Push the Button. You'll Know When. Welcome to Thames, New Zealand. Population: 7,518 and falling. Unless of course you're Johnny (Anton Tennet), the new member of a local gang led by Shelton (Jonathan Brugh, What We Do in the Shadows). He's multiplying. After Johnny is foiled in an effort to double-cross Shelton at his own game of masterminding the sleepy town's unsurprisingly tame criminal underbelly, he inadvertently steals an ancient bracelet with which he can turn back time and in the process create multiple clones of himself. This gives Johnny the ability to literally form his own gang against Shelton's. The only problem is: how can you learn to live your best life, when you're also having to figure out which one of you exactly that is? Oh, that and there's a demon after him for bending the rules of time, physics and just general common sense. Tim van Dammen directs this 80s-throwback supernatural crime caper, dubbed by critics as a grounded sci-fi mini-odyssey with lots of creativity and even more laugh-out-loud gags, in which a brilliant ensemble works with sharp dialogue to deliver an endearingly odd and endlessly entertaining slice of Kiwi life. Special Edition Contents: High Definition Blu-ray⢠(1080p) presentation Original 5.1 DTS-HD Master Audio and uncompressed stereo PCM soundtracks 5.1 DTS-HD Master Audio music and effects track Optional English subtitles for the deaf and hard of hearing Audio commentary by director Tim van Dammen Mega Time Squad: The FrightFest TV interview, director Tim van Dammen talks to FrightFest's Paul McEvoy Extensive image galleries Original trailers Reversible sleeve featuring two artwork options
New Yorker Naina Catherine Kapur's life is dull and boring until an amazing character called Aman enters her life and nothing is the same again.
A popular singer marries the daughter of a retired teacher but when her singing becomes more popular than his he becomes filled with anger and jealously that spiral out of control.
The 2001 romantic Bollywood drama Kabhi Khushi Kabhie Gham ("Happiness and Tears") proved to be even more successful than Kuch Kuch Hota Hai, the highest-grossing Indian film of all time and one which was also directed by Karan Johar. Starring veteran actor Amitabh Bachchan and wife Jaya, this tells the story of an Indian family who live in palatial comfort but who are riven when the eldest, adopted son Rahul marries Anjali (Kajol) a feisty and attractive woman but whose "lower breeding" causes his father to disapprove of her. Breaking his mother's heart, Rahul moves to Britain with Anjali before younger brother Rohan tries to go after him and end 10 years of estrangement to reunite the family. Kabhi Khushi Kabhie Gham is packed with contemporary trappings and production values but is in every way a traditional and generic Hindi movie. Those new to Bollywood might be disconcerted by some of the fashion statements or the mixture of drawn-out, lachrymose melodrama and slightly overplayed comedy-romantic interplay between Rahul and Anjali. There are also some scenes around Leicester Square and Westminster that are almost insulting in their stereotyping of hot, swinging London. However, K3G--as it has become affectionately known--is a riot of joyful colour, music and choreography (an embarrassing version of "It's Raining Men" is an exception). This is not a crossover movie, perhaps but a sumptuous treat for Bollywood fans. On the DVD: an anamorphic widescreen presentation with impeccable definition. However there are no special features, apart from subtitles. --David Stubbs
Satyajit Ray is internationally acknowledged as one of the great masters of world cinema, with an artistic legacy that ranks as one of the most formidable in all of film history. Exceptionally versatile, his films covered almost every conceivable genre, winning him nearly every major cinema award including an Oscar for lifetime achievement as well as legions of admirers, among them Akira Kurosawa, Henri Cartier-Bresson, V.S. Naipaul and Martin Scorsese. Meticulously restored from the original negatives and presented in high-definition for the first time in the UK, this collection serves as a fitting tribute to one of cinema's most important figures.
The large joint family of Shivnath Sharma (Harindranath Chattopadhyay) has its share of misunderstandings and discord. With grown up sons and their families living under one roof differences of opinion threaten to split up the family. Krishna (Jaya Bhaduri) is the daughter of the house who lost her parents in an accident. When a new cook (Rajesh Khanna) takes up a job in the house the family members discover that he is much more than a mere chef. He sings dances and writes poetry a
Satyajit Ray is internationally acknowledged as one of the great masters of world cinema. His films - many of them masterpieces - have won him legions of admirers among them Akira Kurosawa Henri Cartier-Bresson V.S. Naipaul and Martin Scorsese. This box set features the following films: Mahanagar (Aka: The Big City) (1963): Set in the mid '50s Ray's often humorous story of conflicting social values in India's lower-middle class stars Madhabi Mukherjee as a housewife whose growing independence alarms her traditionalist India 1963 family. Charulata (Aka: The Lonely Wife) (1964): Neglected by her ambitious journalist husband the lonely Charulata (Madhabi Mukherjee) befriends his cousin (Soumitra Chatterjee) a sensitive aspiring writer and almost inevitably their feelings for each other begin to deepen. Adapted from a story by Rabindranath Tagore Ray considered this sesnitively realised drama one of his finest achievements. Nayak (Aka: The Hero) (1966): This beautifully observed character study was one of Ray's earliest original screenplays. En route to an award ceremony a famous and egocentric Bengali movie star finds that he is compelled to re-evaluate his life after encountering a disapproving young journalist (Sharmila Tagore).
