Richard Johnson returns as Hugh 'Bulldog' Drummond in this action-packed take on the exploits of H.C. McNeile's famous fictional hero - this time with an added dose of late '60s whimsy when Drummond comes up against a gang of armed, gorgeous fembots! Some Girls Do is presented here as a new High Definition transfer from original film elements in its original aspect ratio. Drummond is hot on the trail of his nemesis, the devious Carl Petersen, who is hell-bent on sabotaging the new British fighter airplane. Peterson must be stopped - whatever the cost - but this time he's protected by a bodyguard of murderous female androids! SPECIAL FEATURES: Theatrical Trailer Extensive Image gallery
Roman Polanski's psychological drama was his first English-language feature. A young Belgian woman (Catherine Deneuve) is left alone in a Kensington apartment when her sister goes away. She becomes increasingly unstable, experiencing hallucinations which have their roots in her fear of male sexuality. When two aggressive men turn up, her tortured nightmares spill into real life violence.
Michael York stars as a fictional British prince who fall in love with a beautiful Japanese tour guide in this sumptuous romantic adventure of 1977. Directed and produced by Oscar-nominated Lewis Gilbert - whose career spans six decades and iconic British films such as Alfie You Only Live Twice and Shirley Valentine - Seven Nights in Japan is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Handsome Prince George arrives on board his ship in Japan. Youthful immaculate in naval uniform and smiling broadly he goes through the complicated formalities of being greeted by a host nation. But housed with the Ambassador and his family the Prince finds the atmosphere stuffy and dull; he longs for freedom and for once rebels against his upbringing with all its constraints and responsibilities escaping for a week of romance and unexpected drama... Special Features: Original Theatrical Trailer Image Gallery Original Pressbook PDF
This is a double-feature of two British crime classics, The Blue Lamp (1949) and The Nanny (1965). The Blue Lamp is the film that introduced PC George Dixon, played by Jack Warner, later immortalised in the BBC's long-running Dixon of Dock Green (1955-76). Here Dixon's murder is the catalyst for an exciting London manhunt, shot largely on location in a fast-moving, starkly efficient style showing the influence of The Naked City (1948). The war-damaged East End and the car chases through almost vehicle-free streets offer a documentary-like vision of a London now long gone, and a young Dirk Bogarde makes a serious impact in an early starring role. In contrast, The Nanny has a superstar, the imported Hollywood legend Bette Davis, in the declining years of her career. Just one of three psychological thrillers Hammer produced in 1965 (the others were Frantic and Hysteria), the film capitalises on the popularity of Davis's Whatever Happened to Baby Jane? (1962) with a comparable mix of hateful insanity and paranoia. The screenplay skilfully juggles the audience's sympathies between a superb Davis and the dysfunctional family of which she becomes a part, developing a powerful sense of dread which shows such clichéd later fare as The Hand That Rocks the Cradle (1992) how to do this sort of thing with real class. On the DVD: The Blue Lamp and The Nanny are presented in black and white with adequate mono sound. The Blue Lamp is in its original 4:3 ratio; The Nanny is cropped from its theatrical 1.85:1 to 4:3, though it's only in a few shots that it becomes obvious that information is missing at the sides of the screen. The print of The Blue Lamp is soft and grainy, while The Nanny is grainy with a considerable amount of flicker. There are no extras. --Gary S. Dalkin
If it was a piece of fiction, they'd say that it could never happen. Bloody Sunday is a dramatisation of one of the most shameful episodes in recent British history. Released to coincide with the 30th anniversary of the Derry civil rights march and also the re-opening of enquiries into what really happened, the film is one of the most incisive, explosive works ever to emerge from British cinema. The premise is simple--to follow what took place in the city on 30th January 1972, when an anti-internment march descended into violence and left 13 unarmed civilians dead at the hands of the British army. Abandoning traditional filmmaking methods in favour of a more documentary style, Bloody Sunday is frighteningly realistic, especially when detailing the chaos into which the peaceful demonstration descended. Those who are only familiar with James Nesbitt through his lighter work (Cold Feet for example) may find this something of a shock, but he excels in the role of local politician Ivan Cooper. Admittedly there is a danger in presenting historical facts in a dramatic manner, no matter how painstaking the research, even though much of the dialogue here is taken straight from testimony and actual military transcripts. But if any question of bias arises, its worth remembering that this film was written and directed by an Englishman, stars a Derry protestant as well as a young man whose uncle was killed during the march, and was produced as an Anglo-Irish project. The result is an unforgettable and unflinching piece of cinema not to be missed. On the DVD: Bloody Sunday absolutely has to be seen on DVD. The slew of extra features not only complement the film, but place it in the overall context of the past, present and future of Northern Ireland. The various interviews with cast, director and producers paint a picture of a film that sets out to heal wounds and build bridges on all sides and to break the cinematic mould. Thus the majority of the cast were not actors but ordinary people from the Derry area, with the majority of the British soldiers played by ex-military personnel, some of whom had served in Northern Ireland themselves. As more and more of the story behind this remarkable film is revealed, so its impact becomes more intense and its aims and purpose more successful.--Phil Udell
This second series finds Cockney model Lorraine with fading prospects of Tory MP Charles ever proposing marriage - particularly with his aristocratic fiance Sybilla (Patricia Hodge) still very much on the scene. So, displaying a greater spirit of independence, she decides to move far enough out of town to avoid being always at Charles' beck and call; a little reminder that she's still a free agent.
Susan Hampshire stars in this world stars in this wonderful BBC dramatisation of the lives of John and Sarah Churchill. John Churchill was the first Duke of Marlborough a military genius whose brilliance on the battlefield saved England from defeat just as his descendant Winston Churchill saved Britain 300 years later... Episodes comprise: The Chaste Nymph Bridals Plot Counter-Plot The Lion and the Unicorn Rebellion The Protestant Wind.
