A visually sumptuous and quintessentially British production, Death on the Nile won an Oscar® for Anthony Powell's costume design and introduced Peter Ustinov in his first portrayal as the Belgian detective Poirot. Abroad a luxury Nile steamer a mystery assassin takes the life of an heiress. EXTRAS Making Of Interview with costume designer Anthony Powell Interview with Dame Angela Lansbury Interview with producer Richard Goodwin Behind the scenes stills gallery Costume designs stills gallery
A visually sumptuous and quintessentially British production, Death on the Nile won an Oscar® for Anthony Powell's costume design and introduced Peter Ustinov in his first portrayal as the Belgian detective Poirot. Abroad a luxury Nile steamer a mystery assassin takes the life of an heiress. EXTRAS Making Of Interview with costume designer Anthony Powell Interview with Dame Angela Lansbury Interview with producer Richard Goodwin Behind the scenes stills gallery Costume designs stills gallery
Clayhanger: The Complete Series (8 Discs)
A TV version of the Jack The Ripper story which claims to show the truth behind the grisly murder of prostitutes in Victorian London. Detective Abberline (Caine in a Golden Globe award winning performance) must find the murderer while under terrific pressure from the public and the Government...
Michael Caine heads a star-studded cast in this acclaimed dramatisation of the hunt for the notorious serial killer who preyed on the prostitutes of London's East End. Made for the 1988 centenary of these infamous murders, the production team were granted unprecedented access to Home Office files on the Ripper case the resulting two-part miniseries winning Caine a Golden Globe award for his portrayal of the dogged Scotland Yard detective Frederick Abberline. Jack the Ripper is presented here as a brand-new High Definition restoration from original film materials, in its original aspect ratio. In the autumn of 1888, Chief Inspector Abberline is sent to investigate the murder and mutilation of a prostitute. Others soon meet the same fate, and a press frenzy ensues. With Jack the Ripper terrorising London and both police and outraged public clamouring for a conclusion, Abberline and his partner, Godley, work doggedly through their list of suspects more than one of whom has royal connections. SPECIAL FEATURES: Feature-length widescreen version Brand-new Dolby 5.1 mix Image gallery
Michael Caine heads a star-studded cast in this acclaimed dramatisation of the hunt for the notorious serial killer who preyed on the prostitutes of London's East End. Made for the 1988 centenary of these infamous murders, the production team were granted unprecedented access to Home Office files on the Ripper case the resulting two-part miniseries winning Caine a Golden Globe award for his portrayal of the dogged Scotland Yard detective Frederick Abberline. Jack the Ripper is presented here as a brand-new High Definition restoration from original film materials, in its original aspect ratio. In the autumn of 1888, Chief Inspector Abberline is sent to investigate the murder and mutilation of a prostitute. Others soon meet the same fate, and a press frenzy ensues. With Jack the Ripper terrorising London and both police and outraged public clamouring for a conclusion, Abberline and his partner, Godley, work doggedly through their list of suspects more than one of whom has royal connections. SPECIAL FEATURES: Feature-length widescreen version Brand-new Dolby 5.1 mix Image gallery
Perhaps the quintessential example of the intimate epic, Nicholas and Alexandra is the compelling story of Nicholas II (Michael Jayston), the last Czar of Russia, and his wife Alexandra (Janet Suzman). Director Franklin J Schaffner frames the intimate lives of the Imperial Couple against the dramatic backdrop of the Russian Revolution, creating the filmic equivalent of a monumental frieze. Private and public lives intersect when Alexandra, who has clearly read Macbeth, influences Nicholas into several misguided actions while coping with her haemophilic newborn son. Schaffner builds suspense wonderfully as he illuminates the couple's mysterious bond to the mystical Rasputin (Tom Baker) and the events leading to their execution. Nominated for Best Picture, the splendidly lensed Nicholas and Alexandra earned two Oscars for its delicious eye candy (Art Direction, Costume Design). --Kevin Mulhall
