Vanessa Redgrave & James Fox stars in Karel Reisz’s Academy Award and BAFTA-nominated film biopic of Isadora Duncan the most iconic dancer of the 20th century. Vanessa Redgrave regarded this as her best-ever dramatic performance and this Blu-ray release includes newly filmed extras with Melvyn Bragg and many more extras.
The Only Way is Essex is back - and the second series is bursting with more drama, glamour, boob jobs and orange tans than the last!Find out what happened with Mark's turbulent love life - Could sexy Sam or sultry Lucy keep the lothario from settling down with long time love Lauren? What will sister Jess and mum Carole make of his decisions?We follow bubbly beautician Amy and cousin Harry as they introduce the definitive Essex spray chart, search for an assistant and go glamping!- OH SHUT UUUP!Having won over Lydia can loveable 'Arg' keep her when faced with Lyd's protective Mother Debbie? And what sort of advice can Kirk's dad give to the fiery club manager over his true feelings for girlfriend Lauren.It's not just the parents getting in on the act as we meet Joey Essex (yes, real name) who spends his days perfecting his walnut-whip and evenings wooing the ladies, his cousin, model Chloe and let's not forget Essex's number one car sales rep, wheeler-dealer Gemma All this served up with a healthy portion of national treasure Nanny Pat too! So don't miss out on the explosive second series and don't get jel - get watching. It's totally reem!
The Sandlot (Dir. David Mickey Evans 1993): It's the early 1960's and 5th grader Scotty Smalls has just moved into town with his folks. Kids call him a dork because he can't even throw a baseball. But that changes when the leader of the neighborhood gang recruits him to play on the nearby sandlot field. It's the beginning of a magical summer of baseball wild adventures first kisses and fearsome confrontations with the dreaded beast and its owner who live behind the left fie
Originally broadcast in 1994, the second series of NYPD Blue was disrupted by the departure of star David Caruso (Detective John Kelly) after just four episodes--apparently under less than amicable circumstances. He was ably replaced as Detective Sipowicz's partner by Jimmy Smits as the smoother Detective Bobby Simone, and the series managed not to miss a beat. More streamlined and downbeat than its predecessor Hill Street Blues (also created by Steven Bochco), NYPD Blue continued second time around to mix near-the-knuckle detective work in pursuit of New York's scummiest with more character and relationship-based drama. Although it's regrettable that its ethnic-minority characters such as Lieutenant Fancy are increasingly marginalised here, the series is more comfortable, and even has fun with, regular characters such as the nervy Detective Medavoy and his on-off paramour Donna Abandando. Andy Sipowicz's simmering, tough-nosed recovering alcoholic is increasingly and amusingly put to the test in a number of situations, including a murder investigation in a gay bar; being sung to at his own wedding by Nic Turturro's Detective Martinez; and a love scene in the shower in which we experience the dubious pleasure of seeing his bare bum. New female introductions, such as the strong but sympathetic Detective Lesniak, also helped to shake up the series with a much-needed oestrogen boost. There's also fun to be had in spotting a number of guest appearances by up-and-coming actors destined to make it in their own right such as Richard Schiff and Bradley Whitford (The West Wing) and Debra Messing (Will and Grace). On the DVD: NYPD Blue, Series 2 DVD box set contains a number of extras, primarily a one-hour documentary in which the cast and programme-makers discuss the series episode by episode, the self-congratulatory mood only broken by some subtle digs at departing star David Caruso (apparently, he walked straight off the set following his final take into a waiting limo without any farewells). There's also a small piece paying tribute to the music of theme-writer Mike Post and an item covering the relationship between Sipowicz and Assistant DA Sylvia Costas, in whose marriage this series culminates. --David Stubbs
Las Vegas one of the sexiest show on TV is back and even hotter on DVD in Season 3! Episodes Comprise: 1. Viva Las Vegas 2. Fake the Money and Run 3. Double Down Triple Threat 4. Whatever Happened to Seymour Magoon? 5. The Big Ed De-cline 6. The Real McCoy 7. Everything Old Is You Again 8. Bold Beautiful & Blue 9. Mothwoman 10. For Sail by Owner 11. Down and Dirty 12. Bait and Switch 13. The Bitch Is Back 14. And Here's Mike with the Weather 15. Urban Legend 16. Coyote Ugly 17. Lyle & Substance 18. Like a Virgin 19. Cash Springs Eternal 20. All Quiet on the Montecito Front 21. Chaos Theory 22. Fidelity Security Delivery 23. Father of the Bride
James Van Der Beek (Dawson's Creek) leads the action in this exciting funny coming-of-age story about a small-town high schooler confronting the pressures and temptations of grid-iron glory. At first backup quarterback Jonathan 'Mox' Moxon (Van Der Beek) is nowhere close to being a football star. He's perfectly content to stay on the bench and out of the win-at-all-cost strategies of coach Bud Kilmer (Jon Voight in a powerful performance). But when the starting quarterback is inj
Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man". Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T-rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the century. Kong making his last stand atop the Empire State Building is one of the film's most indelible and iconic images. --Donald Liebenson, Amazon.comOn the DVD: Although a little light on extras, this is happily the Director's Cut, restoring scenes that were censored after the film's original 1933 run, including Kong peeling off Fay Wray's clothes like a banana, and our hirsute hero using unfortunate natives as dental floss. The ratio of 4:3 is correct for a film of this age; the picture and (mono) sound are perfectly acceptable without being revelatory. The 25-minute "making of" documentary from 1992 is a 60th anniversary tribute to the film, which details all of Kong's many ground-breaking contributions to cinema, from Willis O'Brien's use of stop-motion and rear projection effects to Max Steiner's music score. There are contributions from film historians, modern admirers of the film including composer Jerry Goldsmith--who admits that Steiner created a template that Hollywood composers are still following--and a few surviving participants such as sound effects man Murray Spivak. Apparently, director Merian C. Cooper's original idea was to capture live gorillas, transport them to the island of Komodo and film them fighting the giant lizards! Thanks to Willis O'Brien's pioneering effects work good sense prevailed and a cinema classic was born. --Mark Walker
I a young Indian is forced to migrate to London with his father staying with his older brother and his family. Once in London he starts to discover that on account of the National Front the middle class Asian families are living a frightened existance...
