Sebastian (Jean-Pierre Kalfon, Weekend) is staging an adaptation of Racine's tragedy, Andromaque while a film crew captures their rehearsals on handheld 16mm. The production's star and Sebastian's girlfriend, Claire (Bulle Ogier, Out 1), cannot take the pressure and removes herself. Life imitates art, creating a tragedy for the couple when Sebastian recasts the role with his ex. L'amour fou is a hypnotic study of tempestuous love, told with director Jacques Rivette's signature reflexivity and containing striking examinations of performance, art, theatre and life. A classic of the French New Wave and one of Rivette's most radical works, L'amour fou was unavailable for years, with the original elements tragically burned in a fire. Now meticulously restored, Radiance Films is proud to present this masterpiece from a new 4K restoration.'In my opinion - and I think it will be shared by many - this is one of the five or six best films of the New Wave.' - François Truffaut'L'amour fou is still my favourite film.' - Bulle Ogier'The work of a rebel, of an artist seeking to smash the codes and clichés of the 'normal' productions of the time.' - Jean-Pierre Kalfon'L'amour fou, is cinema without formal precedent. As with all great films, it feels like watching the birth of cinema, seeing the first ever film, and also the last.' - André S. Labarthe'A filmmaker sets up his camera and, above all, watches the actors, with no concern for characters or respect for a preestablished scenario. I'd like to draw inspiration from this. I'd like to grasp the personality of my actors and make cinéma vérité - Bernardo Bertolucci'L'amour Fou speaks to those who are madly in love with cinema.' - Jean De Baroncelli, Le Monde, 1969'One of Rivette's best films.' - Serge Daney, Libération 1991Product FeaturesLIMITED EDITION BLU-RAY SPECIAL FEATURES:4K restoration from materials kept at Les Archives du Film and in Ãclair-Preservation, under the supervision of Caroline ChampetierUncompressed mono PCM audioA newly filmed feature-length documentary featuring new interviews with star Jean-Pierre Kalfon; writer/director and Rivette collaborator Pascal Bonitzer; Rivette biographer Antoine de Baecque; critic/historian Sylvie Pierre; and archival footage of Jacques Rivette (Robert Fischer, 2024, 95 mins)New interview with Caroline Champetier, renowned cinematographer and restoration supervisor (2024)The Third Eye - A video essay by film critics Cristina Ãlvarez López and Adrian Martin (2024)Newly translated English subtitles Reversible sleeve featuring original and newly commissioned artwork Limited edition booklet featuring new writing by Jessica Felrice and archival writings by Véronique Manniez-Rivette, an archival interview with Jacques Rivette and images of the director's notesLimited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
All eight episodes from the fourth season of Olivier Marchal's French police thriller. The series follows a group of police officers led by Eddy Caplan (Jean-Hugues Anglade) who use violent and unorthodox methods in their criminal investigations. When this is brought to the attention of Internal Affairs, the department is faced with the difficult and dangerous task of exposing the group's methods and putting a stop to them.