Fantastical writer Gary Ross (Big, Dave) makes an auspicious directorial debut with this inspired and oddly touching comedy about two 90s kids (Tobey Maguire and Reese Witherspoon) thrust into the black-and-white TV world of Pleasantville, a Leave It to Beaver-style sitcom complete with picket fences, corner malt shop and warm chocolate chip cookies. When a somewhat unusual remote control (provided by repairman Don Knotts) transports them from the jaded real world to G-rated TV land, Maguire and Witherspoon are forced to play along as Bud and Mary Sue, the obedient children of George and Betty Parker (William H Macy and Joan Allen). Maguire, an obsessive Pleasantville devotee, understands the need for not toppling the natural balance of things; Witherspoon, on the other hand, starts shaking the town up, most notably when she takes football stud Skip (Paul Walker) up to Lover's Lane for some modern-day fun and games. Soon enough, Pleasantville's teens are discovering sex along with--gasp!--rock & roll, free thinking and soul-changing Technicolour. Filled with delightful and shrewd details about sitcom life (no toilets, no double beds, only two streets in the town), Pleasantville is a joy to watch, not only for its comedy but for the groundbreaking visual effects and astonishing production design as the town gradually transforms from crisp black and white to glorious colour. Ross does tip his hand a bit about halfway through the film, obscuring the movie's basic message of the unpredictability of life with overloaded and obvious symbolism, as the black-and-white denizens of the town gang up on the "coloureds" and impose rules of conduct to keep their strait-laced town laced up. Still, the characterizations from the phenomenal cast--especially repressed housewife Allen and soda-shop owner Jeff Daniels, doing some of their best work ever--will keep you emotionally invested in the film's outcome and waiting to see Pleasantville in all its final Technicolor glory. --Mark Englehart
The first of six collaborations between two of British cinemas most infamous figures Oliver Reed (The Damned, The Triple Echo) and Michael Winner (Death Wish, The Stone Killer) The System finds both at their creative peak. Reed is leader of a gang of youths, who spend a hot summer season in Devon in pursuit of women including Jane Merrow (The Appointment) and Barbara Ferris (A Nice Girl Like You). Filmed on location, and shot by the great Nicolas Roeg before he turned his attentions to directing, The System boasts a fine supporting cast, including Julia Foster (Alfie), Harry Andrews (The Deadly Affair), and David Hemmings (Fragment of Fear).
Here in all it's glory is Crossroads on DVD for the very first time. Meg and Sandy Richardson Benny Hawkins Adam Chance Shughie McFee - the names still strike a chord in the memories of a generation of people who sat entranced watching the latest escapades of the staff and customers of Crossroads motel. Entranced but usually for the wrong reason! Would the walls wobble? Would the actors dry up or start laughing mid sentence? Anything could happen. Unrepeated for many years th
Jodie Foster stars as a grieving woman determined to track down the men behind her fiance's murder, whatever the cost.
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
This lavish two-hour concert special, originally produced for HBO, offers ample proof of Janet Jackson's fierce ambitions. Whitney, Celine and Mariah can run circles around her small, sweet voice, but Janet brings a tough, muscular power to her live performances that none of those peers can approach, storming through myriad set and costume changes, and sustaining an aerobic pace through elaborate dance routines. As captured during this Madison Square Garden presentation of her Velvet Rope tour, Janet Jackson is, ahem, very buff indeed, not just in her well-toned physical health, but in her vocal attack.The Velvet Rope tosses up rappers, hard-rock heroism, melting romantic pop and Jackson's own brand of soft-core erotica, but the show transcends those components in its broad sense of spectacle. The star fronts a formidable battalion of dancers, singers and musicians to make her points, and while it's obvious that the musical performances have been nipped, tucked and polished to an acceptable sheen, Janet earns her props through sheer willpower.Ranging across Jackson's best-known songs from the last decade, the production is noteworthy for its intricate choreography and massive settings, in which the star seeks to match the big-budget sweep of her music videos. The live troupe is formidable, composed of a crack band and a large cast of nimble dancers, and Janet keeps pace with her aerobic presence. We'll leave it to social scientists to ponder the significance of the "Rope Burn" sequence, in which an ecstatic male fan is lashed to a chair and gets to watch his favourite sex object pole-dance. If this stalwart is any indication, Janet has already won the hearts (and more) of her faithful. --Sam Sutherland, Amazon.com
