In order to save the United States from mass destruction ATF agent Ethan Carter (Dean Cain) must go undercover and join the 'Brotherhood of Liberty' a subversive militia group who are determined to implement a 'new world order' headed by passionate radical right-wing talk show host George Montgomery (Stacey Keach). The militia has stolen three missiles whose warheads each contain enough anthrax to wipe out a city the size of Los Angeles. Agent Carter must team with his old nemesis and former militia member William Fain (Frederic Forrest) who Carter put behind bars three years ago. Having just completed her ATF agent training programme Julia Sanders (Jennifer Beals) is assigned to protect Carter. The Militia takes Carter and Fain hostage after they are caught breaking into Montgomery's headquarters. With the countdown already begun Carter and Fain must rely on each other and Agent Sanders to destroy Montgomery and save the millions of lives in jeopardy.
She dreamed off psssion. She dreamed of love. For every dream... there's a nightmare! In the year 2002AD a world wide search was conducted to find the most unromantic man in the world. 13 months later something truly terrifying was discovered lurking in Clapham Junction London England. The utterly charmless completely passionless and outrageously insensitive David Lumby... This feature length comedy documents the nightmare his long suffering wife Doreen must endure as
Detective Superintendent Tennison investigates the mysterious death of a local country club manager and is led to a hidden political scandal...
Tarzan:The classic tale of Tarzan an orphan who is brought up by apes and believes them to be his family. This changes when on an expedition he rescues Jane and discovers that he is human after all. Now he must decide where he really belongs. Tarzan was the last Disney animated blockbuster for the 20th century and it pulled out all the stops with star studded voice-overs by the likes of Nigel Hawthorne Minnie Driver Glenn Close and Rosie O'Donnell while all the songs are performed by Phil Collins. Hercules:Bestowed with superhuman strength a young mortal named Hercules sets out to prove himself a hero in the eyes of his father the great god Zeus. Along with his friends Pegasus a flying horse and Phil a personal trainer Hercules is tricked by the hilarious hotheaded villain Hades who's plotting to take over Mount Olympus! Hercules must now choose between his legendary strength and his true love the Grecian beauty Meg. Only by learning a valuable lesson... that it's not the size of your strength that counts but the strength of your heart... will Hercules save Mount Olympus and be proclaimed a hero!
From award-winning horror director Neil Johnson comes the terrifying tale of Travis Brown whose life is turned inside out when a meteorite lands in his backyard. Travis is having the worst life of his week...
An alien bacterium resurrects the dead on Earth.
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
A documentary on the Mercant-Ivory production company a fascinating insight into the unique partnership of American director James Ivory Indian producer Ismail Merchant and German-born writer Ruth Prawer Jhabvala. This unique account os illustrated with clips from many of the Merchant-Ivory films interviews with Ismail Merchant James Ivory and Ruth Prawer Jhabvala together with many of the people who worked with them.
A beautifully realized portrait of a close-knit community on the outskirts of Baltimore, Putty Hill is the second feature from celebrated young filmmaker Matt Porterfield. At a neighbourhood karaoke bar, friends and family gather to remember a young man who passed away. Knowing little about his final days, they attempt to reconstruct his life. In the process, they offer a window onto their own lives, an evocative picture of working-class America, dislocated from the progress and mobility around them, but united in pursuit of a shared dream. Exquisitely shot and employing surprising documentary techniques, Putty Hill is one of the most exciting American indie films in years.
King Boxer II: Bruce Le is back with a vengeance thundering his way through a multitude of adversaries using all the techniques he knows. From the Leopard Fist to the Tiger Claw he smashes all who stand in his way in his battle against an evil Shaolin sect. Karate Kill: Martial Arts champion Steve Hunt is lured to a desert fortress to compete in what he thinks will be an Olympic-style contest between Martial Arts Champions with a prize of a fortune in diamonds. In
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure.
Bruce Lee - The Immortal Dragon This authorised biography of Bruce Lee is the most comprehensive and well rounded to date. With great attention to detail this documentary uses rare home movies action-packed film clips behind the scenes footage screen tests and photographs from the Lee family archives to tell the remarkable life story of Bruce Lee and his tremendous success as an unparalleled martial artist as well as an international film celebrity. Includes interviews with Lee's family members co-stars business partners and students. The Lee's: Action Speaks Louder Than Words As a compliment to 'Bruce Lee - The Immortal Dragon' this exclusive feature takes you on a guided tour of the Lee Family. Includes rare Lee family photographs and home movies in-depth interviews with Linda Lee Cadwell Shannon Lee Keasler Robert Lee James Coburn Taki Kimura clips from his TV and film appearances and much more.
Promising middleweight Wayne 'Thunder' Canter teams up with veteran trainer Percy Banks to contend for the World title. But in the corrupt world of prize fighting he finds that it takes more than talent to make it to the top.
An abandoned prison reopens to implement a controversial reform program. Dr Harold Langer favours midnight snacks of Chinese food and free stereos for each prisoner. Warden Edward Dwyer favours strict traditional order and discipline. But the rivalry between the two men is quickly overshadowed when horror stalks the cellblock. Unexplained power surges short-outs and frightening electrical shocks turn the prison into mayhem. The mysterious draw of electrical current is traced to an unused wing of the jail which housed the execution chamber. Twenty years earlier during a riot the former warden was savagely killed in the electric chair by the rioting inmates and now he's back for revenge...
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
Love Object: Kenneth is socially insecure. But when he buys 'Nikki' a silicone sex doll over the internet. Because of his experience with his new toy Kenneth's life takes a turn for the better when he attracts the attention of a real girl Lisa. But when the doll's jealous personality invades his consciousness Kenneth becomes trapped in a perverse triangle torn between the silicone Nikki and the flesh and blood Lisa. King Of The Ants: Sean is a painter with no direct
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