Forty years after Sam Peckinpah's hugely controversial 1971 original, Rod Lurie adapted and directed a new version of Straw Dogs, with a very deliberate change of location and an updating of the social context. Instead of being set in Britain, the story now takes place in small-town Mississippi, where Hollywood screenwriter David Sumner (James Marsden) is moving with his wife Amy (Kate Bosworth). She grew up in Blackwater, which she aptly refers to as "backwater," but has since become a much-desired TV actress. In their isolated house, David will write while Amy's ex-beau (Alexander Skarsgård) repairs the adjacent barn with his redneck buddies. In drawing the unease between this effete, conflict-averse intellectual and the swaggering, flag-waving, God-fearing locals, Lurie (The Contender) seems to be aiming at the hostility between red state/blue state America in 2011. But the movie breaks down when it gets to the sadistic plot turns that lead to the savage finale, a siege in which David is pushed to his primal self. In the Peckinpah film, this was a hellish and ambiguous exorcism, but here the events just seem ugly, and the movie loses control of its perspective about halfway through. James Marsden is a game actor, but he can't be as convincing a bookworm as Dustin Hoffman was in the original film. Kate Bosworth's ambivalence is the most interesting thing at play here, as she suggests the marriage might have been less than perfect all along. That subtle discontent is more intriguing than the movie's lurid collapse into ultraviolence. --Robert Horton
Even-numbered Star Trek movies tend to be better, and this one (number eight in the popular series) is no exception--an intelligently handled plot involving the galaxy-conquering Borg and their attempt to invade Earth's past, alter history, and "assimilate" the entire human race. Time travel, a dazzling new Enterprise, and capable direction by Next Generation alumnus Jonathan Frakes makes this one rank with the best of the bunch. Capt. Picard (Patrick Stewart) and his able crew travel back in time to Earth in the year 2063, where they hope to ensure that the inventor of warp drive (played by James Cromwell) will successfully carry out his pioneering warp-drive flight and precipitate Earth's "first contact" with an alien race. A seductive Borg queen (Alice Krige) holds Lt. Data (Brent Spiner) hostage in an effort to sabotage the Federation's preservation of history, and the captive android finds himself tempted by the queen's tantalising sins of the flesh. Sharply conceived to fit snugly into the burgeoning Star Trek chronology, First Contact leads to a surprise revelation that marks an important historical chapter in the ongoing mission "to boldly go where no one has gone before". --Jeff Shannon
The makers of Supernova are apparently counting on the fact that generational turnover renders old formulas fresh again for new audiences. This is the only explanation for a sci-fi thriller that could charitably be called a "homage" to Ridley Scott's trend setting Alien. A medical rescue ship responds to a distress call from a mining colony and finds only one survivor: a strange young man (Peter Facinelli), who comes aboard carrying an even stranger alien artefact. But the plot of this film, which was directed and then disowned by Walter Hill, grows confused as it tries to explain the sinister force that will lead to a star transforming to supernova status, causing a universe-shattering explosion. Some nice sexual tension between James Spader (as the recovering drug-addict co-pilot) and Angela Bassett (as the ship's doctor). Notable mostly, however, for the eerie resemblance, both physical and vocal, between Facinelli and Tom Cruise. --Marshall Fine, Amazon.com
The definitive Gainsborough Melodrama, The Man in Grey stars James Mason in a career-defining role as the despicable Lord Rohan, alongside memorable performances from co-stars Phyllis Calvert, Margaret Lockwood and Stewart Granger. This quintessential bodice ripper is featured here as a High Definition remaster from original film elements in its as-exhibited theatrical aspect ratio. Forced into an arranged marriage with the sadistic Marquis of Rohan, Clarissa Richmond is caught in a loveless relationship in order to provide Rohan with the heir he craves. When Clarissa's friend Hesther takes Rohan's fancy, things take a turn for the worse. Special Features: Theatrical Trailer Image gallery James Mason: The Man they Loved to Hate
Set in a coastal town in tropical South India, THE GOOD KARMA HOSPITAL tells the story of junior doctor, Ruby Walker, who arrives in India looking for a job and a distraction from her heartbreak. She anticipates the sunshine, the palm trees and picture-perfect beaches. She's even prepared for the sacred cows, the tuk-tuks and the Delhi-belly that everyone warned her about. What she doesn't expect are the realities of work, life and even love at an under-resourced and over-worked cottage hospital.
