A marriage that has fallen on hard times is further tested by the couple's implication in a murder. Jenny Lamour (Suzy Delair) is a music hall chanteuse married to her pianist husband Maurice (Bernard Blier). Keen to get ahead, Jenny leaps at the chance when an ageing wealthy businessman (Charles Dullin) offers her the chance of some gigs. However, when she agrees to a meeting at his home and he is found dead later in the evening - Maurice's untamed jealousy is in the frame. A Maigret-esque detective, Antoine, played by Louis Jouvet leaves no stone unturned in his exceedingly private investigations of the down-at-heel showbiz couple's sad, tempestuous life. Features: The Criminal Apogee Of Henri Georges Clouzot
British Secret Service agent John Rennie becomes a liability to the Agency after a harrowing mission in Argentina. His ex-wife and children receive death threats and marked for murder he returns to Argentina with a plan that will either protect his family and the woman he loves or destroy them.
A powerful adaptation of Guy de Maupassant's first novel 'Une vie', A Woman's Life is a timeless story of love, betrayal and anguish set in the repressive patriarchal world of early 19th century Normandy. Jeanne (Judith Chemla) is a young woman full of childish dreams and innocence when she returns home after finishing her schooling in a convent. Yet little by little her illusions are stripped away when she marries a local Viscount, Julien de Lamare (Swann Arlaud), who reveals himself to be a miserly and adulterous partner. This poignant period drama from French director Stéphane Brizé (The Measure of a Man) has impressed audiences and critics alike with its tragic tone and striking performances. The film competed at the 73rd Venice Film Festival, where it won the Fipresci Prize for Best Film in competition, and now comes to UK audiences in a Blu-ray special edition that includes a selection of fascinating extra features. Features: High Definition Blu-ray (1080p) presentation Original 5.1 DTS-HD Master Audio Optional English subtitles From the Novel to the Film, by Stéphane Brizé, a featurette in which the director talks about adapting Maupassant's work Making A Woman's Life, interviews with cinematographer Antoine Litslé, and sound engineer Pascal Jammes Stills gallery Original trailer Reversible sleeve featuring original French poster art and newly commissioned UK artwork FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Margaret Deriaz
Stolen Kisses reunites François Truffaut and Jean-Pierre Léaud to catch up with Truffaut's cinematic alter ego, Antoine Doinel, the troubled adolescent of The 400 Blows. Stolen Kisses opens with the now-grown Doinel sprung from military prison with a dishonourable discharge, drawn directly from Truffaut's own history of delinquency, but the parallels end there. Lovesick Doinel woos the perky but unresponsive object of his affections, Christine (Claude Jade) while he engages in a series of professions--hotel night-watchman, private investigator, TV repairman--with mixed success and comic entanglements. But when he falls in love with the elegant wife of his client (Delphine Seyrig at her most beautiful and charming), Christine realises she misses Antoine's persistence and clumsy passes, so she embarks on a seductive plan of her own. Truffaut's comic confection is full of deadpan gags and screwball chaos, a world away from the heavy seriousness of The 400 Blows, and Léaud is endearingly naive as the determined Doinel, forging ahead with more pluck and passion than aptitude. It may be Truffaut's most sweetly romantic film, a knowing man's embrace of eager innocence and storybook sentiment. Doinel returned two years later in Bed and Board. --Sean Axmaker
Michele (Ariane Ascaride) works nights in a fish market to finance her daughter's heroin addiction. When that's not enough she sells her body to Paul (Jean-Pierre Darroussin) a striking docker who has turned his back on the cause to become a cabbie. Her supplier is Gerard (Gerard Meylan) a bar owner with a lucrative sideline in contract killing. His latest target is Claude (Pierre Banderet) a wealthy snob whose wife is so disgusted by him she takes up with an ex-convict. Frenc
The last instalment of the Antoine Doinel story Love On The Run sees Antoine and his wife Christine in the final stages of their divorce after five years together. When he by chance meets up with his first love Collette they reminisce on his past relationships including his infidelities and Antoine realises that he wants to share his life with his new love Sabine.
Praised by film-makers (Akira Kurosawa called it One of the most beautiful films that I have ever seen) and critics the world over Truffaut's 400 Blows launched the Nouvelle Vague and paved the way for some of cinema's most important and influential directors. Twelve-year-old Antoine Doinel has troubles at home and at school. Ignored and neglected by his parents his relationship with his mother is further strained when he discovers that she has taken a secret lover. Added to this his school teachers have written him off as a troublemaker and with luck seemingly never on his side it is Antoine who ends up getting the blame for bad behaviour. Finding refuge only in his love of cinema Antoine soon finds it necessary to break free and discover what the world can offer outside of the confines of his everyday life. This remarkable film features the extraordinary talent of Jean-Pierre Leaud as the rebellious Antoine a character based on Truffaut himself. Antoine Doinel was to make appearances in a number of Truffaut's films (including 'Stolen Kisses' 'Bed and Board' and 'Love on the Run') all of which chart his further adventures into adulthood.
