In a gripping tale of courage resourcefulness and determination the consequences of a plane crash strip bare the morals of the survivors. The pilot of the doomed aircraft Frank Towns (James Stewart) is an aviator of the old school used to seat-of-the-pants flying distrustful of new technology. With his navigator Lew Moran (Richard Attenborough) he is piloting a cargo-cum-passenger plane high above the Arabian desert when a powerful sandstorm rises from below. Trusting his instincts Frank decides to fly through and above the storm; a risky move which leads to the starboard engine overheating and catching fire shortly followed by the demise of the port engine. Without power the plane begins a long dive towards the ground a sequence memorably intercut with the opening credits before impacting messily. Staggering from the wreckage the living find themselves deep within the Arabian desert far off their original flight plan and with little hope of rescue. Two of their number were killed instantly while a third (a young oil-worker) has been gravely wounded - right from this beginning the crosses of the dead loom over those left alive. Frank blames himself bitterly for this tragedy (correctly so from an objective perspective) but still tries to exert some authority over the rabble and provide reassurance. Since they have enough water for about ten days according to Dr.Renaud (Christian Marquand) and plenty of dates as food Frank and Lew spin the yarn that they will surely be found by search aircraft. Meanwhile a pecking order emerges among the men (a mix of oil-workers soldiers technical personnel and the aircrew) with the more learned/respected exerting control over the manual workers. As time passes the situation becomes increasingly bleak and Captain Harris (Peter Finch) decides to march to the nearest oasis with Sgt.Watson (Ronald Fraser) who is less than keen on the idea. In fact Sgt.Watson manages to fake a sprained ankle just to get out of the desert trip (a move symptomatic of his hatred of the military) and his superior leaves with another passenger. Unfortunately another survivor Trucker Cobb (Ernest Borgnine) is so deranged that he staggers after the departed pair. Frank is still so wracked with guilt that he goes after Cobb risking his own life in the brutal midday heat and fails once again in his task. Just when the situation looks irretrievably lost Heinrich Dorfmann (Hardy Kruger) comes up with an audacious idea - why not build a smaller plane from the debris of the first? Initially he is ridiculed both for being German and for having such a crackpot scheme but attitudes change slightly when he reveals that he is actually an aircraft designer. Once again there is hope no matter how slim that they won't become vulture food - just as long as the struggle for control between Frank and Heinrich doesn't destroy the entire enterprise...
Desperately in need of a best seller to revive his struggling career, true crime writer Ellison (Ethan Hawke), moves his family to the scene of his most recent story; the unsolved, gruesome murder of a loving, happy suburban family. Shunned by the local community and strained by his obligations to his family, the discovery of a batch of home movies in the attic offers Ellison shocking proof to the crime he is investigating and the terrifying realisation that his investigation may be putting his family in mortal danger.
Senior year. A time to grow up to forget to forgive to dream to learn to love all over again. People come together... except Dan consumed by anger as he tracks down whoever started the fire that almost took his life. Tree Hill is rocked by powerful new events-the good the bad and the catastrophic. The good: Haley fights to save her marriage Peyton comes to terms with her birth mother Brooke creates a hot clothing line and Keith comes home. The bad: Dan gets a rival for worst person in Tree Hill-a conniving redhead named Rachel the new girl at school. The catastrophic: Tragedy strikes Tree Hill High and suddenly who wins the cheerleading tournament or basketball championship seems insignificant compared to who lives. And who doesn't. The complete third season of One Tree Hill. Episodes Comprise: 1. Like You Like An Arsonist 2. From The Edge Of The Deep Green Sea 3. First Day On A Brand New Planet 4. An Attempt To Tip The Scales 5. A Multitude Of Casualties 6. Locked Hearts And Hand Grenades 7. Champagne For My Real Friends Real Pain For My Sham Friends 8. The Worst Day Since Yesterday 9. How A Resurrection Really Feels 10. Brave New World 11. Return To The Future 12. I've Got Dreams To Remember 13. The Wind That Blew My Heart Away 14. All Tomorrow's Parties 15. Just Watch The Fireworks 16. With Tired Eyes Tired Minds Tired Souls We Slept 17. Who Will Survive And What Will Be Left Of Them 18. When It Isn't Like It Should Be 19. I Slept With Someone In Fall Out Bay And All I Got Was This Stupid Song Written About Me 20. Everyday Is A Sunday Evening 21. Over The Hills And Far Away 22. The Show Must Go On