The Saddle Club: Vol.2
Jealousy, vengeance, obsession, cannibalism, and blood-drinking collide in Fascination, director Jean Rollin's decadent fantasy of sex and death. When a thief holes up in a remote château, taking two beautiful chambermaids' hostage, the arrival of his accomplices and the château's aristocratic owners leads to an orgy of violence and ritualistic bloodletting. With its standout performance from Brigitte Lahaie (The Night of the Hunted), as the scythe-wielding Eva, and an evocative score from Philippe D'Aram (The Living Dead Girl), Fascination is one of the purest expressions of Rollin's unique fantastique aesthetic. Product Features INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES New 4K restoration from the original negative by Powerhouse Films Original French mono soundtrack Audio commentary with Sylvia Kristel: From 'Emmanuelle' to Chabrol author Jeremy Richey (2023) Jean Rollin Introduces 'Fascination' (1998): filmed appraisal Rituals (2023): updated documentary on the making of Fascination by Rollin's personal assistant, Daniel Gouyette, including interviews with key collaborators Natalie Perrey and Brigitte Lahaie The Music of 'Fascination' (2023): new presentation of an interview with composer Philippe D'Aram Newly edited archival interview with assistant director Natalie Perrey (2023) Critical appreciation by the author and film historian Virginie Sélavy (2023) Alternative sequences: two extended sex scenes Original theatrical trailer Image galleries: promotional and publicity material, and behind the scenes Virgins and Vampires (1999): documentary on Rollin, produced and directed by Andy Starke and Pete Tombs, featuring contributions from actors Monica Swinn and Brigitte Lahaie, Nigel Wingrove of Redemption Films, and Rollin New and improved English translation subtitles Limited edition exclusive 80-page book with a new essay by Vanessa Morgan, an archival introduction by Jean Rollin, a previously untranslated archival interview with Rollin, an archival interview with actor Fanny Magier, critic Daniel Bird on the film's soundtrack, and full film credits Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
This loving farce from FRANÃOIS TRUFFAUT (Jules and Jim) about the joys and turbulence of moviemaking is one of his most beloved films. Truffaut himself appears as the harried director of a frivolous melodrama, the shooting of which is plagued by the whims of a neurotic actor (The 400 Blows' JEAN-PIERRE LÃAUD); an aging but still forceful Italian diva (Juliet of the Spirits' VALENTINA CORTESE); and a British ingénue haunted by personal scandal (Bullitt's JACQUELINE BISSET). An irreverent paean to the prosaic craft of cinema as well as a delightful human comedy about the pitfalls of love and sex, Day for Night is buoyed by robust performances and a sparkling score by the legendary GEORGES DELERUE (Contempt). Bonus Features: New 2K digital restoration, with uncompressed monaural soundtrack New visual essay by filmmaker :: kogonada New interview with cinematographer Pierre-William Glenn New interview with film scholar Dudley Andrew Documentary on the film from 2003, featuring film scholar Annette Insdorf Archival interviews with director François Truffaut; editor Yann Dedet; and actors Jean-Pierre Aumont, Nathalie Baye, Jacqueline Bisset, Dani, and Bernard Menez Television footage of Truffaut on the film's set in 1972 Trailer New English subtitle translation PLUS: An essay by critic David Cairns Click Images to Enlarge
You wouldn't think that a movie, which mostly consists of two old guys talking could be a thriller, but that's exactly what L'Homme du Train is. French singer Johnny Hallyday plays a professional criminal who comes to a small town to take part in a robbery. By chance, he meets talkative Jean Rochefort, who invites the laconic Hallyday to stay at his house because the hotel is closed. The two form an unlikely friendship, each curious about (and envious of) the other's life. But all the while plans for the robbery continue, while Rochefort is preparing for a dangerous event of his own. The pitch-perfect performances make L'Homme du Train completely involving. Rochefort and Hallyday play off of each other beautifully; it's impossible to put your finger on what makes these subtle, supple scenes so magnetic. The whole is directed with spare authority by Patrice Leconte (La Veuve de Saint-Pierre). --Bret Fetzer
In Frank Capra's bright, funny and beautifully paced satire Mr Smith Goes to Washington political heavyweights decide that Jefferson Smith (James Stewart), an obscure scoutmaster in a small town, would be the perfect dupe to fill a vacant US Senate chair. Surely this naïve bumpkin can be easily controlled by the senior senator (Claude Rains) from his state, a respectable yet corrupted career politician. Capra fills the film with Smith's wide-eyed wonder at the glories of Washington, all of which ring false for his cynical secretary (Jean Arthur) who doesn't believe for a minute this rube could be for real. But he is. Capra was repeating the formula of a previous film, Mr Deeds Goes to Town, but this one is even sharper. Stewart and Arthur are brilliant, and the former cowboy-star Harry Carey lends a warm presence to the role of the vice-president. Mr Smith Goes to Washington is Capra's ode to the power of innocence--an idea so potent that present-day audiences may find themselves wishing for a new Mr Smith in the halls of power. The 1939 US Congress was none too thrilled about the film's depiction of their august body, denouncing it as a caricature; but even today, Capra's jibes about vested interests and political machines look as accurate as ever. --Robert Horton, Amazon.com
BBC comedy series from 1984 about a 15 year old boy and his dreams to play for his beloved Liverpool F.C. Adapted by Alan Bleasdale from the two novels 'Scully '(1975) and 'Who's Been Sleeping In My Bed' the show regularly features Kenny Dalglish and other several other famous Liverpool players.
