Lola Montès is a visually ravishing, narratively daring dramatization of the life of the notorious courtesan and showgirl, played by Martine Carol. With his customary cinematographic flourish and, for the first time, vibrant colour, Max Ophuls charts Montès's scandalous past through the bombastic ringmaster (Peter Ustinov) of the American circus where she ends up performing. Ophuls's final film, Lola Montès is at once a magnificent romantic melodrama, a meditation on the lurid fascination with celebrity, and a meticulous, one-of-a-kind movie spectacle. Special Features: New, restored high-definition digital transfer, with uncompressed stereo soundtrack on the Blu-ray edition Audio commentary featuring Max Ophuls scholar Susan White Max Ophuls ou le plaisir de tourner, a 1965 episode of the French television program Cinéastes de notre temps, featuring interviews with many of Ophuls's collaborators Max by Marcel, a new documentary by Marcel Ophuls about his father and the making of Lola Montès Silent footage of actress Martine Carol demonstrating the various glamorous hairstyles in Lola Montès Theatrical rerelease trailer from Rialto Pictures New and improved English subtitle translation PLUS: A booklet featuring an essay by film critic Gary Giddins
It was her vanity that destroyed her... In the Paris of the early 20th century Louise wife of a general sells the earrings his husband gave her: she desperately needs money for a gambling debt. As the general should not know during an opera she acts as she had lost them. When the resulting fuss in Paris frightens the local jeweler he tells the truth to the general. The general secretly buys the earrings back and with disdain for his wife gives them to his mistress Lola. Lola sells the trinket to an Italian diplomat Baron Donati who buys them to impress his mistress back in Paris Louise... Ophuls camera glides with seemingly effortless elegance in this visually dazzling masterpiece which renowned film critic Andrew Sarris described as ""the most perfect film ever made.""
Becker's dark, offbeat comedy about a failing marriage stars Daniel Gélin as Ãdouard, a poor pianist married to Caroline (Anne Vernon), a beautiful girl from a middle-class family. Caroline's uncle Claude (Jean Galland), a complete snob who looks down on Ãdouard like the rest of his family, invites the couple to a party at which he is expected to play for his supper in front of Claude's important friends. Add the fact that Claude's son Alain (Jacques Francois) is in love with Caroline and this evening is destined for disaster.
Rare is the film in movie-history that can announce the entire movement of it's 'plot' with its title alone. But Pialat's second feature Nous Ne Viellirons Pas Ensemble does exactly that encapsulating all the turmoil and the final end-point of a couple who among themselves once made a commitment - and living together will come to make another one yet. Jean (Jeane Yanne of Godard's Weekend) and Catherine (Marlene Jobert of Godard's Masculin Feminin) are the couple whose every move charts an advancement deeper into an emotional warzone. Theirs is the classic and the tragic case of an emotional abuse centered around a perplexing but powerful interdependency. At last the point arrives that determines the relationship with all its weekend holidays its apologies and submissions can go no further - and in a final shot of genius Pialat discloses all the ways in which the future might be at once liberated and enslaved by the past. Based on a novel by Pialat himself and on the trauma of his own personal life in the years leading up to the film Nous Ne Viellirons Pas Ensemble was a smash-hit at the time of its release - and yet is arguably one of the most upsetting films ever made.
Becker's dark, offbeat comedy about a failing marriage stars Daniel Gélin as Ãdouard, a poor pianist married to Caroline (Anne Vernon), a beautiful girl from a middle-class family. Caroline's uncle Claude (Jean Galland), a complete snob who looks down on Ãdouard like the rest of his family, invites the couple to a party at which he is expected to play for his supper in front of Claude's important friends. Add the fact that Claude's son Alain (Jacques Francois) is in love with Caroline and this evening is destined for disaster.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy