Carry On Don't Lose Your Head parodies the adventures of the Scarlet Pimpernel, with crinkly, cackling Sid James as master of disguise the Black Fingernail and Jim Dale as his assistant Lord Darcy. He must rescue preposterously effete aristo Charles Hawtrey from the clutches of Kenneth Williams' fiendish Citizen Camembert and his sidekick Citizen Bidet (Peter Butterworth). The Black Fingernail is assisted in his efforts to thwart the birth of the burgeoning republic by the almost supernatural stupidity of his opponents, who fail to recognise the frankly undisguisable Sid James even when dressed as a flirty young woman. What with an executioner who is tricked into beheading himself in order to prove the efficacy of his own guillotine, it's all a little too easy. As usual, no groan-worthy pun is left unturned, nor unheralded by the soundtrack strains of a long whistle or wah-wah trumpet. This is pretty silly stuff even by Carry On standards, with most of the cast barely required to come out of first gear and an overlong climactic swordfight sequence hardly raising the dramatic stakes. Most of the humour here resides neither in the script nor the characterisation but in the endlessly watchable Williams' whooping, nasal delivery (occasionally lapsing into broad Cockney) and the jowl movements of the always-underrated Butterworth. On the DVD: There are no extra features except scene selection. The picture is 4:3 full screen ratio.--David Stubbs
A kickboxer is out to avenge a beating received at the hands of the reigning World Champion....
The future looks uncertain for the three couples in the fourth series of Cold Feet. Adam (James Nesbitt) and Rachel (Helen Baxendale) desperately want to be parents and face rigorous adoption procedures however unknown to Rachel Adam's first love is back on the scene to win him back. David (Robert Bathurst) is battling to keep his marriage together after his short-lived affair but Karen (Hermione Norris) is not warming to his efforts and her drinking spirals out of control. F
Season 2: Unfortunately, Rachel's brave intention to announce her feelings is scuppered in the season opener "The One With Ross' New Girlfriend". It doesn't matter how great her hair looks (a real-life accident when a friend cut it with a razor), or how many sneaky tricks she tries to separate them. Ultimately it takes a peculiar doppelganger to lure the new girl away in "TOW Russ" (Schwimmer credited as "Snaro"). The Friends couldn't be happier to have the angst and tension relieved, and "TOW Ross and Rachel... You Know" is unsurprisingly an all-time fan favourite. This was straightforward compared to the other side of Ross' love life in "TOW the Lesbian Wedding" though. Initiating another "will they, won't they?" subplot was the introduction of Richard (Tom Selleck) as a new flame for Monica. Highlights for the other characters all centred on the Emmy-winning two-part "The One After the Super Bowl" with a stunning cameo list including Brooke Shields, Chris Isaak, Dan Castellaneta (Homer from The Simpsons), Jean-Claude Van Damme and Julia Roberts (whom Perry subsequently dated for a short while). Another great highlight was Chandler and Joey's ineptitude in "TOW the Baby on the Bus", which also featured Chrissie Hynde giving Phoebe's "Smelly Cat" its best ever rendition on guitar. To leave viewers hanging, the year ended with Rachel in understandable uncertainty over "TOW Barry And Mindy's Wedding" (her ex-fiancé and ex-best friend). --Paul Tonks
This film set a popular style which was subsequently seen in such films as `Zorro` `The Scarlet Pimpernel` and countless others. It has a pattern which was followed in `Babes In Toyland` (1934) and `The Bohemian Girl` (1936) and contains some superb sequences. Originally called `Fra Diavolo` this film is based on the 1830 comic operetta of that name by Daniel F Auber. The film was subsequently called `The Devil's Brother` `Bogus Bandits` and `Virtuous Tramps`. Ollie and Stan pl
Dockers is a landmark one-off drama suspended somewhere between Ken Loach and Alan Bleasdale's Boys from the Blackstuff. A striking Channel Four production Dockers dramatises the infamous struggle that developed when five Merseyside dockworkers were fired for refusing to work overtime with no pay, and gained the support of co-workers who wouldn't cross their picket line. As a result, those who stood in solidarity with the original five were sacked as well--500 in total--leading to a two-year stand-off. Co-written by award-winning screenwriters Jimmy McGovern (Cracker) and Irvine Welsh (Trainspotting), the two-year ordeal is brought home with startling reality, not least because of the contribution of the real-life Liverpool dockers who helped develop the script in extensive writing workshops, lending the film an authenticity it might have otherwise lacked. While the narrative hangs around the moving central story of one family in which both father and son are caught up in the strike, dramatic conflicts develop on multiple levels: between father and son; between the families of the sacked workers (this is particularly well realised as one long-time friend, played by The Royle Family's Ricky Tomlinson, turns scab); and between the workers and the union that betrays them. Ken Stott and Crissy Rock (Ladybird, Ladybird) are outstanding as the central working-class couple, old before their time at 47, and if nothing else, the film reveals one further reason why Liverpool loved Robbie Fowler quite so ferociously: during post-goal celebrations, Fowler lifts his jersey to reveal a T-shirt emblazoned with a message of support for the wronged dockers, ensuring national attention for the action at a time when all hope seemed lost. --Tricia Tuttle
Sid James plays Sid Abbott - Mr Average Married Man. A representative for a stationery firm. Sid's interest in life are the three C's: Chelsea Courage bitter and Crumpet and not necessarily in that order. In common with most married men however he finds these ambitions constatnly thwarted by his wife son and daughter also not necessarily in that order. Sid likes to think he is with it but in actual fact he would not know it if he saw it. Diana Coupland plays his attractive sensible level-headed wife. Sally Geeson is his 16-year old daughter Sally. She's in her last year at Grammar School and is the apple of Sid's eye. Robin Stewart plays Mike who is 19 and just left college. He is far too busy straightening out the affairs of the world to bother about a job. Episodes Comprise: 1. They Don't Write Songs Like That Anymore 2. The Gypsy's Warning 3. The Biggest Woodworm In The World 4. Home Tweet Home 5. You're Never Too Old To Be Young 6. The Policeman And The Paint And The Pirates 7. Happy Birthday Sid 8. Freedom Is 9. Mr Chairman 10. And Afterwards At...
