Brother bear: Disney proudly presents Brother bear, an epic animated adventure full of comedy and heart. With five great new songs from Academy Award winner Phil Collins, it's an entertainment experience the whole family will enjoy. In this spectacular coming-of-age story based on ancient myths, an impulsive boy named Kenai is magically transformed into a bear. He has no choice but to see the world through another's eyes while he learns some valuable life lessons and strives to regain his human form.Unable to communicate with his human brother, Kenai teams up with Koda, an irrepressible bear cub, and sets out on a courageous journey of self-discovery. Amidst breathtaking, beautifully animated scenery, they encounter a forest full of wildlife, including hilarious moose brothers Rutt and Tuke, woolly mammoths, rambunctious rams and more! Brother Bear is an unforgettable tale that explores the true meaning of brotherhood and what it means to walk in the footsteps of another.Brother Bear 2: Kenai is back, and he is off to the picturesque Pacific Northwest at the end of the Ice Age. During his adventures, he still dreams of his previous life as a human, before he transformed into a bear. As a human child, he befriended Nita, the daughter of a tribal elder and the pair's past friendship collides with the present as Kenai and Nita embark on an epic journey together.
More than half a century after its release in 1950, Sunset Boulevard is still the most pungently unflattering portrait of Hollywood ever committed to celluloid. Billy Wilder, unequalled at combining a literate, sulphurous script with taut direction, hits his target relentlessly. The humour--and the film is rich in this, Wilder's most abundant commodity--is black indeed. Sunset Boulevard is viciously and endlessly clever. William Holden's opportunistic scriptwriter Joe Gillis, whose sellout proves fatal, is from the top drawer of film noir. Gloria Swanson's monstrously deluded Norma Desmond, the benchmark for washed-up divas, transcends parody. And her literal descent down the staircase to madness is one of the all-time great silver-screen moments. Sunset Boulevard isn't without pathos, most notably in Erich von Stroheim's protective butler who wants only to shield his mistress from the stark truths that are massing against her. But its view of human beings at work in a ruthlessly cannibalistic industry is bleak indeed. Nobody, not even Nancy Olson's sparkily ambitious writer Betty Schaefer, is untainted. And neither are we, "those wonderful people out there in the dark". Norma might be ready for her close-up, but it's really Hollywood that's in the frame. No wonder Wilder incurred the charge of treachery from his peers. It's cinematic perfection. On the DVD: Sunset Boulevard lends itself effortlessly to a collector's edition of this quality. The film itself is presented in full-frame aspect ratio from an excellent print and the quality of the mono soundtrack is faultless: the silver screen comes to life in your living room. The extras are superb, including a commentary from film historian Ed Sikov and a making-of documentary which includes the memories of Nancy Olson. Interactive features such as the Hollywood location map add to the fun. --Piers Ford
Sidney Lumet's directorial debut Twelve Angry Men remains a tense, atmospheric (though slightly manipulative and stagey) courtroom thriller, in which the viewer never sees a trial and the only action is verbal. As he does in his later corruption commentaries such as Serpico or Q & A, Lumet focuses on the lonely one-man battles of a protagonist whose ethics alienate him from the rest of jaded society. As the film opens, the seemingly open-and-shut trial of a young Puerto Rican accused of murdering his father with a knife has just concluded and the 12-man jury retires to their microscopic, sweltering quarters to decide the verdict. When the votes are counted, 11 men rule guilty, while one--played by Henry Fonda, again typecast as another liberal, truth-seeking hero--doubts the obvious. Stressing the idea of "reasonable doubt", Fonda slowly chips away at the jury, who represent a microcosm of white, male society--exposing the prejudices and preconceptions that directly influence the other jurors' snap judgments. The tight script by Reginald Rose (based on his own teleplay) presents each juror vividly using detailed soliloquies, all which are expertly performed by the film's flawless cast. Still, it's Lumet's claustrophobic direction--all sweaty close-ups and cramped compositions within a one-room setting--that really transforms this contrived story into an explosive and compelling nail-biter. --Dave McCoy, Amazon.com
SIDNEY LUMET'S UNPARALLELED TRIAL DRAMA STARRING HENRY FONDA ONE OF THE TEN MOST POPULAR FILMS OF ALL TIME, ACCORDING TO IMDB.COM! 12 Angry Men, by SIDNEY LUMET (Network), may be the most radical big-screen courtroom drama in cinema history. A behind-closed-doors look at the American legal system as riveting as it is spare, the iconic adaptation of Reginald Rose's teleplay stars HENRY FONDA (Young Mr. Lincoln) as the initially dissenting foreman on a jury of white men ready to pass judgment on a Puerto Rican teenager charged with murdering his father. What results is a saga of epic proportions that plays out in real time over ninety minutes in one sweltering room. Lumet's electrifying snapshot of 1950s America on the verge of change is one of the great feature-film debuts. SPECIAL EDITION FEATURES: New high-definition digital restoration, with uncompressed monaural soundtrack Frank Schaffner's 1955 television version, with an introduction by Ron Simon, director of the Paley Centre for Media Studies 12 Angry Men: From Television to the Big Screen, a video essay by film scholar Vance Kapley comparing the Sidney Lumet and Schaffner versions Archival interviews with Lumet New interview about the director with writer Walter Bernstein New interview with Simon about television writer Reginald Rose New interview with cinematographer John Bailey in which he discusses cinematographer Boris Kaufman Tragedy in a Temporary Town (1956), a teleplay directed by Lumet and written by Rose Original theatrical trailer PLUS: A booklet featuring an essay by writer and law professor Thane Rosenbaum Click Images to Enlarge
