A young girl witnesses her brother murder a man through a reflection in a mirror. Twenty years later the mirror is shattered, freeing his evil spirit, which seeks revenge for his death.
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
A triple bill of high-octane action adventures featuring S.W.A.T. Bad Boys and Striking Distance. S.W.A.T.: An imprisoned drug kingpin offers a huge cash reward to anyone that can break him out of police custody and only the LAPD's Special Weapons and Tactics team can prevent it. Bad Boys: When 0 million of seized heroin is stolen from the Miami Police lockup Detectives Lowrey (Will Smith) and Burnett (Martin Lawrence) Miami's most mismatched cops are called upon to solve the case before the FBI close their department. Julie (Tea Leoni) is their only lead to the case but will only speak to Lowrey. As he is not around when she calls Burnett impersonates his cool slick partner. A hilarious role reversal begins in order to retain her trust. From then on it's a race against time as the trio dodge the mob and retain their charade while putting pressure on every low-life in Miami's underworld to track down their man. Striking Distance: Tom Hardy (Bruce Willis) is a fifth generation Pittsburgh cop. Formerly a homicide detective he publicly challenged the police department including several of his family members about the identity of the serial killer who took his father's life. Convinced that a newly active serial killer is the same gunman who murdered his father - despite the fact that another man is already behind bars for that crime - Hardy is working out of his jurisdiction to catch the killer. The maverick cop finds himself at odds with his new partner (Sarah Jessica Parker) as he skirts around the system and defies his uncle (Dennis Farina) his father's successor as the Chief of Homicide.
After growing too big for his elf community, a man raised as an elf at the North Pole is sent to New York in search of his true identity.
High above the clouds lies an enchanted world of flying creatures. The secret Sky Kingdom is inhabited by many races of flying creatures. Their sole concern is music and dance and everyone has always lived in peace and harmony with one another... until today! Skyla the queen of the Sky Kingdom has sought help on earth. She has chosen five young students from the Dance Academy three girls and two boys to become Sky Dancers the flying defenders of her world against Sky Clone the grotesque ruler of the Nether-World! Episode titles: Lost Love Love Found Time And Again The Alliance.
Who says armed robbery can't be civilised? Charismatic thief Bobby Comfort (Marsters) escapes from prison clears himself of all charges and returns to a new life he finds unsatisfying. Although he is devoted to his wife and daughter his old life comes calling both figuratively and literally in the form of ideas man Sammy Nalo (Cassini). With the help of Bobby's old partner they begin robbing swanky New York hotels while Comfort's second cousin and bumbling cop Phil P
Lots happened behind the scenes between seasons and early on in the seventh year of the hit comedy, leaving audiences speculating that this might be the last. Perry became seriously ill again, and returned looking more emaciated than ever. Cox regained weight, but despite finishing Scream 3 happily, things were already rocky with David Arquette. Much was made in the press about Aniston marrying Brad Pitt, of course, but the real news (allaying fans' fears) was NBC's expensive renewal of the cast for two years at $750,000 per episode each (more than six times their previous increase). On-screen, at least there was Chandler and Monica's engagement lasting the whole year, despite predictable ups and downs (eg: "T.O.W. The Truth About London" revealing that Monica fancied Joey). By the time we finally get to "T.O.W. Chandler's Dad" (Kathleen Turner), it seems inevitable that the two-part finale will be an insane mess--but with a happy-ish ending. Sure enough, "T.O.W. Chandler and Monica's Wedding" features Gary Oldman joining in the chaos as Chandler repeatedly goes missing. Other star-turns in the year were Seinfeld's Jason Alexander as a suicidal Office Manager, Susan Sarandon as soap queen bitch Jessica Lockhart, Denise Richards as one of Ross and Monica's endless number of cousins and Winona Ryder as a surprise old friend, prompting "T.O.W. Rachel's Big Kiss". But perhaps the most telling instalment of this weirdly atmospheric year was "T.O.W. They All Turn Thirty". It suggested that maybe the Friends are all getting too old to carry on living their frivolous lives the same way after all. Paul Tonks
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
In the second volume of Friends Series 8, the next stage of Rachel's pregnancy is coping with everyone else's reactions and expectations. Immediately in "The One with Rachel's Date" we learn that Ross can't distinguish between father and friend. While their relationship grows ever more complicated, Phoebe just can't sit still as she moves from an infatuation with a sous-chef to her twin sister's fiancé (guest star Sean Penn). "The One with the Halloween Party" is when they meet, making for typically daft fun with the gang in costume: Monica is Catwoman, Phoebe is Supergirl, Chandler is The Velveteen Rabbit, Ross is Spudnik and Joey is Chandler! Penn's cameo continues into "The One with the Stain": while Rachel prays for an old lady to kick the bucket so she can get her apartment, Monica is concerned about the Maid she arranged. But that's nothing compared to her concerns over "The One with the Stripper" that she inadvertently arranges for Chandler! Highlights of this volume include meeting Rachel's explosive father, seeing her hand out cheques instead of candy at Halloween and learning why Chandler should be called Muriel instead of Toby. --Paul Tonks
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
When Tessa's ex-husband Michael remarries leaving her with two children she takes an immediate dislike to Carolyn. But when Tessa finds out she is terminally ill she decides to give Carolyn another chance...