A successful talk show host leaves Los Angeles to reunite with his family in the Deep South.
A rich tale of one man's search for his family roots. After discovering an old picture of his father Kieran travels from Chicago to Ireland in a magical rich tale that speaks to those who have questioned their past.
101 Films presents The New Kids, a startling, nonstop ticket to terror from director Sean S. Cunningham (Friday the 13th). A key entry in the 1980s wave of juvenile delinquency movies, the New Kids features early performances from Lori Loughlin (Full House) and James Spader (Sex, Lies, and Videotape) in a particularly memorable role. Available for the first time in the UK since a VHS release as Striking Back' in 1988, this edition comes with limited edition booklet and slipcase, and includes brand new interviews with director Sean S. Cunningham and writer Stephen Gyllenhaal. After their parents die in a car crash, two allAmerican teens, Loren (Shannon Presby) and Abby (Lori Loughlin) go to live with relatives in a small Florida town. But trouble begins when members of a vicious gang, led by Dutra (James Spader), bet on who'll be the first to seduce the innocent Abby. When she spurns their obscene advances, the thugs embark on a sadistic campaign of vandalism, arson and assault. The savagery escalates until Loren must defend himself and his sister in a brutal fight to the death in a carnival midway. It's The New Kids... trying to make it in this town just might kill them! Special Features: Interview with director Sean S. Cunningham Interview with writer Stephen Gyllenhaal Commentary with film experts Sean Hogan and Jasper Sharp Limited edition booklet: Includes 80s Gang Violence Movies and The New Kids by Jon Towlson and Pushing the Envelope: Sean Cunningham by Barry Forshaw
Kevin, a man with at least 23 different personalities, is compelled to abduct three teenage girls. As they are held captive, a final personality - The Beast - begins to materialize. Click Images to Enlarge
The struggle for Cybertron continues in Transformers: Beast Machines Season 2! Mysteriously transported back to their home planet of Cybertron with no memory of how or why they are there the Maximals find themselves pitched in a life-or-death battle with the evil Vehicons ruthless minions of the Decepticon Megatron. With a war now being waged the Maximals led by the awesome Optimus Primal must free Cybertron from Megatron and restore it to its former glory before all life is doomed. With animals replacing the vehicular forms of the Autobots Transformers: Beast Machines takes the age-old battle to a new level.
DCI Tom Brannick (James Nesbitt) returns, as the murder of a crooked accountant unravels a trail of greed that threatens to expose the true identity of the legendary assassin, codenamed, Goliath. Between Tom and redemption stands the accountant's widow, Olivia (Victoria Smurfit), whose intentions may be far from innocent. They will scheme together, keeping each other in knife point's reach, as they try to solve the riddle the accountant left behind. And as they become more immersed in the puzzle of each other, Tom and Olivia will draw in Tom's fellow officers DS Niamh McGovern (Charlene McKenna), DCS Jackie Twomey (Lorcan Cranitch) and DC Birdy Bird (Chris Walley), as well as his daughter, Izzy (Lola Pettigrew), until deceit and betrayal build to a shattering climax.
It's goodbye to Capeside, hello to Boston in Dawson's Creek's fifth season (a.k.a.: Dawson's Creek: The College Years). While the end of the fourth season sent the five friends their separate ways--Dawson (James Van Der Beek) to USC Film School, Joey (Katie Holmes) to Wilmington College, Jen (Michelle Williams) and Jack (Kerr Smith) to Boston Bay College; and Pacey (Joshua Jackson) to the high seas--it doesn't take them long to find themselves together again. That's a good thing, especially when tragedy strikes a family member and threatens to tear the survivors apart. More than anything, the fifth season seems to be about falling into bad relationships. Jen dates a cute but sleazy musician (Chad Michael Murray), Pacey gets a job in a restaurant where he pursues a woman (Lourdes Benedicto) already having an affair with a married man, then fends off a vampish new boss (Sherilyn Fenn, Twin Peaks). Joey is drawn to her handsome English professor (Ken Marino). And Jack joins a frat, becomes a jerk, and starts a devoted relationship with his beer bottle. Dawson meets an eccentric young filmmaker (Jordan Bridges) which in turn leads to a meeting with his favorite Boston film critic (Meredith Salenger). And Joey's new roommate, the annoyance-with-a-heart-of-gold Audrey (Busy Phillipps), becomes the newest major addition to the cast. The irritation factor is high this season, a couple of "Joey is threatened" interludes don't have the punch that they could have, and in the season finale, the inevitable resolution of the show's central relationship doesn't really resolve anything at all. But viewers who have followed the Capeside crew for four seasons will still want to see what happens in the fifth. The fifth season is the first to have no DVD extras at all, and it continues the music-replacement strategy (which, since the second season has replaced much of the music, and since the third season has replaced Paula Cole's theme song, all due to licensing expenses). In addition to the usual background-music switches, some scenes have been edited (for example, the episode "Highway to Hell" has cut two of the performances on-stage at the Drunk & Dead). Also, the opening credits of "The Long Goodbye" and "Downtown Crossing" had originally used instrumental versions of "I Don't Want to Wait," which had underscored the emotion of those episodes. In the DVD set, those have been replaced by the standard version and an instrumental version, respectively, of "Run Like Mad." --David Horiuchi, Amazon.com
Featuring a blistering lead performance from Tom Hardy, "Bronson" charts the life and times of notorious prisoner Charles Bronson.
Littlefoot and his grandparents share an unusual 'sleep story' that leads to a fantastic journey! Throughout this enchanting adventure they discover many new creatures wonders of nature dangers and delights. They eventually meet up with the largest gathering of dinosaurs ever including one very special longneck that Littlefoot thought he would never see! Littlefoot has been on many adventures before but in this new adventure may change his life forever...
James Stewart stars as a Virginia farmer during the Civil War. He refuses to support the Confederacy because he is opposed to slavery yet he will not support the Union because he is deeply opposedito war. When his son is taken prisoner Stewart goes to search for the boy. Seeing first-hand the horrors of war he is at last forced to take his stand...
Introducing America's Playboy Hero! Move over 007! And watch out Austin Powers! The U.S. has a braver smarter and more randy secret agent. His name: Flint. Derek Flint (James Coburn). In this hilarious spy spoof and exciting action adventure Flint battles Gila the sexy and savvy head agent whose organization is planning to destroy the world. It's a task that demands all of Flint's awesome powers of deduction destruction and - most of all - seduction. Crammed with joke
Richard Brooks's In Cold Blood is a faithful 1967 screen adaptation of Truman Capote's extraordinary non-fiction book about the course of two killers in this world--their lives, their senseless slaughter of an entire family, and their executions. Robert Blake and Scott Wilson are remarkable as the murderers, but what has kept this film special over the decades is Brooks's blunt, clearheaded, and non-sensational approach to the story. (The term "semi-documentary" has been applied to Brooks's style on this film, and it's an entirely fair description.) The experience of watching In Cold Blood is naturally unsettling, but the director--as with Capote--leaves final judgments about justice to the beholder. --Tom Keogh
Bored with life on Mount Olympus Hercules (Arnold Schwarzenegger in his debut film) decides to visit Earth against the wishes of his father Zeus. Zeus explodes with anger and hurls a thunder-bolt at Hercules who plummets into the sea and is rescued by a freighter bound for New York. There he is befriended by Pretzie (Arnold Stang) who whisks him away from a brawling free-for-all with his shipmates. The plot thickens when Zeus' wife Juno sends the dreaded Nemesis to take away Hercules' god-like strength. Some local hoodlums have just bet a small fortune on Hercules in a weight-lifting competition and when he fails to win a chase all over New York is on.
Inspired by the insider interviews in Misha Glenny's bestselling book and featuring a star-studded international cast, this fast-paced thriller exposes the connections behind a global network of organised crime. McMafia unravels a complex web of connections that joins up money launderers in Dubai, cyber criminals in India, Russian oligarchs in London and Bedouin smugglers in the Negev desert. What starts out as a story of survival and revenge becomes a tale of one man's struggle against the lures of corruption.
""...This is the USS Nimitz. Where the Hell are we...?"" Trapped inside the boundaries of time and space... 102 aircraft.... 6000 men.... all missing. It is 1980 and the USS Nimitz puts to sea off of Pearl Harbor for routine exercises. After encountering a strange storm and losing all contact with the US Pacific Fleet nuclear war with the Soviet Union is assumed and the USS Nimitz arms herself for battle. However after encountering Japanese Zero scout planes and finding Pearl Harbor filled with pre-World War II battleships it is realized that the storm the Nimitz went through caused the ship to travel back in time: to December 6th 1941.
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