Before director Ken Russell's name became synonymous with cinematic extravagance and overkill, he actually directed what is one of the most passionate and involving adaptations of DH Lawrence in recent memory. Oliver Reed and Alan Bates star as friends who fall in love with a pair of sisters (Jennie Linden and Glenda Jackson, who won an Oscar for the role). But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Bates and Linden learn to give themselves to each other; the more withdrawn Reed cannot, finally, connect with the demanding and challenging Jackson. Shot with great sensuality, Women in Love was surprisingly frank for its period (1970) and includes one of the most charged scenes in movie history: Bates and Reed as manly men, wrestling nude by firelight. --Marshall Fine
There have been a number of notable cinematic versions of King Lear and Peter Brook's depiction of Shakespeare's epic tragedy is no exception. The majesticl Paul Scofield tackles the role of Lear with such aplomb that it is clear to see why many of his contemporaries consider him to be the finest Shakespearian actor to emerge from the RSC (Royal Shakespeare Company).
Before director Ken Russell's name became synonymous with cinematic extravagance and overkill, he actually directed what is one of the most passionate and involving adaptations of DH Lawrence in recent memory. Oliver Reed and Alan Bates star as friends who fall in love with a pair of sisters (Jennie Linden and Glenda Jackson, who won an Oscar for the role). But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Bates and Linden learn to give themselves to each other; the more withdrawn Reed cannot, finally, connect with the demanding and challenging Jackson. Shot with great sensuality, Women in Love was surprisingly frank for its period (1970) and includes one of the most charged scenes in movie history: Bates and Reed as manly men, wrestling nude by firelight. --Marshall Fine
Once again returning to the genre to which he was perhaps best-suited, director Lewis Milestone traces the fate of a Marine platoon during WWII. The film stars Richard Widmark as the no-nonsense Lt. Carl Anderson, an officer charged with the responibility of leading his unit on a scouting mission to capture prisoners from an experimental rocket-launching facility and bring them back for interrogation. Among his platoon are veterans Pidgeon Lane (Jack Palance), Doc (Karl Malden), and Sgt. Zelenko (Neville Brand), as well as raw recruits Coffman (Robert Wagner) and Cpl. Stuart Conroy (Richard Hylton). Anderson is skilled at subtly motivating the varied group of characters, while suffering himself from crushing headaches. The platoon attacks the island, taking losses on the heavily defended beach. When they try to take a strategic ridge, they're pinned down by rocket fire whose source is impossible to locate. In desperation, Anderson is ordered to take a hand-picked patrol behind enemy lines to bring back prisoners. After some painful losses, they finally return with prisoners. Despite occasional war movie cliches, this is a solid, exceptionally well acted effort, which gives full weight to the terrible human cost of war. The film is also notable for great performances by Malden, Palance, Widmark, Webb, and the very young Wagner.
Struggling to come to terms with his injuries, a paraplegic war veteran turns to his doctor, fiancé and former comrades as he adjusts to a new way of life. Featuring a powerhouse performance from Marlon Brando in his first feature film, The Men is a poignant reflection on the life-changing impact of paraplegia and the support networks that help those affected rehabilitate and integrate back into society. Directed by Fred Zinnemann and starring a stellar supporting cast including Teresa Wright (Shadow of a Doubt) and Everett Sloane (Citizen Kane), this Hollywood landmark is presented on Blu-ray for the first time in the UK. Product Features Audio commentary by filmmaker and film historian Jim Hemphill Illustrated booklet with new essays by Philip Kemp, Scott Harrison and Victoria Millington Other extras TBC Newly commissioned sleeve art by Jennifer Dionisio
Dragnet, one of the TV s most famous and innovative series from the 1950s, comes to colourful life in a classic full-length feature. As Sgt. Joe Friday, Jack Webb re-creates his memorable portrayal of a Los Angeles cop Just the facts, Ma am in this action packed tale. A mysterious gangland slaying has taken place and it is up to Joe Friday and the Los Angeles Police Department to put together the pieces. With the help of this partner, Officer Frank Smith (Ben Alexander), they enlist the services of a pretty and daring policewoman to trap the devious mobsters and bring them to justice.