An opportunity to own 2 great films written and directed by Chris Marker. La Jetee: A unique piece of film making that became the inspiration for Terry Gillian's futuristic adventure '12 Monkeys'. Sans Soleil: Director Chris Marker takes the viewer into a different dimension weaving footage from Japan Africa Iceland France and the USA to produce a study of 'the dreams of the human race'.
This CinemaScope treatment of Frank Loesser's hit Broadway musical Guys and Dolls is a deeply rewarding visual and musical experience. Frank Sinatra turns in one of his best screen performances running a close second to Marlon Brando and Jean Simmons, looking adorable and singing sweetly. In essence this is a piece of photographed theatre mounted on a handsome scale. The striking set designs and a brilliantly executed soundtrack are courtesy of two Broadway craftsmen Oliver Smith and conductor Jay Blackton. Photographer Harry Stradling brings a meticulous eye for detail when his camera stationed on the auditorium side of the frame, peers into Miss Adelaide's bathroom cupboard as she views the lines of medicine bottles in her celebrated "lament". Sinatra, in his vocal prime, sings a new number to Adelaide (Vivian Blaine)--arranged by Nelson Riddle--and Brando and Simmons strike chords in all their scenes from their opening duet "I'll Know" through to their evening out at a Havana bistro where she gets pie-eyed on a Bacardi milk-shake, tipsily wondering "If I were a Bell". Stubby Kaye also from the Broadway cast recreates the show-stopping "Sit Down You're Rockin' the Boat". Michael Kidd's choreography for "Luck Be a Lady" is razor-sharp and superbly captured in the CinemaScope format, though the formalised staging of the opening ought to have been rethought for this medium. The biggest pity is that Loesser amended some of his lyrics and replaced several tunes from his original score with inferior material. On the DVD: The DVD trailer hosted by Ed Sullivan makes much of the $1,000,000 cheque producer Samuel Goldwyn paid for the rights and the previews of the picture he obtained for his weekly television show. There's no denying that the remastered stereophonic soundtrack captures the Broadway sound to thrilling effect without it being overglamorised. The picture looks splendid too--never settle for the compromise version we've endured all these years on television! --Adrian Edwards
Roger Vadim's directorial debut And God Created Woman is more titillation than continental cool, but it broke box-office records and censorship taboos in its teasing display of sex and eroticism in the sunny vacation playground of the Saint-Tropez seashore. Vadim ushered in the era of continental attitudes toward sex and christened the voluptuous Brigitte Bardot (his wife) the world's original sex kitten: earthy, innocent, and all fleshy curves. Bardot is Juliette, a pouty child-woman orphan prone to nude sunbathing and playful flirting. Though pursued by a rich widower (Curt Jurgens) and attracted to the brawny fisherman Antoine (Christian Marquand), she marries Antoine's shy younger brother Michel (Jean-Louis Trintignant), an earnest, innocent kid hardly older than she but far less worldly. Despite her sincere efforts to "be good," Juliette gives in to Michel's advances, setting off a chain of events that ends in fraternal conflict. Vadim keeps the display of skin this side of an R rating, but only barely, teasing the male audience with skimpy outfits, barely concealing sheets, and often conveniently arranged scenery. Bohemian Bardot frolics through the film with nary a self-conscious moment, culminating in a passionate mambo, her pent-up frustration and sexual confusion exploding in a mad dance as bongos pound away on the soundtrack. Who needed Viagra in the '50s when Bardot was around? --Sean Axmaker
Tommy Steele heads an exceptional line-up of pop talent in this highly successful comedy musical from the early 1960s. Featuring John Barry, Russ Conway, Marion Ryan, Geoff Love and Shane Fenton & the Fentones, It's All Happening is presented here as a High Definition transfer from original film elements in its original theatrical aspect ratio. Billy Bowles is unlucky in both love and work. An orphan himself, the news that the orphanage he visits is in danger of being closed prompts him to set up a star-studded benefit concert - with unforeseen results! Special Features: Theatrical trailer Image gallery PDF material
A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.
Pierro escapes his boring society and travels from Paris to the Mediterian Sea with Marianne a girl who is chased by hit-men from Algeria. They lead a unortodox live always on the run.
