Keys To Tulsa is a murderously irreverent tale of sex intrigue and humour in the deep dark South. Eric Stoltz heads an all-star cast as Richter Boudreau the black sheep son of a black sheep manoeuvring through a wonderfully bizzare coterie of characters as he finds himself pushed back into the world of wealth and provilege that spawned him. As he becomes the inadvertent pawn in a dangerous scheme of blackmail Richter must at last face the hypocritical values and petty jealousies of smalltown America. What emerges is a dramatic and potentially deadly journey through his past present and future.
For two years, this hit psychological thriller has kept audiences on the edge of their seats. Now in its third season — the stakes are higher, and the twists are more shocking than ever. Season Three begins one year later: Joe Carroll (James Purefoy) is awaiting execution on Death Row, and Ryan Hardy (Kevin Bacon) has moved on. Turning the page hasn't been easy — the off-the-books investigation that led to Joe's capture put Ryan and his team under fire. But Ryan has risen above the controversy, returning full-time to the FBI, alongside Mike Weston (Shawn Ashmore) and Ryan's niece, Max Hardy (Jessica Stroup); and finding a pure relationship with Gwen (Zuleikha Robinson). But his happiness is shattered when a new threat arises — one that will tear open old wounds and expose the sins of the past — forcing Ryan and his team to unravel a twisted web of violence before it destroys them all — while leading them to face a terrifying truth: Joe Carroll was just the beginning.
After losing contact with a clandestine energy research facility, a powerful venture capitalist contracts a private team of elite military operatives to retrieve a physicist who holds the key to an unprecedented alternate energy source.
Off-beat horror about a group of college friends who go on holiday in the forest and catch a flesh-eating virus.
Universal Soldier Luc Deveraux is back. Jean-Claude Van Damme gallantly attempts to resurrect interest in his tepid career with this action-riddled roller-coaster ride. Set in the not-too-distant future, Deveraux has been employed by the government to oversee the new UniSol project. What is UniSol? It's a military plan to turn dead soldiers into invincible fighting machines (see the first Univeral Soldier for more details). It's also the scheme that went horribly wrong when the soldiers turned psycho, killing the scientists who created them. Not deterred by this early setback, the government replicates the project. This time they work out that they can control the soldiers through a supercomputer called SETH (kind of like HAL in 2001, but smarter). But, as we all know, machines frequently break down. Pretty soon the computer comes to the conclusion that it's superior to humans and therefore it must destroy them. Uh oh.Van Damme to the rescue. The muscles from Brussels heroically leap into action confronting the dangerous soldiers led by Bill (WCW) Goldberg and Michael Jai White (last seen in Spawn). The action is impressive and the stunts are engrossing. Goldberg is charismatic as the cartoonish villain who sneers and snouts while muttering macho things like, "I'm gonna kill that guy." Van Damme looks more at home in a production that he is not directing, and for once he lets his fists do the talking. Ironically, the movie is missing the gloss and big-budget pathos of its predecessor (created by Dean Devlin and Roland Emmerich), making the original decidedly better. -- Jeremy Storey, Amazon.com
This television adaptation of D H Lawrence's 'Sons and Lovers' stars Sarah Lancashire as Gertrude Morel who is trapped in an unhappy marriage to Walter (Hugo Speer) a heavy-drinking brutish uneducated miner. As Gertrude becomes estranged from Walter she channels her love and life expectations into her sons- particularly Paul (Rupert Evans). As Paul matures tension develops in his relationship with Gertrude and his love for two other women causes a fatal battle of strangulating po
If it was a piece of fiction, they'd say that it could never happen. Bloody Sunday is a dramatisation of one of the most shameful episodes in recent British history. Released to coincide with the 30th anniversary of the Derry civil rights march and also the re-opening of enquiries into what really happened, the film is one of the most incisive, explosive works ever to emerge from British cinema. The premise is simple--to follow what took place in the city on 30th January 1972, when an anti-internment march descended into violence and left 13 unarmed civilians dead at the hands of the British army. Abandoning traditional filmmaking methods in favour of a more documentary style, Bloody Sunday is frighteningly