When an average American family meets a legendary creature the fur is sure to fly. After John Lithgow's car accidentally hits 'Harry' his life is turned upside down when he makes friends with a real-life Bigfoot. It's a race against time to get Harry back to his natural environment in this hilarious comedy for the entire family. Incidentally Harry won the Oscar for his outstanding make-up at the 1988 Academy Awards. Harry's good friend Rick Baker picked up the statuette on his beha
Malignant marks director James Wan's return to his roots with this new original horror thriller.
The second story of series two, Doctor Who--Dalek Invasion of Earth sees William Hartnell's Doctor in a six-part adventure pitted against his greatest nemesis, the Daleks. The Doctor, Susan (Carol Ann Ford), Ian (William Russell) and Barbara (Jacqueline Hill) arrive in the London of 2164, where the Nazi-like Dalek's have turned the remnants of the human race into slave workers or "Robomen", who unfortunately foreshadow Monty Python's hilarious "Gumbies". The Dalek's plan involves a vast mine in Bedfordshire and the final destruction of the human race, while pitted against them is a WWII-style resistance movement led by Dortmun (Alan Judd) and David Campbell (Peter Fraser). One of the most famous of all Doctor Who stories, Dalek Invasion of Earth features such iconic moments as a dalek emerging from the Thames, and a remarkable flight across London showing daleks crossing Westminster Bridge and patrolling Trafalgar Square and the Albert Memorial. Terry Nation's story is almost insanely ambitious for the budget, and while sets and effects are primitive, the location work is highly evocative. Lavishly remade for the cinema as Daleks Invasion Earth: 2150AD (1966), the plot here is more detailed, mercifully free of comic relief, and delivers a surprisingly sensitive ending to mark Carol Ann Ford's departure from the series. On The DVD: Doctor Who--Dalek Invasion of Earth is a comprehensive two-disc set with a generally excellent black-and-white 4:3 picture and mono sound. The highlight of Disc One is a warm and very informative commentary hosted by Gary Russell and featuring director Richard Martin (all episodes), producer Verity Lambert (5 episodes), Carol Ann Ford and William Russell (4 episodes each). There are optional subtitles for the episodes, as well as for the commentary, and further text titles giving detailed background information. Optional new CGI-effects shots have been added, which via seamless branching can be selected over the original 1964 model work. The new material obviously lacks authenticity, but looks about 1000 times better. Disc Two offers an abundance of extras including an amusing extract from Blue Peter (6 min) showing how to make edible Daleks. There is a photo gallery and some very poor quality Rehearsal Footage, but most fun of all is a 27 minute 1994 BBC spoof radio documentary which asks Whatever Happened to Susan Foreman?. Jane Asher plays Susan in an SF comedy as ingenious as it amusing and irreverent. This is a remarkable set, which belongs in any Who fan's collection. Gary S Dalkin
Malignant marks director James Wan's return to his roots with this new original horror thriller. In the film, a woman is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities.
Set around a dozen years after the 1967 Charlton Heston-starring Oscar winner of the same name, this Planet of the Apes is a 1974 TV spin-off that attempts to recapture the appeal of the original apes films. A second spaceship arrives on the planet, the basic plot being the same as in 67, as two surviving humans go on the run with a renegade chimpanzee, Galen (Roddy McDowell essentially reprising his Cornelius character under another name). The actor provides the strongest lead, while Booth Colman as Zaius (replacing Maurice Evans from the original film), offers fine support. The humans Ron Harper and James Naughton are relatively bland, a buddy duo very much anticipating Starsky and Hutch, while the stories, in which our heroes have a new adventure each week and then move on, fall very much into the formula that dominated earlier shows such as The Fugitive, Star Trek and Alias Smith and Jones. This is a post-apocalyptic world where everyone has perfect hair and make-up. But if the action and effects are limited, at least that gives the stories room to concentrate on some moral debates about the nature of human violence. A show finally hamstrung by the tight limitations of its formula, Planet of the Apes: The Television Series lasted only 14 episodes and was cancelled so abruptly it lacks any resolution. Nevertheless its reappearance offers a welcome chance to reassess it in context with the classic movies it apes. On the DVD: Planet of the Apes: The Television Series is presented on four discs, including all 14 episodes. The sound is good mono and the 4:3 colour picture is excellent considering the show's age. Print damage is minor though occasionally quite noticeable, and there is some fading in a few shots. Otherwise this is the best these shows have ever looked. The only extras are trailers for the movie box set and for Tim Burton's 2001 cinema "reimagining". --Gary S Dalkin
Failing singer/actor Frank Elgin (Crosby) has the chance to make a comeback when director Bernie Dodds (Holden) offers him the lead role in a new musical. Georgie (Kelly) Frank's wife finds herself coping with everything as her husband turns to alcohol in an attempt to shield his insecurities. Georgie decides to team up with Bernie in an attempt to boost Frank's self-esteem. Some fantastic performances especially from the three leads; Grace Kelly won an Oscar for her performance
Synopsis and product details to follow
The extraordinary story tells of a quest that took as illiterate French peasant girl and transformed her into one of the most revered leaders of all time.