Too often overlooked and undervalued, Claude Chabrol was the first of the Cahiers du Cinema critics to release a feature film and would be among the most prolific. The sneaky anarchist of the French New Wave, he embraced genre as a means of lifting the lid on human nature. Nothing is sacred and nothing is certain in the films of Claude Chabrol: anything can be corrupted, and usually will be. The hidden meaness of provincial life is at the heart of Cop Au Vin (Poulet au vinaigre), as deaths and disappearances intersect around the attempt by a corrupt syndicate of property developers to force a disabled woman and her son from their home. Actor Jean Poiret would prove so compelling as the laconic Detective Inspector Lavardin good cop/bad cop all in one that the sequel would be titled after him. Inspector Lavardin sees the titular detective investigating the murder of a wealthy and respected catholic author, renowned for his outspoken views against indecency, whose body is found naked and dead on the beach. In Madame Bovary, Chabrol directs one of his greatest collaborators, actress Isabelle Huppert, in perhaps the definitive depiction of Flaubert's classic heroine. Meanwhile Betty, adapted from the novel of the same name by Maigret author Georges Simenon, is a scathing attack on the uppermiddle classes, featuring an extraordinary performance by Marie Trintignant as a woman spiraling into alcoholism, but fighting to redefine herself. Finally, in Torment (L'enfer) Chabrol picks up a project abandoned by Henri Georges Clouzot, in which a husband's jealousy and suspicion of his wife drive him to appalling extremes. Francois Cluzet and Emmanuelle Beart give career best performances as the husband and wife tearing each other apart. With brand new digital restorations, this inaugural Arrow Video collection of Claude Chabrol on Bluray brings together a wealth of passionate contributors and archival extras to shed fresh light on the films and the filmmaker. Dark, witty, ruthless, mischievous: if you've never seen Chabrol before, you're in for a treat. If you have, they've never looked better. Limited Edition Contents: High definition (1080p) Bluray presentations of all five films New 4K restorations of Madame Bovary, Betty, and Torment (L'enfer) Original lossless French PCM mono audio on Cop Au Vin (Poulet au vinaigre), Inspector Lavardin, Madame Bovary, and Betty Original lossless French PCM stereo audio on Torment (L'enfer) Optional English Subtitles Fully illustrated 80page collector's booklet of new writing on the films by film critics Martyn Conterio, Kat Ellinger, Philip Kemp, and Sam Wigley plus select archival material Limited edition packaging featuring newly commissioned artwork by Tony Stella Disc One: Brand new commentary by film critic Ben Sachs An Interview with Ian Christie, a brand new interview with film historian Ian Christie about the cinema of Claude Chabrol Claude Chabrol at the BFI, Chabrol discusses his career in this hour long archival interview conducted onstage at the National Film Theatre in 1994 Claude Chabrol, Jean Poiret & Stephane Audran in conversation, an archival Swiss TV episode in which the director and cast discuss Cop Au Vin (Poulet au vinaigre) Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Two: Brand new commentary by film critic Ben Sachs Why Chabrol?, a brand new interview with film critic Sam Wigley about why the films of Claude Chabrol remain essential viewing Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Three: Brand new commentary by film critic Kat Ellinger Imagining Emma: Madame Bovary on screen, a brand new visual essay by film historian Pamela Hutchinson Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Four: Brand new commentary by film critic Kat Ellinger Betty, from Simenon to Chabrol, a brand new visual essay by French Cinema historian Ginette Vincendeau An Interview with Ros Schwartz, a brand new interview with the English translator of the Georges Simenon novel on which the film is based Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Five: Brand new commentary by film critics Alexandra HellerNicholas and Josh Nelson On Henri Georges Clouzot, an archival interview with Claude Chabrol in which he talks about fellow director Henri Georges Clouzot (Les diaboliques), whose original attempt to make L'enfer was abandoned, and how the project came to Chabrol An Interview with Marin Karmitz, an archival interview with Marin Karmitz, Chabrol's most frequent producer Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery
Hollywood 1927. George Valentin is a silent movie superstar. The advent of the talkies will sound the death knell for his career. For extra Peppy Miller, major movie stardom awaits. THE ARTIST tells the story of their interlinked destinies.