James Belushi stars as Thomas Dooley an unorthodox narcotics cop who teams with an independently minded police dog in this hilarious action-comedy. Headstrong Dooley is one step away from nailing a prominent socialite in a $50 million cocaine bust. But branded as too crazy to partner with no one will work with him except Jerry Lee a superbly trained German Shepherd police dog with the best nose in the drug-busting business. The unconventional pairing pleases neither partner but a
It has been buried for thousands of years. A mystery. A secret. A threshold. Stargate. One man will break its code and open the door the other will lead the way. They prepared for danger they expected the unknown but they could never have imagined what they would discover. Now they must find the key to return home or remain trapped on the other side of the known universe forever. The most amazing discovery of our time is about to become the most extraordinary adventure of all time. The original epic movie from director Roland Emmerich (2012 Independence Day) that spawned a galaxy of fans Stargate remains a thrilling adventure through space and time that is not to be missed. Now for the first time see and hear the movie like never before with multiple versions of the film presented in 1080p High Definition and all new 7.1 DTS-HD Master Audio - and go beyond the gate with special features that capture how Stargate unlocked a massive franchise universe and became a must-see modern sci-fi classic.
First transmitted in 1984, Chocky is a six-part TV adaptation of John Wyndham's clever novel. Matthew, an apparently normal 12-year-old boy, starts talking to an invisible presence called Chocky, who quizzes him on a wide variety of subjects as if unfamiliar with life on Earth. Over the course of the serial it is suggested that Chocky is an alternate personality or, after Matthew has been helped by Chocky to rescue his sister from drowning, a guardian angel. But we realise early on that this non-imaginary friend is in fact an alien who has made exploratory contact with the boy. Though Chocky manifests as a swirl of blue light, this is a rare piece of TV science fiction that sticks to the domestic arena, exploring ideas rather than playing with special effects. Wyndham's very 1950s-styled novel is updated by making the kids less well-spoken, and throwing in Rubik's cubes and space invaders video games, but adaptor Anthony Read's script preserves the virtues of the novel. Young Andrew Ellams is fine in a demanding role, and there's good-quality puzzled concern from dad James Hazeldine and 80s TV's resident sexy mum Carol Drinkwater. Apart from a few eye-abusing 1984 fashions--Jeremy Bulloch's huge glasses and blinding white jeans in a cameo as a psychiatrist--and the general leisurely pace, which is no bad thing in such a careful piece of drama, this has dated little. Those who remember its first broadcast will find it lives up to the memory, and those who weren't born then should still find it an entertaining watch. On the DVD: Chocky on disc can be accessed as a marathon two-and-a-half-hour watch or as six individual episodes (the latter is recommended). Print quality is fine given the techniques of its production. A nice extra is a 20-minute, in-depth chat with writer Anthony Read. --Kim Newman
This prequel to the popular video game stars Milla Jovovich and Michelle Rodriguez as the leaders of a command team into The Hive, a lab where where a deadly virus has killed all the scientists and, in three hours, could destroy the world.
From Armando Iannucci, the comic-genius behind The Thick of It and starring Tom Hollander, James Gandolfini, Peter Capaldi and Steve Coogan, comes a hilarious and biting satire on British-US relations and the lunacy of War.
Following the success of his debut feature, The Bird with the Crystal Plumage, distributor Titanus tasked writer / director Dario Argento with delivering a follow-up in short order. The resulting film, granted a greatly enhanced budget and heralded in its US marketing campaign as nine times more suspenseful than its predecessor, was The Cat O Nine Tails. When a break-in occurs at a secretive genetics institute, blind puzzle-maker Franco Arnò (Karl Malden, Patton, One-Eyed Jacks), who overheard an attempt to blackmail one of the institute s scientists shortly before the robbery, teams up with intrepid reporter Carlo Giordani (James Franciscus, Beneath the Planet of the Apes) to crack the case. But before long the bodies begin to pile up and the two amateur sleuths find their own lives imperilled in their search for the truth. And worse still, Lori (Cinzia De Carolis, Cannibal Apocalypse), Franco s young niece, may also be in the killer s sights... This second entry in the so-called Animal Trilogy found Argento further refining his distinctive style and cementing his reputation as the master of the giallo thriller. Co-starring Catherine Spaak (Il Sorpasso) and Rada Rassimov (Baron Blood), and featuring another nerve-jangling score by the great Ennio Morricone (The Bird with the Crystal Plumage, The Good, The Bad and the Ugly), The Cat O Nine Tails remains one of Argento s most suspenseful and underrated films. SPECIAL EDITION CONTENTS: Brand new 4K restoration of the film from the original camera negative High Definition Blu-ray (1080p) presentation Original mono Italian and English soundtracks Newly translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack New audio commentary by critics Alan Jones and Kim Newman New interviews with co-writer/director Dario Argento, co-writer Dardano Sacchetti, actress Cinzia De Carolis and production manager Angelo Iacono Script pages for the lost original ending, translated into English for the first time Original Italian and international theatrical trailers Reversible sleeve featuring original and newly commissioned artwork by Candice Tripp
Ripped from the headlines of the turbulent era between the Great War and the Great Depression, this dynamic, nostalgia-tinged crime drama balances tommy-gun action with epic historical sweep. Legends James Cagney and Humphrey Bogart star as army buddies whose fortunes rise and fall as their fates intersect, first in a foxhole on the front lines of World War I, then in Manhattan's Prohibition-era underworld. Directed by Hollywood master Raoul Walsh, and based on a story by prolific journalist turned screenwriter and producer Mark Hellinger, The Roaring Twenties brought to a close the celebrated Warner Bros. gangster cycle of the 1930s, and it remains one of the greatest and most influential crime films of all time. Product Features4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Audio commentary with film historian Lincoln Hurst New interview with critic Gary Giddins Excerpt from a 1973 interview with director Raoul Walsh Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Mark Asch
A new restoration of Joseph Loseys 1963 masterpiece The Servant. Adapted from Robin Maugham's short story, The Servant marked the first of three collaborations between Joseph Losey and celebrated playwright Harold Pinter. Nominated for five BAFTA's and winning three, including best actor for Dirk Bogarde and Best Cinematography for Douglas Slocombe, The Servant is notable for its ambitious technique and its willingness to engage with issues that were, at the time, never seen in British cinema. Experienced manservant Barrett (Dirk Bogarde) starts working for foppish aristocrat Tony (James Fox) in his smart new townhouse. Much to the annoyance of Tony's girlfriend (Wendy Craig), Barrett slowly initiates himself into the house and begins to manipulate his master. Extras: NEW: Locations featurette with Adam Scovell NEW: Video essay with Film Historian Matthew Sweet and Film Critic Phuong Le Trailer Stills Gallery Interview with Wendy Craig Interview with Sarah Miles Interview with Stephen Woolley Harry Burton on Harold Pinter John Coldstream on Dirk Bogarde Audio Interview with Douglas Slocombe conducted by Matthew Sweet Joseph Losey & Adolphus Mekas at the New York Film Festival in 1963 Harold Pinter Tempo Interview Joseph Losey Talks About The Servant James Fox Interviewed by Richard Ayoade
The third thrilling season of TV uberproducer Steven Bochco's NYPD Blue. Episodes Comprise: 1. E.R. 2. Torah! Torah! Torah! 3. One Big Happy Family 4. Heavin' Can Wait 5. Dirty Laundry 6. Curt Russell 7. Aging Bull 8. Cold Heaters 9. Sorry Wrong Suspect 10. The Blackboard Jungle 11. Burnin' Love 12. These Old Bones 13. A Tushful Of Dollars 14. The Nutty Confessor 15. Head Case 16. Girl Talk 17. Hollie And The Blowfish 18. We Was Robbed 19. Auntie Maimed 20. A Death I
Tom Welles (NICOLAS CAGE) is a surveillance specialist--what used to be known as a
The King Of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927 working with the biggest budget in the history of Hollywood DeMille spun the life and Passion of Christ into one of the highest-grossing films of all time. Featuring text drawn directly from the Bible a cast of thousands and a cinematic bag of tricks that could belong to none other than Hollywood's greatest showman The King Of Kings is at once spectacular and deeply reverent-part Gospel part Technicolor epic.
