If you were watching TV in the mid-1970s chances are The Sweeney was one of the weekly highlights and these re-mastered collections will have you pining for a time when the only choice was brown or beige, and a monkey would buy you a lot more than a nice whistle. If, however, these episodes are your first taste of Detective Inspector Jack Regan (John Thaw) and Detective Sergeant George Carter (Dennis Waterman) of the Flying Squad, be warned that you will soon be telling friends to "Shut it!" and scouring the pages of Exchange and Mart for a mint-condition Ford Granada in "Tawny Metallic". (Ironically the choice ride for slags in the show was the Jaguar MK2 later to become so closely associated with Thaw's more cerebral take on police work, Inspector Morse.) First aired as 1974's pilot Regan, the show was produced by Thames Television subsidiary Euston Films and ran over four series and 53 episodes. Despite being given strict guidelines on speaking parts, locations and structure, writers were expected to produce scripts very quickly and individual episodes were filmed within 10 working days. Based on this frenetic schedule, the result was a choice parade of slags, blags and assorted lowlife, played out across fantastic London locations with a gritty humour that set the agenda for many of the small-screen cop shows to follow. Regan and Carter manage to fit up a few collars between pints, and even occasionally shed their nylon shirts and flares for a distinctly unromantic interlude between the sheets--brown of course. In "Stoppo Driver", when a gang of villains lose their own driver in a high-speed chase the logical replacement for their next blag is Cooney (Billy Murray), the squad's latest chauffeur who learnt everything he knew from Evel Knievel. Led by Barney ("a tough monkey, plenty of form") the thieves kidnap Cooney's bride on their honeymoon night and blackmail him to help them rob a bent card game. Colin Welland provides the hired muscle in the second episode, "Faces", as renegade ex-marine Tober, visiting the Smoke from Manchester to help a terrorist gang take down four quickfire scores to fund their operations. The Sweeney boys know a hard man when they see one ("he did Smoky Evans with a hatchet") and relish the opportunity for some fisticuffs between styrofoam cups of tea (like "liquid concrete"). Things get messy when a stuck-up intelligence officer tells them the final blag is being faked to rustle out his undercover grass and Regan is forced to stand down, despite having acted on their own pint-sized informant's tip-off: "but it was the dwarf"! --Steve Napleton
Titles Comprise: Scrooge: Classic British version of Charles dickens' Christmas tale, starring Alastair Sim. on Christmas eve, a tight-fisted businessman is visited by three ghosts who remind him of the true spirit of Christmas. Pickwick Papers: an exceedingly lively adaptation of this dickins' Classic. With a stellar cast of British actors playing some of dickens' most colourful characters. The Pickwick Club sends mr. Pickwick and a group ...
Twelve-year-old twins Ai and Yu Hayakawa take a mysterious subway to Wonderland to look for their missing scientist-parents. Wonderland is a hostile place, ruled by the petulant Earl Tyrant and his assorted hench-creatures. Ai and Yu are attacked by monsters and saved first by Lisa, a practitioner of the "Kigen Arts," then repeatedly by the taciturn, gun-totting Kaze. The first episodes are cluttered with characters who appear briefly then vanish. Although Ai, Yu, and Lisa do a lot of traveling, the series doesn't really go anywhere: the filmmakers seem more interested in showcasing the elaborate CG effects at their disposal than in coherent storytelling. The effects are very flashy, but they never meld satisfactorily with the drawn animation. Based on the popular videogame franchise, Unlimited borrows from Matsumoto's Galaxy Express and Miyazawa's Galactic Railroad, but offers none of their mystery and magic. (Rated 12 and older: violence, tobacco use)
A retired journalist and a blind former police detective team up to solve a series of killings centred on the genetic research of a pharmaceutical company. In so doing, they both become targets of the killer.
The terror has never been so intense in the most twisted tale since Seven! When Inspector Don Morell (Mario Van Peebles Highlander III New Jack City) witnesses the state execution of serial killer Claude Whitman (James Remar Mortal Kombat: The Annihilation) he thinks he can finally close the case that has almost destroyed his marriage sanity and life. But when former jury members begin to be brutally murdered one by one Morell recognises Whitman in the cryptic Biblical messages at the crime scenes. Could he be back to fulfill his demonic agenda? Don't miss a second!
