It's not easy being the Falcon's fiance, as Helen Reed (Wendy Barrie) quickly discovers. Every girl in town seems to bewildly in love with him and now some exotic foreign beauty from the Falcon's past has ensnared him in anotherdangerous mystery - just on the eve of their wedding.A scientist has found a way to create perfect fake diamonds - and that's a secret worth killing for. Suddenly, theFalcon's a target for mob hit men, dead bodies are turning up in hotel rooms and the cops want the Falcon for murder.As the Falcon offers himself as bait to lure the murderous gang out of hiding, it looks like Helen could be a widowbefore she's even had the chance to become a bride...
Six timeless episodes starring Mark McManus James MacPherson Blythe Duff and John Michie. Taggart is one of the best remembered detective series in television history thanks to a superb mix of brilliant writing direction and performances from its entire cast. Each episode took months to research and write: this was not formula television. Over the years the storylines became more sophisticated to involve a whole range of influences from the IRA to the Gulf War Roman burial sites to ex-hitmen. Now 30 years after it first appeared on our screens the popularity of Taggart shows no signs of diminishing and it has rightly achieved classic status in British television history. This unforgettable collection includes six vintage episodes that span the generations starring James MacPherson John Michie Blythe Duff and two classic episodes starring Mark McManus the actor who remains synonymous with his career-defining role as DCI Jim Taggart. Packed with intriguing plot lines plenty of twists and turns as well as the obligatory mysterious murder each programme keeps you guessing right to the end. So sit back and enjoy over 10 hours of Taggart at its very best. They just don't make them like this anymore. Episodes Comprise: The Hit Man Secrets A Few Bad Men Long Time Dead Do or Die Running Out of Time
The most British of British sitcoms, The Vicar of Dibley's well-earned success has nothing to do with the whoops-mind-my-bosoms potential in casting Dawn French in the role of a female vicar foisted upon a sleepy and ultra-conservative English village. Rather this series, set in a rural, largely middle-class environment, is essentially the flip side of, say, Inspector Morse. It's resolutely un-dumbed down, with scalpel-sharp dialogue and a standard of humour that owes more to Tom Stoppard than to mainstream primetime comedy. This release includes the entire first series, in which the vicar has to deal with the inevitable bemusement caused by her arrival and her well-intentioned involvement in the affairs of the community, together with the superbly funny episode in which she realises she's accepted several invitations to Christmas lunch and can't bring herself to disappoint any of the hosts (never before has a sprout-eating contest provoked so much mirth). Above all, though, watch out for the episode which features Kylie Minogue giving the kind of hands-on performance usually associated with classic Morecambe and Wise or Ab Fab--when stars of this stature are happy to send themselves up in a television comedy, you know it's a good sign. On the DVD: The DVD features a slightly bogus "extra" that strings together French's legendary jokes, which, thankfully, also appear in their original locations at the end of each episode.--Roger Thomas
Alex Grady (Roberts) an Oregan welder and widowed father of a 5-year-old son is chosen for the United States National Karate team. He finds himself in the company of of Tommy Lee (Rhee) a soft spoken Karate instructor and a mix of international colleagues. It's a team with rough edges that must be resolved if they're to win the international competition in the South Korean capital Seoul. The team's sponsor brings in an unorthodox trainer Catherine Wade (Kirkland) to teach the men to
Let's see--he has been Han Solo in three films and Indiana Jones in three more. So why shouldn't Harrison Ford take on a new continuing character in Tom Clancy's CIA analyst Jack Ryan? In this film, directed by Phillip Noyce, Ford picked up the baton when Alec Baldwin, who played Ryan in The Hunt for Red October, opted for a Broadway role instead. In this film, Ryan and his family are on vacation when Ryan saves a member of the British royal family from attack by Irish terrorists. The next thing he knows, the Ryan clan has been targeted by the same terrorists, who invade his Maryland home. The film can't shed all of Clancy's lumbering prose, or his techno-dweeb fascination with spy satellites and the like. But no one is better than Ford at righteous heroism--and Sean Bean makes a suitably snakey villain. --Marshall Fine
It's Christmas Eve and five kids have just been snowed in at the airport - and there isn't a parent in sight.
