The second of the popular Doctor series sees doctor Simon Sparrow (Dirk Bogarde) keen to escape the boredom of medical practice ashore and the threat of matrimony. Sparrow signs up as a medical officer onboard the cargo ship SS Lotus pleased to be free of any female distractions. However Sparrow soon falls foul of the ship's skipper fearsome captain Hogg (James Robertson Justice) and worse still lands in jail after a drunken celebration on arrival in South America. Two new passeng
The Sign of Four is a 1987 feature-length version of Conan Doyle's second Sherlock Holmes novel, and is faithful to the original story except in one important detail: Dr Watson (Edward Hardwicke) does not get the girl. Otherwise, the familiar tale of the death of Bartholomew Sholto and the theft of the Agra treasure is all here, featuring a snappy performance by Jeremy Brett as Holmes doing some of the finest investigative work of his career. The famous climax, a chase on the Thames in which Holmes is almost struck dead by an exotic weapon, is handled very well. Sherlockians may have a hard time not seeing Watson's romantic pursuit of Mary Morstan (Lila Kaye), his first wife according to Doyle's book, but it would hardly have been practical in the context of the long-running Granada Television series. The rest is to be enjoyed, however. --Tom Keogh
The Organization was the second and final sequel to 1967's In the Heat of the Night and sees Sidney Poitier's homicide detective Virgil Tibbs called in to investigate the murder of a factory manager. In a lengthy, dialogue-free opening (the film's best sequence), it appears that we are witnessing the culprits in action. However, this group turns out to be a gang of idealistic young vigilantes who knew that the factory was a front for an international drugs cartel--the Organization of the title--and have made off with a haul of heroin secreted there. Suspected of the manager's murder, they meet Tibbs and seek his cooperation. He agrees to help them, pitting himself not only against the Organization but his own police department. Set in San Franscisco, The Organization invites invidious comparisons with Bullitt: its somewhat cheesy contemporary soundtrack, derived from Miles Davis' Bitches Brew, certainly marks it as a piece of its period, as do the occasionally less-than-convincing action sequences, risible acting and far-fetched plot. Poitier, as ever, lends the film a certain dignity and poise, worthy of better material to work with than this. The film is also notable for providing early showcases for two of Cop TV's most famous Captains: Daniel J Travanti (Hill Street Blues) and Bernie Hamilton (later Captain Dobey in Starsky & Hutch) are both assigned minor roles here. On the DVD: The Organization comes to disc in an adequate transfer, though still a little grainy. The sole extra is the original trailer. --David Stubbs
At the heart of the first years of Joss Whedon's Buffy the Vampire Slayer was the romance between Buffy (Sarah Michelle Gellar), slayer of all things evil, and hunky Angel (David Boreanaz), the tortured vampire destined to walk the earth with a soul. The second season of Buffy took the Buffy-Angel pas de deux from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. And guess what happens after Buffy and Angel finally declare their love for one another and consummate their relationship... Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favour of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humour. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart
Dennis Potter's controversial black-morality play is a major work from his early years challenging established concepts of good and evil. A curious youth enveigles his way into a couple's home and turns out to be the very devil himself.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
A veteran rancher and former sheriff, forced to face some federal bureaucracy when an old enemy-cum-millionaire alleges he doesn't actually own his beloved family ranch in a small Texas town.
