The world's most wanted criminal Raymond Reddington mysteriously turns himself in and offers to give up everyone he has ever worked with. His only condition is that he will only work with a newly minted FBI agent with whom he seemingly has no connection.
When two young filmmakers select a crazed conspiracy theorist as the subject of their new work the task seems simple enough: Befriend him gain his trust and let his theories speak for themselves. Despite his street preaching their subject proves to be an articulate and intelligent man. Listen long enough and his arguments even start to make a certain sort of sense. It s enough to make you wonder if maybe somewhere there's some basis to what he's saying. And then he simply disappears. While one of the filmmaking duo is prepared to walk away the other becomes obsessed. This should not be possible. People do not just disappear. Not unless someone wants them to. What if he was correct? What if he was on the verge of exposing some greater scheme? And what if he was taken? And so begins an obsessive effort to reconstruct his work an effort that points the duo to a high powered retreat and networking organization for the political and business elite.
While on the run from the mob, Grace is reluctantly accepted into a small Colorado community in exchange for labour, but when a search party visits the town she finds out that their support has a price. Lars von Trier's gripping morality tale exposes the frailty of our compassion, with standout performances from Nicole Kidman, Paul Bettany, Stellan SkarsgÃ¥rd and Lauren Bacall.ExtrasConfessions from DogvilleLars von Trier meets the Scandinavian PressLars von Trier & Nicole Kidman first Press Conference in TrollhaÌttanLars von Trier & Nicole Kidman - Cannes Film Festival Press ConferenceInterview with Nicole KidmanLars von Trier & the Visual Effects of DogvilleTheatrical TrailerEnglish SDH Subtitles
From Bob Baker and Dave Martin, veteran children's television writers whose memorable credits include Sky, the Wallace and Gromit animations, and several Doctor Who adventures (along with the creation of the Doctor's legendary robot companion, K9), this nautically themed drama chronicles the heroic efforts of a boy and his father to rescue a runaway girl from a gang of kidnappers. Executive-produced by HTV kingpin Patrick Dromgoole, Follow Me stars Ronald Fraser and Ewen Solon alongside Children of the Stones' Ian Donnelly and Katharine Levy in an exciting tale of adventure and suspense. Young Tom Dawes is enthralled by the sight of a fine schooner sailing up the Avon Gorge. But before long, both he and his father have become mixed up in the mystery of a missing girl, a half-recorded message, and sinister intruders at Bristol Docks...
Drugstore Cowboy was the breakaway change of pace and success for a number of those involved in its making. Principally, Gus Van Sant became a director of immediate notability winning multiple international Festival awards and acclaim. It also allowed Matt Dillon to stretch his acting abilities well outside of the teen rebel pigeonhole he'd become associated with in the 1980s and provided far meatier roles for Kelly Lynch and Heather Graham. Adapted from James Fogle's novel, the broad strokes of the plot are simple enough; a junkie foursome led by Dillon's headstrong Bob, move around the Pacific Northwest in the early 70s scoring pharmaceutical drugs in a series of robberies. The finer details, created with the sense of family developing between the principals, and how they are not portrayed as either victims or "bad" criminals. Van Sant occasionally slips into the surreal depicting Bob's drug-addled thinking like a James Bond title sequence, along with a questionable in-joke cameo with Williams S Burroughs, dish out advice and temptation to Bob. In one simple way, it's little more than a road movie. Yet on another level there's a cautionary tale of the life of a junkie that has relevance well beyond the film's timeframe. On the DVD: A stereo track and a grainy print in 1.85:1 usually does a movie little favours, but here they add to the overall gritty atmosphere surprisingly well. The only extra is unfortunately the original trailer. --Paul Tonks
Philip Glenister, Saksia Reeves, James Wilby, Clare Holman and Downton Abbey's Joanne Froggatt feature among an outstanding cast in this exceptional six-part drama set in the Channel Islands during World War II. Written by Stephen Mallatratt best known for his iconic staging of Susan Hill's The Woman in Black Island at War is set on the fictional St. Gregory but based on real events from the 1940s, and explores the moral conflict and hardship that became part of everyday life for the Islanders under occupation. The German invasion begins brutally with a bombing raid that kills many islanders before troops move in to occupy the towns and villages. Determined to maintain control, Oberst Baron von Rheingarten makes it clear to the islanders that all freedoms are restricted; a curfew is imposed, transport is limited to cycling, homes are requisitioned and Jews are forced to attempt to escape or conceal their identity. The islanders struggle to decipher right and wrong in this strange situation where both friend and foe must live side by side at times, quite literally...
