The last film of John Wayne, The Shootist, could not have been more fitting, full of details that can't help but make one reflect upon his legacy in the movies and his life as a star. Wayne plays a career gunfighter in the autumn of his life, trying to hang up his pistols after he discovers he's dying of cancer. Boarding in the house of an attractive widow (Lauren Bacall) and her son (Ron Howard), Wayne's character opts for peace in his final days but is dogged by his reputation when a handful of killers seeks him out for a final fight. Howard is fine as a fatherless boy who needs the strong mentor the hero represents, and James Stewart--who costarred with Wayne in the great Man Who Shot Liberty Valance--plays the doctor who gives the big man the bad news. Don Siegel (Invasion of the Body Snatchers) thoughtfully directs a very special and sensitive production. --Tom Keogh
A star-studded cast heads this Agatha Christie story of one man's efforts to fathom the mysterious death at a resort hotel in the Mediterranean. Peter Ustinov as Hercule Poirot. Also stars Jane Birkin, Diana Rigg and Maggie Smith. EXTRAS: Making Of Interview with costume designer Anthony Powell Interview with writer Barry Sandler Interview with producer Richard Goodwin Behind the scenes stills gallery Costume designs stills gallery
Anthony Hopkins heads the star-studded cast of the trilogies gripping conclusion. As the powerful and beautiful Paula O'Neill finds her empire under attack it seems that only one man has the expertise and connections to save her.
Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker
A shady L.A. detective (Sheffer) finds himself lost in a darkly nightmarish world of evil when he solves the mysterious puzzle box that releases the diabolical demon Pinhead! As those around him begin to meet tragic fates he sets out to conquer the horrifying Pinhead and escape eternal hell!
Kenneth Williams' Julius Caesar is having a bad day in the funniest toga party of all time - a historical and hysterical take on the life and loves of the Queen of the Nile. Follow the amorous adventures of Sidney James' Mark Anthony as he clinches with the gorgeous Amanda Barrie's sultry Cleopatra in by far the most lavish looking of all the Carry On films. With a brilliant Carry On cast including Jim Dale Jon Pertwee Charles Hawtrey Joan Sims and Kenneth Connor as Hengist Pod inventor of the square wheel! Special Features: Audio Commentary Trailer Stills Gallery
Deservedly acclaimed as one of 1998's best films, this sequel to the beloved 1995 live-action fantasy proved a commercial catastrophe and a source of dismay to parents expecting another bucolic, sweet-natured fable. Every bit as sly and visually stunning as its predecessor, Babe: Pig in the City is otherwise a jolting ride beyond the Hoggetts' farm into a no less vivid but far darker world--the allegorical city of the title, which for the diminutive "sheep pig" proves truly nightmarish. Australian filmmaker George Miller (Mad Max, The Road Warrior), who produced and cowrote the first film, this time takes the director's reins, and he ratchets up the pace and the peril as effectively as he did on his influential trilogy of apocalyptic, outback sci-fi thrillers. From the opening scene, Babe: Pig in the City means to disrupt the reassuring calm achieved by the conclusion of the previous film. Babe's prior triumph proves short-lived, and within moments Miller has us literally peering into the depths as he sets up a horrific well accident that nearly kills the taciturn but good-hearted Farmer Hoggett (James Cromwell), Babe's beloved "Boss." Journeying with the equally pink, even plumper Mrs. Hoggett (Magda Szubanski), the young pig finds himself in a city where animals are outcasts, staying in the lone hotel that allows pets. When Mrs. Hoggett is detained, Babe must contend with the suspicions and rivalries of the hotel's other four-legged guests. The film's G status doesn't fully telegraph the shock Miller induces: bad things happen to good animals, and Babe's new acquaintances are a far cry from his colleagues on the farm. In particular, he must contend with a cynical family of chimps given wonderful, dead-pan voice characterisations by Steven Wright and Glenne Headly. Miller's use of effects to transform his animals into "actors" is even more seamlessly integrated than in Babe. The sequel's production design is crucial to the creation of a complete, absorbing world, and purely visual ideas--such as a deluge of blue balloons during the climactic ballroom battle--achieve a splendour and originality that a room full of computer-graphics desktops couldn't muster. Ultimately, though, the film does more than amaze: as Babe's compassion and courage transform those around him, we're moved in ways that purveyors of by-the-numbers family fare can only dream of. --Sam Sutherland
Welcome to Delos, the high-tech Disneyland for adults that Michael Crichton created for Westworld, a nifty science fiction thriller from 1973 that also marked the popular novelist's feature-film directorial debut. The movie is so named because the vacationing buddies who travel to Delos (James Brolin, Richard Benjamin) choose Westworld as their destination (the other choices being Roman World and Medieval World), where they are free to indulge their movie-inspired fantasies of the Wild West). The place is populated by perfectly humanlike robots programmed and monitored to cater to every guest's fancy, from brothel beauties to black-hatted gunslingers (such as the villain played by Yul Brynner). But fun turns into abject horror when the robots--particularly Brynner's villain--begin to malfunction and Delos turns into an amusement park that's anything but amusing. Westworld has moments of camp and the look of a low-budget back-lot production, but two decades before Crichton revamped his idea to create Jurassic Park, this movie made the most of its interesting and exciting premise. --Jeff Shannon, Amazon.com
