A family fleeing from the despotic regime of Napoleon is chased off course by a band of pirates. They are then shipwrecked on a tropical island where they begin a new and adventurous life. Based on the book by Johann Wyss.
For his tenth feature, Terry Gilliam (Time Bandits, Twelve Monkeys) adapted Mitch Cullin's celebrated cult novel Tideland, a work he once described as Alice in Wonderland meets Psycho through the eyes of Amélie. To escape her unhappy life in a remote part of Texas, nine-year-old Jeliza-Rose dreams up an elaborate fantasy world. But the reality of having junkie parents played by Jeff Bridges (The Big Lebowski) and Jennifer Tilly (Bound) and the influence of her eccentric neighbours begins to encroach, turning her daydreams ever darker. A rich slice of Southern Gothic blurring whimsical fantasy with unsettling reality, Tideland is among Gilliam's most personal works indeed, with its shifts between the amusing and the macabre, expressive camerawork and striking special effects, the film could be the very definition of Gilliamesque! Features: High Definition Blu-ray (1080p) presentation DTS-HD MA 5.1 audio Optional English subtitles for the deaf and hard of hearing Commentary by writer-director Terry Gilliam and co-writer Tony Grisoni Introduction by director Terry Gilliam Getting Gilliam, a 45-minute documentary on the making of Tideland by Vincenzo Natali (Cube, Splice) The Making of Tideland featurette Filming Green Screen featurette with commentary by Gilliam Interviews with Terry Gilliam, producer Jeremy Thomas and actors Jeff Bridges, Jodelle Ferland and Jennifer Tilly Deleted scenes with commentary by Gilliam B-roll footage Gallery Theatrical trailer Reversible sleeve featuring two choices of original artwork FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Neil Mitchell
A young girl attempts to deal with her mother's death from a heroin overdose.
Hitchcock's most notorious work remains terrifying after all these years, digitally presented, this reissue marks this milestone work's 50th Anniversary.
Come and join in with Little Bear Duck Owl Cat and others in twelve enchanting adventures. Episodes comprise: What Will Little Bear Wear? Hide And Seek Little Bear Goes To The Moon Birthday Soup Polar Bear Gone Fishing Up All Night Little Bear's Bath Father Bear Comes Home A Flu Exploring Fishing With Father Bear.
Seventh Heaven directed by Frank Borzage is a tender love story set in pre-World War I Paris which unites two unlikely people in becoming a highly popular twosome. It stars the pert and angelic Janet Gaynor opposite the tall but not-so-rugged Charles Farrell in their initial union their first of twelve movies in which they were to appear together. The film won three Oscars including the Best Actress award for Janet Gaynor and also the Best Director award for Frank Borzage.
After 50 years the ultimate nightmare returns in stunning high definition on Blu-ray with superior picture spine-chilling sound plus a host of extras. More chilling than ever before Alfred Hitchcock's landmark masterpiece of the macabre stars Anthony Perkins as the troubled Norman Bates whose old dark house and adjoining motel are not the place to spend a quiet evening. No one knows that better than Marion Crane (Janet Leigh) the ill-fated traveller whose journey ends in the notorious shower scene. First a private detective (Martin Balsam) then Marion's sister (Vera Miles) search for her as the horror and suspense mount to a terrifying climax where the mysterious killer is finally revealed.
They say like father like son but for Abe (King) and Abbie (Crystal) Polin nothing could be further from the truth. Abe is King of the Hollywood extras. As an actor he's an expert at being a face in the crowd. His son Abbie is a respected New York heart surgeon who's always felt like a bit player in his father's life. When Abbie suffers a mild heart attack he decides it's time to mend family ties...or break them altogether. So he heads out to Hollywood where his efforts at recon
For a first feature from a 24-year-old director, George Washington is an amazingly assured piece of work. The titles misleading: this is no biopic of Americas first President, but a poetic, richly atmospheric rhapsody set in a rundown industrial town in the American South. Given this backdrop, and a predominantly black cast, you might expect an angry study of social deprivation and racial tension, but Green has no such agenda. Instead, he derives a shimmering, heat-hazed beauty from his images of rusting machinery, junkyards and derelict buildings, and if the overall tone is tinged with sadness, its mainly from a sense of universal human loss. The action, such as it is, moves at its own slow Southern pace, following a group of youngsters, black and white, over a few high-summer days. Things do happen--a couple decide to elope, one boys saved from drowning, another gets killed--but theyre presented in an oblique, understated fashion that owes nothing to conventional Hollywood notions of narrative. With one exception, the cast are all non-professionals, mainly youngsters who director-writer David Gordon Green found in and around the town where the film was made, Winston-Salem in North Carolina. Shooting in a semi-improvised fashion, Green draws from his young cast remarkably spontaneous performances and dialogue (often their own) full of unselfconscious poetry. Drawing on a wide range of influences--among other things he cites Sesame Street, documentaries and such 70s classics as Deliverance, Walkabout and especially Terrence Malicks Days of Heaven--Green has fashioned a film thats fresh, tender and utterly individual. And it looks just gorgeous: belying the tiny budget, Tim Orrs widescreen photography lavishes mellow softness on images of dereliction and small-town decay. Never has dead-end poverty been made to look so attractive. On the DVD: George Washington comes on a disc generously loaded with extras. Besides the obvious theatrical trailer we get two of Greens early short films, Physical Pinball and Pleasant Grove (both clearly dry runs for the main feature), an 18-minute featurette about the films reception at the Berlin Film Fest and a deleted scene of a community meeting. This scene, the short Pleasant Grove and the movie itself also offer a directors commentary--or rather a directors dialogue, as Green shares the honours with one of his lead actors, Paul Schneider. Their laconic, unpretentious comments enhance the whole experience enormously. The film has been transferred in its full scope ratio (2.35:1) and looks great. --Philip Kemp
The Disney touch is all over this grand, colourful version of the Johann Wyss adventure of a European family setting off for the new world of New Guinea. The film opens on a ship jostled and torn by a raging storm while a family struggles to make it through alive. Tossed into a reef near a deserted tropical island, father John Mills takes charge and the family soon turns their island prison into a veritable paradise. Their multi-level tree house, built in record time, is complete with running water and a working pipe organ scavenged from the ship, while their grand yard is abloom in English roses. As a tale of hardship and pioneer pluck it's pure fantasy, but as entertainment it's energetic and appealing. The island is impossibly populated by ostriches, zebras, lions and elephants, a private zoo that delights the youngest boy and offers plenty of comic relief. The two older brothers discover even wilder life when they rescue the prisoner of oriental pirates (led by hard-bitten Sessue Hayakawa). There's little real danger anywhere in the film: even the climactic battle with the pirates is a cartoonish affair, with coconut bombs and non-lethal booby traps, until the final desperate, deadly moments. Hardly a faithful adaptation of the novel, but a lush, beautifully shot film and an entertaining adventure safe for all ages. Dorothy McGuire co-stars as the proper, worry-prone mother. --Sean Axmaker
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