Classic TV comedy from the Home Guards at Walmington-On-Sea who are both bumbling and ineffectual as well as incompetent which makes life chaotic for all around! Originally transmitted in 1968 (and recently voted no.4 in Britain's Best Sitcom) this DVD release contains all of the first series followed by the surviving episodes of the second series. Unfortunately the other three instalments remain missing and presumed lost forever... Episodes from Series 1: The Man And The Hour:
A two-hour Battlestar Galactica special that tells the story of the Battlestar Pegasus several months prior to it finding the Galactica.
Following the critically acclaimed global smash hit X-Men: Days of Future Past, director Bryan Singer returns with X-MEN: APOCALYPSE. Since the dawn of civilization, he was worshipped as a god. Apocalypse, the first and most powerful mutant from Marvel's X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible. Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto (Michael Fassbender), to cleanse mankind and create a new world order, over which he will reign. As the fate of the Earth hangs in the balance, Raven (Jennifer Lawrence) with the help of Professor X (James McAvoy) must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction
Even viewers who consider themselves beyond their teen-angst years might find Dawson's Creek compelling. In the first series we are introduced to Dawson (James Van Der Beek) and Joey (Katie Holmes), who for years have watched movies and slept in the same bed; but they find that as they enter high school their relationship will inevitably change. That becomes especially clear when Dawson is immediately attracted to Capeside's sexy new arrival, Jen (Michelle Williams). Meanwhile, their friend Pacey (Joshua Jackson) pursues an unachievable love object. Creator Kevin Williamson based Dawson's Creek on his own youth, and even though the characters may not really look or sound 15 years old, the Dawson-Joey-Jen interplay--especially embodied by the sad-eyed and cynical (but still adorable) Joey and the smart but emotionally inept Dawson--gives the show its heart. And just like Williamson's fresh take on the teen-horror genre, Scream, Dawson's Creek has a winking self-awareness, for example when Dawson says they're having a "90210 moment" or explains that they use big words because they watch too many movies. Highlights of the first series include Dawson's discovery that his perfect home life may not be so perfect, an unwelcome reminder of Jen's past, the Breakfast Club takeoff "Detention", the Scream takeoff "The Scare", a beauty contest in which two unlikely competitors square off, and the heart-rending finale. --David Horiuchi
When retired East End villain CHARLIE ARCHER is murdered by a feral street gang his brother RITCHIE returns to London from Spain to investigate. With the police investigation drawing blank after blank Ritchie decides to take the law into his own hands and bring his old school justice back to the streets of East London. Rounding up his old firm he leads a vigilante crusade against the vicious young criminals using every grizzly method at his disposal to find and punish his brother’s killers. They’re outgunned and outnumbered but this firm has never been outclassed yet!
In the tradition of Raiders Of The Lost Ark, ROCKETEER is a full-throttle blast of thrills, fun and dazzling special effects. Set in glamarous 1930s Hollywood, it tells the story of Cliff Secord, a down-on-his-luck pilot who stumbles upon an incredible invention - a top secret jetpack that allows him to soar through the skies like a human rocket. But before long, a sinister spy (Timothy Dalton) plots to steal the jetpack, thrusting Cliff into a dangerous mission that ultimately transforms him into an extraordinary hero.
Some people can buy their way out of anything. Except the past. Paul Newman plays Harry Ross a burned-out private eye who's plunged into a murder mystery tied to a long-unsolved case of Hollywood dreams schemes and cover-ups. Susan Sarandon and Gene Hackman are among the locals who inhabit a Tinseltown world of privilege and sleaze sexuality and desperation trust and double-cross.