All four films in a special collector’s edition release. AMERICAN NINJA Pvt. Joe Armstrong (Michael Dudikoff) chooses to enlist in the US army rather than go to prison and finds himself fighting off ninjas on a base in the Philippines. When he saves Patricia (Judie Aronson) the base colonel's daughter from kidnapping but loses everyone else in the platoon Joe's popularity with his colleagues drops precipitously and he becomes the target of revenge of the lead ninja (Tadashi Yamashita). AMERICAN NINJA 2 – THE CONFRONTATION On a remote Caribbean island Army Ranger Joe Armstrong investigates the disappearance of several marines which leads him to The Lion a super-criminal who has kidnapped a local scientist and mass-produced an army of mutant Ninja warriors. AMERICAN NINJA 3 – BLOOD HUNT A powerful terrorist known as The Cobra (Marjoe Gortner) has infected Sean Davidson the American ninja with a deadly virus as human guinea pigs in his biological warfare experiments. Sean and his partners Curtis Jackson (Steve James) and Dexter (Evan J. Klisser) have no choice but to fight The Cobra and his army of genetically-engineered ninja clones led by the female ninja Chan Lee (Michele B. Chan). AMERICAN NINJA 4 – THE ANNIHILATION CIA agent Sean Davidson and his sidekick Carl are sent into the stronghold of sadistic British ex-soldier Mulgrew to rescue some Delta Force commandoes who have been captured and tortured. When Sean Carl and pretty doctor Sarah run into some problems Peace Corps vet Joe Armstrong is lured out of retirement to stop Mulgrew's plan to explode a nuclear device in New York City. Bonus Features: Brand new feature documentary on the making of American ninja featuring many cast members Brand New 2 audio Commentaries with star Michael Dudikoff and director Sam Fistenberg
When terrorists take over two oil rigs, and threaten to blow them up if their demands are not met, an eccentric anti-terrorism expert volunteers his unique commando unit to stop them.
Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate film-making, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. Along with Hitchcock's other films from the mid-1950s to 1960 (including Vertigo, Rear Window, and Psycho), The Man Who Knew Too Much is the work of a master in his prime. --Tom Keogh, Amazon.com
Digitally restored and remastered Frank Capra's heart-warming masterpiece has been embraced as a cherished holiday tradition by families around the world! George Bailey (James Stewart) sets aside his dreams of world travel to run his father's small community bank, and protect the people of Bedford Falls from greedy businessman Mr. Potter (Lionel Barrymore). When a costly mistake pushes George to the brink of despair, a visit from a kindly angel (Henry Travers) will show George how the life of one good man can change the world forever. Now you can watch the holiday classic like never before, newly remastered from the original fi lm negatives and more vibrant than ever in High Dynamic Range! DISC 1: 4K UHD FEATURE FILM Remastered Black & White Version DISC 2: BLU-RAY FEATURE FILM Remastered Black & White Version Special Features: Restoring a Beloved Classic in 4K Original Cast Party Home Movies and More! 4X the Resolution of Full HD, HDR (HIGH DYNAMIC RANGE) for More Detail, Brightness and Greater Contrast
Janet Gaynor plays a small town girl with stars in her eyes looking for fame and fortune in Hollywood only to face rejection after rejection. A chance meeting with Hollywood star Norman Maine played by Fredric March gives her the opportunity for a screen test. She is instantly rocketed to fame but fame can be a cruel taskmaster. Produced by legendary film-maker David O. Selnick (King Kong and Gone with the Wind) this is the classic tale of happiness and heartbreak.
The complete six series of the hilarious BBC comedy drama Two Pints Of Lager And A Packet Of Crisps brought together in this fantastic 10 disc boxed set. Features every episode ever made.
Join bayleaf, sicknote, charisma and the rest of team as blue watch take to the streets in this pilot movie of the hit ITV Drama London's Burning
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
Digitally restored and remastered Frank Capra's heart-warming masterpiece has been embraced as a cherished holiday tradition by families around the world! George Bailey (James Stewart) sets aside his dreams of world travel to run his father's small community bank, and protect the people of Bedford Falls from greedy businessman Mr. Potter (Lionel Barrymore). When a costly mistake pushes George to the brink of despair, a visit from a kindly angel (Henry Travers) will show George how the life of one good man can change the world forever. Now you can watch the holiday classic like never before, newly remastered from the original fi lm negatives and more vibrant than ever with stunning clarity! Blu-Ray Feature Film: Remastered Black & White Version Special Features: Restoring a Beloved Classic Original Cast Party Home Movies and More!
Classic BBC comedy starring Dawn French (French & Saunders) and written by Richard Curtis (Love Actually, Four Weddings and a Funeral). Geraldine Granger is not your run-of-the-mill village vicar. She is a bubbly, young reverend overseeing an eccentric congregation in a rural community. She and her off-the-wall parishioners bring us unconventional laughs in Richard Curtis' award-winning divine comedy. Includes Series 1-3, plus the Easter Special (1996) and Christmas Specials (1996 & 1997).
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