Robert Altman's much-anticipated broadside at the world of fashion, Pret A Porter is a disappointment. The film's crazy-quilt Nashville-like narrative structure and ensemble casting (Julia Roberts, Tim Robbins, Lauren Bacall, Marcello Mastroianni, Sophia Loren) are a thing to behold, but the story's many interlocking pieces lack overall depth and resonating emotion. There is a grand, satiric statement about fashion and society at the end of the film, and there are hints of an aging, nostalgic filmmaker's scepticism about our post-modern world of short-lived attachments and meanings. But watching this film is a long, long uphill climb, with a lot of thin air to endure before arriving at a destination. --Tom Keogh, Amazon.com
Le Dernier Combat (1983) finds Luc Besson setting out his directorial convictions in vividly direct terms. He honours the French New Wave through spartan, documentary-style presentation and--save for possibly the two most meaningful "Bonjours" in cinema history--the total absence of dialogue, appropriate for a film in which devastation has robbed survivors of the power of speech. The action centres on Pierre Jolivet, good-guy in a society where vigilantism and subjugation are the primary tools of survival. Gladiatorially clad Jean Reno makes a characteristic showing as his ruthless opponent, while Jean Bouise is the taciturn doctor who comes to Jolivet's aid. Eric Serra offsets the chill austerity with a motley score of modernist clichés and easy listening soundbites. To be honest, there's little about this film that could be considered ground-breaking, but if a Mad Max scenario filtered through European surrealist sensibilities appeals, then Le Dernier Combat will make absorbing viewing. On the DVD Le Dernier Combat's 2.35:1 anamorphic widescreen picture has a suitably stark immediacy, enhanced by the surround sound option. There are no subtitles, hardly a stumbling block in this instance, and no special features apart from the chance to see trailers for two rather different Hollywood productions. There's no directorial commentary, which is a pity, as Besson's subsequent career has been an eventful one and it would have been good to hear him discuss it from the perspective of his first feature. --Richard Whitehouse
A Jean-Pierre Jeunet double-bill featuring Amelie and his latest effort A Very Long Engagement. A Very Long Engagement (2004): Never let go... From the director of 'Amelie' comes this very different love story. Set in France near the end of World War I it tells the story of a young woman's relentless moving and sometimes comic search for her fiance who has disappeared. Featuring another fantastic performance from Audrey Tautou this film has an amazing cast full o
In Claude Chabrol's La Ceremonie the wealthy Lelievre family live in a grand estate in the calm isolation of the French countryside. All that lacks in their lustrous lifestyle is the perfect maid who they believe to have found in the shy and recalcitrant Sophie (Sandrine Bonnaire). The match seems to be perfect and Sophie proves to be ""a bit bizarre but a real pearl"" according to Madame Lelievre (Jacqueline Bisset). Sophie remains distanced from the family and only comes out
They jumped into hell to save a part of heaven. A seaplane lands on the island of Talua to unload three criminals-including Harry (Frank Sinatra) plus a young priest Father Perreau (Kerwin Mathews) who has come to succeed aging irascible Father Doonan (Spencer Tracy). When an earthquake and volcanic eruption strike Talua Father Doonan persuades Harry to parachute with him into the mountains on a daring rescue to an isolated hospital. The party-mostly children - is menaced
Includes the classic Bunuel films Belle De Jour Diary Of A Chambermaid and The Milky Way. Belle De Jour Bunuel's wryly disturbing tale of a virginal bourgeois newlywed prone to erotic flights of fancy who works the day-shift in a Parisian brothel unbeknownst to her patient husband... Diary Of A Chambermaid Luis Bunuel's sharp unrelenting remake of Jean Renoir's 1946 film concerns fascism in 1939 France and how the bourgeoisie are viewed by maid Celestine (Jeanne Moreau) who stirs the desires of her new household and neighbours... The Milky Way Two men making a religious pilgrimage through France form the basis for string of lucid Luis Bunuel 'jokes' parables and surrealistic visions. Heretical funny and haunting...
In a Paris occupied by the Germans, the worker poet Missak Manouchian becomes the leader of a group of very young Jews, Hungarians, Poles, Romanians, Spaniards, Italians, and Armenians determined to fight for Human Rights.