There's the right way, the wrong way and the Army way. But there's no way military investigator Paul Brenner (John Travolta) is going to participate in a cover-up when Fort MacCallum officials try to hide the motive behind the murder of a beautiful female officer. Travolta's magnetic performance sparks this riveting thriller featuring an all-star cast led by Madeleine Stowe as Brenner's co-investigator and former flame, with James Cromwell, Timothy Hutton, Clarence Williams III and James Woods among the suspects in this steamy game of cat and mouse that will keep you guessing until the surprising, explosive ending. Sandie Newton, CBS-TV Special Features: Commentary By Director Simon West The General's Daughter Behind the Secrets Theatrical Trailer Teaser Trailer 4 Deleted Scenes Including Alternative Ending
Stephen Elliott (James Franco) is enjoying a moment of fame and notoriety after publishing a celebrated memoir charting his difficult childhood at the mercy of a brutalising father (Ed Harriss). Going from busy book signings to sold-out talk-sessions he is riding the crest of a wave that has hitherto been so uncharacteristic of his life s journey so far. But what goes up must come down and when his estranged father resurfaces in his life, claiming that Stephen fabricated much of the dark childhood that that fuelled his best-selling book, it comes down with a crash. Adrift in the precarious grey area of memory, prescription medication and an onset of serious writers-block Stephen is guided by a new romance with the beautiful and enigmatic Lana (Amber Heard) and the chance to write about an infamous murder trial that reminds him more than a little of his own story.
Baghdad Iraq 2009. Mission: Unclear. Enemy: Unidentified. Duration of Tour: Unknown. It was impossible for the Marines of the First Recon Battalion to anticipate what would occur during those first 40 days of the Iraq war as they found themselves struggling with Shoddy supplies frustrated by the chain of command and questioning the mission at every turn. Fused with camaraderie faith and fury Generation Kill brings you the gritty raw and brutally honest insider's look at what has become of our contemporary American War. Based on Evan Wright's best-selling book and produced by David Simon and Ed Burns two of the men who brought you the critically heralded HBO series The Wire Generation Kill is now an equally acclaimed seven-part miniseries event from HBO Films.
The ninth season of One Tree Hill continues to grow and break new ground as it approaches its final conclusion. New parents Brooke and Julian adjust to twin babies and two careers. Haley embarks on a crash course in crisis management when Nathan's work trip to Europe takes a dark and devastating turn. Quinn and Clay, Millie and Mouth, Alex and Chase strap themselves into love's roller coaster. Patriarchs resurface, long unseen friends rally forces, and a foe is vanquished. Despair looms on the horizon, yet redemption and renewal are close at hand.
The era of big bands, grand ballrooms, and casino nightlife comes alive in The Eddy Duchin Story, a musical biography of the talented pianist and bandleader who set New York society on its ear in the 1930s and 40s. George Sidney directs this moving story of a man who discovers too late the real wonder of life. An emotionally rare motion picture scored to the unforgettable music of Cole Porter, George Gershwin, Frederic Chopin and Oscar Hammerstein.
Eureka Entertainment to release A TREE GROWS IN BROOKLYN, Elia Kazan's heartfelt and sentimental first feature, presented on Blu-ray from a 2K restoration as a part of The Masters of Cinemas Series from 22 July 2019. Director Elia Kazan's first film, A Tree Grows in Brooklyn shows that the filmmaker's great empathy for his characters was already quite evident at this early juncture, and this endures as one of the most moving Hollywood dramas of the 1940s. Based on Betty Smith's novel a bestseller in the U.S. but also one of the most popular books among American soldiers overseas in WWII Kazan's debut is a sensitive, masterful adaptation. Set among Brooklyn tenements circa 1912, A Tree Grows in Brooklyn is a portrait of the Nolans, an Irish-American family living in financially challenging circumstances, often made worse by father Johnny's drinking and employment problems. But matriarch Katie keeps the family together during all of the obstacles, caring for son Neeley and daughter Francie, as well as Katie's outspoken, oft-married sister Sissy. But just as Francie's gift for writing opens up new avenues, more tragic developments test the family's resolve. Winning Academy Awards for actors James Dunn (as Johnny) and Peggy Ann Garner (as Francie), and featuring splendid work by Dorothy McGuire and Joan Blondell, A Tree Grows in Brooklyn is a heartfelt testament to the strength of family, and offers an early indication of Kazan's unrivalled proficiency with actors. Special Features: 1080p transfer of the film on Blu-ray from a 2K restoration completed from a 4K scan of the original film elements Optional English subtitles for the deaf and hard-of-hearing Feature-length commentary by Richard Schickel with Elia Kazan, Ted Donaldson, and Normal Lloyd The Making of A Tree Grows in Brooklyn An Appreciation of Dorothy McGuire A Tree Grows in Brooklyn Hollywood Star Time: Original radio broadcast version of A Tree Grows in Brooklyn from 1946, starring Peggy Ann Garner, James Dunn and Joseph Kearns PLUS: a collector's booklet featuring new essays by Kat Ellinger, Phil Hoad, and Philip Kemp, alongside rare archival imagery
Haunting passionate and unforgettable this beautiful version of Emily Bronte's timeless masterpiece stars Anna Calder-Marshall and Timothy Dalton as Cathy and Heathcliff star crossed lovers destined for a doomed romance.....