Remar a pro surfer turns into a drug dealer. His girlfriend wants him to change his ways before he becomes the next victim of the streets.
All actors have to try a mental-impairment role at some point in their careers (don't they?), and Mel Gibson took his best shot with this sweet film about a young retarded man and his gentle relationship with an older woman (Piper Laurie) who teaches him to read and to adjust to the real world. Tim's parents come to trust the woman's honourable intentions, but the movie still gives Mel's female fans a lot to swoon over; it's a platonic romance with plenty of temptation that is never acted upon. Add to that the fact that Gibson is really quite good in the title role--after Mad Max, this was Mel's first widely seen opportunity to prove himself in a dramatic role before his higher-profile roles in Mad Max 2: The Road Warrior and Gallipoli. Tim is a bit too schmaltzy and sentimental, but this 1979 release has gained a loyal audience over the years, and the film has a lot more than just a young Mel Gibson to recommend it. --Jeff Shannon
Frank Harden is man on the run. With time running out Frank must find his redemption before it is too late.
When three cowhands John T. (John Clark Gable) B.D. (James Brolin Catch Me If You Can Westworld Traffic) and July (Richard Roundtree Brick Shaft) are offered a magnificent Sorrel stallion in exchange for one of their mangy cowponies they are naturally suspicious. It all becomes clear however when it appears the stallion is wild and vicious and unable to be ridden by anyone other than John T. who names him Jim. Dubbed Bad Jim by his bruised and battered companions the horse inexorably leads the trio into a life of crime. From simple cowhands they become most-wanted outlaws in the West. Bank robbing and killing become the norm for these once pure and honest cowboys ever since they became tainted by Bad Jim. But will they realize the cause of their problems before it's too late? Written and directed by Clyde Ware.
Buster Keaton's 1926 masterpiece The General shows the great stone-faced comedian at the height of his powers. Buster is a train driver from the South who's caught up in the American Civil War. The film is basically an extended chase, with trains pursuing each other up the track. The level of stuntwork (including a huge train wreck) has to be seen to be believed, but it's the deftness and elegance of Keaton's comedy that is ultimately most memorable. For many, Buster Keaton is the greatest comedian of the silent era rated even above Chaplin, and College (1927) is one of his finest films. A poor student who has to work his way through college, Buster is desperate to win the attention of a pretty girl so takes up sports. Through every disaster, the great "stone face" as he was nicknamed betrays not a flicker of emotion, enduring all humiliations with aplomb. College shows Keaton at the top of his form. Steamboat Bill Jr dates from 1928 and is the last great film Buster Keaton made before he gave up his independence. Buster is the rather fey son of an elderly steamboat owner who is being driven out of business by a wealthy competitor. More by accident than intention Buster turns things around and gets the girl as well. The last 15 minutes are truly astonishing: a storm sequence in which a whole town is blown apart, with Buster experiencing a series of amazing escapes as buildings fall down around his ears. Tragically, the following year he lost his independence when he signed for MGM. His career collapsed, his marriage broke up and he became an alcoholic, never to regain former glories. On the DVD: The organ music accompanying this silent feature is pleasantly unobtrusive, and apart from a short section in the middle where it deteriorates, the print quality is a reasonable 4.3. In addition there are five excellent Keaton shorts, One Week (1920), The Boat (1921) Cops (1922), The Blacksmith (1922) and The Balloonatic (1923). --Ed Buscombe
Returning from a long and tiring battle, Sir Gregory (James Frain, True Blood) and his loyal men are handed one final mission: they must find a piece of the True Cross - the crucifixion cross of Jesus Christ and return with it as a gift to the Pope. However, when men start to mysteriously disappear, Sir Gregory begins to realise that he is not the only one with an interest in this sacred and mystical artefact. There are, in fact, demons chasing the relic - and now him - who will stop at nothing to destroy it. Filled with great action and thrilling special effects, Dark Relic is a must see.
