One of the most celebrated and essential chapters in Star Trek lore, Star Trek II: The Wrath of Khan is now presented in this spectacular Director's Cut from legendary filmmaker Nicholas Meyer. On routine training maneuvers, Admiral James T. Kirk seems resigned that this may be the last space mission of his career. But Khan is back, with a vengeance. Aided by his exiled band of genetic supermen, Khan (Ricardo Montalban)brilliant renegade of 20th century Earthhas raided Space Station Regula One, stolen a top secret device called Project Genesis, wrested control of another Federation starship, and now schemes to set a most deadly trap for his old enemy Kirk...with the threat of a universal Armageddon! Bonus Features: COMMENTARY BY: Director Nicholas Meyer (Director's Cut and Theatrical Version) COMMENTARY BY: Director Nicholas Meyer and Manny Coto (Theatrical Version) Text commentary by Michael and Denise Okuda (Director's Cut) Library computer (Theatrical Version) NEW: The Genesis Effect: Engineering the Wrath of Khan Farewell: A tribute to Ricardo Montalban Plus: Production, Storyboard, Star Trek Universe Bonus
The unthinkable combination of a rat and a 5-star gourmet restaurant come together for the ultimate fish-out-of-water tale.
Miss Emmeline Lucas known universally to her friends as Lucia is a dreadful snob but in Miss Elizabeth Mapp of Mallards Lucia meets her match. On the surface they are the most genteel of society ladies but beneath the veneer of politeness and etiquette lies a bitter and seething malice. There is no plan too devious no plot too cunning no depths to which they would not sink in order to win the battle for social supremacy. Using their deadly weapons of garden parties bridge eve
For only "two hundred dollars a day, plus expenses," the original and quintessential anti-hero detective, Jim Rockford, is on the case! Primetime Emmy Award winner James Garner stars as the ex-con-turned-private-investigator who stays under the radar and takes on the cases of the lost and the dispossessed, chasing down seemingly long-dead clues in the sunbaked streets and steamy alleys of Los Angeles. And now, all 120 episodes from its six seasons are together in this 27-disc anthology! Filled with wry humor, chilling suspense, and engaging cases, it's no mystery why The Rockford Files remains the most celebrated detective show of its time.
After the death of their friend, a group of old college friends embark on a hiking trip through an unnerving Scandinavian forest. They should have gone to Vegas...
Writer-director Greta Gerwig (Lady Bird) has crafted a Little Women that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author's alter ego, Jo March, reflects back and forth on her fictional life. In Gerwig's take, the beloved story of the March sisters four young women each determined to live life on their own terms is both timeless and timely.
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
Spider-Man⢠The web-spinning superhero has a mission to save New York from his nemesis, the Green Goblin, and to win the heart of Mary Jane, the girl next door. Spider-Man 2⢠Peter Parker (Tobey Maguire) gives up his crime-fighting identity of Spider-Man in a desperate attempt to return to ordinary life and keep the love of MJ (Kirsten Dunst). But a ruthless, terrifying new villain, the multi-tentacled Doc Ock, forces Peter to swing back into action to save everything he holds dear. Spider-Man 3⢠New York City is in the throes of Spider-mania, and Peter Parker finally has the girl of his dreams. But just when it seems like things can't get any better, Spider-Man must fight the most terrifying trio of villains he's ever encountered the deadly Sandman, the New Goblin, and Venom plus the enemy he discovers within himself. NOTE: Only 4K Discs are Region Free. Blu-ray Discs will be Region B restricted.
Following the critically acclaimed global smash hit X-Men: Days of Future Past, director Bryan Singer returns with X-MEN: APOCALYPSE. Since the dawn of civilization, he was worshipped as a god. Apocalypse, the first and most powerful mutant from Marvel's X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible. Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto (Michael Fassbender), to cleanse mankind and create a new world order, over which he will reign. As the fate of the Earth hangs in the balance, Raven (Jennifer Lawrence) with the help of Professor X (James McAvoy) must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction
It's here every side-splitting episode of the acclaimed comedy series Still Game in one box set! So come to Craiglang, pour yourself a Midori and enjoy a comic feast with Jack, Victor and the rest of the gang as Britain's favourite OAPs take on the world and all it has to throw at them. Created, written by and starring Ford Kiernan and Greg Hemphill Features: Series 1 Series 2 Series 3 Series 4 Series 5 Series 6 Christmas & Hogmanay Specials Series 7 Series 8 Series 9
John Waters' 1988 cult classic gets a 21st century makeover in this update of the musical.
An original TV dramatisation of one of the most monstrous crimes in world history - the slaughter of 6 million Jews by the Nazis. Dramatically and definitively the story covers an entire decade the eventful years from 1935 to 1945. Holocaust focuses on the tragedy and triumph of a single family - the Weiss family. Their story is told in counter-poise to that of another fictional family that of Erik Dorf who portrays a Nazi aide to Germany''s infamous Heydrich. Starring a brilliant international cast and filmed on location in Berlin and Vienna.
After Negan brutally forces Rick and the group to fall under his control, they will be tested in ways never seen before and forced to rise up to face an all-out battle with Negan and his army.
Written and directed by Quentin Tarantino and featuring an award-winning cast, Jamie Foxx stars as Django a slave who teams up with bounty hunter Dr. King Schultz (Christoph Waltz) to seek out the South's most wanted criminals with the promise of Django's freedom. Honing vital hunting skills, his one goal is to find and rescue the wife (Kerry Washington) he lost to the slave trade long ago. When their search ultimately leads to Calvin Candie (Leonardo DiCaprio), the infamous and brutal proprietor of Candyland , they arouse the suspicion of Stephen (Samuel L. Jackson), Candie's trusted house slave. Now their moves are marked and Candie's treacherous organization closes in on them.
