Bourgeois housewife Elizabeth takes a holiday by the sea and as identities are mistaken and amorous adventures sparked off, it becomes a vacation to remember.
Starring Jane Powell and Howard Keel this musical showcase of spectacular love songs and dazzling dance numbers garnered a 1954 Academy Award for Best Score (Musical) and received four additional nominations including Best Picture and Best Screenplay. Featuring such memorable tunes as ""Bless Yore Beautiful Hide"" and ""Goin' Co'tin "" When rugged frontiersman Adam (Keel) sweeps local beauty Milly (Powell) off her feet the whole town is turned upside-down. But no one's more shocked than Milly who discovers that she's now expected to cook and clean not only for Adam but for his six rowdy brothers too! Well Milly's no pushover and soon she has those boisterous boys whipped into ""groomhood"" and dancing for joy over six brides of their own!
The original animated Asterix adventure!
All hands on deck for Titanic seaside laughs with the saucy Carry On crew! When an accident-prone sailor damages a secret blueprint his only hope is to get another from London. But then the Admiral arrives and he's forced to pose as a scientist - a female scientist!
In 1971 when Carry On at Your Convenience hit the screen, the series had long since become part of the fabric of British popular entertainment. Never mind the situation, the characters were essentially the same, film after film. The jokes were all as old as the hills, but nobody cared, they were still funny. But it's just too easy to treat them as a job lot of postcard humour and music hall innuendo. This tale of revolt at a sanitary ware factory--Boggs and Son, what else?--certainly chimed in with the state of the nation in the early 1970s when strikes were called at the drop of a hat. Here, tea urns, demarcation and the company's decision to branch out into bidets all wreak havoc. Kenneth Williams as the company's besieged managing director, Sidney James and Joan Sims give their all as usual, but it's the lesser roles that really add some lustre. Hattie Jacques as Sid's budgerigar-obsessed, sluggish put-upon wife and Renee Houston as a superbly domineering battleaxe with a penchant for strip poker remind us that in the hands of fine actors, even the laziest of caricatures becomes a real human being. On the DVD: Presented in 4:3 format with a good clean print and standard mono soundtrack, Carry On at Your Convenience feels as comfortable as an old pair of shoes. But where's the context? The lack of extras leaves the viewer wanting biographies and some documentary sense of the film's position in the series. The scene index is often arbitrary and the budget packaging means that we don't even get a full cast list. --Piers Ford
It's non stop romps as the Carry On team deliver the goods in one of the rudest and funniest of the Carry On films. The cast are all on top form as a bunch of no-hoppers who join an agency in the search for a job. The anarchy mounts as they do a series of odd jobs including a chimps tea party trying to stay sober at a wine tasting and demolishing a house.
Shaft in Africa, the second sequel to the original hit, foreshadows itself early on when Shaft, asked to go undercover in Africa to halt a modern-day slave trade, claims that he's not James Bond but strictly Sam Spade. Bond, however, is the operative model here, with John Shaft masquerading as an Ethiopian to infiltrate the slave business and bring it down. Yet everyone he encounters seems to know who he is and wants to kill him--but the string of dead bodies he leaves in his wake across two continents proves that no one is able to stop everyone's favourite hip private eye. Written by Stirling Silliphant, the film is long on action set pieces that are filmed with more energy than the previous movie, Shaft's Big Score. Given contemporary practices involving smugglers of illegal Chinese and Mexican immigrants, the plot isn't all that far-fetched. Roundtree, as usual, is the picture of unflappable cool--but don't get him mad. --Marshall Fine, Amazon.com
In WWII France Corporal Britt Harris (Curtis) is assigned to work alongside war-weary Sgt. Loggins (Sinatra) - a man he soon rivals for the affections of the beautiful Monique Blair (Woods) an American who grew up in France. But when the men learn that Monique's parents are racially mixed it tests the character of each...
An unforgettable trip for everyone, Summer Things is a hilarious blend of small-town snobbery, insatiable lust and infidelity. When Elizabeth's wayward husband Bertrand finds every excuse to stay at home in Paris with his mistress, Elizabeth invites friend Julie on holiday instead; a single mother desperate for holiday romance, but with a screaming baby in tow! On the other side of town their hard-up neighbours, Vero, Jerome and Loic, are roughing it at a nearby caravan park and hating every minute. meanwhile enjoying life stateside Elizabeth and Bertrand's nymphomaniac daughter, Emilie, is partying with boyfriend Kevin, unaware that he's embezzled the money from her father's firm to pay for the trip......The scene is set for a farce of outrageous proportions, involving bed-swapping, mistaken identity, suicide bids, passionate affairs and rampant testosterone....but whatever difficulties the holiday makers get into, they make sure it never gets in the way of their constant pursuit of pleasure.
