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NYPD Blue is a multi Emmy award winning police drama set in New York City, exploring the internal and external struggles of the fictional 15th precinct of Manhattan.
Denzel Washington and John Travolta go head-to-head in this thrilling remake of "The Taking of Pelham 1 2 3" - one of cinema's greatest ever riddles!
The complete tenth season of the popular US drama following detectives including Andy Sipowicz (Dennis Franz) and Bobby Simone (Jimmy Smits) as they police the streets of the Big Apple. The episodes comprise: 'Ho Down', 'You've Got Mail', 'One in the Nuts', 'Meat Me in the Park', 'Death By Cycle', 'Maya Con Dios', 'Das Boots', 'Below the Belt', 'Half-Ashed', 'Healthy McDowell Movement', 'I Kid You Not', 'Arrested Development', 'Bottoms Up', 'Laughlin All the Way to the Clink', 'Tranny Get You...
A compelling look at one of the most restlessly brilliant men of all time, Leonardo da Vinci, Leonardo gets inside the mind of the genius, showing the drama behind his art and exploring a tantalizing murder-mystery.
Anne Bancroft gives one of the finest performances of her career as a deeply troubled and tormented wife in this powerful 1964 British drama directed by Jack Clayton (Room At The Top) and scripted by Harold Pinter. Tortured by thoughts that her husband Jake (Peter Finch) may be having an affair, Jo Armitage (Anne Bancroft) has a nervous breakdown in Harrods and her life begins to crumble all about her. But is her husband's infidelity really to blame? Why does she have so many children - and is her seemingly perfect life al it appears on the surface?
Writer/Director Cameron Crowe's affable twentysomething romantic comedy is less a tale of tortured love than a prescient portrait of a culture on the cusp of Generation X--that is Seattle, circa 1991. One-time Rolling Stone journalist Crowe, ever aware of pop trends, lovingly details a society newly beguiled by slackers, answerphones, self-analysis, the coffee-house fetish, post-AIDS safe sex and, most importantly, grunge music--Smashing Pumpkins, Mudhoney and Jane's Addiction pepper the soundtrack, while various Pearl Jam players cameo as members of the film's fictional grunge wannabes Citizen Dick. In the midst of all this sits a cosy residential apartment block, a perfect setting for the emotional crises of on-again, off-again, on-again couples Steve and Linda (Campbell Scott and Kyra Sedgwick) and Cliff and Janet (Matt Dillon and Bridget Fonda). Steve is a sensitive transport engineer whose game-playing backfires when he meets Linda, an environmental activist with a fear of rejection. Cliff is a feckless rock musician, and front man for Citizen Dick, whose inability to commit to Janet is forcing her to take desperate measures. Will the couples split? Will they reunite? And will they learn a little something about life, maturity and commitment along the way? As you'd expect from the man behind the cutesy teen classic Say Anything (his directorial debut), Crowe's relationship resolutions are often simplistic and sentimental ("You rock my world!" and "You belong to me!" are two such vocal denouements). And this, combined with a rambling narrative often makes the movie feel longer than its 95 minutes (an inter-title announcing "The Theory of Eternal Dating" sums it up). Nonetheless, there's enough wit, comic digression and tap-along gaiety elsewhere to make Singles an enjoyably slight romantic placebo. --Kevin Maher
In 13th century a determined group of Knights Templar defends Rochester Castle against the tyrannical King John.
Jonathan is sick and tired of the boring life in his sea-gull clan. He rather experiments with new always more daring flying techniques. Since he doesn't fit in the elders expel him from the clan. So he sets out to discover the world beyond the horizon in quest for wisdom.