Batman isn't going at it alone this time! From Warner Bros. Animation comes the latest interpretation of the classic Batman franchise. Our caped crusader is teamed up with heroes from across the DC Universe delivering nonstop action and adventure with a touch of comic relief. Blue Beetle Green Arrow Aquaman and countless others will get a chance to uphold justice alongside Batman. Though still based in Gotham Batman will frequently find himself outside city limits facing situations that are both unfamiliar and exhilarating. With formidable foes around every corner Batman will still rely on his stealth resourcefulness and limitless supply of cool gadgets to bring justice home.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
This seven-disc box set includes the following titles: The Trouble with Harry: the 1955 black comedy concerning a pesky corpse that becomes a problem for a quiet, Vermont neighbourhood. The Man Who Knew Too Much: the 1956 remake of Hitchcock's own 1934 spy thriller. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. Rear Window: the 1954 film in which the story and visual perspective are dictated by its protagonist's (Jimmy Stewart) imprisonment in his apartment. Stewart's convalescence in a wheelchair provides the revolutionary perspective from which both he and the audience observe the lives of his neighbours. Rope: the 1948 experimental film masquerading as a Hollywood thriller, the plot is simple and based on a successful stage play: two young men commit murder as an intellectual exercise. Shadow of a Doubt: the 1943 thriller which sets a tone of menace and fear by introducing a psychotic killer into the quite suburban town of Santa Rosa, California. Hitchcock claimed it to be his personal favourite. Saboteur: the 1942 film, set during the initial stages of World War II, concerning a ring of Nazi fifth columnists who plot to weaken American military defences and cause a falsely accused man being forced on the run. Bonus disc: Psycho: the 1960 film which contains one of the most famous scenes in movie history. Anthony Perkins is unforgettable as Norman Bates (a role he could never seem to leave behind) the mama's-boy proprietor of the Bates Motel. On the DVD: with the wealth of writing and documentation surrounding the great master and his work, it would be a great loss to find this collection lacking in special features. Thankfully this box set does not disappoint. The special features are not only laid out clearly but they offer an outstanding range of information that will please any Hitchcock fan. Each disc varies in content but many include original storyboards and sketches from art directors and even, on one occasion, Hitchcock himself. They contain beautifully edited interviews or "Making Of" features, plus there's a trailer compilation with a voice-over from the great Jimmy Stewart. All discs come with a scene selection and choice of languages and subtitles. The DVD picture and sound is almost perfect, making each classic feel like new. The box set offers a small booklet with details of each film along with original poster. The Psycho bonus disc, includes cast biographies and a theatrical trailer and the lavish package design makes it a great coffee-table accessory --Nikki Disney
Sid James plays Sid Abbott - Mr Average Married Man. A representative for a stationery firm. Sid's interest in life are the three C's: Chelsea Courage bitter and Crumpet and not necessarily in that order. In common with most married men however he finds these ambitions constatnly thwarted by his wife son and daughter also not necessarily in that order. Sid likes to think he is with it but in actual fact he would not know it if he saw it. Diana Coupland plays his attractive sensible level-headed wife. Sally Geeson is his 16-year old daughter Sally. She's in her last year at Grammar School and is the apple of Sid's eye. Robin Stewart plays Mike who is 19 and just left college. He is far too busy straightening out the affairs of the world to bother about a job. Episodes Comprise: 1. Money Is the Root Of... 2. And They Will Come Home 3. Who's Minding the Baby? 4. A Beef in His Bonnet 5. The Bells Are Ringing 6. The First 25 Years Are the Worst
Keys To Tulsa is a murderously irreverent tale of sex intrigue and humour in the deep dark South. Eric Stoltz heads an all-star cast as Richter Boudreau the black sheep son of a black sheep manoeuvring through a wonderfully bizzare coterie of characters as he finds himself pushed back into the world of wealth and provilege that spawned him. As he becomes the inadvertent pawn in a dangerous scheme of blackmail Richter must at last face the hypocritical values and petty jealousies of smalltown America. What emerges is a dramatic and potentially deadly journey through his past present and future.
Off-beat horror about a group of college friends who go on holiday in the forest and catch a flesh-eating virus.
Universal Soldier Luc Deveraux is back. Jean-Claude Van Damme gallantly attempts to resurrect interest in his tepid career with this action-riddled roller-coaster ride. Set in the not-too-distant future, Deveraux has been employed by the government to oversee the new UniSol project. What is UniSol? It's a military plan to turn dead soldiers into invincible fighting machines (see the first Univeral Soldier for more details). It's also the scheme that went horribly wrong when the soldiers turned psycho, killing the scientists who created them. Not deterred by this early setback, the government replicates the project. This time they work out that they can control the soldiers through a supercomputer called SETH (kind of like HAL in 2001, but smarter). But, as we all know, machines frequently break down. Pretty soon the computer comes to the conclusion that it's superior to humans and therefore it must destroy them. Uh oh.Van Damme to the rescue. The muscles from Brussels heroically leap into action confronting the dangerous soldiers led by Bill (WCW) Goldberg and Michael Jai White (last seen in Spawn). The action is impressive and the stunts are engrossing. Goldberg is charismatic as the cartoonish villain who sneers and snouts while muttering macho things like, "I'm gonna kill that guy." Van Damme looks more at home in a production that he is not directing, and for once he lets his fists do the talking. Ironically, the movie is missing the gloss and big-budget pathos of its predecessor (created by Dean Devlin and Roland Emmerich), making the original decidedly better. -- Jeremy Storey, Amazon.com
This television adaptation of D H Lawrence's 'Sons and Lovers' stars Sarah Lancashire as Gertrude Morel who is trapped in an unhappy marriage to Walter (Hugo Speer) a heavy-drinking brutish uneducated miner. As Gertrude becomes estranged from Walter she channels her love and life expectations into her sons- particularly Paul (Rupert Evans). As Paul matures tension develops in his relationship with Gertrude and his love for two other women causes a fatal battle of strangulating po
If it was a piece of fiction, they'd say that it could never happen. Bloody Sunday is a dramatisation of one of the most shameful episodes in recent British history. Released to coincide with the 30th anniversary of the Derry civil rights march and also the re-opening of enquiries into what really happened, the film is one of the most incisive, explosive works ever to emerge from British cinema. The premise is simple--to follow what took place in the city on 30th January 1972, when an anti-internment march descended into violence and left 13 unarmed civilians dead at the hands of the British army. Abandoning traditional filmmaking methods in favour of a more documentary style, Bloody Sunday is frighteningly realistic, especially when detailing the chaos into which the peaceful demonstration descended. Those who are only familiar with James Nesbitt through his lighter work (Cold Feet for example) may find this something of a shock, but he excels in the role of local politician Ivan Cooper. Admittedly there is a danger in presenting historical facts in a dramatic manner, no matter how painstaking the research, even though much of the dialogue here is taken straight from testimony and actual military transcripts. But if any question of bias arises, its worth remembering that this film was written and directed by an Englishman, stars a Derry protestant as well as a young man whose uncle was killed during the march, and was produced as an Anglo-Irish project. The result is an unforgettable and unflinching piece of cinema not to be missed. On the DVD: Bloody Sunday absolutely has to be seen on DVD. The slew of extra features not only complement the film, but place it in the overall context of the past, present and future of Northern Ireland. The various interviews with cast, director and producers paint a picture of a film that sets out to heal wounds and build bridges on all sides and to break the cinematic mould. Thus the majority of the cast were not actors but ordinary people from the Derry area, with the majority of the British soldiers played by ex-military personnel, some of whom had served in Northern Ireland themselves. As more and more of the story behind this remarkable film is revealed, so its impact becomes more intense and its aims and purpose more successful.--Phil Udell
The remarkable career of the movie industry's most admired and influential special-effects auteur, the legendary Ray Harryhausen, is the subject of Gilles Penso's definitive documentary Ray Harryhausen: Special Effects Titan. Leaving no doubt as to Harryhausen's seminal influence on modern-day special effects, the documentary features enlightening and entertaining interviews with the man himself, Randy Cook, Peter Jackson, Nick Park, Phil Tippet, Terry Gilliam, Dennis Muren, John Landis, Guillermo Del Toro, James Cameron, Steven Spielberg and many more. These filmmakers, who today push the boundaries of special effects movie-making, pay tribute to the father of Stop Motion animation and films such as 'The Beast From 20,000 Fathoms','It Came From Beneath The Sea','The 7th Voyage Of Sinbad', 'Mysterious Island', 'Jason And The Argonauts' and 'The Golden Voyage Of Sinbad' - the films that enthralled them as children and inspired them to become filmmakers in their own right.
In Volume 2 of Roughnecks--Starship Troopers Chronicles, Johnny Rico, Lieutenant Razak and their computer-animated squad embark on the Tesca campaign, once again fighting the bugs in all their myriad forms, shooting anything that moves and generally causing chaos and mayhem. Inspired by Robert Heinlein's sci-fi classic and executive-produced by Paul Verhoeven, who made the big-screen version, Roughnecks is cutting-edge TV animation that's more for grown-ups than kids. The neat equipment, combat suits and weapons are as deadly as they are cool, and even though the extreme gore and violence of the movie has been toned down the endless threat from all manner of nasty bugs is still pretty terrifying (the Giant Spider Bug, for example, really is the stuff of nightmares). As with Volume 1, the five 20-minute episodes are here spliced together into a movie-length feature, which makes for a satisfyingly lengthy story arc instead of the more usual self-contained individual episodes. The show's structure also allows for plenty of character development: this time the squad are joined by an alien "skinny" called T'Phai who, as might be expected, has to work hard to bond with the rest of the team and earn their respect. Like all good war stories, at its heart Roughnecks celebrates that "Band of Brothers"-style bonding in extreme circumstances which we viewers can only experience vicariously. On the DVD: The 4:3 picture is good, although it's better to watch with the lights off to see all the detail in the moody (i.e., "dark") CG animation. The 5.1 sound shows off explosions and gunfire, but also the almost incessant techno soundtrack. There's a good commentary from cast and crew members, who talk about their various movie inspirations (from the D-Day landing sequence of Saving Private Ryan to, of course, Aliens) and their desire to parallel real war situations. There's also a photo gallery of the human actors and a trailer. This is a stylish show, and a good DVD.--Mark Walker
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