There's really been only one rival to James Bond: Derek Flint in the swinging-60s action-comedies Our Man Flint (1966) and In Like Flint (1967). That's because of James Coburn's special brand of American cool. He's so cool, in fact, that he doesn't care to save the world. That is, until he's personally threatened. He's a true libertarian, with more gadgets and girls than Bond, but with none of his stress or responsibility. Our Man Flint finds our unflappable hero thwarting mad scientists who control the weather--and an island of pleasure drones. Lee J Cobb costars as Flint's flustered superior, and Edward Mulhare plays a British nemesis with snob appeal. For fans of Austin Powers, incidentally, the funny-sounding phone comes from the Flint films. However, Our Man Flint's best gadget remains the watch that enables Flint to feign death. There's a great Jerry Goldsmith score, too. There was bound to be a sequel, and In Like Flint delivers the same kind of zany fun as its predecessor. Flint is recruited once again by Lee J Cobb to be the government's top secret agent, this time to solve a mishap involving the President. It turns out, the Chief Executive has been replaced by an evil duplicate. The new plan for world domination involves feminine aggression, and Flint, with his overpowering charisma, is just the man to turn the hostile forces around. In Like Flint is still over the top, but some of the novelty has worn off, and it doesn't have quite the same edge as the original. Even Jerry Goldsmith's score is a bit more subdued. But the film still has James Coburn and that funny phone. --Bill Desowitz
Marcel Carné directs this classic French romantic drama starring Jean Gabin. François (Gabin), a factory worker, has love affairs with a flower girl, Françoise (Jacqueline Laurent), and a performer, Clara (Arletty), both of whom have been involved with seedy, older man Valentin (Jules Berry). When the two men come face-to-face a jealous François ends up killing Valentin. As the police close in on him, François barricades himself in a small room, going over the events which led him into such desperate straits.
Save The Last Dance: Sara (Julia Stiles) is a small-town girl with a big dream: to become a world-class ballerina. But when her mother suddenly dies Sara must abandon her plans and join her estranged father (Terry Kinney) on Chicago's gritty south side. A white girl in a predominately black neighbourhood Sara feels out of place - until she is befriended by a black classmate Chenile (Kerry Washington) and her handsome brother Derek (Sean Patrick Thomas). Sparks fly between Sara and Derek whose shared love for dance leads to romance. But as Sara and Derek's relationship grows so does opposition from their famillies and friends. Now Sara and Derek face the biggest challenge of their young lives - to stay true to their dreams.. and each other. Save The Last Dance 2: Continuing the story of the original film Sara (Izabella Miko) follows her dream and becomes a student at Juilliard. As she is excels and becomes a star pupil Sara becomes torn between her love for traditional ballet and her passion for the urban street rhythms of hip-hop complicated further by her new love hip-hop musician Miles (Columbus Short). When pushed to make a choice will she follow the path of the tried and true or will she take a risk and dance into uncharted territory?
Dominic 'Nicky' Cole has a reputation as an ambitious and diligent detective constable. But when he reports on a fellow officer he's promptly transferred to a new station - effectively in disgrace. Nicky takes his uncle and his abandoned nephew with him but finds himself working on the difficult night duty stretch. Often he finds himself looking after cases that his day colleagues have left unsolved - and that in itself brings risk dilemma and danger. The complete Series 1 and
Like a fine gourmet meal, the BBC's 1999 adaptation of David Copperfield has something to suit every taste: a well-paced screenplay that keeps the tale bowling along without losing the delights of some of Dickens' most sparkling dialogue; a rich gallery of characters; and a cast which features many of Britain's favourite actors. There is, of course, plenty of high comedy but some very tight direction checks any tendencies to over-ripe performance. The whole production is tightly integrated: from David's idyllic if cloistered childhood with his beloved mother and their devoted servant Peggotty, through the shattering arrival of a sadistic stepfather, rescue by his eccentric Aunt Betsey Trotwood and a journey into maturity where his very innocence makes him the unwitting agent of tragedy before all is resolved. Ciaran McMenamin is the mature David, his youthful face increasingly clouded by the gathering of experience. Trevor Eve oozes evil as his stepfather Mr Murdstone, ultimately neutralised by Maggie Smith's Aunt Betsey, a comic performance of true genius that gives frequent flashes of the vulnerable human being beneath. In other inspired pieces of casting, Nicholas Lyndhurst's incubus-like Uriah Heep haunts every scene he's in, and Pauline Quirke's Peggotty exudes the motherly warmth that sustains David during his darkest moments. Three hours of classic drama heaven. --Piers Ford
Security guard Harry Caine (Turturro) is desperately searching for a reason behind the murder of his wife. He spends his nights watching CCTV footage to find a face that might give him a clue. His walls are plastered with 'suspects' but when he closes in on one who might be the killer his world is turned upside down once again...