Shankar (Manoj Kumar) his lovely wife Geeta and Deepak are a poor but happy family. When tragedy strikes Geeta is killed and a traumatised Deepak loses the ability to speak. Shankar will stop at nothing to raise the money for the surgical operation that may cure his son...
The 2001 romantic Bollywood drama Kabhi Khushi Kabhie Gham ("Happiness and Tears") proved to be even more successful than Kuch Kuch Hota Hai, the highest-grossing Indian film of all time and one which was also directed by Karan Johar. Starring veteran actor Amitabh Bachchan and wife Jaya, this tells the story of an Indian family who live in palatial comfort but who are riven when the eldest, adopted son Rahul marries Anjali (Kajol) a feisty and attractive woman but whose "lower breeding" causes his father to disapprove of her. Breaking his mother's heart, Rahul moves to Britain with Anjali before younger brother Rohan tries to go after him and end 10 years of estrangement to reunite the family. Kabhi Khushi Kabhie Gham is packed with contemporary trappings and production values but is in every way a traditional and generic Hindi movie. Those new to Bollywood might be disconcerted by some of the fashion statements or the mixture of drawn-out, lachrymose melodrama and slightly overplayed comedy-romantic interplay between Rahul and Anjali. There are also some scenes around Leicester Square and Westminster that are almost insulting in their stereotyping of hot, swinging London. However, K3G--as it has become affectionately known--is a riot of joyful colour, music and choreography (an embarrassing version of "It's Raining Men" is an exception). This is not a crossover movie, perhaps but a sumptuous treat for Bollywood fans. On the DVD: an anamorphic widescreen presentation with impeccable definition. However there are no special features, apart from subtitles. --David Stubbs
A story of forbidden love which resurfaces as adultery in an uncompromising society...
A story of a love beyond all else - even life. The saga of a man called Devdas who loved Paro since they were children. But after he broke her heart she married someone else and he turned to drink.
Set in the mid '50s Ray's often humorous story of conflicting social values in India's lower-middle class stars Madhabi Mukherjee as a housewife whose growing independence alarms her traditionalist family.
Fiza is on the edge hoping that her brother Amaan who has been missing for nearly six years will return home some day. Nishalbi the widowed mother of Fiza and Amaan is more then optimistic that happiness will once again re-enter her little home. The mother and daughter strive to lead their lives normally but are always living with the question 'Where is Amaan?' Refusing to come to terms with his growing absence and after making every effort to trace him Fiza sets out to determ
Badki and Chutki live a fun-filled life in Banaras playing pranks sneaking off to see a forbidden mujra and soaking up all the excitement that goes on the ghats of the Ganga. When things get bad Badki decides to go to Mumbai and seek a living for the family. Alone and unsupported in the midst of the urban jungle of Mumbai Badki battles with dark forces keeping her focus on her purpose to support her family and continue Chutki's education. She deliberately morphs into someone else leading a secret life full of murky compromises. When Chutki comes to Mumbai to work things take a dramatic turn. Badki's life turns into a minefield as she has to hide her secrets from Chutki. Badki finds the magic of love but lets it slip away before it can blossom as she believes it's not in her destiny. She battles menace and blackmail alone not letting these dark shadows fall on Chutki or her family. But her dual life is revealed and the two sisters are face to face in a confrontation neither had expected. Everything threatens to explode in their faces destroying all of them.
Janaki a hardworking and caring orphan does anything to educate her young sister Lalita. Janaki used to love Ram who had gone away for further education. While he was away Janaki looked after his mother. However when Ram returned he and Lalita fell in love but Ram's mother fixes Janaki's wedding with him. Janaki all excited tells her sister. Lalita gets a shock but does not want to hurt her sister with the truth therefore sacrifices her love and marries Kamesh and leaves the vil
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