This is the result of an amazing film-making achievement an epic war movie made on a shoe-string budget. For Germany the war is lost yet the Fuhrer clinging to the vain hope that his armies will turn the tide orders a last-gasp attack. Steel Tempest is th harrowing story of a trapped German unit during the closing days of the war. All is clearly lost but the fanatical Commander continues to fight in the face of certain defeat. Featuring thrilling action sequences which combine seamlessly with rare archive footage this is World War II as it really was for the hard-pressed men of the German army.
High above the clouds lies an enchanted world of flying creatures. The secret Sky Kingdom is inhabited by many races of flying creatures. Their sole concern is music and dance and everyone has always lived in peace and harmony with one another... until today! Skyla the queen of the Sky Kingdom has sought help on earth. She has chosen five young students from the Dance Academy three girls and two boys to become Sky Dancers the flying defenders of her world against Sky Clone the grotesque ruler of the Nether-World! Episode titles: Where's My Body? Slam Bang Treasure Cloud.
The One With The Fertility Test: Ross is in agony because brilliant and beautiful professor Charlie (Aisha Tyler) who usually prefers paleontologists is instead dating shallow Joey. Nevertheless Ross helps the desperate Joey pretend to be intelligent to impress Charlie - with mixed results. Meanwhile Chandler and Monica's nervous visit to a fertility clinic is made even more uncomfortable by the unexpected appearance of Chandler's annoying ex-girlfriend Janice (Maggie Wheeler). The One With The Donor: Disappointed to learn that they cannot conceive a baby naturally Monica and Chandler mull over their options. When Chandler brings home handsome unknowing co-worker Zack (John Stamos) for dinner Monica and Chandler embarrassingly 'interview' him as a potential sperm donor. The One In Barbados: Parts I & II as a feature-length 75 minute episode.
At Harrad college the students are given classes on sexual freedom and are freely encouraged to experiment on themselves! Based on Robert Rimmer's novel of the same name. This drama stars Tippi Hedren and James Whitmore as heads of an experimental college that decides to promote sexual freedom. Mixed sharing of dorm rooms group marriages and wife swapping are eagerly promoted amongst the students but some students are rebelling....
Lots happened behind the scenes between seasons and early on in the seventh year of the hit comedy, leaving audiences speculating that this might be the last. Perry became seriously ill again, and returned looking more emaciated than eve r. Cox regained weight, but despite finishing Scream 3 happily, things were already rocky with David Arquette. Much was made in the press about Aniston marrying Brad Pitt, of course, but the real news (allaying fans' fears) was NBC's expensive renewal of the cast for two years at $750,000 per episode each (more than six times their previous increase). On-screen, at least there was Chandler and Monica's engagement lasting the whole year, despite predictable ups and downs (eg: "T.O.W. The Truth About London" revealing that Monica fancied Joey). By the time we finally get to "T.O.W. Chandler's Dad" (Kathleen Turner), it seems inevitable that the two-part finale will be an insane mess--but with a happy-ish ending. Sure enough, "T.O.W. Chandler and Monica's Wedding" features Gary Oldman joining in the chaos as Chandler repeatedly goes missing. Other star-turns in the year were Seinfeld's Jason Alexander as a suicidal Office Manager, Susan Sarandon as soap queen bitch Jessica Lockhart, Denise Richards as one of Ross and Monica's endless number of cousins and Winona Ryder as a surprise old friend, prompting "T.O.W. Rachel's Big Kiss". But perhaps the most telling instalment of this weirdly atmospheric year was "T.O.W. They All Turn Thirty". It suggested that maybe the Friends are all getting too old to carry on living their frivolous lives the same way after all. Paul Tonks
RICHES explores the issues of wealth; whether earnt, inherited, or the result of luck, it continues to make the world go round. Self-made, multi-millionaire Gill Fielding examines the work and commitment that goes into becoming rich. Using his own story as an example, Gil offers advice to those seeking their fortune.
Three animated action episodes: 'Lost Eden' 'The Mount Alayas' and Dark Dramen'.
The Venture brothers are two all-American teens who spend most of their time hopping from one adventure to the next. Along with their caustic and self-centered father Dr. Venture the brothers have super-spy Brock Samson to protect them. Beset on all sides the Venture brothers do all they can just to make it out alive.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy