Frontiersman Lin McAdam (Stewart) is attempting to track down both his father's murderer and his one-of-a-kind rifle the Winchester '73 as it passes among a diverse group of desperate characters including a crazed highwayman (Dan Duryea) an immoral gunrunner (John McIntire) a savage young Indian chief (Rock Hudson) and McAdam's own murderous brother (Stephen McNally)...
In 1962's On the Beat, Norman Wisdom's Pitkin, the most famous incarnation of his riotous buffoon character, is dreaming of something better as usual. Pitkin wants to follow in his father's footsteps and become a policeman, but being decidedly on the short side, has to settle for washing police cars. Of course it's not long before Norman is impersonating an officer of the law. Wisdom also plays his nemesis here, the German General Schreiber, as well as the chief suspect in a series of jewel robberies which only Pitkin's chaotic antics can solve. Terence Alexander effectively reprises his character from The Square Peg (1958), and Wisdom regular David Lodge, previously seen costarring in The Bulldog Breed (1960), is also on hand, though otherwise the supporting cast is less stellar than before. By the time of 1955's Man of the Moment, Wisdom was firmly established as Britain's favourite movie comedian, his shy, helpful and good-natured "gump" character forever unintentionally causing catastrophe in the great tradition of Charlie Chaplin. However, while Chaplin ventured into politics in Modern Times (1936) for satirical purposes, when Norman's minor civil servant here accidentally becomes the UK delegate at a conference in Geneva the emphasis is on farce and pratfalls. The plot sees Norman sticking up for the rights of the fictional kingdom of Tawaki against less-than-honest government interests, while his new-found status brings the attention of the ladies, including the return of his Trouble in Store (1953) costar Lana Morris. Continuing his collaboration with veteran director John Paddy Carstairs, the film is a polished laughter machine that continues to entertain. --Gary S Dalkin
Off the coast of Maine an African cargo vessel mysteriously explodes and crashes into the harbour. What no one knows is that the crew have already been dead for days... Dr. Ben Cahill (Thomas Calabro) arrives on Orrs Island to resolve some personal problems and receives a hostile reception. The locals do not like outsiders and in particular Jack Wald (John Savage) does his best to make Ben feel unwelcome. Soon bizarre and frightening deaths start to occur on the island. Each victim
The Internecine Project is a fantastic conspiracy-thriller based on the novel by Mort W. Elkind and starring the late James Coburn. Former secret agent Robert Elliot is to be promoted as a personal advisor to the President of the USA. However there are people who know of the corruption in his past life. His solution to the problem is to have them assassinated...
Having proved himself a war hero in The Square Peg (1958), Norman Pitkin, Norman Wisdom's most famous incarnation of his riotous buffoon character, is here demobbed and, as usual for a Wisdom movie, dreaming of something better. Norman wants to follow in his father's footsteps and become a policeman, but being decidedly on the short side, has to settle for washing police cars. Of course it's not long before Norman is impersonating an officer of the law. As in The Square Peg, Wisdom also plays his nemesis here, the German General Schreiber, as well as the chief suspect in a series of jewel robberies which only Pitkin's chaotic antics can solve. In fact, as if emphasising that On the Beat really is The Square Peg with different uniforms, Terence Alexander, who later found fame as Charlie Hungerford in the long running BBC series Bergerac, also returns, albeit playing a different character. Wisdom film-regular David Lodge, previously seen co-starring in The Bulldog Breed (1960) is also on hand, though otherwise the supporting cast is less stellar than before. Solid if very predictable feel-good entertainment, Wisdom's particular brand of charming anarchy proves again his box-office formula could withstand endless variations. --Gary S Dalkin
Fabienne Berthaud's psychodrama Frankie probes the events that led to emotional crisis mental breakdown and psychiatric hospitization for a fashion model. Nearing the age of 30 the titular ex cover girl (Diane Kruger) is neither particularly young nor thin. She instead resides in an asylum in Blois France drugged out and in a semi catatonic state. In flashback Berthaud dramatizes the events that led to this predicament. Once active before the cameras and highly sought after by agents frankie experienced a series of minor calamaties including an on set fight with a fashion photographer and the experience of accidentally hearing agents make disparaging remarks about her appearance that collectively propelled her over the edge. Amid this world of grotesque artifice the one bright spot seemed to be her ever evolving friendship with the kindly driver of the modeling agency. For now Frankie contents herself with institutional life and resists the thought of leaving and returning to the scabrousness of the real world...
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