An extraordinarily racy movie for its time, The Wicked Lady was and still is as notable for its acres of heaving bosom as for its radical challenge to female stereotypes. This bodice-ripper about a bored aristocratic woman who turns highwayman just for kicks became a huge box-office success in post-war Britain, but Margaret Lockwood's eloquent bust proved a bit too expressive for Hollywood, so the film was expensively reshot for a sanitised US release. (From 1945 right up to Janet Jackson at the 2004 Superbowl, American audiences apparently have an enduring problem with those prominent parts of the female anatomy). This is the definitive Gainsborough picture, a period romp crammed with cads, in which the camera gazes lasciviously down (it's all shot from a male eyelevel) at the low-cut ladies' dresses. But this time the female anti-heroine gives as good as she gets... and then some. Lockwood's Lady Barbara Skelton is quite gleefully amoral--more so even than Thackeray's arch-manipulator Becky Sharp from Vanity Fair--failing even to pay lip service to the moral standards of the 1940s, let alone those of the 17th century. It is she who wears the trousers (quite literally, in her highwayman guise) while the weak-chinned and weak-willed men around her crumble under the weight of their conventionality. Only James Mason's handsome dandy highwayman can keep up with her, but even he has to draw the line somewhere. Ultimately, social mores reassert their grip and Lady Barbara gets her comeuppance, but not before she's overturned every contemporary movie convention about femininity. "She was the wickedest woman ever seen on the screen", trumpets the original theatrical trailer on this otherwise bare-bones DVD release: it's still probably true even today. --Mark Walker
Francois Truffaut's semi-autobiographical first feature stars Jean-Pierre Léaud as Antoine Doinel an unruly young Parisian whose unhappiness leads him into trouble. Frequently running away from school and home Antoine spends much of his time playing with his friends on the streets of the city; but events take a more serious turn when an accusation of plagiarism leads him to quit school and the theft of a typewriter lands him in trouble with the police.
A dark realistic cop series from world-famous filmmaker and former police office Olivier Marchal. Braquo (slang for Heist) follows a squad of Paris cops who exist in the blurred boundaries at the very edge of the law, often using violence and intimidation to get the job done. The lives of these officers change radically when their squad leader, falsely accused of corruption, commits suicide.Determined to clear his name they start an investigation of their own, only to find that the police department itself stands in their way.Driven by adrenaline and a thirst for justice, they must turn their backs on the laws they're sworn to enforce if they are to uncover the truth. Facing constant danger from all sides - and with the two most likely outcomes being imprisonment or death - the stakes couldn't be higher, but that merely serves to crank up the tension in this acclaimed series.
Out 1 is one of the crowning achievements of Jacques Rivette s remarkable career. Conceived as a television mini-series, this near-thirteen-hour monolith consists of eight feature-length episodes revolving around two theatre troupes, blackmail and conspiracy. Multiple characters introduce multiple plotlines, weaving a rich tapestry across an epic runtime. Rivette, in many ways the most radical of the French New Wave founders, here presents a film unlike any other, which eschews a script, includes references to Honoré de Balzac and Lewis Carroll, features cameos from Eric Rohmer and Barbet Schroeder, and stars icons from the New Wave including Jean-Pierre Leaud, Juliet Berto, Bulle Ogier, Michael Lonsdale and Bernadette Lafont. Leaud plays a deaf-mute who receives a clue which connects him to a group who may or may not be conspirators in a plot, stories intertwine and identities blur, as Rivette guides us through one of his most hypnotic and dazzling works. The holy grail of French cinema, Jacques Rivette's magnum opus had been nigh on impossible to see until the new restoration presented here. Screened just once in 1971 as Out 1: Noli me tangere, before being re-edited as as Out 1: Spectre, to acknowledge it's shadow-like nature, both versions are presented in this boxed-set, fully restored and with English subtitles. Special Features: High Definition Blu-ray (1080p) presentation from 2K restorations of both versions, supervised by cinematographer Pierre-William Glenn Original uncompressed mono PCM audio Optional English subtitles The Mysteries of Paris: Jacques Rivette s Out 1 Revisited a feature length documentary by Robert Fischer and Wilfried Reichart containing interviews with actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchalgadjieff, as well as rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye, and director Jacques Rivette
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