Louise Lasser, Paul L Smith,After the colossal success of The Evil Dead, director Sam Raimi teamed up with the Coen brothers (fresh from Blood Simple) to make his next film, Crimewave, an unusual mixture of screwball comedy, film noir and B-movie homage. Raimi's film tells the bizarre story of a security-system installer, Vic (Reed Birney), who finds himself in the electric chair when he falls in love with Nancy (Sheree J Wilson), a femme fatale on the run from two bumbling exterminators of all sizes' (Paul L Smith, Popeye, and Brion James, Blade Runner). A notoriously troubled production which flopped upon its original release, Crimewave can now be enjoyed as a riotously entertaining showcase for Raimi and the Coens, which also benefits from a highly amusing performance from cult-horror star Bruce Campbell. Extras High Definition remaster Original mono audio Alternative presentation with pre-release Broken Hearts and Broken Noses title sequence Audio commentary with actor Bruce Campbell (2013) The Crimewave Meter with Bruce Campbell (2013): the Evil Dead star revisits Crimewave and his various collaborations with Sam Raimi Made in Detroit with Edward Pressman (2013): the producer discusses his participation in the making of the film Leading Man with Reed Birney (2013): the actor talks about his lead role in Crimewave and his wider career Rank Outsider (2021): genre-film expert, critic and author Kim Newman remembers the film's original UK cinema release New appreciation by the comedian, musician and writer Rob Deering (2021) Alternative titles and credits Original theatrical trailers TV spots Image gallery: promotional and publicity materials New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Amanda Reyes, interview extracts with cast and crew members, an overview of contemporary critical responses and film credits UK premiere on Blu-ray Limited edition of 3,000 copies All extras subject to change
I WANT YOU TO WATCH THE MOVIE SCREEN. THERE'S SOMETHING I WANT TO SHOW YOU. Fifteen years before Stranger Things combined science-fiction, Spielbergian touches and 80s nostalgia to much acclaim, Richard Kelly set the template and the high-water mark with his debut feature, Donnie Darko. Initially beset with distribution problems, it would slowly find its audience and emerge as arguably the first cult classic of the new millennium. Donnie is a troubled high school student: in therapy, prone to sleepwalking and in possession of an imaginary friend, a six-foot rabbit named Frank, who tells him the world is going to end in 28 days, 06 hours, 42 minutes and 12 seconds. During that time he will navigate teenage life, narrowly avoid death in the form of a falling jet engine, follow Frank's maladjusted instructions and try to maintain the space-time continuum. Described by its director as The Catcher in the Rye as told by Philip K. Dick, Donnie Darko combines an eye-catching, eclectic cast pre-stardom Jake and Maggie Gyllenhaal, heartthrob Patrick Swayze, former child star Drew Barrymore, Oscar nominees Mary McDonnell and Katharine Ross, and television favourite Noah Wyle and an evocative soundtrack of 80s classics by Echo and the Bunnymen, Tears for Fears and Duran Duran. This brand-new 4K restoration, carried out exclusively for this release by Arrow Films, allows a modern classic to finally receive the home video treatment it deserves. 4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTS New 4K restorations of both the Theatrical Cut and the Director's Cut from the original camera negatives by Arrow Films, supervised and approved by director Richard Kelly and cinematographer Steven Poster 4K (2160p) UHD Blu-ray presentations of both cuts in Dolby Vision (HDR10 compatible) Original DTS-HD Master Audio 5.1 audio Optional English subtitles for the deaf and hard of hearing 100-page hardcover book featuring writing by Nathan Rabin, Anton Bitel and Jamie Graham, an in-depth interview with Richard Kelly, an introduction by Jake Gyllenhaal and contemporary coverage, illustrated with original stills and promotional materials Double-sided fold-out poster featuring newly commissioned artwork by Luke Preece Six double-sided collector's postcards Limited Edition packaging with reversible sleeve featuring original and newly commissioned artwork by Luke Preece DISC 1 THE THEATRICAL CUT [4K UHD BLU-RAY] Audio commentary by writer-director Richard Kelly and actor Jake Gyllenhaal Audio commentary by Kelly, producer Sean McKittrick and actors Drew Barrymore, Jena Malone, Beth Grant, Mary McDonnell, Holmes Osborne, Katharine Ross and James Duval Deus ex Machina: The Philosophy of Donnie Darko, a documentary by Ballyhoo Motion Pictures on the making of Donnie Darko, containing interviews with writer-director Richard Kelly, producer Sean