realistic, especially when detailing the chaos into which the peaceful demonstration descended. Those who are only familiar with James Nesbitt through his lighter work (Cold Feet for example) may find this something of a shock, but he excels in the role of local politician Ivan Cooper. Admittedly there is a danger in presenting historical facts in a dramatic manner, no matter how painstaking the research, even though much of the dialogue here is taken straight from testimony and actual military transcripts. But if any question of bias arises, its worth remembering that this film was written and directed by an Englishman, stars a Derry protestant as well as a young man whose uncle was killed during the march, and was produced as an Anglo-Irish project. The result is an unforgettable and unflinching piece of cinema not to be missed. On the DVD: Bloody Sunday absolutely has to be seen on DVD. The slew of extra features not only complement the film, but place it in the overall context of the past, present and future of Northern Ireland. The various interviews with cast, director and producers paint a picture of a film that sets out to heal wounds and build bridges on all sides and to break the cinematic mould. Thus the majority of the cast were not actors but ordinary people from the Derry area, with the majority of the British soldiers played by ex-military personnel, some of whom had served in Northern Ireland themselves. As more and more of the story behind this remarkable film is revealed, so its impact becomes more intense and its aims and purpose more successful.--Phil Udell
The remarkable career of the movie industry's most admired and influential special-effects auteur, the legendary Ray Harryhausen, is the subject of Gilles Penso's definitive documentary Ray Harryhausen: Special Effects Titan. Leaving no doubt as to Harryhausen's seminal influence on modern-day special effects, the documentary features enlightening and entertaining interviews with the man himself, Randy Cook, Peter Jackson, Nick Park, Phil Tippet, Terry Gilliam, Dennis Muren, John Landis, Guillermo Del Toro, James Cameron, Steven Spielberg and many more. These filmmakers, who today push the boundaries of special effects movie-making, pay tribute to the father of Stop Motion animation and films such as 'The Beast From 20,000 Fathoms','It Came From Beneath The Sea','The 7th Voyage Of Sinbad', 'Mysterious Island', 'Jason And The Argonauts' and 'The Golden Voyage Of Sinbad' - the films that enthralled them as children and inspired them to become filmmakers in their own right.
In Volume 2 of Roughnecks--Starship Troopers Chronicles, Johnny Rico, Lieutenant Razak and their computer-animated squad embark on the Tesca campaign, once again fighting the bugs in all their myriad forms, shooting anything that moves and generally causing chaos and mayhem. Inspired by Robert Heinlein's sci-fi classic and executive-produced by Paul Verhoeven, who made the big-screen version, Roughnecks is cutting-edge TV animation that's more for grown-ups than kids. The neat equipment, combat suits and weapons are as deadly as they are cool, and even though the extreme gore and violence of the movie has been toned down the endless threat from all manner of nasty bugs is still pretty terrifying (the Giant Spider Bug, for example, really is the stuff of nightmares). As with Volume 1, the five 20-minute episodes are here spliced together into a movie-length feature, which makes for a satisfyingly lengthy story arc instead of the more usual self-contained individual episodes. The show's structure also allows for plenty of character development: this time the squad are joined by an alien "skinny" called T'Phai who, as might be expected, has to work hard to bond with the rest of the team and earn their respect. Like all good war stories, at its heart Roughnecks celebrates that "Band of Brothers"-style bonding in extreme circumstances which we viewers can only experience vicariously. On the DVD: The 4:3 picture is good, although it's better to watch with the lights off to see all the detail in the moody (i.e., "dark") CG animation. The 5.1 sound shows off explosions and gunfire, but also the almost incessant techno soundtrack. There's a good commentary from cast and crew members, who talk about their various movie inspirations (from the D-Day landing sequence of Saving Private Ryan to, of course, Aliens) and their desire to parallel real war situations. There's also a photo gallery of the human actors and a trailer. This is a stylish show, and a good DVD.--Mark Walker
Earth is a feature length version of the amazing television series Planet Earth. The documentary follows the migratory paths of four animal families classicly narrated by Patrick Stewart!
