After being abducted by Katarina Rostova, Raymond Red Reddington (James Spader) finds himself alone in hostile territory, unsure of who, if anyone, he can trust. Surrounded by old enemies and new allies, Red must stay one step ahead of the Blacklist's most dangerous criminal, who will stop at nothing to unearth the very truth Red wants no one to know about. To find it, Katarina will insinuate herself into the life of Elizabeth Keen (Megan Boone), who has finally reunited with her daughter Agnes. Katarina's presence will bring danger to Liz's doorstep and forever alter her relationship with Red.
The Adventures Of Huck Finn is an action-packed adaptation of Mark Twain's classic adventure. The unforgettable story of two unlikely friends a mischievous boy and a runaway slave on a wild trip down the mighty Mississippi River. On their treacherous journey to freedom they come across an entertaining assortment of diverse characters and face one incredible adventure after another. You won't want to miss this sensational telling of Twain's classic tale - a fun-filled mix of thrills and adventure!
One of the most influential TV shows of the 1990s, the first series of Twin Peaks has lost none of its quirky and queasy power to get under your skin and haunt your dreams. Without its groundbreaking mix of convoluted plotting, complex character interactions, surreal fantasy sequences and a continuous story arc, we would probably not have had The X-Files, The Sopranos, Six Feet Under or even The League of Gentlemen. So brew up a pot of some "damn fine coffee", dig into some cherry pie, and lose yourself in David Lynch and Mark Frost's murder mystery-soap opera, which unfolds, in one character's words, "like a beautiful dream and terrible nightmare all at once". Twin Peaks was a pop culture phenomenon, for this first series at least, until the increasingly bizarre twists and maddening teases so confounded audiences that they lost interest in just who killed Laura Palmer (Sheryl Lee). This series was also a career peak for most of its eclectic ensemble cast, including Kyle MacLachlan as straight-arrow FBI Special Agent Dale Cooper, Michael Ontkean as local Sheriff Harry S Truman, Sherilyn Fenn as bad girl Audrey Horne, Peggy Lipton as waitress Norma Jennings and Catherine Coulson as the Log Lady. On the DVD: Twin Peak, Series 1 comes as a four-disc set that contains the original pilot plus the first season's seven episodes (inexplicably, the pilot episode was omitted on the American Region 1 DVD release, but is reinstated here). Special features include episode introductions by the Log Lady, commentaries by assorted episode directors (but not Lynch), and features from the archives of the fanzine Wrapped in Plastic. The 4:3 picture has been digitally remastered, and is now accompanied by a Dolby 5.1 soundtrack. --Donald Liebenson
Before becoming a famous novelist, a young Jane Austen becomes embroiled in a passionate love affair with an Irish lawyer, Tom Lefroy, that inspires her career.
Despite voluminous protest and nitpicking criticism from loyal fans of the original TV series (1978-80), the 2003 version of Battlestar Galactica turned out surprisingly well for viewers with a tolerance for change. Originally broadcast on the Sci-Fi Channel in December 2003 and conceived by Star Trek: The Next Generation alumnus Ronald D Moore as the pilot episode for a "reimagined" TV series, this four-hour mini series reprises the basic premise of the original show while giving a major overhaul to several characters and plot elements. Gone are the flowing robes, disco-era hairstyles, and mock-Egyptian fighter helmets, and thankfully there's not a fluffy "Daggit" in sight... at least, not yet. Also missing are the "chrome toaster" Cylons, replaced by new, more formidable varieties of the invading Cylon enemy, including "Number Six" in hot red skirts and ample cleavage, who tricks the human genius Baltar! into a scenario that nearly annihilates the human inhabitants of 12 colonial worlds. Thus begins the epic battle and eventual retreat of a "ragtag fleet" of humans, searching for the mythical planet Earth under the military command of Adama (Edward James Olmos) and the political leadership of Laura Roslin (Mary McDonnell), a former secretary of education, 43rd in line of succession and rising to the occasion of her unexpected Presidency. As directed by Michael Rymer (Queen of the Damned), Moore's ambitious teleplay also includes newfangled CGI space battles (featuring "handheld" camera moves and subdued sound effects for "enhanced realism"), a dysfunctional Col. Tigh (Michael Hogan) who's provoked into action by the insubordinate Starbuck (Katee Sackhoff), and a father-son reunion steeped in familial tragedy. To fans of the original BG series, many of these changes are blasphemous, but for the most part they work--including an ominous cliffhanger ending. The remade Galactica is brimming with smart, well-drawn characters ripe with dramati! c potential, and it readily qualifies as serious-minded science fiction, even as it gives BG loyalists ample fuel for lively debate. --Jeff Shannon
When Mary and her teenage son Fergal move to yet another new home it soon becomes clear that they live their lives on the run hiding from someone or something terrified of being found. Their hunter Cathal (James Nesbitt) soon picks up the trail intent on tracking and killing Mary and Fergal he will go to any length to succeed in his quest often using dark arts to aid him. Mary's only defence is to use an ancient form of magic of her own in order to protect her only son. When local residents begin to be brutally murdered by an unknown life force the sense fear escalates. Is Cathal the beast responsible for the killings? Or is it the beast that he is trying to destroy.
Based on Liane Moriarty's bestselling book, this subversive, darkly comedic dramaseries tells the tale of three mothers of first-graders whose seemingly perfect lives unravel to the point of murder. Reese Witherspoon, Nicole Kidman and Shailene Woodley head up a stellar cast in this Monterey-set dramathat begins with a suspicious homicide at an elementary-school fundraiser. Though the victim and the perpetrator initially remain a mystery, it appears that the murder was spawned by rivalries and secrets surrounding the trio of young moms.
Skew (2011) With a video camera in hand, good friends Simon, Rich, and Eva head out on a road trip that they hope will create lasting memories. Little do they know that what starts out as a carefree adventure will soon become a descent into the ominous as a series of unexplained events will threaten their very lives. Each one of them must struggle with personal demons and paranoia as friendships are tested and gruesome realities are revealed ... and recorded. House of Bones (2...
Inspired by the 1973 motion picture of the same name, Westworld is a one-hour drama series about a futuristic theme park populated by artificial beings. Written and directed by Michael Crichton this dark odyssey about the dawn of artificial consciousness and the evolution of sin is set at the intersection of the near future and the reimagined past. It explores a world in which every human appetite, no matter how noble or depraved, can be indulged. 1. Pilot 2. Chestnut 3. The Stray 4. Six Impossible Things 5. Contrapasso 6. Trace Decay 7. Trompe L'Oeil 8. The Adversary 9. Job's Root 10. The Bicameral Mind.
Highschooler Donnie is plagued by visions of a giant evil rabbit who orders him to commit acts of violence and predicts the impending end of the world.
Back in 1927, The Jazz Singer entered the history books as the first true, sound-on-film talking picture, with Al Jolson uttering the immortal words, "You ain't heard nothing yet!" But even then it was a creakingly sentimental old yarn. By the time this second remake showed up in 1980 (there was a previous one in 1953) it looked as ludicrously dated as a chaperone in a strip club. Our young hero, played by pop singer Neil Diamond in a doomed bid for movie stardom, is the latest in a long line of Jewish cantors, but secretly moonlights with a Harlem soul group. When his strictly Orthodox father (Laurence Olivier, complete with painfully hammy "oya-veh" accent) finds out, the expected ructions follow. Though the lad makes it big in showbiz, it all means nothing while he's cut off from family and roots. But in the end--well, you can guess, can't you? Diamond comes across as likeable enough in a bland way, but unencumbered by acting talent, and the music business has never looked so squeaky clean--nary a trace of drugs, and precious little sex or rock 'n' roll. As for anything sounding remotely like jazz, forget it. This is one story that should have been left to slumber in the archives. --Philip Kemp
Wayne's World 2 was a successful follow-up for Wayne and Garth's Adventures, full of the same madcap humour from their TV characters and previous film. Somewhere in the world, there are probably people who don't understand why Mike Myers' eponymous Wayne's World character is funny--feel sorry for them. Granted, the laughs are often cheap and silly, but there's no one who can embody a comic character and riff within that character the way Myers does. Wayne and his pal Garth (Dana Carvey) were fixtures on Saturday Night Live before the unexpected success of Wayne' s World, a movie about what happened when they tried to take their local cable-access citywide. This time, they want to stage Waynestock, a mammoth rock festival in their little Chicago suburb, even as Wayne copes with girlfriend Tia Carrere's interest in record-company exec Christopher Walken. For extra fun, Garth gets involved with the babelicious Kim Basinger. Yes, the humour is scattershot and the plot is lame--but you'll find yourself laughing none the less. --Marshall Fine, Amazon.com