Alfred L. Werker directs this archetypal noir thriller starring Richard Basehart, Scott Brady and James Cardwell. When petty criminal Roy Martin (Basehart) shoots and kills a policeman while on the run, Sergeants Marty Brennan and Chuck Jones (Brady and Cardwell) are tasked with finding out who killed their colleague. Can another crime committed in the city that same night hold the key to finding their guy?
Although Lewis Milestone had been American cinema's premier maker of war films for three decades, 1951's The Halls of Montezuma is one of his more marginal pictures. Milestone had already won an Academy Award for the single most honoured film about WWI, All Quiet on the Western Front (1930), and made one of the most distinctive contemporaneous films of WWII, A Walk in the Sun (1945)--a notable influence on Saving Private Ryan, by the way--but by the time of Montezuma the hallmarks of his directorial style--such as his syncopated tracking shots--were becoming mannerisms, and the screenplay's rhythms of personal crises set against the bigger picture of the military campaign are pretty mechanical. That still leaves room to accord the picture a marginal recommendation: it's well-cast, competently made, and free of "Hollywood heroics". Richard Widmark stars as a Marine platoon leader who, having brought only seven of his men through Guadalcanal, is determined to see them safely through the next island conquest. The lieutenant was a schoolteacher in civilian life--as we see in flashbacks--and one member of his command is a former student (Richard Hylton) he helped overcome fear. Other platoon members include ex-boxer Jack Palance, trigger-happy bad boy Skip Homeier, hardcase veterans Neville Brand and Bert Freed, and Karl Malden as a philosophical corpsman. However, the most arresting performance is given by Milestone discovery Richard Boone, making his screen debut as a sympathetic colonel stuck with fighting the Japanese and fighting off a miserable cold at the same time. --Richard T Jameson, Amazon.com
Once again returning to the genre to which he was perhaps best-suited director Lewis Milestone traces the fate of a Marine platoon in the Pacific theater during WWII. The film stars Richard Widmark as the no-nonsense Lt. Carl Anderson an officer charged with the responibility of leading his unit on a scouting mission to capture prisoners from an experimental rocket-launching facility and bring them back for interrogation. Among his platoon are veterans Pidgeon Lane (Jack Palance) D
Jack Webb got the idea for the series Dragnet after appearing in a small role in the film He Walked By Night the story of an actual murder of a Los Angeles policeman. Jack became friendly with the technical advisor to the film a serving policeman in the LA robbery division and reasoned that a drama based on the day by day activities of the police might prove popular. Dragnet was originally a radio series airing from June 1949 to February 1957. It was here that the show's problems were ironed out a successful format was established and the characters introduced. By the time the show made the transition to television Dragnet was eagerly anticipated. The television show ran from December 1951 to August 1959 and again from January 1967 to April 1970. The show's strength was undoubtedly its realism for Jack Webb insisted that the show depict real life cases that the Los Angeles police force in particular the robbery and homicide divisions were tackling. Indeed so realistic was the show that when Jack Webb died in 1982 the Los Angeles police department announced that they had 'retired' badge number 714 (Webb's number on the show) and city offices lowered their flags to half-mast in recognition whilst members of the LAPD provided a guard of honour. Set Comprises: Disc 1: The Big September Man/The Big Seventeen Disc 2: The Big Show/The Big Break Disc 3: The Big Betty/The Big Trunk Disc 4: The Big Boy/The Big Shoplift Disc 5: The Big Hit-And-Run Killer/The Big Girl Disc 6: The Big Producer/The Big Crime Disc 7: The Big Little Jesus/The Big Frame Disc 8: The Big Oskar/The Big Score
A diamond hunter agrees to take an American couple deep into the jungles of Borneo in search of a raw diamond.
Features the four episodes 'Drug Pushing Teenager' 'Assault And Robbery' 'Big Betty' and 'Big Number'.
This DVD features 4 classic episodes of Dragnet: Big Porn Big Shoplift Car Thieves Doctor Slugged In Hotel.
The Big Boys: Four armed juvenile robbers are to be apprehended at a hotel.The Big Shoplift: A wealthy housewife turns out to be a compulsive shoplifter.The Big Hit-And-Run Killer: A woman and her grandson are knocked down by a bakery truck but the driver appears to have an alibi.
The Big September Man: A woman is beaten to death and the hunt for her killer leads the police to a religious fanatic. The Big Seventeen: The police are on the trail of a group of teenagers who buy and sell drugs. The Big Show: A seven week old baby is found abandoned at a bus station.
The Big Break: The police must hunt down an armed and extremely dangerous escaped convict.The Big Betty: The police are tracking down in a ring that is selling defective watches.The Big Trunk: A murdered woman's body is found in a trunk with her body bound with knots only a sailor would know.
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