Tyrin Turner may not have broken out into stardom as was initially expected, but his work in Menace II Society is one of the more powerful cinematic debuts. The film, from the brother writer-director team of Allen and Albert Hughes, chronicles life in the Los Angeles 'hood. Similar territory was covered in the equally commanding Boyz N the Hood, but what makes this cautionary tale stand out is not only the Hughes brothers' forceful story, (written with their friend, Tyger Williams) and direction, but the naturalness of then-newcomer leads Turner as Caine, Larenz Tate as O-Dog, and Jada Pinkett as Ronnie. They are so credible--occasionally frighteningly so--that the repressive universe of violent ghetto life is captured effectively. Life as portrayed here-and no doubt accurately so--is both figuratively and literally narrow. As a very young boy, Caine witnesses his dad murdered over something inconsequential, and his mom OD. His is a world where respect comes from intimidation, power from violence. Despite his understanding of right and wrong (values passed on by a good friend, his kind grandparents, a caring teacher), his life and its entrapments are too much to overcome. --N.F. Mendoza
Off-screen pals James Cagney and Pat O'Brien teamed up for the sixth time in this enduring gangster classic. Cagney's Rocky Sullivan is a charismatic ghetto tough whose underworld rise makes him a hero to a gang of slum punks. O'Brien is Father Connolly, the boyhood chum-turned-priest who vows to end Rocky's influence. Other ace talents join them: Humphrey Bogart as a scheming lawyer, Ann Sheridan as Rocky's hard-edged girlfriend and the Dead End Kids as worshipful street urchins, all ably directed by Michael Curtiz (Casablanca). The 1938 New York Film Critics Best Actor Award came Cagney's way, as well as one of the film's three Oscar nominations. Watch the chilling death-row finale and you'll know why.On-Disc Special FeaturesLeonard Maltin Hosts Warner Night at the Movies 1938 with NewsreelMusic Short Out Where the Stars BeginCartoon Porky and DaffyTheatrical TrailersFeaturette Angels with Dirty Faces: Whaddya Hear? Whaddya SayCommentary by Film Historian Dana PolanAudio-Only Bonus: Radio Production with Film's Two Stars
Director William Wellman (The Big Heat) offered up this 1949 treatment of the Battle of the Bulge, which won Oscars for best screenplay and best cinematography. The film concentrates on the camaraderie and the divisions between the troops as they prepare for the big offensive. Told in a taut narrative, the men of the 101st, led by Van Johnson, wait out the winter in the Ardennes forest to confront the German army in what would be the last major offensive of World War II. The men are demoralised and trapped, with no hope of support from the Allies as they are forced to band together and defend their position. A classically assembled war drama that nevertheless manages to be both engrossing and entertaining, Battleground is a mainstay of the genre. --Robert Lane
Based on Tom Clancy's bestseller and starring Sean Connery and Alec Baldwin, The Hunt For Red October seethes with state-of-the-art excitement and sweats with the tension of men who hold doomsday in their hands. A new, technologically superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius (Connery). The American government thinks Ramius is planning to attack, but a lone CIA analyst, Jack Ryan (Baldwin), has a different belief: Ramius is planning to defect. But Ryan has only a few precious hours to locate him and prove it because the entire Russian Naval and Air Commands are trying to find him, too. With international peace at stake and time running out The Hunt is On!
Trying to explain the cult appeal of John Carpenter's Big Trouble in Little China to the uninitiated is no easy task. The plot in a nutshell follows lorry driver Jack Burton (Kurt Russell) into San Francisco's Chinatown, where he's embroiled in street gang warfare over the mythical/magical intentions of would-be god David Lo Pan. There are wire-fu fight scenes, a floating eyeball and monsters from other dimensions. Quite simply it belongs to a genre of its own. Carpenter was drawing on years of chop-socky Eastern cinema tradition, which, at the time of the film's first release in 1986, was regrettably lost on a general audience. Predictably, it bombed. But now that Jackie Chan and Jet Li have made it big in the West, and Hong Kong cinema has spread its influence across Hollywood, it's much, much easier to enjoy this film's happy-go-lucky cocktail of influences. Russell's cocky anti-hero is easy to cheer on as he "experiences some very unreasonable things" blundering from one fight to another, and lusts after the gorgeously green-eyed Kim Cattrall. The script is peppered with countless memorable lines, too ("It's all in the reflexes"). Originally outlined as a sequel to the equally obscure Adventures of Buckaroo Banzai Across the Eighth Dimension, Big Trouble is a bona fide cult cinema delight. Jack sums up the day's reactions perfectly, "China is here? I don't even know what the Hell that means!". On the DVD: Big Trouble in Little China is released as a special edition two-disc set in its full unedited form. Some real effort has been put into both discs' animated menus, and the film itself is terrific in 2.35:1 and 5.1 (or DTS). The commentary by Carpenter and Russell may not be as fresh as their chat on The Thing, but clearly they both retain an enormous affection for the film. There are eight deleted scenes (some of which are expansions of existing scenes), plus a separate extended ending which was edited out for the right reasons. You'll also find a seven-minute featurette from the time of release, a 13-minute interview with FX guru Richard Edlund, a gallery of 200 photos, 25 pages of production notes and magazine articles from American Cinematographer and Cinefex. Best of all for real entertainment value is a music video with Carpenter and crew (the Coupe de Villes) coping with video FX and 80s hair-dos.--Paul Tonks
This release features both of the Christmas Specials. Merry Christmas: It has been 10 years since Geraldine became the vicar of Dibley and everyone is determined to celebrate her anniversary. But as usual nothing goes according to plan and she soon has to deal with a disastrous chocolate gift an unexpected visit from a supermodel and a depressed Frank. Happy New Year: It is Geraldine's 40th birthday and the parish council decide the best way to make it an occasion to
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