This is the first time that all episodes of writer-producer-director David Chase's extraordinary US television series The Sopranos have been brought together in one box set which is a seminal event for any fan of the series. The Sopranos is nominally an urban gangster drama but its true impact strikes closer to home chronicling a dysfunctional suburban family in bold relief. And for protagonist Tony Soprano (James Gandolfini) there's the added complexity posed by heading twin families his collegial mob clan and his own nouveau riche brood.
The Gruffalo
Billed as a "re-imagining" of the original film, Tim Burton's extraordinary Planet of the Apes constantly borders on greatness, adhering to the spirit of Pierre Boulle's original novel while exploring fresh and inventive ideas and paying honourable tribute to the '68 sci-fi classic. Burton's gifts for eccentric inspiration and visual ingenuity make this a movie that's as entertaining as it is provocative, beginning with Rick Baker's best-ever ape make-up (hand that man an Oscar®!), and continuing through the surprisingly nuanced performances and breathtaking production design. Add to all this an intelligent screenplay that turns Boulle's speculative reversal--the dominance of apes over humans--into a provocative study of civil rights and civil war. The film finally goes too far with a woefully misguided ending that pays weak homage to the original, but everything preceding that misfire is astonishingly right. While attempting the space-pod retrieval of a chimpanzee test pilot, Major Leo Davidson (Mark Wahlberg) enters a magnetic storm that propels him into the distant future, where he crash-lands on the ape-ruled planet. Among the primitively civilized apes, treatment of enslaved humans is a divisive issue: senator's daughter Ari (Helena Bonham Carter) advocates equality while the ruthless General Thade (Tim Roth) promotes extermination. While Davidson ignites a human rebellion, this conflict is explored with admirable depth and emotion, and sharp dialogue allows Burton's exceptional cast to bring remarkable expressiveness to their embattled ape characters, most notably in the comic relief of orangutan slave trader Limbo (played to perfection by Paul Giamatti). Classic lines from the original film are cleverly reversed (including an unbilled cameo for Charlton Heston, in ape regalia as Thade's dying father), and while this tale of interspecies warfare leads to an ironic conclusion that's not altogether satisfying, it still bears the ripe fruit of a timeless what-if idea. --Jeff Shannon
Gandhi is a great subject, but is Gandhi a great film? Undoubtedly it is, not least because it is one of the last old-school epics ever made, a glorious visual treat featuring tens of thousands of extras (real people, not digital effects) and sumptuous Panavision cinematography. But a true epic is about more than just widescreen photography, it concerns itself with noble subjects too, and the life story of Mahatma Gandhi is one of the noblest of all. Both the man and the film have profound things to say about the meaning of freedom and racial harmony, as well as how to achieve them. Ben Kingsley, in his first major screen role, bears the heavy responsibility of the central performance and carries it off magnificently; without his magnetic and utterly convincing portrayal the film would founder in the very first scene. Sir Richard Attenborough surrounds his main character with a cast of distinguished thespians (Trevor Howard, John Mills, John Gielgud and Martin Sheen, to name but four), none of whom do anything but provide the most sympathetic support. John Briley's literate screenplay achieves the almost impossible task of distilling the bewildering complexities of Anglo-Indian politics. Attenborough's treatment is openly reverential, but, given the saint-like character of his subject, it's hard to see how it could have been anything else. He doesn't flinch from the implication that the Mahatma was naïve to expect a unified India, for example, but instead lets Gandhi's actions speak for themselves. The outstanding achievement of this labour of love is that it tells the story of an avowed pacifist who never raised a hand in anger, of a man who never held high office, of a man who shied away from publicity, and turns it into three hours of utterly mesmerising cinema.On the DVD: The anamorphic (16:9) picture of the original 2.35:1 image has a certain softness to it that may reflect the age of the print, but somehow seems entirely in keeping with the subject . Sound is Dolby 5.1. The extras are fairly brief, but worthwhile: original newsreel footage of Gandhi includes an astonishingly patronising British news account of his visit to England; in a recent interview, Ben Kinglsey chats enthusiastically about the film and the difficulties he experienced bringing the character to life. The dull "making-of" feature is simply a montage of stills. --Mark Walker
A Disney "classic" that actually is a classic, Dumbo should be part of your movie collection whether or not you have children. The storytelling was never as lean as in Dumbo, the songs rarely as haunting (or just plain weird), the characters rarely so well defined. The film pits the "cold, cruel, heartless" world that can't accept abnormality against a plucky, and mute, hero. Jumbo Jr. (Dumbo is a mean-spirited nickname) is ostracised from the circus pack shortly after his delivery by the stork because of his big ears. His mother sticks up for him and is shackled. He's jeered by children (an insightful scene has one boy poking fun at Dumbo's ears, even though the youngster's ears are also ungainly), used by the circus folk, and demoted to appearing with the clowns. Only the decent Timothy Q. Mouse looks out for the little guy. Concerns about the un-PC "Jim Crow" crows, who mock Dumbo with the wonderful "When I See an Elephant Fly", should be moderated by remembering that the crows are the only social group in the film who act kindly to the little outcast. If you don't mist up during the "Baby Mine" scene, you may be legally pronounced dead. --Keith Simanton
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