In the year 2257 a planet-sized sphere of supreme evil is approaching the earth at relentless speed threatening to exterminate every living organism unless four ancient stones representing the elements of earth wind fire and water are united with the mysterious fifth element.From Luc Besson the acclaimed director of 'Leon' and 'Nikita' comes a film that turns science fiction inside out.
The devil made me do it. After being honourably discharged from the Navy Elvis Valderez returns to him hometown of Corpus Christi in Texas in the hope of finding his father whom he has never met. He soon discovers that he is the pastor of a local Baptist church and married with children. Serving as a reminder of his wayward past Elvis' father rejects him. However Elvis' half-sister and he begin a relationship that leads to tragic consequences.
Vera Cruz was only director Robert Aldrich's second Western (his first, made a few months earlier, was the revisionist, pro-Native-American Apache), but it's such an assured, stylish affair that he might have been roaming the sagebrush for decades. In the aftermath of the American Civil War two lone adventurers make their way south of the border, where Mexico is fighting a civil war of its own to rid the country of the French-imposed Emperor Maximilian. Neither the dour Benjamin Trane (Gary Cooper) nor the grinning, devil-may-care Joe Erin (Burt Lancaster) has much in the way of idealism, but Trane still retains a thin bitter edge of integrity, a quality quite alien to the cheerfully amoral Erin. In uneasy alliance, constantly looking to outwit or double-cross each other, the two find themselves escorting a beautiful French countess (Denise Darcel) and a shipment of gold across country. Cooper and Lancaster create a superb double-act, using their contrasted screen personas to point up the humour and the cynicism of the two mercenaries' relationship. Darcel makes less than she might of the femme fatale role, but there are relishable cameos from Cesar Romero as a suavely duplicitous aristo and Ernest Borgnine as another gringo with an exceptionally vicious streak. The script, according to Aldrich, was written on the run, "always finished about five minutes before we shot it", but you wouldn't guess it from the laconic wit of the dialogue. It looks great, too--Ernest Laszlo's widescreen photography makes the most of the handsome Mexican locations. With its irreverent take on the accepted moral conventions of the genre, Vera Cruz ushered in a new kind of Western, and its central love-hate relationship would be replayed in Sam Peckinpah's Ride the High Country (1962) and Sergio Leone's The Good, the Bad and the Ugly (1966). On the DVD: Not much in the way of extras but the mono sound has been expertly remastered to the benefit of Hugo Friedhofer's spirited score. Above all, the film's presented in its full Superscope ratio (16:9), a blessed relief after all those years when it showed up panned-and-scanned on BBC1. If ever a movie needed widescreen, it's this one--if only to fit in all Burt's teeth. You can see why they called him "Crockery Joe". --Philip Kemp
"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
Puccini - La Boheme (Levine Metropolitan Opera Orchestra)
The Volume 2 of Alfred Hitchcock's greatest films including The Birds Vertigo Frenzy Topaz Marnie Torn Curtain and Family Plot. Vertigo (1958)A San Francisco detective suffering from acrophobia investigates the activities of an old friend's wife whilst becoming dangerously obsessed with her. Special Features: Obsessed with Vertigo: New Life for Hitchcock's Masterpiece Partners in Crime: Hitchcock's Collaborators Hitchcock / Truffaut Interview Excerpts Foreign Censorship Ending The Vertigo Archives Feature Commentary with Associate Producer Herbert Coleman Restoration Team Robert A. Harris and James C. Katz and Other Vertigo Participants Feature Commentary with Director William Friedkin 100 Years of Universal: The Lew Wasserman Era Theatrical Trailer Restoration Theatrical Trailer The Birds (1963)A wealthy San Francisco socialite pursues a potential boyfriend to a Northern California town that takes a bizarre turn when birds of all kinds begin to attack people in increasing numbers and with increasing viciousness. Special Features: Deleted Scene Original Ending The Birds: Hitchcock's Monster Movie - New! (Blu-ray Exclusive) All About The Birds Storyboards Tippi Hedren's Screen Test Hitchcock-Truffaut Interview Excerpts The Birds Is Coming (Universal International Newsreel) Suspense Story: National Press Club Hears Hitchcock (Universal International Newsreel) Production Photographs 100 Years of Universal: Restoring the Classics 100 Years of Universal: The Lot Theatrical Trailer Marnie (1964)Mark marries Marnie although she is a thief and possesses serious psychological problems. Mark tries to help her confront and resolve the issues. Special Features: The Trouble with Marnie The Marnie Archives Theatrical Trailer Torn Curtain (1966)An American scientist defects to East Germany as part of a cloak and dagger mission to find the solution for a formula resin and has to figure out a plan to escape back West. Special Features: Torn Curtain Rising Scenes Scored by Bernard Herrmann Production Photographs Theatrical Trailer Topaz (1969)A French intelligence agent becomes embroiled in Cold War politics first uncovering the events leading up to the 1962 Cuban Missile Crisis and then back to France to break up a Russian spy ring. Special Features: Alternate Endings Topaz: An Appreciation by Film Historian and Critic Leonard Maltin Storyboards: The Mendozas Production Photographs Theatrical Trailer Frenzy (1972)A serial killer is murdering women in London with a necktie the police have a suspect but he isn't the correct man... Special Features: The Story of Frenzy Production Photographs Theatrical Trailer Family Plot (1976) Plotting Family Plot Storyboards: The Chase Scene Production Photographs Theatrical Trailer Family Plot (1976)Suspense film about a phony psychic/con artist and her taxi driver/private investigator boyfriend who encounter a pair of serial kidnappers while following a missing heir in California.
Carry On Up the Jungle has worn less well than some of the others in the series, simply because the African exploration genre it parodies--with its cannibals, great white hunters and lost Amazon tribes--is so entirely out of fashion. Still, Frankie Howerd made so comparatively few films that in one which has him as an ornithologist searching for rare birds in the company of Joan Sims and Sid James is not going to be entirely without interest. He has few great moments here, but runs through his usual repertoire of groans and horse-faced sorrowful expressions with brio. The idea of Terry Scott playing Tarzan is in itself such a good joke that it hardly matters that most of what follows is him swinging, on ropes, into obstacles. --Roz Kaveney
Albert Lewin's adaptation of the 'Flying Dutchman' legend transposes the story into an upper-class English-speaking community in a small port in 1930s Spain. James Mason stars as Hendrick van der Zee, a man cursed to travel the seven seas until he can find a woman willing to die for his love. He certainly does not think he has discovered her when he meets beautiful, spoiled, nightclub singer and femme fatale Pandora Reynolds (Ava Gardner), who is engaged to be married to racing driver Stephen Cameron (Nigel Patrick) but is also being courted by hotheaded bullfighter Juan Montalvo (Mario Cabre). However, the pair soon discover that love can blossom in the unlikeliest of places.
The Time: In 1989 the Berlin Wall for so long the symbol of the cold war came crashing down. 12 months later this defining moment was marked by one of the greatest rock concerts of all time. The Place: Postdamer Platz sat between the two Berlin walls which divided the city. For decades people had died trying to escape Communism to Capitalism. In 1990 this extraordinary concert would open up this historic landmark. The Performances: Special Guests: Bryan Adams The Band: Rick Danko Gareth Hudson Levon Helm Paul Carrack Thomas Dolby James Galway Jerry Hall The Hooters Cyndi Lauper Ute Lemper Paddy Maloney Joni Mitchell Van Morrison Sinead O'Connor and Scorpions.
College students at a Boston college become fascinated by the events of the three missing filmmakers in Maryland, so they decide to go into the same woods and find out what really happened.
Paul Kaye stars as a bad-boy bowling champion who takes on the establishment and turns lawn bowls into the biggest spectator sport in England - nay the world!
Bob Rafelson's Mountains Of The Moon based on William Harrison's biographical novel 'Burton and Speke' tells the story of 19th century explorers Captain R.F. Burton (Patrick Bergin) and Lt. John Hanning Speke's (Iain Glen) 1854 expedition to Africa to find the source of the river Nile. Shot in the actual locations where the events unfolded the protagonists sustain injuries and illness and encounter animosity from tribes as they struggle with the uncompromising African wilderness. T
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