Some thirty years after Arlis witnesses his father murdering a family he runs into Kay who happens to be the family's baby who was spared. Taking to the road the couple slowly discover feelings for each other until a figure from the past awakens a dark memory...
Vineyard
Department of Weights and Measures Inspector Johnny Cave finds himself in the midst of deceitful government officials when he takes over for his boss whom the officials have beaten and put in the hospital. Cave quickly acts to turn everyone in but his corrupt counterparts refuse to go quietly. Soon he exposes the hidden government agenda that has his coworkers bilking the American taxpayers out of several thousand dollars per year by stealing an equally small amount from everybod
John Thaw created one of Britain's most-loved TV detectives in this pilot episode that started the long-running Inspector Morse series, based on the novels by Colin Dexter. The brilliant, somewhat elitist police inspector who loves crosswords, classical music and the more-than-occasional pint of ale clumsily romances a woman (Gemma Jones) from his choir. When he finds her hanged in her apartment on the eve of their big recital, he suspects murder and muscles his way in on the investigation. The assigned investigators are convinced it's suicide except for the eager Sergeant Lewis (Kevin Whately), and they reluctantly team up to sort out a mystery tangled in blackmail, adultery, peeping neighbours (former Doctor Who Patrick Troughton) and mistaken identities. With his snooty temperament and lone-wolf lifestyle, the white-haired, Oxford-educated bachelor is a wonderful mismatch with the younger Lewis, a married man with a family and a rather less classical background (Whatley is a Geordie, though Lewis was a Brummie in the book). There's a quiet undercurrent of affection and respect almost from their first meeting that builds with each continuing Inspector Morse mystery, as well as an air of melancholia and loneliness beautifully developed in the script by future Oscar-winning writer/director Anthony Minghella (The English Patient). Morse's initial theories may be washouts (a series hallmark), but his relentless sleuthing, eye for clues and mind for puzzles dredges up the answer in the end, even as he loses the girl. --Sean Axmaker, Amazon.com
In 1972 an offer was made that the world could not refuse... The Corleone crime family has touched millions of lives for more than four decades. From their origins in a pulp fiction novel by author Mario Puzo the Corleones inspired one of the most important and enduring films in history. Francis Ford Coppola's The Godfather not only broke box office records it actually infiltrated the American conscience. This special looks at how this groundbreaking film and its two sequels transcended Hollywood transformed the American psyche and even influenced real-life organized crime. Historians scholars law enforcement agents and real-world Mafiosi explain how these powerful mobsters with their moral ambiguity and human flaws resonated with audiences and impacted popular culture.
Robert Askew (Bruce Jones) travels to Blackpool to prepare an extraordinary end to his ordinary life. But this is no typical weekend and a succession of magical events conspire to turn a journey of despair into a voyage of discovery. One Friday evening Bob's new partner Ste (Billy Boden) goads him into a football match. The Boss (Brian Glover) catches them and Bob is dismissed on the spot. Returning home early he discovers his wife Brenda (Anna Jaskolka) is having an affair. Devastat
Return of the Living Dead is a parody-cum-sequel spin-off from George Romero's superior Night of the Living Dead films. A corpse-containing canister gets breached and releases an oily, loose-limbed, brain-eating zombie tatterdemalion and a gas that revives anything dead in the vicinity, even a bisected dog preserved as a vet's teaching specimen and a case of pinned butterflies. The dim-bulb leading characters--earnest Clu Gulager, goofy James Karen and Thom Matthews--burn up a mess of surplus living body parts, but the rains wash the ashes into the earth of a nearby cemetery and a whole crowd of brain-eating zombies claw their way out to terrorise a group of teens who sport the kind of 1985 fashions, hairdos, slang preferences and musical tastes that will never feature in a TV nostalgia programme. There are plenty of in-jokes at the expense of the Living Dead films (learning that shooting 'em in the brain doesn't work, the appalled Matthews gasps, "You mean the movie lied?"), and director Dan O'Bannon, the writer of Dark Star and Alien, hurries things along through some gruesome action and terror-by-zombie bits until the surprisingly cynical anti-government conclusion. It's not as wittily outrageous as Re-Animator or Braindead, but it has an amiable, drive-in-cum-home video grunge about it. Frequently naked exploitation regular Linnea Quigley makes an impression as the punkette zombie who goes on the rampage wearing nothing but leg-warmers and body make-up. The frill-free DVD is full-screen (boo hiss!) except for the titles, offers only the trailer and inadequate cast and crew notes as extras, but it looks okay. --Kim Newman
Spider-Man returns to battle a host of new baddies in the third adventure based on the popular comic book hero.
When Stacey Lockwood the cheerleader and beauty from Santa Mira High is murdered the chief suspect is another pupil. At the trial the whole community is under scrutiny for the pressure it places on the young. Based on a true story.
From the director of "Airplane" comes the third instalment in the scary spoof franchise.
Don't Worry About Me
On the Island of Rhodes Katherine is an expatriate English photographer living with her daughter. In an attempt to encourage tourism a sculpture is commissioned for the Town Square only the sculptor turns out to be Kath's ex-husband. The events that follow ensure that Katherine's dreams of an idyllic escape are well and truly shattered!
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