When an old and fading St. Dominic's church gets a young new priest (Crosby) things are bound to change. For starters young Father O'Malley meets the crusty old Father Fitzgibbons (Barry Fitzgerald) who doesn't think much of him or his ideas. The two have their differences but O'Malley is able to inspire some neighbourhood roughnecks to open their hearts and minds in a way the old priest simply could not do. Once the change has begun the church starts to find its way back into the
A stunning new 4K restoration of Joseph Loseys 1963 masterpiece The Servant. Adapted from Robin Maugham's short story, The Servant marked the first of three collaborations between Joseph Losey and celebrated playwright Harold Pinter. Nominated for five BAFTA 's and winning three, including best actor for Dirk Bogarde and Best Cinematography for Douglas Slocombe, The Servant is notable for its ambitious technique and its willingness to engage with issues that were, at the time, never seen in British cinema. Experienced manservant Barrett (Dirk Bogarde) starts working for foppish aristocrat Tony (James Fox) in his smart new townhouse. Much to the annoyance of Tony's girlfriend (Wendy Craig), Barrett slowly initiates himself into the house and begins to manipulate his master. Extras NEW: Locations featurette with Adam Scovell NEW: Video essay with Film Historian Matthew Sweet and Film Critic Phuong Le Trailer Stills Gallery Interview with Wendy Craig Interview with Sarah Miles Interview with Stephen Woolley Harry Burton on Harold Pinter John Coldstream on Dirk Bogarde Audio Interview with Douglas Slocombe conducted by Matthew Sweet Joseph Losey & Adolphus Mekas at the New York Film Festival in 1963 Harold Pinter Tempo Interview Joseph Losey Talks About The Servant James Fox Interviewed by Richard Ayoade
A powerful, atmospheric thriller and a major box-office hit for director Leslie Arliss, The Night Has Eyes boasts a supremely accomplished cast and crew, including Wilfrid Lawson, a youthful James Mason and British femme fatale Joyce Howard; Gunther Krampf's skilful cinematography is ably complemented by Charles Williams' evocative score. This memorable, highly acclaimed film is featured here in brand-new transfer from the original film elements in its as-exhibited aspect ratio. Schoolteacher Marian Ives visits the Yorkshire moors where her friend, Evelyn, disappeared a year ago. Caught in a violent storm, she takes refuge in a large, lonely house to which she is grudgingly admitted by Stephen Deremid, a reclusive pianist traumatised by his experiences in the Spanish Civil War. While Marian finds herself attracted to Stephen, she also begins to suspect that he may have had something to do with her friend's disappearance... SPECIAL FEATURES: Image Gallery Promotional Material PDF
When veteran detective, Danny Frater (played by James Nesbitt), turns up at a hospital mortuary for what he thinks is a routine ID check on a young woman's body, he gets a devastating shock; the corpse turns out to be his estranged daughter, Christina (played by Imogen King). Danny is traumatized by the news that according to the post-mortem report, she's taken her own life. Danny and Christina had a complicated father-daughter relationship in recent years, but he refuses to accept that she would have ended her own life. He sets out on a mission for the truth, retracing her last days and hours, in an agonising crusade to discover what really happened to his only child.
Available for the first time on DVD! The wildest thing to hit the world since the mini-skirt! Lynn Redgrave stars as the homely girl who takes on the role of mother to her beautiful roommate's unwanted baby. With her father's employer trying to take her on as a mistress and her roommate's husband taking her on as an easy lover Redgrave's Georgy navigates the narrows between prostitution and purity as she tries to hang on to the baby she has grown to love...
New series of The Good Karma Hospital
Drama mini-series by Amanda Coe. A story of the close and often fraught relationship between sisters Vanessa Bell and Virginia Woolf.