Reese Witherspoon, Nicole Kidman and Shailene Woodley star in an HBO limited drama series that tells the darkly comedic story of three northern-California mothers whose seemingly perfect lives unravel to the point of murder. In addition to Witherspoon (Oscar®-winner for Walk the Line, Oscar®-nominated for Wild) as Madeline, Kidman (Oscar®-winner for The Hours, HBO's Hemingway & Gellhorn) and Woodley (Divergent series, Golden Globe-nominated for The Descendants), the cast includes Alexander Skarsgård (True Blood, The Legend of Tarzan) as Perry, Celeste's handsome yet volatile husband; Laura Dern (Oscar®-nominated for Wild, Emmy®-nominated for HBO's Enlightened) as Renata Klein, a high-powered career mom; Adam Scott (Parks and Recreation) as Ed, Madeline's current husband; James Tupper (Revenge) as Nathan, Madeline's ex; Zoe Kravitz (the Divergent films) as Bonnie, Nathan's new wife; and Kathryn Newton (Supernatural) as Abigail, Madeline's teenaged daughter. Big Little Lies is based on the bestselling 2014 novel by Australian author Liane Moriarty. Big Little Lies is directed by Jean-Marc Vallée (Oscar®-nominated for Dallas Buyers Club) and written by Emmy®-winner David E. Kelley (Ally McBeal). EPs include Reese Witherspoon, Nicole Kidman, Bruna Papandrea, Per Saari, David E. Kelley, Jean-Marc Vallée and Gregg Fienberg. Episodes: Episode 1: Somebody's Dead Episode 2: Serious Mothering Episode 3: Living the Dream Episode 4: Push Comes to Shove Episode 5: Once Bitten Episode 6: Burning Love Episode 7: You Get What You Need Extra Content: Inside the Episodes About Big Little Lies
Peter Parker (Tobey Maguire) has finally managed to strike a balance between his devotion to M.J. (Kirsten Dunst) and his duties as a superhero. But when his suit suddenly changes, turning jetblack and enhancing his powers, it transforms Peter, bringing out a dark vengeful side that he struggles to control. He must now battle his inner demons as two of the mostfeared villains yet, Sandman (Thomas Haden Church) and Venom (Topher Grace), gather unparalleled power and a thirst for revenge which threatens Peter and everyone he loves. Features: Cast and Filmmaker Commentaries with Sam Raimi, Tobey Maguire, Kirsten Dunst, James Franco and more Blooper Reels
The Barbra Streisand Collection consists of four movies: What's Up, Doc? (1972), Up the Sandbox (1972), The Main Event (1979) and Nuts (1987) In What's Up, Doc?, director Peter Bogdanovich tipped his hat to the classic screwball comedies of the 1930s, and especially the most glorious of them all, Howard Hawks' Bringing Up Baby. Barbra Streisand plays a charming flake who distracts a self-absorbed musicologist (Ryan O'Neal). He's engaged to be married, but soon Streisand's character has him chasing after stolen jewellery and getting into one madcap fix after another. --Tom Keogh Up the Sandbox springs from the early 1970s, when Streisand's career was in full stride. She stars as Margaret, a stay-at-home mum in the middle of New York who's feeling the strain of her narrow life. Frustrated by her self-involved husband and the mentally unstimulating tasks of motherhood, she escapes into fantasies--such as being chatted up by a cross-gendered Fidel Castro, bombing the Statue of Liberty with black militants and having a furious catfight with her overbearing mother. The movie's strength lies in these fantasies' slippery nature; some are over the top, but others are so subtle you're not always sure where they start and stop, making the portrait of Margaret's psyche intriguingly complex. --Bret Fetzer The Main Event is a comedic misfire from the mid-1970s, a futile attempt to bottle the same lightning that struck when Streisand teamed with Ryan O'Neal in What's Up, Doc? Here, Streisand plays a spoiled rich girl, the head of a bankrupt cosmetics company, who discovers she's lost everything--except her ownership of the contract of a washed-up boxer (O'Neal). So she tries to rally