McKittrick, cinematographer Steven Poster, editor Sam Bauer, composer Michael Edwards, costume designer April Ferry, production designer Alec Hammond and actor James Duval The Goodbye Place, Kelly's 1996 short film, which anticipates some of the themes and ideas of his feature films 20 deleted and alternate scenes with optional commentary by Kelly Trailer DISC 2 THE DIRECTOR'S CUT [4K UHD BLU-RAY] Audio commentary by Kelly and filmmaker Kevin Smith The Donnie Darko Production Diary, an archival documentary charting the film's production, with optional commentary by cinematographer Steven Poster Archive interviews with Kelly, actors Jake Gyllenhaal, Jena Malone, Drew Barrymore, James Duval, Maggie Gyllenhaal, Holmes Osborne, Noah Wyle and Katharine Ross, producers Sean McKittrick, Nancy Juvonen, Hunt Lowry and Casey La Scala, and cinematographer Steven Poster Three archive featurettes: They Made Me Do It, They Made Me Do It Too and #1 Fan: A Darkomentary Storyboard comparisons B-roll footage Cunning Visions infomercials Music video: Mad World by Gary Jules Galleries Director's Cut trailer TV spots
1. Turn It Loose
2. It's Too Funky In Here
3. Gonna Have A Funky Good Time
4. Try Me
5. Get On A Good Foot
6. Prisoner Of Love Get Up
7. Off That Thing
8. Georgia
9. It's A Man's World
10. Super Bad
11. Cold Sweet
12. I Can't Stand it
13. Papa's Got A Brand New Bag
14. I Feel Good
15. Please, Please, Please
16. Jam
Murder by Decree has the distinction of being not only one of the best Sherlock Holmes films, but one of the best pastiches (i.e., a Holmes fiction created by someone other than author Sir Arthur Conan Doyle) featuring the late-Victorian detective. Christopher Plummer is very good as Holmes, and James Mason redeems the many mishandled screen portrayals of Dr John Watson with a rare, insightful performance. The story may not be unique in post-Doyle Holmes adventures--the private investigator pursues Jack the Ripper during the latter's murderous reign in foggy London--but the script by John Hopkins (Thunderball) is keenly intelligent, developing concentric circles of power and evil with great subtlety. Before losing himself in Porky's, director Bob Clark did a masterful job of surprising audiences with Murder by Decree, convincing viewers they were watching one kind of drama but then unleashing something very different, very unsettling. --Tom Keogh
Jefferson Pierce (Cress Williams), respected educator and father of two, is also Black Lightning, superpowered protector of Freeland. And he doesn't fight alone. He is joined by his superpowered daughters, Anissa (Nafessa Williams), aka Thunder, and Jennifer (China Anne McClain), aka Lightning, as well as his ex-wife, metahuman expert Lynn (Christine Adams). Together, the Pierce family combats the ills eroding their city, including a menacing gang that calls itself The 100 and infamous gangster Tobias Whale (Marvin Jones III). Worse, Freeland has been plagued by government-sponsored experiments and drug trafficking, creating metahumans and addicts while making Freeland the target of a dangerous foreign power, Markovia. Fortunately, the family still has allies in their fight: former covert superspy Peter Gambi (James Remar) and Jefferson's neighbour, the scrupulously honest deputy police chief Bill Henderson (Damon Gupton).
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
A little-known chapter of American labour history is brought vividly to life in this period drama from writer-director John Sayles. It's a fictional story about labour wars among West Virginia coal miners during the 1920s, but every detail is so right that the film has the unmistakable ring of truth. The tension begins when the Stone Mountain Coal Company of Matewan, West Virginia, announces a lower pay rate for miners, who respond by calling a strike under the leadership of a United Mine Workers representative (Chris Cooper). Proving strength in numbers, the miners are joined by black and Italian miners who initially resist the strike, and a fateful battle ensues when detectives hired by the coal company attempt to evict miners from company housing. Violence erupts in a sequence of astonishing, cathartic intensity, and Matewan achieves a rare degree of moral complexity combined with gut-wrenching tragedy. The film salutes a pacifist ideal while recognising that personal and political convictions often must be defended with violence. To illustrate this point, Sayles enlisted master cinematographer Haskell Wexler, who creates the film's authentic visual texture--a triumph of artistry over limited resources. The result is a milestone of independent filmmaking, and Matewan remains one of Sayles's finest achievements. --Jeff Shannon, Amazon.com
Please wait. Loading...
This site uses cookies.
More details in our privacy policy