 60s counterculture, avidly abets the anti-authoritarian tone of Robert Towne's script. Meadows is a sad victim of the system--but so too are Buddusky and Mulhall, as they gradually come to realise. A lot of the film is very funny. Nicholson gets to do one of his classic psychotic outbursts--"I am the fucking shore patrol!"--and there are some pungent scenes of male bonding pushed to the verge of desperation. But the overall tone is melancholy, pointed up by the jaunty military marches on the soundtrack. Shot amid bleak, wintry landscapes, in buses and trains and grey urban streets, The Last Detail is a film of constant, compulsive movement going nowhere--a powerful, finely acted study of institutional claustrophobia. On the DVD: The Last Detail disc doesn't have much in the way of extras. There are abbreviated filmographies for Ashby, Nicholson and Quaid (though not for Young) and a trailer for A Few Good Men (1992). The mono sound comes up well in Dolby Digital, and the transfer preserves DoP Michael Chapman's subtle, subfusc palette and the 1.85:1 ratio of the original. --Philip Kemp
When the girl of his dreams (Amber Midthunder) is kidnapped, everyman Nate (Jack Quaid) turns his inability to feel pain into an unexpected strength in his fight to get her back.
One of the most sublimely silly products to emanate from Roger Corman's studio, The Raven has the very loosest of connections with the Edgar Allen Poe poem that gives it its title and which Vincent Price intones sepulchrally at the beginning. A retiring magician, Craven (Price) has opted out of the power struggles of peers such as Dr Scarabus (Boris Karloff) to brood on his dead wife and bring up his daughter. The arrival of Bledlo (Peter Lorre), an incompetent drunk whom Scarabus has turned into the raven of the title, involves him in everything he had renounced--life is complicated further by the arrival of Bledlo's son Rexford, played by a staggeringly young Jack Nicholson. The special effects are almost perfunctory, yet the culminating magical duel between Price and Karloff is inventive and charming; this is one of those films that looks as if the actors enjoyed making it; while the script by Richard Matheson has a blithe awareness of its own shortcomings that makes it hard to dislike. On the DVD: The Raven comes to DVD with very boxy remastered mono sound, but is presented in its original widescreen 2.35:1 ratio, formatted for 16:9 TVs. The only extra is the original theatrical trailer. --Roz Kaveney
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