A ruthless elven bounty huntress shoots down the dragon ridden by the fugitive orc shaman, Fangtor Bloodmoon. When Fangtor refuses to surrender quietly, the huntress must battle for her own life against the dangerous villain, and comes away with more than just his head.
Two bungling kidnappers take their victim to a cottage in the woods only to find they aren't the only ones with a heinous crime in mind.
When a double homicide happens in a Florida community, the chief of police finds himself in a race against time to solve the murders before he himself falls under suspicion in this modern noir thriller.
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
Robert Redford stars as a wrongly convicted five star General who turns his fellow inmates into an army and threatens to take over the prison.
Classic westerns collection of 3 Blu-ray discs starring Clint Eastwood in 1080p High Definition.
Arguably the best series, this season's episodes really developed the characters as the show's popularity took off. Love is in the air as Rachel and Ross, both finally realising they're attracted to each other, nearly get it together, don't, and then finally do. Joey gets that role as Dr Drake Ramoray in Days of Our Lives and moves out of the flat he shares with Chandler, precipitating a bust-up between the two best buddies. Monica dates Richard, the hunky, older eye-doctor played by Tom Selleck, and Phoebe makes a video of that seminal song for a generation, "SmellyCat". --Leslie Felperin
An affectionate and enchanting portrayal of the life of Queen Elizabeth focusing on her courtship by the shy and retiring future King George VI (known as Bertie) and the love story that followed This fascinating adaptation also covers the abdication crisis of Edward VIII the Coronation of George VI as British King and the strong relationship forged between them and Churchill during the War.
Set in the midst of the swinging 1970s, this Elseworlds adventure finds Bruce Wayne training under a master sensei. It is here that Bruce, along with other elite students, is forged in the fire of the martial arts discipline. The lifelong bonds they form will be put to the test when a deadly menace arises from their past. It will take the combined efforts of Batman and world-renowned martial artists Richard Dragon, Ben Turner and Lady Shiva to battle the monsters of this world and beyond! Bonus Features A Sneak Peek at the Next Animated DC Universe Movie: Justice Society World War II A Preview of Superman: Red Son A Preview of Gotham By Gaslight
Gerard Depardieu stars as an overprotective father who lands in hot water when his overactive teenage daughter gets in over her head at a tropical vacation resort! Soon the mischievous teen is getting dad in big big trouble -- hurling him into one madcap misadventure after another. Combining uproarious comedy and a beautiful island setting MY FATHER THE HERO simply overflows with nonstop fun in the sun.
Will Smith plays a date doctor who is about to be unmasked by a glam gossip reporter in this charming romantic comedy.
Created by Jonathan Nolan and Lisa Joy, HBO's Emmy®-nominated sci-fi drama series Westworld returns for a new season that is more ambitious, enthralling and timely than ever before. Following the aftermath of last season's Westworld massacre, Dolores, Bernard and an unknown host, occupying the body of Delos exec Charlotte Hale, begin a new chapter outside of the park exploring the real world and who they will become in the wake of their liberation. Over the course of eight hour-long episodes, Season 3 finds Dolores prepared to wage war on humanity and Bernard trying desperately to stop her, while Maeve reunites with familiar faces in a new realm and all discover that the world outside is as full of deception and predetermination as the one they've always known. With returning cast members including Evan Rachel Wood, Thandie Newton, Ed Harris, Jeffrey Wright and Tessa Thompson, along with new series regulars Aaron Paul and Vincent Cassel, Westworld continues to deliver thrilling twists and turns, while posing questions about the nature of our reality, freewill and what makes us human.
Bette Midler plays a Janis Joplin-like singer overwhelmed by stardom and its excesses. Mark Rydell (On Golden Pond) directs what is a kind of hybrid showcase for Midler's concert talents and a standard pop biopic, with the usual rhythms of desire, success, betrayal, failure, and such. Alan Bates is the best thing about the movie as the Rose's ruthless manager, and Harry Dean Stanton and Frederic Forrest add some interesting seasoning. But as a whole, the film can't rise above its mixed purposes or clichés. --Tom Keogh
Joseph King of Dreams is a direct-to-video sequel advertised as "from the makers of The Prince of Egypt", a labelling that might inspire trepidation in the viewer. Happily, the makers of Joseph leave Moses alone and tell the tale of another Bible star, Joseph, known for his coat of many colours and a fantastic destiny. Joseph (voiced by Ben Affleck), his father's favourite son, is sold into slavery by his jealous half-brothers. After years of struggle, Joseph rises to be the Pharaoh's trusted adviser when his gift for interpreting dreams pays dividends. The 78-minute feature is rich in colour and features several strong songs ("Better Than I" is the standout) written by newcomer John Bucchino. The film's religious elements are secondary, yet its heart is in the right spot--a most agreeable stance for a wider audience. Prince was designed as an "event" movie and suffered in the hype and marketing. With lower aims, Joseph is a more satisfying film and even invites the unexpected: we're ready for the next "sequel". --Doug Thomas, Amazon.com
Sculptor Paul meets a former great love again after a long time - but is much more impressed by her 15 years old daughter Laura who looks now like her mother when Paul was in love with her. Laura likes him very much too but her jealous mother prevents any further contact. She allows him to make a sculpture of Laura but only from photos...