The Righteous Judge
It's the legendary James Stewart at his leading-man finest in this timeless western that set the standard for all that followed. Frontiersman Lin McAdam (Stewart) is attempting to track down both his father's murderer and his one-of-a-kind rifle the Winchester '73 as it passes among a diverse group of desperate characters including a crazed highwayman (Dan Duryea) an immoral gunrunner (John McIntire) a savage young Indian chief (Rock Hudson) and McAdam's own murderous brother (Stephen McNally). Featuring Shelley Winters as the rifle's only rival for McAdam's interest and Tony Curtis in one of his first screen performances the gripping tale of the men (and gun) who won the West is one of Stewart's most memorable films and one of the genre's most enduring classics.
Charlie's Angels (Dir. Joseph McGinty Nichol 2000): Cameron Diaz Drew Barrymore and Lucy Liu are Charlie''s Angels - a trio of elite private investigators who with the latest in high-tech gadgets martial arts techniques and a vast array of disguises unleash their state of the art skills on land sea and air. Their goal to track down a kidnapped billionaire-to-be and keep his top-secret voice identification software out of his lethal hands. Aided by their faithful lieutenant Bosley (Bill Murray) and under the sure hand of their suave playboy boss notorious for his clever ways of avoiding face-to-face meetings the girls must foil an elaborate murder-revenge plot that could destroy individual privacy and corporate security worldwide. Adventure has never been more beautiful! Charlie's Angels: Full Throttle (Dir. Joseph McGinty Nichol 2003): The Angels rescue Marshal Ray Carter (Patrick) from a sticky situation in Mongolia but are forced to leave without what they presume to be his wedding ring. It transpires the ring is one of a coded pair that once combined unlocks the data for the location of the entire witness protection programme! As the other ring has also been taken from it's murdered owner the Angels are charged with tracking it down but along the way they encounter a vengefully violent old flame from Dylan's past and an ex-Angel striking out on her own... The Sweetest Thing (Dir. Roger Kumble 2002): Christina's love life is stuck in neutral. After years of avoiding the hazards of a meaningful relationship she meets Peter her perfect match. Fed up with playing games she finally gets the courage to let her guard down and follow her heart only to discover that he has suddenly left town. So she sets out to capture the one that got away.
In this Glasgow-set comedy, four twentysomethings - Sean, Vincent, Jody and Lenny - tackle those nagging issues, like growing up and being responsible.
Hitch: In Andy Tennant's delightful romantic comedy Hitch Will Smith stars as Alex Hitchens an urban ""date doctor"" who helps the common man woo the woman of his dreams. Hitch will use any means necessary--dance lessons back waxing--to instill romantic confidence in his clientele. Why? He was once a lonely wallflower himself who learned about love and heartbreak the hard way. His latest project Albert Brennaman (Kevin James) may be his most difficult. Brennaman a junior accountant prone to clumsiness has fallen head-over-heels for one of his clients Allegra Cole (Amber Valleta) a well-known celebrity. To complicate things further Hitch's dating dogma is shaken when he meets and falls for a beautiful gossip columnist Sara Melas (Eva Mendes) whose sharp wit easily pierces his cool faade. Conflict arises when Melas uncovers Hitch's true profession and blames him for her best friend being dumped. (Dir. Andy Tennant 2005) Jerry Maguire: Jerry Maguire (Tom Cruise) is a man who knows the score. As a top agent at Sports Management International Jerry is unquestionably master of his universe - until that is he gets a sudden attack of morals and is unceremoniously fired! Hanging on by a thread Jerry is forced to start from scratch supported only be three very unlikely allies- single mother Dorothy Boyd (Renee Zellweger ) her cheeky young son Ray and Rod Tidwell (Cuba Gooding Jr.) a second rank player for the Arizona Cardinals - and Jerry's sole remaining client. (Dir. Cameron Crowe 1996) 50 First Dates: Henry Roth (Sandler) the local marina veterinarian only dates tourists because he's afraid of commitment - that is until he meets Lucy (Barrymore). Unfortunately Lucy lost her short-term memory months ago in a car accident and for her each day is October the 13th. She follows the same routine every day - breakfast at the same restaurant pineapple-picking with her dad and eventually bed time where sleep wipes away her short-term memory. Henry however refuses to be forgotten and as his puppy love matures he embarks on a quest to restore her memory or at least be a part of her everyday routine. But vying for Lucy's attention isn't always easy. Henry explores various approaches before making a video for Lucy to watch every morning reminding her of who she is and what she's doing... (Dir. Peter Segal 2004)
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