Meet The Fockers (2004): And you thought your parents were embarrassing. Domestic disaster looms for male nurse Greg Focker (Stiller) when his straight-laced ex-CIA father-in-law (De Niro) asks to meet his wildly unconventional mom (Streisand) and dad (Hoffman). It's family bonding gone hysterically haywire in this must-see comedy! Meet The Parents - Special Edition (2000): First comes love. Then comes the interrogation! Male nurse Greg Focker (Ben Sti
Everyone has an opinion on bad cars... Now it's time to hear the ones that really count - ours... As it's the Worst Car in the World, we're on our travels... to the North of England...to name and shame the most rubbish car from a manufacturer which, frankly, should have known better. But, it's not all about hateful cars...Oh no. You have to revel in some good ones to appreciate the stinkers. There's the Ferrari 458 spider, Toyota's GT86 and the 340,000 Lexus LFA rubbing shoulders with a Mercedes SLS. Our guest driver, the Stig's Yorkshire cousin, puts his whippet to one side and throws an M5 round a gymkhana course before we have a go in a couple of Transatlantic challengers. Things don't go well. We spend treasured leisure time on the golf course continuing our debate. That doesn't go well either. We even put our own cars - past and present - into the reckoning. That ends badly too. We argue over the great and the awful from Peugeot, Ford, Mahindra, FSO, Alfa Romeo, Rolls Royce, Porsche, Citroen, Peugeot, Saab....and many more. And we have a special, surprise fate in store for the car we pick as our biggest loser... Enjoy... Jeremy Clarkson, James May
Taking its cues from director Erik Van Looy's own Belgian thriller of the same name, 'The Loft' sees five married friends embark on a decision to rent their very own loft apartment for exclusive use as a home for their extra-marital affairs.
Race Across America started as the greatest endurance challenge of the century - 100 mile run through Death Valley cycling the 2 500 miles of Route 66 row 250 miles across Lake Erie and a swim 15 miles down the Hudson River - and ended with James Cracknell almost losing his life.
Starring Mel Gibson in his second Hollywood film, The River celebrates traditional American values through the Garvey family's determination to hold onto their farm against all odds. The drama opens with the threat of flooding from the river that adjoins the Garvey's land, then depicts their struggles through ailing livestock, accident and risk of crop failure. Add to these a local businessman, Scott Glenn, planning to turn the valley into a dam, a subplot echoing Deliverance (1972), also filmed in Eastern Tennessee, and all the elements are in place for an emotional triumph-over-adversity movie. Much of The River has a realistic tone, unflinchingly depicting numerous hardships, especially when Gibson has to earn extra money as a strike-breaking hired hand in a steel mill. Against this, and a surprisingly left-wing tone advocating cooperation over competition, the more upbeat moments resort to feel-good cliché with John Williams' lilting score seemingly wandered in from a Spielberg fantasy. Nevertheless the cast, including Sissy Spacek as Gibson's wife, deliver first-rate performances and cinematographer Vilmos Zsigmond expertly captures the harshness and the beauty of the land. The River was one of a trio of major US farming movies in 1984, the others being Country and Places in the Heart. On the DVD: The 1.85:1 anamorphically enhanced image is virtually flawless, capturing the many subtle effects of light on water throughout the film. Released theatrically in stereo, the opening and closing sequences demonstrate the power of a Dolby Digital 5.1 remix in generating atmosphere through natural sound. Elsewhere the audio is less striking, but always clean and powerful. Extras are routine: the US trailer, four brief biographies, and interesting though short production notes. --Gary S. Dalkin
A small-scale gold rush erupts in a Colorado town after treasure is found in a grave. The area quickly becomes a magnet for criminals and other ne'er-do-wells, but everyone is too intent on searching for gold to consider law and order. When Jason McCullough, a clever and supremely laid-back gunslinger, wanders into town, he becomes the de facto lawman, aided by local eccentric, Jake. McCullough's ingenuity is tested, however, when he runs afoul of the tough Danby gang. Starring Academy Award Nominee, James Garner (The Great Escape, The Notebook, Murphy's Romance), Academy Award Nominee, Joan Hackett (Only When I Laugh), Four-time Academy Award Winner, Walter Brennan (Sergeant York, Come and Get It, To Have and Have Not), Jack Elam (Once Upon A Time In The West) and Harry Morgan (M*A*S*H).
Fatal Instinct is a hilarious no-holds-barred send-up of such stylish thrillers as Basic Instinct and Fatal Attraction. Ned Ravine (Armande Assante) is a cop and a lawyer. His wife wants to kill him his secretary wants to sleep with him and there's a mysterious client who wants to sleep with him and kill him. That's Monday. Who knows what Tuesday will bring?
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