Sheriff Deputy Rick Grimes wakes up from a coma to learn the world is in ruins, and must lead a group of survivors to stay alive.
This boxset contains five dramatisations of Minette Walters stories featuring: The Ice House; The Scolds Bridle; The Echo; The Dark Room and The Sculptress. The Ice House (Dir. Tim Fywell 1997): Since the disappearance of her husband David ten years earlier Phoebe Maybury had been under suspicion and Inspector Jack Walsh had mounted an intensive investigation but in the absence of a corpse the case had remained unsolved. The discovery of a body in the ice house ten yea
James Rolleston stars in this Maori martial arts action film directed by Tao Fraser. Hongi (Rolleston), the son of a Maori tribal chief, seeks to avenge the members of his tribe after an ambush by a rival leaves the majority of them dead. In order to do this, Hongi must seek the help of the legendary Warrior (Lawrence Makoare), who rules over the nearby area known only as the 'Dead Lands'...
Muhammad Ali's 1974 knockout of George Foreman to regain the heavyweight championship of the world at the age of 32 was probably the greatest sporting moment of the 20th century. Leon Gast's documentary on the "Rumble In The Jungle", When We Were Kings, eventually released in 1996, is probably the finest ever boxing film. The background to the contest was almost as dramatic as the fight itself. It was the first major coup for promoter Don King, a character described in this film as "very clever but completely amoral"--yet this was his finest hour. President Mobutu, unsavoury dictator of Zaire and a more frightening figure than either boxer, had spent millions of his country's money to host the event. George Foreman, like Sonny Liston before him and Mike Tyson after him, was considered unbeatable, expected to slaughter Ali. Seeing him pounding a dent the size of a grapefruit into a heavy bag during training, you can understand why. Ringside American journalists George Plimpton and in particular Norman Mailer offer exceptionally shrewd insights. As we stare into Ali's face during the minute interval at the end of round one, Mailer talks us through his probable thought processes. "That was the only time I ever saw fear in his eyes." Ali, of course, is the star, besting the sullen Foreman in the build-up with his freewheeling, hilarious braggadocio then outfoxing him in the fight with his "rope-a-dope" technique. Like Ali, the "Rumble In The Jungle" transcended sports in its inspirational significance. --David Stubbs
A musical remake of the classic 1937 film of the same name, A Star is Born was designed as Judy Garland's comeback vehicle after she had been cruelly axed by MGM studios for professional unreliability. Her erratic moods caused serious production delays this time around, too, but the behind-the-scenes turmoil was certainly worth it--Garland gives just about the greatest one-woman show in movie history. The story is the stuff of pure Hollywood legend. Aspiring actress-singer Esther Blodgett meets fading matinee idol Norman Maine (James Mason), who navigates her to stardom under the more melodious handle of Vickie Lester. As she rises meteorically, he declines into alcoholic self-pity--and the result, if you haven't guessed, is plenty of heartbreak. Mason lends subtle support in a role Cary Grant refused as too downbeat for his image, but Garland grabs centre stage with an all-out emotional performance that rivets the attention. Director George Cukor was famous for coaxing the very best out of screen divas, and A Star is Born must be counted as his crowning achievement. The lush visual style that he contributes provides a suitable setting for Garland's deep, rich voice--throbbing with melancholy in the Harold Arlen-Ira Gershwin ballad "The Man That Got Away", then capering joyfully in the gargantuan musical number "Born in a Trunk". Moss Hart's script takes many cynical swipes at the pretensions of Tinsel Town--perhaps too many for the taste of studio boss Jack Warner, who ordered drastic cuts in the film after its premiere. --Peter Matthews
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