Clint Eastwood held the dual role of director and star of this 1975 spy thriller, which makes up for sluggish pacing with a breathtaking climax on a treacherous peak in the Swiss Alps. The plot kicks into gear when Eastwood, playing a retired assassin, is recruited back into a secret organisation to avenge the murder of an old friend. He's then blackmailed into making a second "hit"; this time his target is one of three men who will be attempting to conquer the Eiger, a dangerous peak in Switzerland. An accomplished climber, Eastwood's character joins the expedition with George Kennedy as leader of the ground crew. Shifting loyalties, apparent betrayals, and paranoid suspicion factor into the suspenseful climax on the sheer face of the mountain. This memorable sequence--for which Eastwood performed his own mountain-climbing stunts--is effectively intense, built on a standard plot of double-cross and intrigue that was intended to combine Eastwood's screen persona with the global adventure of the James Bond films. For the most part it works--it's not one of Eastwood's better films, but it's got some first-class thrills (and a sly performance by Jack Cassidy) to grab and hold your interest. --Jeff Shannon, Amazon.com
Jacques Demy's haunting romantic musical is an enchanting, one-of-a-kind musical experience. It's basically a movie operetta, in which the characters sing all the dialogue (or, rather, lyrics--by director Demy) to Michel Legrand's lovely score. The story spans five years (1957-1962) in the life of Geneviéve (the ethereally beautiful Catherine Deneuve in the role that launched her to international stardom), the teenage daughter of a woman who owns a Cherbourg umbrella shop. After Geneviéve's boyfriend Guy (Nino Castelnuovo) is drafted and sent off to Algeria, she discovers she's pregnant and complications ensue. With its dazzling candy-coloured palette, The Umbrellas of Cherbourg looks sweet and dreamy. Restored and re-released in 1995 to rapturous acclaim and the renewed delight of all who got the chance to see it. The video release is taken from the restored version. --Jim Emerson, Amazon.com
Contains three films by Jean Luc Godard: ALPHAVILLE UNE FEMME EST UNE FEMME and LE PETIT SOLDAT.ALPHAVILLE:With 1965's ALPHAVILLE--part sci-fi action film part noir thriller--the acclaimed French New Wave director Jean-Luc Godard achieves a stunningly clinical futurism using absolutely no special visual effects. The result is a moving original film that with its abstract political and intellectual themes essentially redefines the apocalyptic science fiction genre. ALPHAVILLE clearly the product of one of cinema's greatest contributors is nothing less than a bona fide cult classic.UNE FEMME EST UNE FEMME:Godard pays tribute to American musicals in much the same way that his debut feature A BOUT DE SOUFFLE did to American gangster films. The story follows the beautiful Angela (Anna Karina) a strip-tease artist who wants nothing more than to have a baby. Her live-in boyfriend Emile (Jean-Claude Brialy) doesn't want to refuse and risk sparking major friction between the two. However fed up with her constant pleading Emile finally suggests that she shack up with his best friend Alfred (Jean-Paul Belmondo) and much to Emile's dismay she eventually takes his advice. Godard's second feature employs jump cuts and jarring sound mixing--most notably during Karina's strip-tease performances. Godard is at his most affectionate and good-natured here. He also makes several cinematic in-jokes including one in which Belmondo's character mentions that he wants to hurry home to watch A BOUT DE SOUFFLE the film that turned Belmondo into a megastar just one year before. Featuring a magnetically cute performance from Karina who soon after the film became Godard's wife this loving romantic comedy is a dazzler.LE PETIT SOLDAT (1960):Michel Subor stars as Bruno a hitman under contract by the French government who suddenly develops a conscience and a philosophy when he is ordered to kill a left wing Arab leader. His newfound ideals are provoked by the stunning Veronica (Karina) a young woman who is secretly employed by the Arabs. The two fall in love and not surprisingly Bruno finds it impossible to carry out his mission bringing down the wrath of the French government on both he and Veronica. Beautifully filmed by Raoul Coutard LES PETIT SOLDAT is less interested in the mechanics of plot as it is in providing Godard a voice for thoughts and musings on the politics and horrors of the Algerian War. It was originally banned in France because of its frank depiction of torture during Algeria's war of Independence which was tearing France apart at the time of the film's completion.
Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene a teacher expecting her second child. In the afternoons Frederic daydreams about other women but has no intention of taking any action. One day Chloe who had been a mistress of an old friend begins dropping by his office. They meet as friends irregularly in the afternoons till eventually Chloe decides to seduce Frederic causing him a moral dilemma.
Looking For Hortense is a bittersweet comedie de moeurs that is French in spirit but universal in appeal. Damien (Jean-Pierre Bacri) a Chinese civilization professor lives with his partner Iva (Kristin Scott Thomas) a stage director and their son Noé. The couple's relationship has drifted into routine that has drained it of love. Damien finds himself trapped one day by Iva who orders him to ask his father a senior member of the French Council of State for help in preventing Zorica (Isabelle Carré) a woman Iva knows from being deported. But Damien and his father don't get on and are barely ever in touch with each other. This dangerous mission throws Damien into a spiral that will turn his life upside down.
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