Barbara Ferris Harry Andrews and triple Oscar nominee Gladys Cooper star in this quintessentially Sixties romantic comedy from award-winning director Desmond Davis. Released in 1969 A Nice Girl Like Me is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Liberated Londoner Candida inherits a house and a small sum of money and leaves for Paris; when she returns she finds she is pregnant and Savage a friend who shares her house takes care of her. Leaving her baby with her aunt Candida then heads for Italy and comes back with a forsaken child consigned to her care by a desperate mother. Savage advises her to consider marriage but when a suitor steps forward Candida finally becomes aware of the man she truly loves. Unfortunately however she is returning from Italy with a token remembrance... another pregnancy!
One of the patients in an institution for the incurably insane was once its director, and a young psychiatrist (Robert Powell) has to figure out which one as they all tell him their stories. What better setting for a horror anthology? It's an inspired framing device, making this one of the better examples of the genre, even if screenwriter Robert Bloch at times resorts to gimmicks rather than invention. The first two stories are less than brilliant (the first is highlighted by dismembered body parts neatly wrapped in butcher paper wriggling back to life for revenge), but Charlotte Rampling and Britt Ekland are marvellous in the third tale, about a mentally unbalanced young woman and her dangerous best friend. Herbert Lom is also excellent in the final story as a scientist who carves an army of dolls he claims he can bring to life by sheer willpower. Director Roy Ward Baker (Quatermas and the Pit) builds momentum with each story until the dark and deliciously bloody climax. This Amicus Studios production looks visually dull compared to Hammer's gothic gloss, but it features a great British cast (including Patrick Magee and Hammer stalwart Peter Cushing), and ultimately Baker makes that gloomy look work for his increasingly creepy production. Amicus produced a series of horror anthologies, including the original 1972 Tales from the Crypt and The Torture Garden (also scripted by Bloch). --Sean Axmaker, Amazon.com
Seven further swingingly stylish adventures with super spies John Steed and Mrs Peel! Flashback to the Sixties with the coolest duo in crimefighting! Room Without A View Steed becomes a Gourmet and Emma awakens in Manchuria. Small Game For Big Hunters In which Steed joins the natives and Emma gets the evil eye. A Touch Of Brimstone Steed joins the Hellfire Club and Emma becomes the Queen of Sin. What The Butler Saw Steed becomes a Gentleman's Gentleman and Emma faces a fate worse than death. A Sense Of History Steed dons a gown and Emma becomes a Don. How To Succeed...At Murder Steed becomes a perfect boss and Emma goes seeking charm. Honey For The Prince Steed becomes a Genie and Emma joins a harem.
Two more enthralling investigations for Sherlock Holmes ever assisted by his sturdy sidekick Dr Watson.
Sean Bean stars as swashbuckling British officer Richard Sharpe in Sharpe's siege. Sharpe marries his sweetheart Jane Gibbons but then has to immediately leave her to go on a dangerous mission in the Pyrenees to capture a French fort.While Sharpe is battling with the French his wife contracts a deadly fever which has swept through the British camp and endangers her life. Sharpe encounters his old enemy Ducos and is compelled to stay at the fort an fight for his country knowing that even is he survives he may never see his beloved new bride again.
The Amazing Mr. Blunden
Based on a true story. 1876. The heir to the vast Tichborne fortune Sir Roger Tichborne presumed drowned at sea in 1866 is reportedly seen in Australia. His brother Alfred and the family servant Andrew Bogle arrive from England to investigate the matter. However Alfred's demise prompts the Tichbourne's to refuse funds for Andrew's return. Andrew desperately searches for a candidate to fill in for the missing heir and settles on local butcher Thomas Castro whom he coaches to succeed in such a scam. With the family divided in their belief that he is their missing kin the impostor is soon standing trial...
Dead Bolt Dead' takes a twisted look at the dark world of organised crime at its assasins its bosses its drivers and its sharply suited paid thugs. It adds a dose of country and western a couple of spliffs and a Mexican cook with a meat cleaver. It's a dark thriller with a wry sense of humour that focuses on the need to keep talking when staring down the barrel of a gun. Set in 2 locations in and outside London it charts the night after a bold attempt to take out a rival gang fails. Two hostage situations emerge - one with a wounded thug desperate to secure his safety the other with a hired gun and his crime lord target. The claustrophobic confines of the 2 situations sporadically burst into violence - these characters simply too big for the corner they've got themselves into and they will do ANYTHING to get themselves out of it!
It's tough trying to beat the 1934 version of the popular adventure-romance story, starring Leslie Howard as the 18th-century British hero who poses as a fop in London society but runs a secret mission to rescue the doomed in Robespierre's Paris. But this 1982 television version, starring Anthony Andrews (Sebastian Flyte in Brideshead Revisited) as the Pimpernel and Jane Seymour as his beloved but estranged wife, is quite a treat. Andrews and Seymour expertly capture the essence of a relationship suffering from misunderstandings and elusive passion, and there is plenty of crackle to the action sequences. Clive Donner (What's New, Pussycat?) brings some strong cinematic qualities to this television presentation. --Tom Keogh
A mysterious very old solicitor Mr. Blunden (Naismith) visits Mrs. Allen and her young children in her squalid Camden Town flat and makes her an offer she cannot refuse. The family become the housekeepers to a derelict country mansion in the charge of the solicitor. One day the children meet the spirits of two other children who died in the mansion nearly a hundred years previously and start to look into the mystery surrounding a fire that destroyed the house and claimed the lives of the two children...
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