this dispirited pug into a comeback that will earn the kinds of purses that will put her back on her feet. Naturally, in the process, romantic sparks are kindled. But despite a loud and energetic performance by Streisand, the comedy doesn't add up to much. --Marshall Fine In Nuts Streisand is a mad high-priced "escort" accused of murder, but whether she's mad as hell or mad as a hatter is the question in this courtroom drama, adapted from the play by Tom Topor. While her doting, wilfully uncomprehending mother (Maureen Stapleton) and stepdad with a secret (Karl Malden) try to have her judged incompetent and sent to an asylum, she fights for her day in court with the help of a hapless legal aid attorney (a refreshingly understated Richard Dreyfuss). James Whitmore presides over the hearing with a compassion and sense of justice that gives one faith in the system, and la Streisand (who developed and produced the project) sinks her teeth into the tempestuous role like a starving actress. The plot holds few surprises, but the drama lies in the characters; veteran director Martin Ritt brings out the best in a top-flight cast. --Sean Axmaker
When it was released in 1994 Four Weddings and a Funeral quickly became a huge international success, pulling in the kind of audiences most British films only dream of. It's proof that sometimes the simplest ideas are the best: in terms of plot, the title pretty much says it all. Revolving around, well, four weddings and a funeral (though not in that order), the film follows Hugh Grant's confirmed bachelor Charles as he falls for visiting American Carrie (Andy McDowell), whom he keeps bumping into at the various functions. But with this most basic of premises, screenwriter Richard Curtis has crafted a moving and thoughtful comedy about the perils of singledom and that ever-elusive search for true love. In the wrong hands, it could have been a horribly schmaltzy affair, but Curtis' script--crammed with great one-liners and beautifully judged characterisations--keeps things sharp and snappy, harking back to the sparkling Hollywood romantic comedies of the 30s and 40s. The supporting cast, including Kristin Scott Thomas, Simon Callow and Rowan Atkinson (who starred in the Curtis-scripted television show Blackadder) is first rate, at times almost too good: John Hannah's rendition of WH Auden's poem "Funeral Blues" over the coffin of his lover is so moving you think the film will struggle to re-establish its ineffably buoyant mood. But it does, thanks in no small part to Hugh Grant as the bumbling Charles (whose star-making performance compensates for a less-than-dazzling Andie MacDowell). Though it's hardly the fault of Curtis and his team, the success of the Four Weddings did have its downside, triggering a rash of far inferior British romantic comedies. In fact, we had to wait until 1999's Notting Hill for another UK film to match its winning charm--scripted, yet again, by Curtis and starring Grant. --Edward Lawrenson
Brad Pitt and Vinnie Jones star in this tale of a London jewel heist, the new film from the director of Lock, Stock and Two Smoking Barrels.
The boys are back in town! Conman Reggie Hammond and cop Jack Cates team up once again and turn San Francisco inside out to nail an elusive druglord. Sequel to the smash hit ""48 Hours"".
A lowly squire impersonates his deceased master at jousting tournaments, increasing in skill and stature in order to find and ultimately defeat his arch foe.
The robbery should have taken ten minutes. Eight hours later it was the hottest thing on live TV. And it's all true. On a hot Brooklyn afternoon two optimistic losers set out to rob a bank. Sonny (Al Pacino) is the mastermind Sal (John Cazale) is the follower and disaster is the result. Because the cops crowds TV cameras and even the pizza man have arrived. The ""well-planned"" heist is now a circus. Based on a true incident this thriller earned six Academy Award nomina
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