WONDER WHEEL tells the story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny (Kate Winslet), an emotionally volatile former actress now working as a waitress in a clam house; Humpty (Jim Belushi), Ginny's rough-hewn carousel operator husband; Mickey (Justin Timberlake), a handsome young lifeguard who dreams of becoming a playwright; and Carolina (Juno Temple), Humpty's long-estranged daughter, who is now hiding out from gangsters at her father's apartment. Poetically photographed by Vittorio Storaro, WONDER WHEEL is a powerful dramatic tale of passion, violence, and betrayal that plays out against the picturesque tableau of 1950s Coney Island.
Hattie Jacques finally got to the play the title role in 1972 when Carry On Matron immortalised the character she had developed during several previous outings, most notably in Carry On Doctor. And she seized it with gusto. This is no one-dimensional performance, but a very human portrait of a woman doing her best to retain her authority in the face of mounting chaos--a raid planned by Sid James to steal the hospital's supply of contraceptive pills. Certainly, she's obsessed with regular bowel movements--this wouldn't be a Carry On film otherwise--but she remains a majestic figure of dignity with a touch of human warmth. Occasionally, too, a real hint of irony peeks through the slapstick and the innuendo. Surely scriptwriter Talbot Rothwell had his tongue lodged firmly in his cheek when he gave Barbara Windsor--then married to Ronnie Knight--a the line, "I don't fancy being a gangster's moll!" Terry Scott makes a guest appearance and Sid James is at his most conniving and lecherous. Theatre impresario Bill Kenwright has a cameo role and there's an early appearance from Wendy Richard as a prototype Pauline Fowler. But it's the female stalwarts who shine. Joan Sims and Hattie Jacques truly were comic actresses of the highest order. On the DVD: Presented like most of the other Carry On DVD releases in 4:3 picture format and mono soundtrack, this release has all the comfy quality of a lazy Saturday afternoon in front of the television. But where are the extras? It's one thing to launch a highly popular series of films as classic entertainment, but they deserve more than the budget treatment. As always, a cast list, some sort of documentary extra and biographies of at least the key players would really do them justice. --Piers Ford
The Driller Killer is one of the most notorious flims ever. It almost single-handedly spawned the media ""video nasty"" hysteria of 1984 and the introduction of the video recordings act. It is also the film that launched the career and reputation of critically acclaimed director Abel Ferrara. Away from the hysteria The Driller Killer is a powerful and compelling story of one man's descent into madness and violence. Reno is a struggling artist close to breaking point. The loud punk
When the Easter bunny rabbit is hit by a car the driver takes on responsibility and has to save Easter. Special Features: The World of Hop: A look at the Candy Factory A look at E.B. A look at Fred A look at the Easter Bunny A look at Carlos and Phil A look at Sam All Access with Cody Simpson Barbie Princess Charm School Teaser Trailer Parks and Resorts Orlando Trailer Thank You Anti Piracy Trailer
Two For The Money (Dir. D. J. Caruso 2005): Academy Award winner Al Pacino and Matthew McConaughey star in this adrenaline-charged thriller about the sexy high-stakes world of sports betting where fortunes can be made and lost with a flip of a coin. When Brandon Lang (McConaughey) becomes the protg of sports gambling's power player Walter Abrams (Pacino) he swiftly becomes the golden boy of the high-rolling world for consistently picking football winners. Now with millions on the line he finds himself in a deadly game of con-versus-con with his new mentor. Scent Of A Woman (Dir. Martin Brest 1992): Al Pacino won his first Best Actor Oscar for his brilliant portrayal of an overbearing blind retired Lieutenant Colonel who hires a young guardian (Chris O'Donnell) to assist him. It's a heart-wrenching and heartwarming tale of opposites attracting when they embark on a wild weekend trip that will change the lives of both men forever.
Oz and James Drink to Britain is the superb follow up series to the hilarious Oz and James's Big Wine Adventure - only this time they are on a mission to find the drink that defines Britain. As the bickering reaches fever pitch will James finally be more knowledgeable than Oz as they sample beer stout cider whisky and lager?
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