Resident Evil - Apocalypse (Dir. Alexander Witt 2004): The sequel to the 0 million hit Resident Evil: Apocalypse is again based on the wildly popular video game series and picks up where the first film ended. The zombies are back and so is Alice (Jovovich). Since being captured by the notorious Umbrella Corporation she has been subjected to biogenetic experimentation and has become genetically altered with super-human strengths senses and dexterity. Now she has teamed with other survivors of Earth ready to destroy any zombie in their path. After escaping from the Racoon City Medical Facility Alice searches for answers to the T-Virus and how to contain it. On the other side of town a woman named Jill Valentine plots her own escape while battling the undead and Matt Adison now transformed into a monster called The Nemesis who is bent on destroying all who live. Punisher (Dir. Jonathan Hensleigh 2004): Marvel Comics presents a second big-screen version of The Punisher with this action-packed adaptation from screenwriter-turned-director Jonathan Hensleigh. Frank Castle (Tom Jane) is a retired F.B.I. agent spurred into action after the merciless slaying of his wife father and son. Adopting the superhero guise of The Punisher Castle aims to wreak vengeance for his dead family by tracking down the culprits responsible for their demise. All clues point to Howard Saint (John Travolta) a ruthless businessman and nightclub owner whose son was mistakenly killed by Castle in a botched undercover operation back in his F.B.I. days. Unique amongst Marvel superheroes The Punisher possesses no special powers just remarkable strength parried with a blind determination to avenge his family. As he hunts down Saint Castle surrounds himself with three fellow societal outcasts to get the job done namely Joan (Rebecca Romijn-Stamos) Bumpo (John Pinette) and Dave (Ben Foster). Hellboy (Dir. Guillermo del Toro 2004): In the final days of World War II the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where an occult ceremony is taking place but not before a demon Hellboy has already been conjured. Joining the Allied forces Hellboy eventually grows to adulthood under the supervision of his adopted 'father' Trevor Bruttenholm serving the cause of good rather than evil. When the powerful and evil Nazi figure who unleashed Hellboy suddenly reappears in modern times he discovers that Hellboy is now working as a paranormal investigator at a secret U.S. government agency dedicated to protecting humanity from the forces of darkness. Now Hellboy must fight to solve the riddle of his own existence and prevent the destruction of mankind... Dark Horse Comics' popular cult superhero Hellboy makes the leap from the comic book pages to the big screen with Ron Perlman the only actor considered charismatic enough to convey the blood-red demon anti-hero cutting a cigar-chomping dash in the title role as Hellboy assisted by prosthetics from 6-time Oscar winning makeup artist Rick Baker.
New York radio host Erica Bain (Jodie Foster) has a life that she loves and a fiance she adores. All of it is taken from her when a brutal attack leaves Erica badly wounded and her fiance dead. Unable to move past the tragedy Erica begins prowling the city streets at night to track down the men she holds responsible. Her dark pursuit of justice catches the public's attention and the city is riveted by her anonymous exploits. But with the NYPD desperate to find the culprit and a dogged police detective (Terrence Howard) hot on her trail she must decide whether her quest for revenge is truly the right path or if she is becoming the very thing she is trying to stop.
Jamie age 29 going on 12 looser virgin stumbles upon a group of misfits who meet every week above a pub in order to discover the secrets of love relationships and finding the perfect partner... The Flirting Club. Is it the answer to what he is searching for? Jamie has one month to meet a real girl otherwise he has to marry Laura 'the human pig' from next door. Inadvertently hampered by his best mate Bill stuck with a schoolboy infatuation with his Hot Boss two left feet and zero pulling skills an accidental encounter with his local flirting club might just hold all the answers. The group of six thirty-something singles and Miriam their teacher who has an unusual approach to flirting success seem unlikely to succeed. But as everyone knows the course to true love is never easy and the gang of misfits soon learn that getting it right is more about being yourself then trying to be someone else.
Thomas Jane stars as the ultra violent Marvel Comics vigilante, a man who begins to wage a one man war on organised crime following the death of his family.
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