Jean-Luc Godard's superbly acted and inventive parody of modern life revolves around three characters who are all at turning points in their lives. The all-star cast features Isabelle Huppert as a country girl who comes to the city to become a prostitute; Nathalie Baye as a woman who decides to give up her city job to pursue an idyllic life in the country; and Jacques Dutronc as a television director seperated from his wife and daughter and at the end of his tether. The film is stu
The mercurially talented comedian Tony Hancock returns to DVD with more from his epoch-making comedy series Hancock's Half Hour.
Paris Nous Appartient was 'Cahier Du Cinema' critic Jacques Rivette's first film as is regarded as one of the foremost examples of the movement. A young literature student studying in Paris Anna Goupil (Betty Schneider) is drawn to the mysterious suicide of a young Spanish man Juan following a discussion with his friends at a party. Taking a role in an amateur performance of Shakespeare's Pericles Anna uses the rehearsals to try to uncover the reason why Juan took his own life.
Becker's dark, offbeat comedy about a failing marriage stars Daniel Gélin as Ãdouard, a poor pianist married to Caroline (Anne Vernon), a beautiful girl from a middle-class family. Caroline's uncle Claude (Jean Galland), a complete snob who looks down on Ãdouard like the rest of his family, invites the couple to a party at which he is expected to play for his supper in front of Claude's important friends. Add the fact that Claude's son Alain (Jacques Francois) is in love with Caroline and this evening is destined for disaster.
In The Square Peg Norman Wisdom plays one of a pair of council workmen who, while repairing the road outside an army base, come to illustrate the oxymoronic nature of the phrase "military intelligence". Finding themselves drafted, the workmen are sent to repair the roads ahead of the Allied advance through war-torn Europe by the sergeant they previously embarrassed. Norman finds himself behind the German lines, joins up with French Resistance, gets captured then sets out to rescue British prisoners from a German military HQ by impersonating General Schreiber. Of course Wisdom plays Schreiber too. The Square Peg is the film that introduced Norman Wisdom's famous catch-phrase, "Mr. Grimsdale!". Also here Hattie Jacques gets to sing a remarkable duet with Wisdom, and a pre-Goldfinger Honor Blackman provides the love interest. Following his rising star was just what Norman Wisdom's audience had been doing all through the 1950s and, by 1959, and after six films with director John Paddy Carstairs, it was time for a change. Hence Robert Asher made his directorial debut with Follow a Star. The plot is a comedy version of A Star is Born (1954), with Norman yet again playing a dreaming shop worker, this time aspiring to singing stardom. Vernon Carew (played by Wisdom regular Jerry Desmonde) is the fading singer who schemes to use Wisdom's talent to sustain his own rapidly failing career, while the girl is overlooked starlette June Laverick. Norman is surrounded by a particularly strong supporting cast, with Hattie Jacques returning from The Square Peg (1958), Richard Wattis, John Le Mesurier, Fenella Fielding, Ron Moody and, uncredited, future Bond villain Charles Grey. --Gary S Dalkin
Over four nights in a house in the middle or nowhere a woman on the verge pays a handsome stranger to watch her where she's unwatchable. Flouting all conventions and breaking all boundaries the two enter into a stunning and daring exploration of sexuality at its most fundamental. Confronting the unspeakable discovering the unshowable and sharing the unsharable they learn the real secrets of how men truly see women and how women truly see themselves.