Eureka Entertainment to release A FISTFUL OF DYNAMITE (AKA DUCK YOU SUCKER!), Sergio Leone's criminally underrated final western starring Rod Steiger and James Coburn, available for the first time on Blu-ray in the UK as part of The Masters of Cinema Series from 25 November 2019. Presented with a Limited Edition 60-page Collector's Book and Hardbound Slipcase. From Sergio Leone, the acclaimed director of A Fistful of Dollars, For a Few Dollars More, The Good, the Bad and the Ugly and Once Upon a Time in the West comes his final Western, A Fistful of Dynamite (aka Duck, You Sucker! and released in some territories as Once Upon A Time... the Revolution). Starring acting giants Rod Steiger (In the Heat of the Night) as Juan Miranda, an amoral peasant-turned-outlaw, and James Coburn (Pat Garrett and Billy the Kid) as John Mallory, a dynamite-tossing Irish revolutionary who has fled to Mexico after becoming a fugitive in his own country. Together, they're a devilishly volatile mix of anti-establishment philosophies and violent tendencies as they attempt to liberate political prisoners, defend their compatriots against a well-equipped militia, and risk their lives on a train filled with explosives. Featuring a haunting and rousing score by iconic composer Ennio Morricone, A Fistful of Dynamite has risen in stature over the years and is now recognised alongside The Dollars Trilogy and Once Upon A Time in the West as a true masterpiece. The Masters of Cinema Series is proud to present A Fistful of Dynamite in its UK debut on Blu-ray. Blu-Ray Special Features: Hardbound Slipcase PLUS: A LIMITED EDITION 60-PAGE Perfect Bound Collector's book featuring new and archival writing on the film Two versions of the film presented in 1080p across two Blu-ray disc, including a transfer from the 2K restoration completed by Cineteca di Bologna in 2009. Optional English subtitles for the deaf and hard-of-hearing Original Mono Audio available on both versions Audio Commentary by filmmaker Alex Cox Audio Commentary by film historian Sir. Christopher Frayling A brand new and exclusive interview with film critic and writer Kim Newman A brand new and exclusive interview with Austin Fisher, author of Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema The Myth of Revolution [22 mins] Sir Christopher Frayling on Duck, You Sucker! Sergio Donati Remembers Duck, You Sucker! [7 mins] Sorting Out The Versions: An Analysis of Duck, You Sucker! [12 mins] Once Upon A Time in Italy [6 mins] featurette Restoration, Italian Style [6 mins] Location Comparisons [9 mins] Radio Spots Trailer
Few actresses have dominated the camera as powerfully as Dorothy Dandridge in Carmen Jones. Her polished beauty plays in irresistible contrast to her title character's leonine sexuality and fluid emotions; a man can't decide from moment to moment if he wants to save her from doom, build her a castle, or never let her out of bed. Of course, that's the problem with the boys in this semi-experimental adaptation of Bizet's opera, Carmen. Straight-arrow Joe (a strapping Harry Belafonte), an obedient corporal on a southern military base during World War II, is all set to go to flight school and marry his hometown sweetie, Cindy Lou (Olga James), when his troublemaking sergeant orders him to accompany Carmen to a civilian court. In short order, Joe is swept up in Carmen's carnal anarchy and her craving for release from lousy options in life. An impulsive act of violence ensures that Joe's future is gone forever, putting Carmen in the difficult position of destroying their relationship to save him. Oscar Hammerstein II took Bizet's music in 1943 and rewrote the book and lyrics. The result is largely a smashing success with a few missteps (the bullfighter in Bizet's piece becomes a heavyweight boxer here, which breaks up a certain grace in the story) and a couple of perfect stretches (the long prelude to Carmen and Joe's first embrace, set on Carmen's hoodoo-ish home turf). Despite the fact that both Dandridge and Belafonte were singers, their vocal performances were dubbed by LeVern Hutcherson and Marilyn Horne. (Yes, it is a little disconcerting to hear another voice coming out of the more familiar Belafonte's mouth.) Otto Preminger directed with his usual eye on economy of action and production, as the numerous musical numbers tend to be shot in lengthy, single, carefully choreographed takes. The result can be a little visually static at times, but the passion behind the singing pulls everything through.--Tom Keogh
Workmen unearth prehistoric skulls while carrying out excavations on the London Underground. Very soon a strange and malevolent force is unleashed.
Shot in the bright postal colours of a seaside postcard, 1971's Carry On Henry applies the usual Carry On sniggering to the married life of Henry VIII. Talbot Rothwell's script is standard bedroom farce and full of jokes about choppers, while the threat of beheading and the actuality of torture are constantly present but only as the terrible things that happen to cartoon characters who will be back next time. Sid James turns in one of his better performances as the endlessly lecherous and fickle Henry, married to Joan Sims and lusting after Barbara Windsor. There is a genuine sexual chemistry between James and Windsor, which at times almost breaks open the farce formula. The usual regulars--Kenneth Williams as Thomas Cromwell, Terry Scott as Cardinal Wolsey, Charles Hawtrey as Sir Roger--do their usual turns; Williams is more subdued than usual, while Hawtrey hugely enjoys playing the Queen's secret lover. This was not one of the high points of the series, but it has its own curious charm. --Roz Kaveney
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