Sister Ann (Jacqueline Byers) believes she is answering a calling to be the first female exorcist but who, or what, called her? In response to a global rise in demonic possessions, Ann seeks out a place at an exorcism school reopened by the Catholic Church. Until now these schools have only trained priests in the Rite of Exorcism but a professor (Colin Salmon) recognizes Sister Ann's gifts and agrees to train her. Thrust onto the spiritual frontline with fellow student Father Dante (Christian Navarro), Sister Ann finds herself in a battle for the soul of a young girl, who Sister Ann believes is possessed by the same demon that tormented her own mother years ago. Determined to root out the evil, Ann soon realizes the Devil has her right where he wants her. Product Features Audio Commentary with Director Daniel Stamm and Actress Jackie Byers Possessed: Creating Prey for the Devil A Lullaby of Terror The Devil's Tricks: Visual Effects Prey For The Devil Cast-Read: The Original First Draft Screenplay (Blu-ray exclusive) Speak No Evil: A Real Exorcist & Church Psychologist Discuss Possession (Blu-ray exclusive)
Michael Crichton's bestselling novel was both a high-tech thriller and source of controversy with its hot-button plot about a man's charge of sexual harassment against a female colleague and former lover. The movie, directed by Barry Levinson, turned these issues into a prurient thriller dressed up in glossy production values, virtual reality computer graphics and steamy sex between Michael Douglas and Demi Moore. Having cornered the market on roles for men whose brains are located south of their waistline, Douglas is well cast as the computer-industry guy who loses a plush promotion to the opportunistic Moore, and he's perfected the expression of paranoid panic. If you don't think about it too much, this is one of those films that can draw you into its manipulative web and really grab your attention. Disclosure is more entertaining than thought provoking (because the filmmakers basically danced around the story's potential controversy), but there's enough star power and visual glitz to make this an enjoyable ride. --Jeff Shannon
Tony Rome: Tony Rome a tough Miami PI living on a houseboat is hired by a local millionaire to find jewelry stolen from his daughter and in the process has several encounters with local hoods as well as the Miami Beach PD. The Detective: A hard-boiled mystery starring Frank Sinatra as the tough-as-nails Detective Joe Leland 'The Detective' was based on a novel by Roderick Thorp. Called in to investigate the murder of Teddy Leikman the homosexual son of a well-conn
New Zealand in the 1830s is a MÄori world, dominated by tribal wars. Seeking redemption from a dark past, lay preacher Thomas Munro (GUY PEARCE) is on board a trading vessel heading to the newly established British Settlement, Epworth. When the ship anchors for repairs, Munro finds himself caught up in a battle between MÄori tribes and witnesses the slaughter of innocents at the hands of chief AkatÄrawa (LAWRENCE MAKOARE). Munro manages to save the life of Rangimai (TIOREORE NGATAI-MELBOURNE), the daughter of Maianui (ANTONIO TE MAIOHA), a rival chief whose land Epworth leases in a delicate arrangement. As Munro begins to experience the white townsfolk's entrenched racism and paranoia towards the MÄori, he finds himself increasingly ostracised within the community he is meant to serve and realises he has been brought to this isolated British outpost merely to add the veneer of civilisation. After one of Maianui's men is murdered under mysterious circumstances, Munro and Rangimai make the difficult journey into prohibited lands ruled by MÄori warlords, in the hope of repairing the injustice. A visceral cinematic experience from Maori director, Lee Tamahori (Once Were Warriors, Die Another Day),and the producers of One Life, The Outrun, The Water Diviner, and The Matrix. Magnificent Historical accuracy that cuts to the cinematic bone FILM THREAT â â â â An epic experience MOVIE NATION
A prominent young playwright upsets her mother in an interview and is soon kidnapped by her mother's lifelong friends, who slowly reveal the truth about her mother's turbulent history.
It's more of Leslie Nielsen's Lt Frank Drebin, the bumbling cop from the old Police Squad! television series. This time, Drebin uncovers a plot--led by supervillain Robert Goulet!--to sabotage America's energy policy. The jokes don't stick as well as those of the first film (Naked Gun: From the Files of Police Squad!), but there are some very funny slapstick moments, including several involving former First Lady Barbara Bush (played by an actress, of course). --Tom Keogh
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