One of the great late period films by Sacha Guitry - the total auteur who delighted (and scandalised) the French public and inspired the French New Wave as a model for authorship as director-writer-star of screen and stage alike. In every one of his pictures (and almost every one served as a rueful examination of the war between the sexes), Guitry sculpted by way of a rapier wit - one might say by way of the Guitry touch - some of the most sophisticated black comedies ever conceived... and La Poison [Poison] is one of his blackest. Michel Simon plays Paul Braconnier, a man with designs on murdering his wife Blandine (Germaine Reuver) - a woman with similar designs on her husband. When Braconnier visits Paris to consult with a lawyer about the perfect way of killing a spouse - that is, the way in which he can get away with it - an acid comedy unfolds that reaches its peak in a courtroom scene for the ages. From the moment of Guitry's trademark introduction of his principals in the opening credits, and on through the brilliant performance by national treasure Michel Simon (of Renoir's Boudu sauve des eaux and Vigo's L'Atalante, to mention only two high-water marks), here is fitting indication of why Guitry is considered by many the Gallic equal of Ernst Lubitsch. The Masters of Cinema Series is proud to introduce Sacha Guitry into the catalogue with La Poison for the first time on video in the UK in a dazzling new Gaumont restoration. Special Features: New HD restoration of the film, presented in 1080p on the Blu-ray Newly translated optional subtitles Substantial booklet containing writing on the film, vintage excerpts, and rare archival imagery
In 200 000 years humans have disrupted the fragile balance on which Earth was living for 4 billion years. Global warming shortage of resources endangered species: humans are jeopardising their own living conditions. By the end of the century the relentless consumption will have exhausted almost all of our planet's natural resources. But it is too late to be pessimistic: we have barely 10 years left to reverse the trend. We need to become aware of our abusive exploitation of Earth's gifts and change our way of life. By giving us these previously unreleased images of over 50 countries as seen from the sky and by sharing his wonder but also his worry Yann Arthus-Bertrand contributes to the rebuilding we all need to start doing together. Yann Arthus-Bertrand takes us on a sensational journey above planet Earth and provides us with an unusual portrait of our planet. Planet Earth is critically ill but another future is possible if we all decide to write it together.
By the early 1970s Oldham-born Eric Sykes had become one of TV's best-loved comedy performers. Following the phenomenal success of the Sykes series he spread his wings in a number of one-off shows and films. This set comprises three shows made for Thames between 1971 and 1982. Filled with Eric's warm observational humour and exploiting his keen eye for the absurd the shows reunite him with several comedy collaborators including fellow Plank star Tommy Cooper and long-term working partner friend and Sykes co-star Hattie Jacques; Diana Coupland (Bless This House) Glaswegian actor/comedian Chic Murray and Dandy Nichols ('Till Death Us So Part) are among the other guest stars with musical interludes from classical guitarist John Williams. Titles Comprise: Sykes - With The Lid Off: Eric dares to take the lid off the many and varied forms of theatrical entertainment with the help of Hattie Jacques Dilys Watling Leslie Noyes Philip Gilbert and dancers The Ladybirds. The Likes Of Sykes: Eric has a Walter Mitty-style dream that he will produce a star-studded spectacular on Broadway - but will his dreams die before his starry eyes? Diana Coupland and John Williams are Eric's special guests. The Eric Sykes 1990 Show: Eric makes a prediction: by 1990 celebrities will have to pay for their own TV shows. Starring in his vision of the future are Tommy Cooper Chic Murray Dandy Nichols Leslie Mitchell and classical guitarist John Williams.
Starring Jane Powell and Howard Keel this musical showcase of spectacular love songs and dazzling dance numbers garnered a 1954 Academy Award for Best Score (Musical) and received four additional nominations including Best Picture and Best Screenplay. Featuring such memorable tunes as ""Bless Yore Beautiful Hide"" and ""Goin' Co'tin "" Seven Brides For Seven Brothers is ""an unending source of enjoyment - the best in every way "" --Los Angeles Times! When rugged frontiersman Adam (Keel)
Rare is the film in movie-history that can announce the entire movement of it's 'plot' with its title alone. But Pialat's second feature Nous Ne Viellirons Pas Ensemble does exactly that encapsulating all the turmoil and the final end-point of a couple who among themselves once made a commitment - and living together will come to make another one yet. Jean (Jeane Yanne of Godard's Weekend) and Catherine (Marlene Jobert of Godard's Masculin Feminin) are the couple whose every move charts an advancement deeper into an emotional warzone. Theirs is the classic and the tragic case of an emotional abuse centered around a perplexing but powerful interdependency. At last the point arrives that determines the relationship with all its weekend holidays its apologies and submissions can go no further - and in a final shot of genius Pialat discloses all the ways in which the future might be at once liberated and enslaved by the past. Based on a novel by Pialat himself and on the trauma of his own personal life in the years leading up to the film Nous Ne Viellirons Pas Ensemble was a smash-hit at the time of its release - and yet is arguably one of the most upsetting films ever made.
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